Mad Max 2

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Mad Max 2
Mad max two the road warrior.jpg
Theatrical release poster
Directed by George Miller
Produced by Byron Kennedy
Screenplay by
Starring Mel Gibson
Narrated by Harold Baigent
Music by Brian May
Cinematography Dean Semler
Edited by
  • David Stiven
  • Michael Balson
  • Tim Wellburn
Distributed by Warner Bros.
Release date
  • 24 December 1981 (1981-12-24)(Australia)
Running time
96 minutes [1]
Budget A$4.5 million [2]
Box office
  • A$10.8 million (Australia) [3]
  • US$23.7 million (Canada and United States) [4]

Mad Max 2 (originally released in the United States as The Road Warrior and sometimes known as Mad Max 2: The Road Warrior) is a 1981 Australian post-apocalyptic action film directed by George Miller. It is the second installment in the Mad Max film series, with Mel Gibson reprising his role as "Mad" Max Rockatansky. The film's tale of a community of settlers who moved to defend themselves against a roving band of marauders follows an archetypical "Western" frontier movie motif, as does Max's role as a hardened man who rediscovers his humanity when he decides to help the settlers. [5] Filming took place in locations around Broken Hill, in the outback of New South Wales. [6]

Apocalyptic and post-apocalyptic fiction sub-genre of science fiction taking place after the end of human civilization

Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction, science fantasy, dystopian or horror in which the Earth's technological civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; natural, such as an impact event; man-made, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or man-made; eschatological, such as the Last Judgment, Second Coming or Ragnarök; or imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.

Action film is a film genre in which the protagonist or protagonists are thrust into a series of challenges that typically include violence, extended fighting, physical feats, and frantic chases. Action films tend to feature a resourceful hero struggling against incredible odds, which include life-threatening situations, a villain, or a pursuit which usually concludes in victory for the hero. Advancements in CGI have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as films that use computer animations to create unrealistic, highly unbelievable events are often met with criticism. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects. Common action scenes in films are generally, but not limited to, car chases, fighting and gunplay or shootouts.

George Miller (director) Australian film director

George Miller AO is an Australian filmmaker and former physician. He is best known for his Mad Max franchise, with The Road Warrior and Fury Road being hailed as amongst the greatest action films of all time. Aside from the Mad Max films, Miller has been involved in a wide range of projects. These include the Academy Award-winning Babe and Happy Feet film series.


Mad Max 2 was released on 24 December 1981, and received ample critical acclaim. Observers praised the visuals and Gibson's role. Noteworthy elements of the film also include cinematographer Dean Semler's widescreen photography of Australia's vast desert landscapes; the sparing use of dialogue throughout the film; costume designer Norma Moriceau's punk mohawked, leather bondage gear-wearing bikers; its fast-paced, tightly edited and violent battle and chase scenes; and composer Brian May's musical score.

Dean Semler, A.C.S., A.S.C., is an Australian cinematographer and film director. Over his career, he has worked as a cinematographer, camera operator, director, second unit director, and assistant director. He is a three-time recipient of the AACTA Award for Best Cinematography and an Academy Award winner. He is a member of both the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC).

Norma Moriceau was an Australian costume designer and production designer. She was best known for the post-apocalyptic leather-fetish biker warrior costumes she designed for Mad Max 2 (1981) and Mad Max Beyond Thunderdome (1985).

Mohawk hairstyle hairstyle

The mohawk is a hairstyle in which, in the most common variety, both sides of the head are shaven, leaving a strip of noticeably longer hair in the center. The mohawk is also sometimes referred to as an iro in reference to the Iroquois, from whom the hairstyle is supposedly derived – though historically the hair was plucked out rather than shaved. Additionally, hairstyles bearing these names more closely resemble those worn by the Pawnee, rather than the Mohawk, Mohican/Mahican, Mohegan, or other groups whose names are phonetically similar. The red-haired Clonycavan Man bog body found in Ireland is notable for having a well-preserved Mohawk hairstyle, dated to between 392 BCE and 201 BCE. It is today worn as an emblem of non-conformity. The world record for the tallest mohawk goes to Kazuhiro Watanabe, who has a 1.13 meters tall mohawk.

The film's comic-book post-apocalyptic/punk style popularized the genre in film and fiction writing. It was also a box office success, winning the Best International Film from six nominations at the Saturn Award ceremony, including: Best Director for Miller; Best Actor for Gibson; Best Supporting Actor for Bruce Spence; Best Writing for Miller, Hayes and Hannant; and Best Costume for Norma Moriceau. Mad Max 2 became a cult film, with fan clubs and "road warrior"-themed activities continuing into the 21st century, and is now widely considered to be one of the greatest action movies ever made, as well as one of the greatest sequels ever made. [7] The film was preceded by Mad Max in 1979 and followed by Mad Max Beyond Thunderdome in 1985 and Mad Max: Fury Road in 2015.

Fiction any story or setting that is derived from imagination, can be conveyed through any medium (films, books, audio plays, games, etc.)

Fiction broadly refers to any narrative that is derived from the imagination—in other words, not based strictly on history or fact. It can also refer, more narrowly, to narratives written only in prose, and is often used as a synonym for the novel. In cinema it corresponds to narrative film in opposition to documentary as far as novel to feature film and short story to short film.

The Saturn Award for Best International Film is one of the annual awards given by the American professional organization, the Academy of Science Fiction, Fantasy & Horror Films. The Saturn Awards, which are the oldest film-specialized awards to reward science fiction, fantasy, and horror achievements, included the Best International Film category for the first time for the 1980 film year. It was deactivated after 1982, and was revived for the 2006 film year. It is given to a feature-length motion picture from outside the United States of America and/or films in foreign languages, including non-English American films.

The Saturn Award for Best Director is one of the annual awards given by the American Academy of Science Fiction, Fantasy & Horror Films. The Saturn Awards, which are the oldest film-specialized awards to reward genre fiction achievements, in particular for science fiction, fantasy, and horror, included the Best Director category for the first time at the 3rd Saturn Awards, for the 1974/1975 film years.


Traumatised by the death of his family, Max Rockatansky roams the desert wilderness of a post-apocalyptic Australia in a scarred, black supercharged V-8 Pursuit Special. Scavenging for food and petrol, Max's only companions are an Australian Cattle Dog and a sawn-off shotgun with scarce ammunition. After driving off a gang led by the unhinged biker warrior Wez, and taking petrol from one of their wrecked vehicles, Max finds a nearby gyrocopter and decides to collect its fuel. The gyrocopter is boobytrapped, but Max overpowers the pilot hiding nearby, sparing his life upon being told of a small oil refinery nearby in the wasteland. However, upon arriving, Max finds the compound under siege by the Marauders, a motley gang of racers and motorcyclists of which Wez is a member. The Marauders' leader, a large disfigured man called "Lord Humungus", has his gang swarm the complex daily, believing that the compound contains some kind of petrol reserves or even a small refinery.

Australian Cattle Dog A breed of herding dog originally developed in Australia for droving cattle

The Australian Cattle Dog (ACD), or simply Cattle Dog, is a breed of herding dog originally developed in Australia for droving cattle over long distances across rough terrain. This breed is a medium-sized, short-coated dog that occurs in two main colour forms. It has either brown or black hair distributed fairly evenly through a white coat, which gives the appearance of a "red" or "blue" dog.

Biding his time, Max makes his move when a group of settlers attempt to break out of the compound to find a means to take the fuel tank out of the complex. With the others captured and subjected to torture, rape and death, Max rescues the remaining survivor and offers to get him back to the complex in return for a tank of petrol. The man dies shortly from his wound after Max returns him, and the settlers' leader Papagallo reneges on the deal. The settlers are on the verge of killing Max when the Marauders return and, despite the death of Wez's partner by the metal boomerang of a feral child living within the complex, Humungus offers the settlers safe passage from the territory in exchange for the fuel supply.

Max offers another deal to Papagallo: he will procure a semi-truck for the settlers to haul their tanker of fuel if they in turn give Max as much fuel as he can manage to take and he be granted freedom. The settlers accept, but keep his car until he returns. That night, Max sneaks out on foot with the Feral Kid's help. He again encounters the Gyro Captain and forces him to help make the journey to the truck, a Mack semi which Max discovered after his initial encounter with Wez. With aerial support, Max drives the semi through the Marauders' encampment into the compound with a livid Humungus refortifying the siege. Though the settlers want Max to escape with them to a beach, Max opts to collect his petrol and leave. However, while attempting to break through the siege, Max is seriously wounded and his car wrecked after being run off the road by Wez in Lord Humungus's nitrous oxide-equipped car. One of the Marauders kills Max's dog with a crossbow before Toady's attempt to siphon the fuel from the Pursuit Special's tanks triggers the car's self-destruct, which kills both Marauders during the explosion. Max is left for dead, but the Gyro Captain rescues him and flies him back to the compound.

Despite his injuries, Max insists on driving the repaired and now armored truck with the fuel tanker. He leaves the compound, accompanied by the Feral Kid with Papagallo and several of the settlers in armored vehicles to provide protection. Lord Humungus and most of his warriors pursue the tanker, leaving the remaining settlers free to flee the compound in a ramshackle caravan, rigging the compound to explode. After Papagallo and the defenders are killed during the chase, and the Gyro Captain shot down, Max and the Feral Kid find themselves alone against the Marauders as Wez boards the truck to kill the two.

However, the semi's head-on collision with Humungus' car kills both him and Wez as the out-of-control truck rolls off the road while the surviving Marauders leave. As the injured Max carries the Feral Kid from the wrecked tanker, he sees not oil, but sand, leaking from the tank, revealing it to be a decoy which allowed the other settlers to escape with the fuel in oil drums hidden inside their vehicles. With Papagallo dead, the Gyro Captain succeeds him as their chief and leads the settlers to the coast, where they establish the "Great Northern Tribe". Max remains alone in the desert, once again becoming a drifter while the Feral Kid (as an adult and the Northern Tribe's new leader) is revealed as the narrator, reminiscing about the Road Warrior.


Mel Gibson American actor and filmmaker

Mel Colmcille Gerard Gibson is an American actor and filmmaker. He is best known for his action hero roles, particularly his breakout role as Max Rockatansky in the first three films of the post-apocalyptic action series Mad Max and as Martin Riggs in the buddy cop film series Lethal Weapon.

Max Rockatansky protagonist of the Mad Max films franchise

Max Rockatansky is the title character and protagonist of the post-apocalyptic action films from the Mad Max franchise, which spans 1979 to 2015. He appears in the films Mad Max, Mad Max 2, Mad Max Beyond Thunderdome, and Mad Max: Fury Road. Created by director George Miller and producer Byron Kennedy, the character was played by actor Mel Gibson in the first three films, and by Tom Hardy in the fourth.

Bruce Spence New Zealand actor

Bruce Spence is an Australian actor originally from New Zealand.

Virginia Hey Australian actress

Virginia Hey is an Australian actress, known for her role as Pa'u Zotoh Zhaan in the science fiction television series Farscape, playing the "Warrior Woman" in Mad Max 2: The Road Warrior, and various roles in television drama series, such as lawyer Jennifer St James in E Street.

Arkie Deya Whiteley was an Australian actress who appeared in television and films.

Harold Charles Sydney Heylen, credited as Syd Heylen, Sid Heylen and Sydney Heylen, was an Australian character actor comedian, and variety performer, best known as publican Cookie Locke in television serial A Country Practice, he often performed in a traditional vaudeville style in the vein of Roy Rene, and also sang and played banjo and ukulele. He went into vaudeville after World War II and in 1956 starred in the variety show "The Show of Stars" with Hal Lashwood and John Ewart. Heylen became well known during the 1960s on television as a regular performer on the HSV-7 variety show Sunnyside Up in Melbourne for 10 years, appearing as "Sydney from Sydney". He teamed up with other comics, such as Honest John Gilbert, presenting comedy sketches in between the musical items.



Following the release of Mad Max , director George Miller received a number of offers from Hollywood, including one to direct First Blood .[ citation needed ] However, Miller instead decided to pursue a rock and roll movie under the working title of Roxanne. After working with writer Terry Hayes on the novelization of Mad Max, Miller and Hayes teamed up to write Roxanne in Los Angeles but the script was ultimately shelved. [12] Miller then became more intrigued with the idea of returning to the world of Mad Max, as a larger budget would allow him to be more ambitious. "Making Mad Max was a very unhappy experience for me," said Miller. "There was strong pressure to make a sequel, and I felt we could do a better job with a second movie." [13]

Inspired by Joseph Campbell's The Hero with a Thousand Faces and the work of Carl Jung, [14] Miller recruited Hayes to join the production as a scriptwriter. [15] Brian Hannant also came on board as co-writer and second unit director. Miller says that he was greatly influenced by the films of Akira Kurosawa. [2]


Filming took place in the desert surrounding the remote mining town of Broken Hill, New South Wales. Track in arid zone.jpg
Filming took place in the desert surrounding the remote mining town of Broken Hill, New South Wales.

Principal photography took place over the course of twelve weeks in the winter of 1981 near Broken Hill. [16] Scenes were shot at the Pinnacles, where the set of the compound was situated. [17] The scene where the Pursuit Special rolls over and explodes was shot at Menindee Road on the Mundi Mundi Plains just outside Broken Hill. [18] [19]

The original cut of the film was more bloody and violent, but it was cut down heavily by Australian censors. Entire scenes and sequences were deleted completely or edited to receive an "M" rating. When it was submitted to the MPAA in the United States, two additional scenes (Wez pulling an arrow out of his arm and a close-up shot of him pulling a boomerang out of his dead boyfriend's head) were shortened. Although there is a version of the film that includes the scenes trimmed down for the MPAA, no version without previous cuts exists. [2] [20]


The musical score for Mad Max 2 was composed and conducted by Australian composer Brian May, who had previously composed the music for the first film. A soundtrack album was released in 1982 by Varèse Sarabande. [21]


When Mad Max was released in 1980 in the United States, it did not receive a proper release from its distributor, American International Pictures. AIP was in the final stages of a change of ownership after being bought by Filmways, Inc. a year earlier. AIP's problems affected the release of the film and its box office in the US, although Mad Max proved much more successful when released internationally. [22] Warner Bros. decided to release Mad Max 2 in the United States, but they recognised that the first film was not popular in North America. Although the original Mad Max was becoming popular through cable channel showings, Warner Bros. decided to change the name of its sequel to The Road Warrior. The advertising for the film, including print ads, trailers, and TV commercials, did not refer to the Max character at all, and all shied away from the fact that the film was a sequel. For the majority of viewers, their first inkling of Road Warrior being a sequel to Mad Max was when they saw the black and white, archival footage from the previous film, during the prologue.

The film was a commercial success, earning $3.7 million in rentals in Australia. As The Road Warrior in North America, it was an even greater success, earning $11.3 million in rentals and $23.6 million in grosses. [2] Vestron Video capitalized by releasing Mad Max on video and subtitling it "the thrilling predecessor to The Road Warrior." Despite the title change, grosses from the US release were on par with other countries. Warner Bros. felt comfortable to keep the title of the third Mad Max film, Mad Max Beyond Thunderdome , intact for that film's American release.

Critical reception

Mad Max 2 received positive reviews and is regarded by many critics as one of the best films of 1981. [23] [24] The film holds a 98% rating based on 42 reviews on Rotten Tomatoes as of 1 September 2017 with and average rating of 8.4/10 and with the consensus, "The Road Warrior is everything a bigger-budgeted Mad Max sequel should be: bigger, faster, louder, but definitely not dumber." [25] Film critic Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of four, praised its "skillful filmmaking," and called it "a film of pure action, of kinetic energy", which is "one of the most relentlessly aggressive movies ever made". While Ebert pointed out that the film does not develop its "vision of a violent future world ... with characters and dialogue", and uses only the "barest possible bones of a plot", he praised its action sequences. Ebert called the climactic chase sequence "unbelievably well-sustained" and states that the "special effects and stunts...are spectacular", creating a "frightening, sometimes disgusting, and (if the truth be told) exhilarating" effect. [26]

In his review for The New York Times , Vincent Canby wrote, "Never has a film's vision of the post-nuclear-holocaust world seemed quite as desolate and as brutal, or as action-packed and sometimes as funny as in George Miller's apocalyptic The Road Warrior, an extravagant film fantasy that looks like a sadomasochistic comic book come to life". [9] In his review for Newsweek , Charles Michener praised Mel Gibson's "easy, unswaggering masculinity", saying that "[his] hint of Down Under humor may be quintessentially Australian but is also the stuff of an international male star". [27]

Gary Arnold, in his review for The Washington Post , wrote, "While he seems to let triumph slip out of his grasp, Miller is still a prodigious talent, capable of a scenic and emotional amplitude that recalls the most stirring attributes in great action directors like Kurosawa, Peckinpah and Leone". [28] Pauline Kael called Mad Max 2 a "mutant" film that was "...sprung from virtually all action genres", creating " continuous spurt of energy" by using "jangly, fast editing". However, Kael criticized director George Miller's "attempt to tap into the universal concept of the hero", stating that this attempt "makes the film joyless", "sappy", and "sentimental". [29]

The film's depiction of a post-apocalyptic future was widely copied by other filmmakers and in science fiction novels, to the point that its gritty "junkyard society of the future almost taken for granted in the modern science-fiction action film." [5] The Encyclopedia of Science Fiction says that Mad Max 2, "with all its comic-strip energy and exploitation cinema at its most inventive." [30]

Richard Scheib called Mad Max 2 "one of the few occasions where a sequel makes a dramatic improvement in quality over its predecessor." He said that the film is a "kinetic comic-book of a film," an "exhilarating non-stop rollercoaster ride of a film that contains some of the most exciting stunts and car crashes ever put on screen." Scheib stated that the film transforms the "post-holocaust landscape into the equivalent of a Western frontier," such that "Mel Gibson's Max could just as easily be Clint Eastwood's tight-lipped Man With No Name" helping "decent frightened folk" from the "marauding Redskins". [5]


The film received much recognition from the Academy of Science Fiction, Fantasy & Horror Films. It won the Saturn Award for Best International Film. It received additional nominations for Best Director, Best Writing, and Best Costume Design. Mel Gibson and Bruce Spence received nods for Best Actor and Best Supporting Actor, respectively. George Miller won the Grand Prize at the Avoriaz Fantastic Film Festival. Mad Max 2 was also nominated for the Hugo Award for Best Dramatic Presentation and was awarded the Los Angeles Film Critics Association award for Best Foreign Film. The film was also recognised by the Australian Film Institute, winning awards for best direction, costume design, editing, production design and sound. It received additional nominations for the cinematography and musical score. Despite receiving the most nominations and wins, it was not nominated for Best Film. [31]


The Mad Max series of films, with their emphasis on dystopian, apocalyptic, and post-apocalyptic themes and imagery, have inspired some artists to recreate the look and feel of some aspects of the series in their work. As well, fan clubs and "road warrior"-themed activities continue into the 21st century. In 2008, Mad Max 2 was selected by Empire magazine as one of The 500 Greatest Movies of All Time. [32] Similarly, The New York Times placed the film on its Best 1000 Movies Ever list. [33] Entertainment Weekly ranked Mad Max 2 93rd on their 100 Greatest Movies of All Time list in 1999, 41st on their updated All-Time 100 Greatest Films in 2013 list, and the character Mad Max as 11th on their list of The All Time Coolest Heroes in Pop Culture. [34] In 2016, James Charisma of Playboy ranked the film #11 on a list of 15 Sequels That Are Way Better Than The Originals. [35]

The film has a permanent legacy in the small town of Silverton, which is 25 kilometres from Broken Hill in New South Wales, Australia. A museum dedicated to Mad Max 2 was established in 2010 by Adrian and Linda Bennett, who developed the museum after moving to Silverton and building a collection of Mad Max props and memorabilia. [36]

See also

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