Year | Title | Notes |
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2013 | 12 Years a Slave | Co-production with Regency Enterprises, River Road Entertainment and Plan B |
2010 | 127 Hours | Co-production with Pathé, Fox Searchlight Pictures, Everest Entertainment, Cloud Eight Films, Darlow Smithson Productions and Warner Bros. Pictures |
2014 | 20,000 Days on Earth | Co-production with British Film Institute |
2002 | 24 Hour Party People | Co-production with United Artists, UK Film Council, Revolution Films and Baby Cow Productions |
2015 | 45 Years | Co-production with British Film Institute |
2014 | '71 | Co-production with British Film Institute, Screen Yorkshire, Creative Scotland and Warp Films |
2008 | A Complete History of My Sexual Failures | Co-production with Warp Films, Screen Yorkshire, EM Media, Madman Entertainment and UK Film Council |
2013 | A Field in England | |
1997 | A Life Less Ordinary | Co-production with PolyGram Filmed Entertainment and 20th Century Fox |
2014 | A Most Wanted Man | Co-production with FilmNation Entertainment |
1987 | A Month in the Country | Co-production with Euston Films |
1985 | A Room with a View | Co-production with Merchant Ivory Productions and Goldcrest Films |
1985 | A Zed and Two Noughts | Co-production with British Film Institute and Artificial Eye |
2015 | Amy | Co-production with Universal Music, Playmaker Films & Krishwerkz Entertainment |
2018 | American Animals | |
1996 | American Buffalo | Co-production with Capitol Films |
2016 | American Honey | Co-production with Parts & Labor, Pulse Films, ManDown Pictures, British Film Institute, and Maven Pictures |
2018 | An Evening with Beverly Luff Linn | Co-production with British Film Institute |
2007 | And When Did You Last See Your Father? | Co-production with Sony Pictures Classics, UK Film Council, EM Media, Tiger Aspect, Bórd Scannán na hÉireann/Irish Film Board and European Development Fund |
1982 | Angel | |
1995 | Angels & Insects | Co-production with The Samuel Goldwyn Company |
2010 | Another Year | Co-production with Thin Man Films |
2011 | Attack the Block | Co-production with Big Talk Productions, StudioCanal and UK Film Council |
1994 | Backbeat | Co-production with PolyGram Filmed Entertainment |
1993 | Bad Behaviour | |
1994 | Bandit Queen | Co-production with Kaleidoscope Entertainment |
2017 | Beast | Co-production with British Film Institute |
1996 | Beautiful Thing | |
2018 | Been So Long | Co-production with Netflix and British Film Institute |
1997 | Bent | Co-production with Arts Council of England |
2012 | Berberian Sound Studio | Co-production with Warp X Productions, Screen Yorkshire and UK Film Council |
1993 | Bhaji on the Beach | |
2016 | Billy Lynn's Long Halftime Walk | Co-production with TriStar Pictures |
2001 | Birthday Girl | Co-production with Miramax Films, Mirage Enterprises and HAL Films |
2014 | Black Sea | Co-production with Focus Features |
1993 | Blue | Co-production with BBC Radio 3 and Arts Council of Great Britain |
1995 | Blue Juice | |
1991 | Blonde Fist | |
1996 | Brassed Off | Co-production with Miramax Films and Prominent Features |
2000 | Bread and Roses | |
2022 | Brian and Charles | Co-production with British Film Institute and Mr Box Productions |
2005 | Brothers of the Head | Co-production with Screen East and EM Media |
1999 | Buena Vista Social Club | Co-production with Road Movies Filmproduktion and Arte |
2001 | Buffalo Soldiers | Co-production with Good Machine and Miramax Films |
2009 | Bunny and the Bull | Co-production with Warp X Productions, Wild Bunch, Optimum Releasing, Screen Yorkshire and UK Film Council |
1997 | Career Girls | |
1996 | Carla's Song | Co-production with Glasgow Film Office and Televisión Española |
2015 | Carol | Co-production with Number 9 Films and Killer Films |
2014 | Catch Me Daddy | Co-production with British Film Institute and Screen Yorkshire |
2001 | Charlotte Gray | Co-production with Ecosse Films and Warner Bros. |
2001 | Christmas Carol: The Movie | Co-production with UK Film Council |
2018 | Cold War | Co-production with British Film Institute and MK2 |
1986 | Comrades | Co-production with now-defunct National Film Finance Corporation |
1998 | Croupier | Co-production with Arte and Westdeutscher Rundfunk |
2014 | Cuban Fury | Co-production with British Film Institute |
1992 | Damage | Co-production with Le Studio Canal+ and Canal+ |
1985 | Dance with a Stranger | |
2000 | Dancer in the Dark | Co-production with Canal+, France 3 Cinéma, Zentropa and Fine Line Features |
1998 | Dancing at Lughnasa | Co-production with Sony Pictures Classics, Bórd Scannán na hÉireann/Irish Film Board, Raidió Teilifís Éireann and Capitol Films |
2004 | Dead Man's Shoes | |
1994 | Death and the Maiden | Co-production with Capitol Films, Canal+, TF1 and Fine Line Features |
2002 | Death to Smoochy | Co-production with Senator Film and Warner Bros. |
2006 | Deep Water | |
2019 | Dirt Music | Co-production with ScreenWest |
2017 | Disobedience | Co-production with FilmNation Entertainment and Element Pictures |
2001 | Dog Eat Dog | Co-production with Tiger Aspect Productions |
1999 | Dogma | Produced by View Askew |
2008 | Donkey Punch | Co-production with EM Media, Madman Entertainment, Screen Yorkshire, UK Film Council and Warp X Productions |
2020 | Dream Horse | Co-production with Cornerstone Films, Ingenious Media, Raw, Topic Studios, FFilm Cymru Wales, Bleecker Street, Sony Pictures Worldwide Acquisitions and Warner Bros. Pictures |
1988 | Drowning by Numbers | |
1992 | Dust Devil | Co-production with Miramax Films |
1999 | East Is East | |
1987 | Eat the Rich | Co-production with Michael White |
1998 | Elizabeth | Co-production with PolyGram Filmed Entertainment, Meridian and Working Title Films |
2004 | Enduring Love | Co-production with Pathé, UK Film Council and Ingenious Film Partners |
2014 | Ex Machina | Co-production with Universal Pictures and DNA Films |
1982 | Experience Preferred... But Not Essential | |
2021 | Everybody's Talking About Jamie | Co-production with New Regency Pictures, 20th Century Fox and Warp Films |
1997 | Fever Pitch | |
2019 | Fighting with My Family | Co-production with Metro-Goldwyn-Mayer, WWE Studios and Seven Bucks Productions |
2013 | For Those in Peril | Co-production with Warp X Productions |
2010 | Four Lions | Co-production with Warp Films, Wild Bunch and Optimum Releasing |
1994 | Four Weddings and a Funeral | Co-production with PolyGram Filmed Entertainment and Working Title Films |
2014 | Frank | |
2008 | Franklyn | Co-production with Recorded Picture Company, HanWay Films and UK Film Council |
2016 | Free Fire | Co-production with British Film Institute |
2007 | Funny Games | Co-production with Warner Independent Pictures and Tartan Films |
2001 | Gabriel and Me | Co-production with Pathé, Isle of Man Film and UK Film Council |
2000 | Gangster No. 1 | Co-production with Medienboard Berlin-Brandenburg, Road Movies Filmproduktion and BSkyB |
1982 | Giro City | |
1990 | God on the Rocks | |
1999 | Gregory's Two Girls | |
2019 | Greed | Co-production with Columbia Pictures and Revolution Films |
2007 | Hallam Foe | Co-production with Ingenious Film Partners, Glasgow Film Office, Scottish Screen and Sigma Films |
2008 | Happy-Go-Lucky | Co-production with Ingenious Film Partners and Summit Entertainment |
1991 | Hear My Song | |
1982 | Hero | |
1987 | Hidden City | |
1988 | High Hopes | |
2015 | High-Rise | Co-production with Recorded Picture Company, HanWay Films and the British Film Institute |
1998 | Hilary and Jackie | |
1999 | Holy Smoke! | Co-production with Miramax Films |
2013 | How I Live Now | Co-production with British Film Institute, Magnolia Pictures and Passion Pictures |
2008 | How to Lose Friends & Alienate People | Co-production with UK Film Council |
2017 | How to Talk to Girls at Parties | Co-production with HanWay Films, See-Saw Films and Little Punk |
2019 | How to Build a Girl | Co-production with Tango Entertainment, British Film Institute, Monumental Pictures, Protagonist Pictures |
1992 | Howards End | |
2008 | Hunger | |
2009 | Hush | Co-production with Warp X, Pathé, Screen Yorkshire, UK Film Council and Optimum Releasing |
2012 | Hyde Park on Hudson | Co-production with Daybreak Pictures and Focus Features |
2008 | In Bruges | Co-production with Focus Features |
2007 | In the Shadow of the Moon | Co-production with Discovery Films and Passion Pictures |
1995 | Institute Benjamenta | Co-production with Pandora Film |
2001 | Invincible | Co-production with Fine Line Features |
2014 | Jimmy's Hall | |
2007 | Joe Strummer: The Future Is Unwritten | |
2017 | Journeyman | |
2001 | K-PAX | Co-production with Universal Pictures and Intermedia Films |
2011 | Kill List | Co-production with UK Film Council, Warp X, Screen Yorkshire and Rook Films |
2024 | Kinds of Kindness | Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment |
1994 | Ladybird, Ladybird | |
2021 | Last Night in Soho | Co-production with Focus Features and Working Title Films |
2001 | Late Night Shopping | Co-production with Scottish Screen and Glasgow Film Office |
2013 | Le Week-End | |
2017 | Lean on Pete | Co-production with British Film Institute |
2014 | Life | Co-production with See-Saw Films, Telefilm Canada and Screen Australia |
1990 | Life Is Sweet | |
1991 | London Kills Me | Co-production with PolyGram Filmed Entertainment and Working Title Films |
2009 | Looking for Eric | Co-production with Icon Entertainment International and Wild Bunch |
2001 | Lucky Break | Co-production with Paramount Pictures and Miramax Films |
2015 | Macbeth | Co-production with StudioCanal, DMC Film, Anton Capital Entertainment, Creative Scotland and See-Saw Films |
1998 | Martha, Meet Frank, Daniel and Laurence | |
2018 | Mary Magdalene | Co-production with Universal Pictures, Porchlight Films, Affirm Films, Columbia Pictures and See-Saw Films [19] ) |
2005 | Me and You and Everyone We Know | |
2007 | Mister Lonely | Co-production with Recorded Picture Company |
1982 | Moonlighting | |
2014 | Mr. Turner | Co-production with British Film Institute, Focus Features International and Thin Man Films |
1985 | My Beautiful Laundrette | Co-production with SAF Productions and Working Title Films |
1998 | My Name Is Joe | |
2010 | Neds | Co-production with Scottish Screen, UK Film Council and Wild Bunch |
2010 | Never Let Me Go | Co-production with DNA Films and Fox Searchlight Pictures |
1991 | Night on Earth | Co-production with JVC Entertainment, Victor Music Industries, Le Studio Canal + and Pandora Film |
1995 | Nothing Personal | Co-production with Bórd Scannán na hÉireann/Irish Film Board |
2009 | Nowhere Boy | Co-production with UK Film Council, Ecosse Films and The Weinstein Company |
2012 | On the Road | Co-production with American Zoetrope, MK2, France Télévisions, Canal+, Ciné+, France 2 Cinéma and Vanguard Films |
2002 | Once Upon a Time in the Midlands | Co-production with UK Film Council |
2011 | One Day | Co-production with Focus Features, Random House Films and Color Force |
1998 | Orphans | Co-production with Scottish Arts Council and Glasgow Film Office |
1982 | P'tang, Yang, Kipperbang | |
1984 | Paris, Texas | Co-production with Westdeutscher Rundfunk |
1992 | Peter's Friends | Co-production with The Samuel Goldwyn Company |
2018 | Peterloo | Co-production with British Film Institute, Amazon Studios and Thin Man Films |
2023 | Poor Things | Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment |
1991 | Prospero's Books | Co-production with Canal+, Eurimages, VPRO, NHK, Cineplex Odeon Films and Palace Pictures |
2000 | Purely Belter | |
1989 | Queen of Hearts | Co-production with Nelson Entertainment, TVS Television and Cinecom |
1993 | Raining Stones | |
1983 | Red Monarch | Co-production with Goldcrest Films and Enigma Productions |
1982 | Remembrance | |
1991 | Riff-Raff | |
1987 | Rita, Sue and Bob Too | |
2019 | Rocks | |
2015 | Room | Co-production with Element Pictures and No Trace Camping |
2019 | Saint Maud | Co-production with British Film Institute, Escape Plan Productions and StudioCanal |
1987 | Sammy and Rosie Get Laid | Co-production with Working Title Films |
1996 | Secrets & Lies | Co-production with Ciby 2000 |
2001 | Series 7: The Contenders | Co-production with USA Films |
2012 | Seven Psychopaths | Co-production with British Film Institute, HanWay Films and CBS Films |
2000 | Sexy Beast | Co-production with Kanzaman, Fox Searchlight Pictures and Recorded Picture Company |
1994 | Shallow Grave | |
2011 | Shame | Co-production with Fox Searchlight Pictures, UK Film Council, See-Saw Films, HanWay Films and Momentum Pictures/Alliance Films |
2004 | Shaun of the Dead | Co-production with Big Talk Productions, Working Title Films, StudioCanal, Universal Pictures and Rogue Pictures |
1985 | She'll Be Wearing Pink Pyjamas | |
1994 | Shopping | Co-production with Kuzui Enterprises and PolyGram Filmed Entertainment |
2012 | Sightseers | Co-production with Big Talk Pictures |
1994 | Sister My Sister | |
2015 | Slow West | Co-production with the New Zealand Film Commission and See-Saw Films |
2008 | Slumdog Millionaire | Co-production with Fox Searchlight Pictures, Warner Bros. Pictures, Pathé and Celador Films |
2013 | Starred Up | Co-production with Creative Scotland, Northern Ireland Screen and Sigma Films |
1988 | Stormy Monday | Co-production with Atlantic Entertainment Group |
2007 | Straightheads | Co-production with Ingenious Film Partners and UK Film Council |
2010 | Submarine | Co-production with Red Hour Films and Warp Films |
2015 | Suffragette | Co-production with 20th Century Fox, Pathé, BFI, Ingenious Media, Canal+, Cine+ and Ruby Films |
1999 | Sunshine | Co-production with Alliance Atlantis, Eurimages, Telefilm Canada, The Movie Network, Kinowelt, TV2, ORF and Paramount Classics |
1994 | The Acid House | |
2003 | The Actors | Co-production with Miramax Films and Bórd Scannán na hÉireann/Irish Film Board |
1993 | The Baby of Mâcon | Co-production with UGC and Canal+ |
1987 | The Belly of an Architect | Co-production with Hemdale Film Corporation |
1992 | The Crying Game | Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures |
1999 | The Debt Collector | |
2011 | The Deep Blue Sea | Co-production with UK Film Council and Artificial Eye |
2013 | The Double | Co-production with Alcove Entertainment and British Film Institute |
1982 | The Draughtsman's Contract | Co-production with British Film Institute |
2011 | The Eagle | Co-production with Focus Features |
2011 | The Emperor's New Clothes | |
2018 | The Favourite | Co-production with Fox Searchlight Pictures and Element Pictures |
2018 | The Festival | Co-production with Entertainment Film Distributors |
2000 | The Filth and the Fury | Co-production with Jersey Films |
2011 | The Future | Co-production with Medienboard Berlin-Brandenburg |
2011 | The Great Bear | |
2000 | The House of Mirth | Co-production with Granada Productions, Kinowelt, Arts Council of England, Showtime Networks and The Scottish Arts Council |
2011 | The Inbetweeners Movie | Co-production with Bwark Productions, Young Films and Entertainment Film Distributors |
2014 | The Inbetweeners 2 | Co-production with Bwark Productions |
2011 | The Iron Lady | Co-production with Pathé, UK Film Council and The Weinstein Company |
2005 | The King | |
2017 | The Killing of a Sacred Deer | Co-production with Element Pictures, Newsparta Films & A24 |
1998 | The Land Girls | Co-production with PolyGram Filmed Entertainment, Gramercy Pictures, Intermedia Films and Canal+ |
2006 | The Last King of Scotland | Co-production with DNA Films and Fox Searchlight Pictures |
2005 | The League of Gentlemen's Apocalypse | Co-production with Universal Pictures and Tiger Aspect |
2018 | The Little Stranger | Co-production with Pathé, Canal+ and Element Pictures |
2015 | The Lobster | Co-production with Irish Film Board, Eurimages, Netherlands Film Fund, British Film Institute, Canal+, Ciné+, CNC, Institut Français, Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films |
2013 | The Look of Love | Co-production with StudioCanal UK, Revolution Films and Baby Cow Productions |
2009 | The Lovely Bones | Co-production with DreamWorks Pictures and Paramount Pictures |
2001 | The Low Down | Co-production with British Screen, Oil Factory and Sleeper Films |
1994 | The Madness of King George | Co-production with The Samuel Goldwyn Company |
1991 | The Miracle | |
2004 | The Motorcycle Diaries | |
2001 | The Navigators | Co-production with Road Movies Filmproduktion, Westdeutscher Rundfunk and Arte |
1995 | The Neon Bible | Co-production with Artificial Eye |
2019 | The Personal History of David Copperfield | Co-production with FilmNation Entertainment |
1996 | The Pillow Book | Co-production with Canal+ |
1994 | A Pin for the Butterfly | |
1983 | The Ploughman's Lunch | Co-production with Goldcrest Films and Michael White |
1991 | The Pope Must Die | Co production with Miramax Films, Palace Pictures and Michael White |
1998 | The Red Violin | Co-production with New Line Cinema, Lionsgate, Telefilm Canada and CITY-TV |
2014 | The Riot Club | Co-production with Universal Pictures, British Film Institute, HanWay Films and Pinewood Pictures |
2013 | The Selfish Giant | Co-production with British Film Institute |
2009 | The Scouting Book for Boys | Co-production with Celador Films, Screen East and Pathé |
2013 | The Spirit of '45 | |
2013 | The Stone Roses: Made of Stone | Co-production with Warp Films |
1999 | The Straight Story | Co-production with StudioCanal and Walt Disney Pictures |
1985 | The Supergrass | Co-production with The Comic Strip and Michael White |
2011 | The Woman in the Fifth | Co-production with UK Film Council, Canal+, Orange Cinéma Séries and Artificial Eye |
1997 | The Woodlanders | Co-production with Pathé Productions and Arts Council of England |
2006 | This Is England | Co-production with UK Film Council, Optimum Releasing, Screen Yorkshire and Warp Films |
2017 | Three Billboards Outside Ebbing, Missouri | Co-production with Fox Searchlight Pictures and Blueprint Pictures |
2003 | To Kill a King | Co-production with Natural Nylon and HanWay Films |
2003 | Touching the Void | Co-production with Channel 4, UK Film Council, Darlow Smithson Productions and PBS |
1996 | Trainspotting | |
2017 | T2 Trainspotting | Co-production with TriStar Pictures, Cloud Eight Films and DNA Films |
2013 | Trance | Co-production with Pathé, Fox Searchlight Pictures and Cloud Eight Films and Indian Paintbrush |
2016 | Trespass Against Us | Co-production with Potboiler Productions |
1996 | Trojan Eddie | Co-production with Bórd Scannán na hÉireann/Irish Film Board |
1996 | True Blue | |
2019 | True History of the Kelly Gang | Co-production with Film Victoria and Screen Australia |
2011 | Tyrannosaur | Co-production with Warp X, Inflammable Films, UK Film Council, Screen Yorkshire, EM Media, and Optimum Releasing (as StudioCanal UK) |
2013 | Under the Skin | Co-production with British Film Institute, FilmNation Entertainment, Scottish Screen, Nick Wechsler Productions and A24 Films |
2016 | Una | Co-production with Bron Studios, Jean Doumanian Productions, and WestEnd Films |
1998 | Velvet Goldmine | Co-production with Newmarket Capital Group, Miramax Films, Killer Films and Zenith Entertainment |
2006 | Venus | Co-production with UK Film Council and Miramax Films |
2001 | Very Annie Mary | Co-production with Canal+ |
1996 | Walking and Talking | Co-production with Miramax Films, Zenith Productions, Pandora Film, Mikado Films (France), Electric, TEAM Communications Group, PolyGram Filmed Entertainment and Good Machine |
1982 | Walter | |
1992 | Waterland | |
1997 | Welcome to Sarajevo | Co-production with Miramax Films |
1986 | When the Wind Blows | Co-production with Kings Road Entertainment |
2018 | Widows | Co-production with 20th Century Fox, Regency Enterprises and See-Saw Films |
1992 | Wild West | |
1987 | Wish You Were Here | |
1999 | With or Without You | Co-production with Miramax Films and Revolution Films |
1993 | Wittgenstein | Co-production with the British Film Institute |
2011 | Wuthering Heights | Co-production with HanWay Films, Ecosse Films, UK Film Council, Goldcrest Films and Screen Yorkshire |
2017 | You Were Never Really Here | Co-production with Why Not Productions, British Film Institute and Page 114 |
1986 | Zastrozzi, A Romance | |
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