Olivier Peslier is a French thoroughbred horse racing jockey.
Fred Frith appears on over 400 recordings. This is a selection from bands he was/is a member of, collaborations with other bands and musicians, and his solo recordings. The year indicates when the album was first released. For a comprehensive discography, see the Discography of Fred Frith by Michel Ramond, Patrice Roussel and Stephane Vuilleumier.
The Oldenburg International Film Festival, sometimes named as the European Sundance, has covered the international movie scene in all aspects since 1994. It is held in Oldenburg, Germany. Its open-minded approach leads to a mixture of movie premieres and original independent productions. Innovation and contrarian ideas are some features of the festival.
The DMC World DJ Championships is an annual DJ competition founded by the Disco Mix Club (DMC) which began in 1985. It has been described as a "pre-eminent competitive DJ event".
The French Syndicate of Cinema Critics has, each year since 1946, awarded a prize, the Prix Méliès, to the best French film of the preceding year. More awards have been added over time: the Prix Léon Moussinac for the best foreign film, added in 1967; the Prix Novaïs-Texeira for the best short film, added in 1999; prizes for the best first French and best first foreign films, added in 2001 and 2014, respectively; etc.
Barbara Bonfiglio, better known as Misstress Barbara, is an Italian-born Canadian producer, DJ and singer-songwriter. Born in Catania, Italy, she moved to Montreal, Quebec, Canada at the age of eight and has resided in the city ever since. She has DJed around the globe and has an extensive discography as a producer.
Born in 1973, near Paris, France, multimedia artist Stéphane Blanquet is a prolific figure in the contemporary art scene since the end of the 1980s.
BAC Films is a French film production and distribution company. Based in Paris, the company was founded in 1986 by Jean Labadie, Éric Heumann, and Stéphane Sorlat. Capital shares of the company were re-allocated in 1988 when Vivendi took 10% followed by a 20% stake in the capital of the company, which allowed BAC Films to make major and ambitious acquisitions.
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