Slumdog Millionaire

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Slumdog Millionaire
Slumdog Millionaire poster.png
British release poster
Directed by Danny Boyle
Produced by Christian Colson
Screenplay by Simon Beaufoy
Based on Q & A
by Vikas Swarup
Starring
Music by A. R. Rahman
Cinematography Anthony Dod Mantle
Edited by Chris Dickens
Production
company
Distributed by
Release date
  • 16 January 2009 (2009-01-16)(India)
Running time
120 minutes [2]
Country United Kingdom [3] [4] [5]
LanguageEnglish
Budget$15 million [6]
Box office$377.89 million [6]

Slumdog Millionaire is a 2008 British drama film that is a loose adaptation of the novel Q & A (2005) by Indian author Vikas Swarup, telling the story of 18-year-old Jamal Malik from the Juhu slums of Mumbai. [7] Starring Dev Patel as Jamal, and filmed in India, the film was directed by Danny Boyle, [8] written by Simon Beaufoy, and produced by Christian Colson, with Loveleen Tandan credited as co-director. [9]

In film and television, drama is a genre of narrative fiction intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular subgenre, such as "police crime drama", "political drama", "legal drama", "historical period drama", "domestic drama", "teen drama", or "comedy-drama". These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods.

<i>Q & A</i> (novel) book by Vikas Swarup

Q & A is a novel by Vikas Swarup, an Indian diplomat. Published in 2005, it was the author's first novel. Set in India, it tells the rags to riches story of Ram Mohammad Thomas, a young waiter who becomes the biggest quiz show winner in history, only to be sent to jail on accusations that he cheated. Over the course of the novel, Ram Mohammed Thomas gives flashbacks of his life to explain to the police how he knew the answers to the show's questions - including the corruption he was faced with and had to overcome. The book is about destiny vs luck, and personal dedication. In 2008, the book was loosely adapted into the multiple Oscar-winning movie Slumdog Millionaire, which features a new main character named Jamal and his brother Salim. The movie is a comment on how poverty and corruption poison the human spirit, and how to retain one's true self in the face of adversity.

Indian English literature (IEL) is the body of work by writers in India who write in the English language and whose native or co-native language could be one of the numerous languages of India. Its early history began with the works of Michael Madhusudan Dutt followed by R. K. Narayan, Mulk Raj Anand and Raja Rao who contributed to Indian fiction in the 1930s. It is also associated with the works of members of the Indian diaspora who are of Indian descent.

Contents

As a contestant on the Indian version of Who Wants to Be a Millionaire? Jamal surprises everyone by being able to answer every question correctly. Accused of cheating, Jamal recounts his life story to the police, illustrating how he is able to answer each question correctly.

Kaun Banega Crorepati is an Indian television game show based on the British programme Who Wants to Be a Millionaire? It originally aired on Star Plus for the first 3 seasons from 2000 to 2007 and was commissioned by the programming team of Sameer Nair. Since 2010, it has been airing on Sony TV and produced by Big Synergy.

After its world premiere at the Telluride Film Festival and later screenings at the Toronto International Film Festival and the London Film Festival, [10] Slumdog Millionaire had a nationwide release in the United Kingdom on 9 January 2009, in India on 22 January 2009, [11] and in the United States on 23 January 2009. [12]

Telluride Film Festival annual film festival held in Telluride, USA

The Telluride Film Festival (TFF) is a film festival held annually in Telluride, Colorado during Labor Day weekend.

2008 Toronto International Film Festival 2008 film festival edition

The 2008 Toronto International Film Festival, (TIFF) was held in Toronto, Ontario, Canada. This 33rd annual festival was from September 4 to September 13, 2008. The opening night gala was the World War I romantic epic Passchendaele from Canadian director Paul Gross.

Regarded as a sleeper hit, Slumdog Millionaire was widely acclaimed, being praised for its plot, soundtrack, direction, and performances, especially Patel's. It was nominated for ten Academy Awards in 2009 and won eightthe most for any 2008 filmincluding Best Picture, Best Director, and Best Adapted Screenplay. It won seven BAFTA Awards including Best Film, five Critics' Choice Awards and four Golden Globes. However it was also the subject of controversy, especially in India, due to its portrayal of Indian society, the use of the word "slumdog" in the title and the exploitation of some of the younger actors.[ citation needed ]

Sleeper hit is a term used in the entertainment industry for a film that plays successfully for a long period and becomes a big success, despite having relatively little promotion or lacking a successful opening. It is also used in a similar sense for music releases and video games.

81st Academy Awards 2009 ceremony honoring the best in film for 2008

The 81st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 2008 and took place on February 22, 2009, at the Kodak Theatre in Hollywood, Los Angeles beginning at 5:30 p.m. PST / 8:30 p.m. EST. During the ceremony, the Academy of Motion Picture Arts and Sciences presented Academy Awards in 24 categories. The ceremony was televised in the United States by ABC, and was produced by Bill Condon and Laurence Mark and directed by Roger Goodman. Actor Hugh Jackman hosted the show for the first time. Two weeks earlier in a ceremony at the Beverly Wilshire Hotel in Beverly Hills, California held on February 7, the Academy Awards for Technical Achievement were presented by host Jessica Biel.

The Academy Award for Best Picture is one of the Academy Awards (Oscars) presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. Best Picture is the final award of the night and is considered the most prestigious honor of the ceremony.

Plot

Eighteen-year-old Jamal Malik, an Indian Muslim from the Dharavi slum, is a contestant on the Indian version of Who Wants to Be a Millionaire?, and is one question away from the grand prize. However, before the 20 million (US$290,000) question, he is detained and tortured by the police, who suspect him of cheating. Through a series of flashbacks, Jamal recounts the incidents in his life that provided him with each answer.

Jamal Malik (character)

Jamal Malik is the main character of the film Slumdog Millionaire. He is portrayed as a young child, an early teenager, and as an 18-year-old.

Dharavi Neighbourhood in Mumbai, Maharashtra, India

Dharavi is a locality in Mumbai, Maharashtra, India, considered to be one of world's largest slums. Dharavi has an area of just over 2.1 square kilometres and a population of about 700,000. With a population density of over 277,136/km2 (717,780/sq mi), Dharavi is one of the most densely populated areas in the world.

A slum is a highly populated urban residential area consisting mostly of closely packed, decrepit housing units in a situation of deteriorated or incomplete infrastructure, inhabited primarily by impoverished persons. While slums differ in size and other characteristics, most lack reliable sanitation services, supply of clean water, reliable electricity, law enforcement and other basic services. Slum residences vary from shanty houses to professionally built dwellings which, because of poor-quality construction or provision of basic maintenance, have deteriorated.

Jamal's flashbacks begin when he is five years old. He manages to obtain the autograph of Bollywood star Amitabh Bachchan after jumping into an outhouse cesspit. Jamal's older brother Salim later sells the autograph. The incident is followed immediately by the death of the siblings' mother during the Bombay riots. As the brothers flee the riot they meet Latika, a girl from their slum. Salim is reluctant to take her in, but Jamal suggests that she could be their "third musketeer", a reference to the Alexandre Dumas novel The Three Musketeers . Although the brothers had read the novel in school, and referred to themselves as Athos and Porthos, it is revealed that they do not know the third musketeer's name. Latika ultimately joins the group despite Salim's initial refusal.

Bollywood Hindi language film industry

Hindi cinema, often known as Bollywood and formerly as Bombay cinema, is the Indian Hindi-language film industry based in Mumbai. The term is a portmanteau of "Bombay" and "Hollywood". The industry is related to Tamil film industry (Kollywood), Telugu film industry (Tollywood) and other industries, making up Indian Cinema – the world's largest.

Amitabh Bachchan Indian actor

Amitabh Bachchan is an Indian film actor, film producer, television host, occasional playback singer and former politician. He first gained popularity in the early 1970s for films such as Zanjeer, Deewaar and Sholay, and was dubbed India's "angry young man" for his on-screen roles in Bollywood. Referred to as the Shahenshah of Bollywood, Sadi ka Mahanayak, Star of the Millennium, or Big B, he has since appeared in over 190 Indian films in a career spanning almost five decades. Bachchan is widely regarded as one of the greatest and most influential actors in the history of Indian cinema as well as world cinema. So total was his dominance on the Indian movie scene in the 1970s and 1980s that the French director François Truffaut called him a "one-man industry". Beyond the Indian subcontinent, he also has a large overseas following in markets including Africa, the Middle East, United Kingdom, Russia and parts of the United States.

The Bombay riots usually refers to the riots in Mumbai, in December 1992 and January 1993, in which around 700 people died. The riots were mainly due to escalations of hostilities after large scale protests by Muslims in reaction to the 1992 Babri Masjid Demolition by Hindu Karsevaks in Ayodhya.

The three are found by Mamana gangster who trains street children to become beggars. When Salim learns that Maman is blinding the children in order to make them more effective beggars, he escapes with Jamal and Latika to a departing train. The brothers successfully board the moving train, but Latika is unable to keep up. Salim grabs her hand, but purposefully lets go, leaving her to be recaptured by Maman. For the next few years, Salim and Jamal travel around on top of trains, making a living by selling goods, picking pockets, washing dishes, and pretending to be tour guides at the Taj Mahal. At Jamal's insistence, they return to Mumbai to find Latika, where they discover that she is being raised by Maman to be a prostitute. The brothers rescue her, shooting and killing Maman in the process. Salim gets a job with Javeda rival crime lord. Back at their room, Salim orders Jamal to leave him alone with Latika. When Jamal refuses, Salim draws a gun on him and Latika persuades Jamal to leave.

Years later, Jamal, now a Chaiwala in an Indian call centre, searches the centre's database for Salim and Latika. Although he fails to find Latika, he learns that Salim is a high-ranking lieutenant in Javed's crime organization. Jamal confronts Salim, who pleads for forgiveness and offers to let Jamal stay in his luxurious apartment. Jamal lies his way into Javed's residence in order to reunite with Latika. Although he professes his love for her, she tells him to forget about her. Despite the refusal, Jamal promises that he will wait for her every day at five o'clock at the VT station. Latika attempts to meet him there, but she is captured by Javed's men, led by Salim. Jamal loses contact with Latika. In a final attempt to reach her, he decides to become a contestant on Who Wants to Be a Millionaire?, because he knows she watches the show regularly.

Jamal is extremely successful on the show, answering every question correctly. He becomes popular across India, much to the dismay of the show's host, Prem Kumar. During a break, Kumar attempts to trick Jamal by feeding him the wrong answer to the penultimate question. When the question is asked, Jamal uses his 50/50 lifeline, leaving Kumar's answer and the correct one. Jamal answers correctly, raising immediate suspicion that he is cheating.

When the episode ends, Kumar leads Jamal out of the studio and he is forced into a police van. After an initial beating, the police inspector listens to Jamal's explanation of how he knew each answer. Finding all of Jamal's stories "bizarrely plausible", the officer allows him to return to the show. At Javed's safehouse, Latika sees Jamal on the news. In an effort to make amends for his past behavior, Salim gives Latika his mobile phone and car keys. He asks her to forgive him and tells her to find Jamal. Latika is fearful and reluctant, but agrees and escapes. Salim fills a bathtub with money and sits in it, waiting for Javed and his men to realize that Latika is free.

For the final question, Jamal is asked the name of the third musketeer. He uses his "Phone-A-Friend" lifeline to call Salim, because it is the only phone number that Jamal knows. Latika answers and tells Jamal that she is safe, although she does not know the answer to the question. Relieved, Jamal arbitrarily picks the first answer, Aramis. He is correct and wins the grand prize. Javed hears Latika on the show and realizes that Salim has betrayed him. He and his men break down the bathroom door. Salim kills Javed before he is shot and killed himself. In the final scene, Jamal and Latika meet on the platform at the train station and kiss. The movie ends with a Bollywood-style musical number.

Cast

Production

Screenwriter Simon Beaufoy wrote Slumdog Millionaire based on the Boeke Prize-winning and Commonwealth Writers' Prize-nominated novel Q & A by Vikas Swarup. [18] To hone the script, Beaufoy made three research trips to India and interviewed street children, finding himself impressed with their attitudes. The screenwriter said of his goal for the script: "I wanted to get (across) the sense of this huge amount of fun, laughter, chat, and sense of community that is in these slums. What you pick up on is this mass of energy."

By the summer of 2006, British production companies Celador Films and Film4 Productions invited director Danny Boyle to read the script of Slumdog Millionaire. Boyle hesitated, since he was not interested in making a film about Who Wants to Be a Millionaire? , which was produced by Celador. [14] Then Boyle learned that the screenwriter was Beaufoy, who had written The Full Monty (1997), one of the director's favourite British films, and decided to revisit the script. [19] Boyle was impressed by how Beaufoy wove the multiple storylines from Swarup's book into one narrative, and the director decided to commit to the project. The film was projected to cost $15 million, so Celador sought a US film distributor to share costs. Warner Independent Pictures stepped up with $5 million and won rights to the picture. [14]

Gail Stevens came on board to oversee casting globally. Stevens had worked with Boyle throughout his career and was well known for discovering new talent. Meredith Tucker was appointed to cast out of the US. The film-makers then travelled to Mumbai in September 2007 with a partial crew and began hiring local cast and crew for production in Karjat. Originally appointed as one of the five casting directors in India, Loveleen Tandan has stated, "I suggested to Danny and Simon Beaufoy, the writer of Slumdog, that it was important to do some of it in Hindi to bring the film alive [...] They asked me to pen the Hindi dialogues which I, of course, instantly agreed to do. And as we drew closer to the shoot date, Danny asked me to step in as the co-director." [20] Boyle then decided to translate nearly a third of the film's English dialogue into Hindi. The director fibbed to Warner Independent's president that he wanted 10% of the dialogue in Hindi, and she approved the change.[ citation needed ] Filming locations included shooting in Mumbai's megaslum and in shantytown parts of Juhu, so film-makers controlled the crowds by befriending onlookers. [14] Filming began on 5 November 2007. [15]

In addition to Swarup's original novel Q & A, the film was also inspired by Indian cinema. [21] Tandan has referred to Slumdog Millionaire as a homage to Hindi cinema, noting that "Simon Beaufoy studied Salim-Javed's kind of cinema minutely." [22] Boyle has cited the influence of several Bollywood films set in Mumbai. [i] Deewaar (1975), which Boyle described as being "absolutely key to Indian cinema", is a crime film written by Salim-Javed based on the Bombay gangster Haji Mastan, portrayed by Bollywood superstar Amitabh Bachchan, whose autograph Jamal seeks at the beginning of Slumdog Millionaire. [21] Anil Kapoor noted that some scenes of the film "are like Deewaar, the story of two brothers of whom one is completely after money while the younger one is honest and not interested in money." [23] Slumdog Millionaire has a similar narrative structure to Deewaar. [24] Satya (1998), written by Saurabh Shukla (who plays Constable Srinivas in Slumdog Millionaire), and Company (2002), based on the D-Company, both offered "slick, often mesmerising portrayals of the Mumbai underworld" and displayed realistic "brutality and urban violence." Boyle has also stated that the chase in one of the opening scenes of Slumdog Millionaire was based on a "12-minute police chase through the crowded Dharavi slum" in Black Friday (2007), adapted from Hussein Zaidi's book of the same name about the 1993 Bombay bombings. [21] [25] [26] [27]

Boyle has cited other Indian films as influences in later interviews. [ii] [28] The rags-to-riches, underdog theme was also a recurring theme in classic Bollywood movies from the 1950s through to the 1980s, when "India worked to lift itself from hunger and poverty." [29] Other classic Bollywood tropes in the film include "the fantasy sequences" and the montage sequence where "the brothers jump off a train and suddenly they are seven years older". [28]

The producer's first choice for the role of Prem Kumar was Shahrukh Khan, [30] an established Bollywood star and host of the 2007 series of Kaun Banega Crorepati (the Indian version of Who Wants to Be a Millionaire?). However, Khan turned down the role, concerned that he did not want to give his audience the impression that the real show was a fraud by playing a fraud host in the movie.[ citation needed ] Despite the subsequent success of the film, Khan has stated that he does not regret turning the role down, [30] and has been a vociferous supporter of the film to its critics. [31] Paul Smith, the executive producer of Slumdog Millionaire and the chairman of Celador Films, previously owned the international rights to Who Wants to Be a Millionaire? [32]

Release and box office performance

In August 2007, Warner Independent Pictures acquired the North American rights and Pathé the international rights to distribute Slumdog Millionaire theatrically. [15] However, in May 2008, Warner Independent Pictures was shut down, with all of its projects being transferred to Warner Bros., its parent studio. Warner Bros. doubted the commercial prospects of Slumdog Millionaire and suggested that it would go straight to DVD without a US theatrical release. [33] In August 2008, the studio began searching for buyers for various productions, to relieve its overload of end-of-the-year films. [34] Halfway through the month, Warner Bros. entered into a pact with Fox Searchlight Pictures to share distribution of the film, with Fox Searchlight buying 50% of Warner Bros.'s interest in the movie and handling US distribution. [35]

Following its success at the 81st Academy Awards, the film topped the worldwide box office (barring North America), grossing $16 million from 34 markets in the week following the Academy Awards. [36] Worldwide, the film has currently grossed over $377 million, [6] becoming Fox Searchlight Pictures's highest-grossing film ever (surpassing Juno ).

Australia

The Australian 2008 release of Slumdog Millionaire was produced by Icon Film Distribution.[ citation needed ]

North America

Stars Dev Patel and Freida Pinto at the 2008 Toronto International Film Festival FreidaPintoDevPatel08TIFF.jpg
Stars Dev Patel and Freida Pinto at the 2008 Toronto International Film Festival

Slumdog Millionaire was first shown at the Telluride Film Festival on 30 August 2008, where it was positively received by audiences, generating "strong buzz". [37] The film also screened at the Toronto International Film Festival on 7 September 2008, where it was "the first widely acknowledged popular success" of the festival, [38] winning the People's Choice Award. [39] Slumdog Millionaire debuted with a limited North American release on 12 November 2008, followed by a nationwide release in the United States on 23 January 2009. [40]

After debuting on a Wednesday, the film grossed $360,018 in 10 theatres in its first weekend, a strong average of $36,002 per theatre. [41] [42] In its second weekend, it expanded to 32 theatres and made $947,795, or an average of $29,619 per theatre, representing a drop of only 18%. [41] In the 10 original theatres that it was released in, viewership went up 16%, and this is attributed to strong word-of-mouth. [43] The film expanded into wide release on 25 December 2008 at 614 theatres and earned $5,647,007 over the extended Christmas weekend. [40] Following its success at the 81st Academy Awards, the film's takings increased by 43%, [44] the most for any film since Titanic . [45] In the weekend of 27 February to 1 March, the film reached its widest release at 2,943 theatres. [46] The film has grossed over $140 million at the North American box office. [6]

The film was released on DVD and Blu-ray in the United States on 31 March 2009. The film opened at No. 2 in the DVD sales chart, making $14.16m off 842,000 DVD units. [47] As of 12 November 2009, an estimated 1,964,962 DVD units have been sold, translating to $31.32m in revenue. This figure does not include Blu-ray sales/DVD rentals. [47] It had previously been announced that 20th Century Fox Home Entertainment would be starting a new marketing program with two versions of each release: a stripped-down minimal version for the rental market, and a traditional full version with "bonus extra" features, such as commentary and "making of" material for the retail market. The release production was mixed up; some full versions were shipped in rental cases, and some retail versions were missing the extras despite their being listed on the outside of the box. Public apologies were issued by Fox and Amazon. [48]

Europe

The film was released in the United Kingdom on 9 January 2009, and opened at No. 2 at the UK box office. [49] The film reached No. 1 in its second weekend and set a UK box office record, as the film's takings increased by 47%. This is the "biggest ever increase for a UK saturation release," breaking "the record previously held by Billy Elliot 's 13%." This record-breaking "ticket surge" in the second weekend came after Slumdog Millionaire won four Golden Globes and received eleven BAFTA nominations. The film grossed £6.1 million in its first eleven days of release in the UK. [50] The takings increased by another 7% the following weekend, bringing the film's gross up to £10.24 million for its first seventeen days in the UK, [51] [52] and up to £14.2 million in its third week. [53]

As of 20 February 2009, the film's UK box office gross was £22,973,110, [54] making it "the eighth biggest hit at UK cinemas of the past 12 months." [55] In the week ending 1 March 2009, following its success at the 81st Academy Awards where it won eight Oscars, the film returned to No. 1 at the UK box office, [56] grossing £26 million as of 2 March 2009. [57] As of 17 May 2009, the total UK gross was over £31.6 million. [58] The film was released on DVD and Blu-ray on 1 June 2009.

The film's success at the Academy Awards led to it seeing large increases in takings elsewhere in Europe the following week. Its biggest single country increase was in Italy, where it was up 556% from the previous week. The takings in France and Spain also increased by 61% and 73% respectively. During the same week, the film debuted in other European countries with successful openings: in Croatia it grossed $170,419 from 10 screens, making it the biggest opening there in the last four months; and in Poland it opened in second place with a gross of $715,677. The film was released in Sweden on 6 March 2009 and in Germany on 19 March 2009. [36]

India

In India, the premiere of Slumdog Millionaire took place in Mumbai on 22 January 2009 and was attended by major personalities of the Indian film industry, with more than a hundred attending this event. [59] A dubbed Hindi version, Slumdog Crorepati (स्लमडॉग करोड़पति), was also released in India in addition to the original version of the film. [60] Originally titled Slumdog Millionaire: Kaun Banega Crorepati, the name was shortened for legal reasons. Loveleen Tandan, who supervised the dubbing, stated, "All the actors from the original English including Anil Kapoor, Irrfan Khan and Ankur Vikal dubbed the film. We got a boy from Chembur, Pratik Motwani to dub for the male lead Dev Patel. I didn't want any exaggerated dubbing. I wanted a young unspoilt voice." [61] The film was also dubbed in Tamil as Naanum Kodeeswaran, with Silambarasan dubbing for Patel, [62] while S. P. Balasubrahmanyam and Radha Ravi dubbed for Kapoor and Khan respectively. [63]

Fox Searchlight released 351 prints of the film across India for its full release there on 23 January 2009. [64] It earned 23,545,665 (equivalent to 44 millionorUS$640,000 in 2018) in its first week at the Indian box office, [65] or $2.2 million according to Fox Searchlight. Though not as successful as major Bollywood releases in India during its first week, this was the highest weekend gross for any Fox film and the third highest for any Western release in the country, trailing only Spider-Man 3 and Casino Royale . [64] In its second week, the film's gross rose to 30,470,752 (equivalent to 57 millionorUS$830,000 in 2018) at the Indian box office. [65]

A few analysts have offered their opinions about the film's performance at the Indian box office. Trade analyst Komal Nahta commented, "There was a problem with the title itself. Slumdog is not a familiar word for majority Indians." In addition, trade analyst Amod Mehr has stated that with the exception of Anil Kapoor, the film lacks recognisable stars and that "the film... is not ideally suited for Indian sentiment." A cinema owner commented that "to hear slum boys speaking perfect English doesn't seem right but when they are speaking in Hindi, the film seems much more believable." The dubbed Hindi version, Slumdog Crorepati, did better at the box office, and additional copies of that version were released. [66] Following the film's success at the 81st Academy Awards, the film's takings in India increased by 470% the following week, bringing its total up to $6.3 million that week. [36] As of 15 March 2009, Slumdog Crorepati had grossed 158,613,802 (equivalent to 300 millionorUS$4.3 million in 2018) at the Indian box office. [67]

Asia-Pacific

The film's success at the Academy Awards led to it seeing large increases in takings in the Asia-Pacific region. In Australia, the takings increased by 53%, bringing the film up to second place there. [36] In Hong Kong, the film debuted taking $1 million in its opening weekend, making it the second biggest opening of the year there. [36] The film was released in Japan on 18 April 2009, South Korea on 19 March 2009, China on 26 March 2009, Vietnam on 10 April 2009, [36] and 11 April 2009 in the Philippines.

In particular, the film was a major success in East Asia. In the People's Republic of China, the film grossed $2.2 million in its opening weekend (27–29 March). In Japan, the film grossed $12 million, the most the film has grossed in any Asian country. [68]

Critical response

Academy Awards record
1. Best Picture , Christian Colson
2. Best Director , Danny Boyle
3. Best Adapted Screenplay , Simon Beaufoy
4. Best Cinematography , Anthony Dod Mantle
5. Best Original Score , A. R. Rahman,
6. Best Original Song – "Jai Ho", music by A. R. Rahman, lyric by Gulzar (lyricist)
7. Best Film Editing , Chris Dickens
8. Best Sound Mixing , Resul Pookutty, Richard Pryke, and Ian Tapp
BAFTA Awards record
1. Best Film , Christian Colson
2. Best Director , Danny Boyle
3. Best Adapted Screenplay , Simon Beaufoy
4. Best Cinematography , Anthony Dod Mantle
5. Best Film Music , A. R. Rahman
6. Best Editing , Chris Dickens
7. Best Sound , Glenn Freemantle, Resul Pookutty, Richard Pyke, Tom Sayers, Ian Tapp
Golden Globe Awards record
1. Best Picture – Drama
2. Best Director , Danny Boyle
3. Best Screenplay , Simon Beaufoy
4. Best Original Score , A. R. Rahman
Goya Awards (Spain)
1. Best European Film

Accolades

Slumdog Millionaire was critically acclaimed, named in the top ten lists of various newspapers. [69] On 22 February 2009, the film won eight out of ten Academy Awards for which it was nominated, including the Best Picture and Best Director. [70] It is the eighth film ever to win eight Academy Awards [71] and the eleventh Best Picture Oscar winner without a single acting nomination. [72] At the same time, Taare Zameen Par (Like Stars on Earth) , India's submission for the Academy Award for Best Foreign Film, failed to make the short list of nominations and was frequently compared with Slumdog Millionaire in the Indian media. [73] [74] [75] [76]

The film also won seven of the eleven BAFTA Awards for which it was nominated, including Best Film; all four of the Golden Globe Awards for which it was nominated, including Best Drama Film; and five of the six Critics' Choice Awards for which it was nominated.

The much acclaimed title sequence has been honoured by a nomination at the prestigious 2009 Rushes Soho Shorts Film Festival in the 'Broadcast Design Award' category in competition with the likes of the Match of the Day Euro 2008 titles by Aardman and two projects by Agenda Collective.

In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years [77]

Reactions from outside India

The Slumdog Millionaire team at the 81st Academy Awards in the US Cast "Slumdog Millionaire".JPG
The Slumdog Millionaire team at the 81st Academy Awards in the US

Outside of India, Slumdog Millionaire was met with critical acclaim. the film holds a 91% approval rating on Rotten Tomatoes based on 282 reviews, with an average score of 8.36/10. The consensus reads, "Visually dazzling and emotionally resonant, Slumdog Millionaire is a film that's both entertaining and powerful." [78] On Metacritic, which assigns a normalised rating using reviews from mainstream critics, the film has an average score of 86 out of 100, based on 36 reviews, indicating "critical acclaim". [79] Movie City News shows that the film appeared in 123 different top ten lists, out of 286 different critics lists surveyed, the 4th most mentions on a top ten list of any film released in 2008. [80]

Roger Ebert of the Chicago Sun Times gave the film 4 out of 4 stars, stating that it is, "a breathless, exciting story, heartbreaking and exhilarating." [81] Wall Street Journal critic Joe Morgenstern refers to Slumdog Millionaire as, "the film world's first globalised masterpiece." [82] Ann Hornaday of The Washington Post argues that, "this modern-day 'rags-to-rajah' fable won the audience award at the Toronto International Film Festival earlier this year, and it's easy to see why. With its timely setting of a swiftly globalising India and, more specifically, the country's own version of the Who Wants to Be a Millionaire TV show, combined with timeless melodrama and a hardworking orphan who withstands all manner of setbacks, Slumdog Millionaire plays like Charles Dickens for the 21st century." [83] Kenneth Turan of the Los Angeles Times describes the film as "a Hollywood-style romantic melodrama that delivers major studio satisfactions in an ultra-modern way" and "a story of star-crossed romance that the original Warner brothers would have embraced, shamelessly pulling out stops that you wouldn't think anyone would have the nerve to attempt any more." [84] Anthony Lane of the New Yorker stated, "There is a mismatch here. Boyle and his team, headed by the director of photography, Anthony Dod Mantle, clearly believe that a city like Mumbai, with its shifting skyline and a population of more than fifteen million, is as ripe for storytelling as Dickens's London [...] At the same time, the story they chose is sheer fantasy, not in its glancing details but in its emotional momentum. How else could Boyle get away with assembling his cast for a Bollywood dance number, at a railroad station, over the closing credits? You can either chide the film, at this point, for relinquishing any claim to realism or you can go with the flow—surely the wiser choice." [85] Colm Andrew of the Manx Independent was also full of praise, saying the film "successfully mixes hard-hitting drama with uplifting action and the Who Wants To Be a Millionaire show is an ideal device to revolve events around". [86] Several other reviewers have described Slumdog Millionaire as a Bollywood-style "masala" movie, [87] due to the way the film combines "familiar raw ingredients into a feverish masala" [88] and culminates in "the romantic leads finding each other." [89]

Other critics offered more mixed reviews. For example, Peter Bradshaw of The Guardian gave the film three out of five stars, stating that "despite the extravagant drama and some demonstrations of the savagery meted out to India's street children, this is a cheerfully undemanding and unreflective film with a vision of India that, if not touristy exactly, is certainly an outsider's view; it depends for its full enjoyment on not being taken too seriously." He also pointed out that the film is co-produced by Celador, who own the rights to the original Who Wants to Be a Millionaire? and claimed that "it functions as a feature-length product placement for the programme." [90]

A few critics outright panned it. Mick LaSalle of the San Francisco Chronicle states that, "Slumdog Millionaire has a problem in its storytelling. The movie unfolds in a start-and-stop way that kills suspense, leans heavily on flashbacks and robs the movie of most of its velocity. ... [T]he whole construction is tied to a gimmicky narrative strategy that keeps Slumdog Millionaire from really hitting its stride until the last 30 minutes. By then, it's just a little too late." [91] Eric Hynes of IndieWIRE called it "bombastic", "a noisy, sub-Dickens update on the romantic tramp's tale" and "a goofy picaresque to rival Forrest Gump in its morality and romanticism." [92]

Reactions from India and the Indian diaspora

Slumdog Millionaire has been a subject of discussion among a variety of people in India and the Indian diaspora. Some film critics have responded positively to the film. At the same time, others objected to issues such as Jamal's use of British English or the fact that similar films by Indian filmmakers have not received equal recognition. A few notable filmmakers such as Aamir Khan and Priyadarshan have been critical of the film. Author and critic Salman Rushdie argues that it has "a patently ridiculous conceit." [93]

Adoor Gopalakrishnan, one of the most acclaimed film makers in India during the 1980s and 1990s and a five time Best Director winner of the Indian National Film Awards the most prestigious film awards in Indialambasted Slumdog Millionaire, calling it in an interview to NDTV: "A very anti-Indian film. All the bad elements of Bombay's commercial cinema are put together and in a very slick way. And it underlines and endorses what the West thinks about of us. It is falsehood built upon falsehood. And at every turn is fabricated. At every turn it is built on falsehood. I was ashamed to see it was being appreciated widely in the west... Fortunately Indians are turning it down." [94] [95]

Academic criticism

The film has been subject to serious academic criticism. Mitu Sengupta (2009 and 2010) raises substantial doubts about both the realism of the film's portrayal of urban poverty in India and whether the film will assist those arguing for the poor. Rather, Sengupta argues the film's "reductive view" of such slums is likely to reinforce negative attitudes to those who live there. The film is therefore likely to support policies that have tended to further dispossess the slum dwellers in terms of material goods, power and dignity. The film, it is also suggested, celebrates characters and places that might be seen as symbolic of Western culture and models of development. [96] [97] Ana Cristina Mendes (2010) places Boyle's film in the context of the aestheticising and showcasing of poverty in India for artistic (and commercial) purposes, and proceeds to examine "the modes of circulation of these representations in the field of cultural production, as well as their role in enhancing the processes of ever-increasing consumption of India-related images." [98]

However, there are others who point to the changing urban aspirations and prospects for mobility that can be seen in Indian cities such as Mumbai in which the film is set. The film is seen by D. Parthasarathy (2009) as reflecting a larger context of global cultural flows, which implicates issues of labour, status, ascription-achievement, and poverty in urban India. Parthasarathy (2009) argues for a better understanding of issues of dignity of labour and that the film should be interpreted in a more nuanced way as reflecting the role of market forces and India's new service economy in transforming the caste and status determined opportunity structure in urban India. [99]

Academic criticism has also been extended to the underlying philosophy of the film, with its apparent ends-justify-means message. [100] Many elements of the film, including the apparent redemption of Salim at the end of his life and the film's subjugation of the suffering of peripheral characters to the romantic aspirations of Jamal, are characteristic, say such critics, of a naïve, Providence-based vision of reality. [100]

Controversies

Slumdog Millionaire has stirred controversy on a few issues, including the welfare and illegal housing of its child actors and its portrayals of Indian communities.[ citation needed ]

Soundtrack

The Slumdog Millionaire soundtrack was composed by A. R. Rahman, who planned the score for over two months and completed it in two weeks. [101] Danny Boyle has said that he chose Rahman because "not only does he draw on Indian classical music, but he's got R&B and hip hop coming in from America, house music coming in from Europe and this incredible fusion is created." [28] Rahman won the 2009 Golden Globe Award for Best Original Score and won two Academy Awards, one for Best Original Score and one for Best Original Song for "Jai Ho". Rahman had two songs nominated for Best Original Song the nomination for "O... Saya" was shared with M.I.A., while the win for "Jai Ho" was shared with lyricist Gulzar. The soundtrack was released on M.I.A.'s record label N.E.E.T.. On Radio Sargam, film critic Goher Iqbal Punn termed the soundtrack Rahman's "magnum opus" which will acquaint "the entire world" with his artistry. [102]

Notes

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