Fantasy comedy or comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Typically set in imaginary worlds, fantasy comedy often involves puns on, and parodies of, other works of fantasy.
Fantasy comedy or comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Typically set in imaginary worlds, fantasy comedy often involves puns on, and parodies of, other works of fantasy.
The subgenre rose in the nineteenth century. Elements of fantasy comedy can be found in such nineteenth century works as some of Hans Christian Andersen's fairy tales, Charles Dickens' "Christmas Books", and Lewis Carroll's Alice books. [1] The first writer to specialize in the subgenre was "F. Anstey" in novels such as Vice Versa (1882), where magic disrupts Victorian society with humorous results. [1] Anstey's work was popular enough to inspire several imitations, including E. Nesbit's light-hearted children's fantasies, The Phoenix and the Carpet (1904) and The Story of the Amulet (1906). [1] The United States had several writers of fantasy comedy, including James Branch Cabell, whose satirical fantasy Jurgen, A Comedy of Justice (1919) was the subject of an unsuccessful prosecution for obscenity. [2] Another American writer in a similar vein was Thorne Smith, whose works (such as Topper and The Night Life of the Gods) were popular and influential, and often adapted for film and television. [3] Humorous fantasies narrated in a "gentleman's club" setting are common; they include John Kendrick Bangs' A Houseboat on the Styx (1895), Lord Dunsany's "Jorkens" stories, and Maurice Richardson's The Exploits of Englebrecht (1950). [4]
According to Lin Carter, T. H. White's works exemplify fantasy comedy, [5] L. Sprague de Camp and Fletcher Pratt's Harold Shea stories are early exemplars. The overwhelming bulk of de Camp's fantasy was comic. [6] Pratt and de Camp were among several contributors to Unknown Worlds , a pulp magazine which emphasized fantasy with a comedic element. The work of Fritz Leiber also appeared in Unknown Worlds, including his Fafhrd and the Gray Mouser stories, a jocose take on the sword and sorcery subgenre. [1]
In more modern times, Terry Pratchett's Discworld books, Piers Anthony's Xanth books, Robert Asprin's MythAdventures of Skeeve and Aahz books, and Tom Holt's books provide good examples, [1] as do many of the works by Christopher Moore. There are also comic-strips/graphic novels in the humorous fantasy genre, including Chuck Whelon's Pewfell series and the webcomics 8-Bit Theater and The Order of the Stick . Other authors of the genre in modern times include C.K. McDonnell, Jasper Fforde, Neil Gaiman, Robert Rankin, John Brosnan, Craig Shaw Gardner, David Lee Stone and Esther Freisner, as well as countless independent authors.
The subgenre has also been represented in television, such as in the television series I Dream of Jeannie , Kröd Mändoon . Examples on radio are the BBC's Hordes of the Things and ElvenQuest . Fantasy comedy films can either be parodies ( Monty Python and the Holy Grail ), comedies with fantastical elements ( Being John Malkovich, Barbie ) or animated ( Shrek ). It has also been used with fantasy as the primary genre and comedy as the secondary, as in the case of Jumanji: Welcome to the Jungle and it's 2019 sequel.
Lyon Sprague de Camp was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, both novels and works of non-fiction, including biographies of other fantasy authors. He was a major figure in science fiction in the 1930s and 1940s.
Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. The genre originated from the early-1930s works of Robert E. Howard. The term "sword and sorcery" was coined by Fritz Leiber in the 6 April 1961 issue of the fantasy fanzine Ancalagon, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
Science fiction comedy or comic science fiction is a subgenre of science fiction or science fantasy that exploits the science fiction genre's conventions for comedic effect. Comic science fiction often mocks or satirizes standard science fiction conventions, concepts and tropes – such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society.
Linwood Vrooman Carter was an American author of science fiction and fantasy, as well as an editor, poet and critic. He usually wrote as Lin Carter; known pseudonyms include H. P. Lowcraft and Grail Undwin. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series, which introduced readers to many overlooked classics of the fantasy genre.
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century.
Bangsian fantasy is a fantasy genre which concerns the use of the afterlife as the main setting within which its characters, who may be famous preexisting historical or fictional figures, act and interact. It is named for John Kendrick Bangs (1862–1922), who often wrote it.
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Works in which the marvels were not necessarily believed, or only half-believed, such as the European romances of chivalry and the tales of the Arabian Nights, slowly evolved into works with such traits. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
The Ballantine Adult Fantasy series was an imprint of American publisher Ballantine Books. Launched in 1969, the series reissued a number of works of fantasy literature which were out of print or dispersed in back issues of pulp magazines, in cheap paperback form—including works by authors such as James Branch Cabell, Lord Dunsany, Ernest Bramah, Hope Mirrlees, and William Morris. The series lasted until 1974.
The Swordsmen and Sorcerers' Guild of America or SAGA was an informal group of American fantasy authors active from the 1960s through the 1980s, noted for their contributions to the "Sword and Sorcery" kind of heroic fantasy, itself a subgenre of fantasy. When it developed a serious purpose that was to promote the popularity and respectability of Sword and Sorcery fiction.
Robert Paul Holdstock was an English novelist and author best known for his works of Celtic, Nordic, Gothic and Pictish fantasy literature, predominantly in the fantasy subgenre of mythic fiction.
Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy is a work of collective biography on the formative authors of the heroic fantasy genre by L. Sprague de Camp (1907–2000), first published in 1976 by Arkham House in an edition of 5,431 copies. Nine chapters (2–10) are revisions from a series of ten articles, also titled "Literary Swordsmen and Sorcerers," that initially appeared in the magazine Fantastic and the fanzine Amra between 1971 and 1976. A French edition was issued in May 2010 under the title Les pionniers de la fantasy, and an ebook edition was issued in June 2014 by Gateway/Orion.
Warlocks and Warriors is an anthology of fantasy short stories in the sword and sorcery subgenre, edited by American writer L. Sprague de Camp. It was first published in hardcover by Putnam in 1970, and in paperback by Berkley Books in 1971. It was the fourth such anthology assembled by de Camp, following his earlier Swords and Sorcery (1963), The Spell of Seven (1965), and The Fantastic Swordsmen (1967).
Great Short Novels of Adult Fantasy I is an anthology of fantasy novellas, edited by American writer Lin Carter. It was first published in paperback by Ballantine Books in September, 1972 as the fifty-second volume of its Ballantine Adult Fantasy series. It was the eighth such anthology assembled by Carter for the series.
Kingdoms of Sorcery: An Anthology of Adult Fantasy is an anthology of fantasy stories, edited by American writer Lin Carter. It was first published in hardcover by Doubleday in January 1976 as the first of two such anthologies continuing a series of nine assembled by Carter for the Ballantine Adult Fantasy series.
Realms of Wizardry: An Anthology of Adult Fantasy is an American anthology of fantasy stories, edited by American writer Lin Carter. It was first published in hardcover by Doubleday in December 1976 as the second of two such anthologies continuing a series of nine assembled by Carter for the Ballantine Adult Fantasy series.
Thongor of Lemuria is a fantasy novel by American writer Lin Carter, the second book of his Thongor series set on the mythical continent of Lemuria. It was first published in paperback by Ace Books in 1966. The author afterwards revised and expanded the text, in which form it was reissued as Thongor and the Dragon City, first published in paperback by Berkley Books in 1970. This retitled and revised edition became the standard edition for later reprintings.
The Mighty Barbarians: Great Sword and Sorcery Heroes is a 1969 anthology of fantasy short stories in the sword and sorcery subgenre, edited by Hans Stefan Santesson. It was first published in paperback by Lancer Books in 1969, and was later followed up by the subsequent Lancer anthology The Mighty Swordsmen. It has been translated into Dutch. Robert M. Price edited a later-day homage to both anthologies called The Mighty Warriors (2018).
The following outline is provided as an overview of and topical guide to fantasy:
Gods and demons fiction or Shenmo fiction is a subgenre of Chinese fantasy fiction that revolves around the deities, immortals, demons and monsters of Chinese mythology. The term shenmo xiaoshuo, coined in the early 20th century by the writer and literary historian Lu Xun, literally means "gods and demons novel". Representative works of shenmo fiction include the novels Journey to the West and Investiture of the Gods.
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