Distant Voices, Still Lives

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Distant Voices, Still Lives
Distant Voices Still Lives theatrical poster.png
Theatrical release poster
Directed by Terence Davies
Written byTerence Davies
Produced byJennifer Howarth
Starring
Cinematography
  • William Diver
  • Patrick Duval
Edited byWilliam Diver
Production
companies
Distributed byBritish Film Institute
Release dates
  • May 13, 1988 (1988-05-13)(Cannes)
  • September 29, 1988 (1988-09-29)(United Kingdom)
Running time
85 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£703,000 [1]
Box office$693,563

Distant Voices, Still Lives is a 1988 British period drama film written and directed by Terence Davies. It evokes working-class family life in Liverpool during the 1940s and early 1950s, paying particular attention to the role of popular music, Hollywood cinema, light entertainment and the public house within this tight-knit community.

Contents

The film won the Grand Prix of the Belgian Film Critics Association. In 1988 the film won the Golden Leopard of the Locarno Film Festival. In 2007 the British Film Institute re-printed and distributed the film across some of Britain's most high-profile independent cinemas, prompting The Guardian newspaper to describe Distant Voices, Still Lives as "Britain's forgotten cinematic masterpiece".

In a 2011 poll carried out by Time Out of the 100 greatest British films of all time, Distant Voices, Still Lives was ranked third.

Plot

The film is made up of two separate films, shot two years apart, but with the same cast and crew. The first section, 'Distant Voices', chronicles the early life of a working-class Catholic family living under a thoroughly psychotic, abusive, violent and mostly hateful father. The second section, 'Still Lives', sees the children grown up and emerging into a brighter 1950s Britain, only a few years from rock and roll and The Beatles, yet somehow still a lifetime away.

Cast

Locations

In Paul Farley's British Film Institute Modern Classics book on Distant Voices, Still Lives, Terence Davies describes how they chose the location for filming:

The house where I grew up was demolished in 1961. And it was unique... I was able to rebuild it for The Long Day Closes, but we didn't have a huge budget for Distant Voices, Still Lives, so we had to find something that looked... working class. A working-class street, and we shot in Drayton Park, but there were no cellars, so it wasn't like our house... We had to go with what was there, because we didn't have the money. So that was a practical thing.

Autobiographical references

In his British Film Institute Modern Classics book, Paul Farley describes the inspiration that Terence Davies used for the biographical backbone of the film:

Davies was the youngest of ten children, the baby boomer, born into a working-class Catholic household in post-war Liverpool. His father died when he was six-and-a-half, though memories of him as a powerful, domineering, violent man are vivid and, together with the love and support of his mother, form a huge tension in Distant Voices, Still Lives.

Terence Davies's real-life father can be seen in a photograph which hangs on the wall in one of the film's central sequences when the mother and her three children, Tony, Eileen and Maisie, each walk out of the frame to reveal a tired and bleached photograph of their father.

Songs

Music is central to Distant Voices, Still Lives and is a device which binds the characters and helps to give them a voice beyond their otherwise repressed lives. In Paul Farley's BFI book, Terence Davies describes the process in which music came alive in the shooting of the film.

I got my family to sing them [the songs] – on tapes. It was difficult, actually, knowing what to leave out... All the songs I'd heard them sing, that were my favourites, I put in. It was as simple as that. None of them [the actors] knew any of the lyrics. Their parents did...

Many of the songs were sung by the cast, including Debi Jones's light rendition of "Buttons and Bows" and Angela Walsh's emotional rendition of Johnny Mercer's "I Wanna Be Around". The film also features a juxtaposition of Ella Fitzgerald singing "Taking a Chance on Love" and a scene of brutal domestic violence. Musical arrangements were by Robert Lockhart.

The melody "Limelight" is also used in the film's soundtrack, played on the harmonica; this is the main theme from the Charlie Chaplin film of the same name. Also heard in instrumental form is "The Isle of Innisfree" by Dick Farrelly.

Alcohol

Many of the film's most illuminating sequences were filmed in public houses. In one scene Tony orders a round of drinks from the bar and lists a number of drinks that would have been staple drinks in 1940s and 1950s Liverpool, but are barely heard of now. These include 'Mackies', 'Black and Tan', a 'Pale Ale and Lime' and a 'Rum and Pep' (Rum and Peppermint).

Reception

The film won the Film of the Year, awarded by the London Film Critics' Circle [2] and the Grand Prix of the Belgian Film Critics Association. It tied with Story of Women for the best foreign film award voted by the Los Angeles Film Critics Association. [3]

In a 2011 poll carried out by Time Out of the 100 greatest British films of all time, Distant Voices, Still Lives was ranked third.

The Independent ranked the film at number 6 in its top 20 British films of all time. [4]

The film received 12 votes – 11 from critics, and one from director Carlos Reygadas – in the British Film Institute's 2012 Sight & Sound polls. [5]

On the review aggregator website Rotten Tomatoes , 80% of 41 critics' reviews are positive, with an average rating of 8.3/10.The website's consensus reads: "Bracingly original and beautifully composed, Distant Voices, Still Lives is an invigorating period drama that finds director Terence Davies in peak form." [6]

Box office

The film made £480,000 in the UK. [1]

See also

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References

  1. 1 2 "Back to the Future: The Fall and Rise of the British Film Industry in the 1980s - An Information Briefing" (PDF). British Film Institute. 2005. p. 21.
  2. Pitman, Jack (29 November 1989). "Brit critics name 'Distant Voices' top English-lingo film". Variety .
  3. "L.A. crix says Lee did the best thing; indies rate highly". Variety . 20 December 1989. p. 7.
  4. "From Kes to Clockwork Orange, the 20 best British films". The Independent . Retrieved 29 August 2019.
  5. "Votes for Distant Voices, Still Lives (1988)". British Film Institute. Archived from the original on 21 December 2016. Retrieved 15 December 2016.
  6. "Distant Voices, Still Lives". Rotten Tomatoes .