Betrayal | |
---|---|
Directed by | David Jones |
Screenplay by | Harold Pinter |
Based on | Betrayal by Harold Pinter |
Produced by | Sam Spiegel |
Starring | |
Cinematography | Mike Fash |
Edited by | John Bloom |
Music by | Dominic Muldowney |
Production company | |
Distributed by | Virgin Films |
Release date |
|
Running time | 95 minutes |
Country | United Kingdom |
Language | English |
Betrayal is a 1983 British drama film adaptation of Harold Pinter's 1978 play of the same name. With a semi-autobiographical screenplay by Pinter, the film was produced by Sam Spiegel and directed by David Jones. It was critically well received. Distributed by 20th Century Fox International Classics in the United States, it was first screened in movie theaters in New York in February 1983. [1]
This article needs an improved plot summary.(June 2015) |
Betrayal follows significant moments in the seven-year extramarital affair of art gallery owner Emma with literary agent Jerry, the best friend of her husband Robert, a London publisher. Nine sequences are shown in reverse chronological order with Emma and Jerry meeting for the first time at the conclusion of the film.
Screenwriter Harold Pinter based the drama on his seven-year (1962–69) clandestine affair with television presenter Joan Bakewell, who was married to producer-director Michael Bakewell. At the time, Pinter was married to actress Vivien Merchant. [2] [3]
New York Times film critic Vincent Canby said Harold Pinter is "justifiably celebrated" and that "nothing he has written for the stage has ever been as simply and grandly realized on the screen as his Betrayal". He applauded the performances of the three lead actors, the direction, and the meaningful application of reverse chronology, and summed up that "I can't think of another recent film that is simultaneously so funny, so moving and so rigorously unsentimental. ... This is pure Pinter well served by collaborators." [4] Chicago Sun-Times film critic Roger Ebert similarly commented that the film's reverse chronology, far from being a gimmick, is the key element to its brilliance. He gave the movie four stars. [5]
Dave Kehr of the Chicago Reader , by contrast, argued that "The reverse-order gimmick of Harold Pinter's screenplay seems meant to revitalize some trite and tedious material—the breakup of a love affair—yet the expected literary games don't materialize: the film plods backward in time with the same dull linearity it would have moving forward." He praised Kingsley's performance but gave the film an overall negative assessment. [6] Geoff Andrew likewise wrote in Time Out , "Hodge is fine, Kingsley tries his best, and Irons is as tight-assed as ever. But it's all so uncinematic as to make one wonder why it was ever made in the first place." [7] Variety commented that Patricia Hodge gave a much less compelling performance than the other two leads but summed up the film as "an absorbing, quietly amusing chamber drama for those attuned to Harold Pinter’s way with words." [8]
Award | Category | Nominee(s) | Result |
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Academy Awards [9] | Best Adapted Screenplay | Harold Pinter | Nominated |
British Academy Film Awards [10] | Best Adapted Screenplay | Nominated | |
Evening Standard British Film Awards | Best Actor | Ben Kingsley | Won |
National Board of Review Awards [11] | Best Film | Won [lower-alpha 1] | |
Top Ten Films | Won [lower-alpha 2] |
Harold Pinter was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993) and Sleuth (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works.
Terms of Endearment is a 1983 American family comedy-drama film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name. It stars Debra Winger, Shirley MacLaine, Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow. The film covers 30 years of the relationship between Aurora Greenway (MacLaine) and her daughter Emma (Winger).
Ada Brand Thomson, known professionally as Vivien Merchant, was an English actress. She began her career in 1942, and became known for dramatic roles on stage and in films. In 1956 she married the playwright Harold Pinter and performed in many of his plays.
The Servant is a 1963 British drama film directed by Joseph Losey. It was written by Harold Pinter, who adapted Robin Maugham's 1948 novella. The Servant stars Dirk Bogarde, Sarah Miles, Wendy Craig and James Fox.
Patricia Ann Hodge, OBE is an English actress. She is known on-screen for playing Phyllida Erskine-Brown in Rumpole of the Bailey (1978–1992), Jemima Shore in Jemima Shore Investigates (1983), Penny in Miranda (2009–2015) and Mrs Pumphrey in All Creatures Great and Small (2021–present).
The Evening Star is a 1996 American comedy-drama film. It is a sequel to the Academy Award-winning 1983 film Terms of Endearment starring Shirley MacLaine, who reprises the role of Aurora Greenway, for which she won an Oscar in the original film. Based on the 1992 novel by Larry McMurtry, the screenplay is by Robert Harling, who also served as director.
Theresa Lynn Russell is an American actress whose career spans over four decades. Her filmography includes over 50 feature films, ranging from mainstream to independent and experimental films.
Moonlighting is a 1982 British drama film written and directed by Jerzy Skolimowski. It is set in the early 1980s at the time of the Solidarity protests in Poland. It stars Jeremy Irons as Nowak, a Polish builder leading a team working illegally in London.
Without a Clue is a 1988 British comedy film directed by Thom Eberhardt and starring Michael Caine and Ben Kingsley. It is based on Sir Arthur Conan Doyle's characters from the Sherlock Holmes stories but, in this version, the roles are reversed: Dr. John Watson is the brilliant detective, while "Sherlock Holmes" is an actor hired to pose as the detective so that Watson can protect his reputation as a physician.
Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions.
The French Lieutenant's Woman is a 1981 British romantic drama film directed by Karel Reisz, produced by Leon Clore, and adapted by the playwright Harold Pinter. It is based on The French Lieutenant's Woman, a 1969 novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis.
The Handmaid's Tale is a 1990 dystopian film adapted from Canadian author Margaret Atwood's 1985 novel of the same name. Directed by Volker Schlöndorff, the film stars Natasha Richardson (Offred), Faye Dunaway, Robert Duvall, Aidan Quinn (Nick), and Elizabeth McGovern (Moira). The screenplay was written by playwright Harold Pinter. The original music score was composed by Ryuichi Sakamoto. The film was entered into the 40th Berlin International Film Festival. It is the first filmed adaptation of the novel, succeeded by the Hulu television series which began streaming in 2017.
"The Betrayal" is the 164th episode of the NBC sitcom Seinfeld. This was the eighth episode for the ninth and final season. It aired on November 20, 1997. In this episode, Jerry betrays George by having sex with his girlfriend Nina, right before Elaine invites all three of them to come with her to India for the wedding of Sue Ellen Mischke, Elaine's longtime rival. The episode is colloquially referred to as the "backwards episode" due to its reverse chronology, starting with the final scene and playing in reverse order. Written collaboratively by Peter Mehlman and David Mandel, the episode bridges Seinfeld's final season to its past with scenes from George's engagement to Susan Ross and Jerry's moving in to his apartment, and with a gimmick-based format which evoked the series' early gimmick-based episodes like "The Chinese Restaurant" and "The Limo".
The Go-Between is a 1971 British historical drama film directed by Joseph Losey. Its screenplay by Harold Pinter is an adaptation of the 1953 novel The Go-Between by L. P. Hartley. The film stars Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave and Dominic Guard. It won the Palme d'Or at the 1971 Cannes Film Festival.
Characteristics of Harold Pinter's work identifies distinctive aspects of the works of the British playwright Harold Pinter (1930–2008) and gives an indication of their influence on Anglo-American culture.
Comedy of menace is the body of plays written by David Campton, Nigel Dennis, N. F. Simpson, and Harold Pinter. The term was coined by drama critic Irving Wardle, who borrowed it from the subtitle of Campton's play The Lunatic View: A Comedy of Menace, in reviewing Pinter's and Campton's plays in Encore in 1958.
David Hugh Jones was an English stage, television and film director.
Remembrance of Things Past is the 2000 collaborative stage adaptation by Harold Pinter and director Di Trevis of Harold Pinter's as-yet unproduced The Proust Screenplay (1977), a screen adaptation of À la recherche du temps perdu, the 1913–1927 seven-volume novel by Marcel Proust.
Jack Nicholson is an American actor, director, producer, and screenwriter who made his film debut in The Cry Baby Killer (1958). Nicholson is widely regarded as one of the greatest actors of his generation. He is also one of the most critically acclaimed: his 12 Academy Award nominations make him the most nominated male actor in the Academy's history. He is also a Kennedy Center Honoree and a recipient of the AFI Life Achievement Award and the Golden Globe Cecil B. DeMille Award.