Tea Party is a play written by Harold Pinter, which Pinter adapted from his own 1963 short story of the same title. [1] [2] As a screenplay, it was commissioned by the European Broadcasting Union, directed by Charles Jarrott, and first transmitted on BBC Television in the programme The Largest Theatre in the World on 25 March 1965 (Complete Works: Three 100). [3] It was first produced on stage in October 1968 as part of a double bill with Pinter's play The Basement . [4]
Tea Party "revolves around a family engaged in a business of sanitary engineering." [5] According to an account published in the New Yorker , the play concerns "a middle-aged self-made business man named Sisson" (whom Pinter later renamed Disson), who engages a young secretary, marries a beautiful young second wife, and takes his new brother-in-law into his business–all in the same day";
Mysteries abound. What is going on between the wife and her brother? Are they indeed brother and sister? Sisson has his doubts about that … . Why does Sisson feel that there must be something wrong with his eyes, although he knows that he can see clearly and his eye doctor has assured him that his vision is perfect? He forces his secretary to tie a chiffon scarf over his eyes, and then he is able to make a pass at her, in response to one of her many come-ons. Ordinary events assume a sinister tinge. Sisson's two sons, giving him the deadpan treatment that little boys have been inflicting on their elders from time immemorial, seem as eerie as characters out of a ghost story. Always the questions remain. Is there a conspiracy against Sisson. [4]
"A modern office in London". [6]
As listed in the published texts, the original cast of the BBC TV production transmitted on 25 March 1965 was:
| Disson | Leo McKern |
| Wendy | Vivien Merchant |
| Diana | Jennifer Wright |
| Willy | Charles Gray s |
| Disley | John Le Mesurier |
| Lois | Margaret Denyer |
| Father | Frederick Piper |
| Mother | Hilda Barry |
| Tom | Peter Bartlett |
| John | Robert Bartlett |
The set was designed by Eileen Diss. [7]
Tea Party was produced as part of a double bill with The Basement at the Eastside Playhouse in New York, directed by James Hammerstein, in October 1968, with the following cast:
| Disson | David Ford |
| Wendy | Valerie French |
| Diana | June Emery |
| Willy | John Tillinger |
| Disley | Paul Sparer |
| Lois | Rose Roffman |
| Father | Bert Bertram |
| Mother | Hazel Jones |
| Tom | Michael Kearney |
| John | Darel Glaser |
| Waiters | David Dario, Alfred Hayes, Jr |
Scenery was by Ed Wittstein, lighting by Neil Peter Jampolis, and costumes by Deidre Cartier. [8]
Tea Party opened at the Duchess Theatre on 17 September 1970, also directed by James Hammerstein and produced by Eddie Kulukundis for Knightsbridge Theatrical Productions Ltd, with the following cast" (Complete Works: Three 101):
| Disson | Donald Pleasence |
| Wendy | Vivien Merchant |
| Diana | Gabrielle Drake |
| Willy | Barry Foster |
| Disley | Derek Aylward |
| Lois | Jill Johnson |
| Father | Arthur Hewlett |
| Mother | Hilda Barry |
| Tom | Robin Angell |
| John | Kevin Chippendale |
Harold Pinter was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993) and Sleuth (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works.
Ada Brand Thomson, known professionally as Vivien Merchant, was an English actress. She began her career in 1942, and became known for dramatic roles on stage and in films. In 1956 she married the playwright Harold Pinter and performed in many of his plays.
The Dumb Waiter is a one-act play by Harold Pinter written in 1957.
Simon James Holliday Gray was an English playwright and memoirist who also had a career as a university lecturer in English literature at Queen Mary, University of London, for 20 years. While teaching at Queen Mary, Gray began his writing career as a novelist in 1963 and, during the next 45 years, in addition to five published novels, wrote 40 original stage plays, screenplays, and screen adaptations of his own and others' works for stage, film and television and became well known for the self-deprecating wit characteristic of several volumes of memoirs or diaries.
The Birthday Party (1957) is the first full-length play by Harold Pinter, first published in London by Encore Publishing in 1959. It is one of his best-known and most frequently performed plays.
The Homecoming is a two-act play written in 1964 and published in 1965 by Harold Pinter. Its premières in London (1965) and New York (1967) were both directed by Sir Peter Hall. The original Broadway production won the 1967 Tony Award for Best Play. Its 40th-anniversary Broadway production at the Cort Theatre was nominated for a 2008 Tony Award for "Best Revival of a Play".
The Room is Harold Pinter's first play, written and first produced in 1957. Considered by critics the earliest example of Pinter's "comedy of menace", this play has strong similarities to Pinter's second play, The Birthday Party, including features considered hallmarks of Pinter's early work and of the so-called Pinteresque: dialogue that is comically familiar and yet disturbingly unfamiliar, simultaneously or alternatingly both mundane and frightening; subtle yet contradictory and ambiguous characterizations; a comic yet menacing mood characteristic of mid-twentieth-century English tragicomedy; a plot featuring reversals and surprises that can be both funny and emotionally moving; and an unconventional ending that leaves at least some questions unresolved.
Butley is a play by Simon Gray set in the office of an English lecturer at a university in London, England. The title character, a T. S. Eliot scholar, is an alcoholic who loses his wife and his close friend and colleague – and possibly male lover – on the same day. The action of the dark comedy takes place over several hours on the same day during which he bullies students, friends and colleagues while falling apart at the seams. The play won the 1971 Evening Standard Award for Best Play.
Quartermaine's Terms is a play by Simon Gray which won The Cheltenham Prize in 1982.
Michael Keith Billington is a British author and arts critic. He writes for The Guardian, and was the paper's chief drama critic from 1971 to 2019. Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts. He is the authorised biographer of the playwright Harold Pinter (1930–2008).
Applicant is a dramatic sketch written by Harold Pinter. Originally written in 1959 and first published by Eyre Methuen in 1961, it was first broadcast on BBC Radio on the Third Programme "between February and March 1964," along with Pinter's other revue sketches, That's Your Trouble, That's All, Interview, and Dialogue for Three.
The Hothouse (1958/1980) is a full-length tragicomedy written by Harold Pinter in the winter of 1958 between The Birthday Party (1957) and The Caretaker (1959). After writing The Hothouse in the winter of 1958 and following the initial commercial failure of The Birthday Party, Pinter put the play aside; in 1979 he re-read it and directed its first production, at Hampstead Theatre, where it opened on 24 April 1980, transferring to the Ambassadors Theatre on 25 June 1980, and it was first published, also in 1980, by Eyre Methuen. The play received its American premiere at the Trinity Repertory Company in 1982. Pinter himself played Roote in a subsequent production staged at the Minerva Theatre, in Chichester, in 1995, later transferring to the Comedy Theatre, in London.
Ashes to Ashes is a 1996 play by English playwright Harold Pinter. It was first performed, in Dutch, by Toneelgroep Amsterdam, the Netherlands' largest repertory company, in Amsterdam, as part of its 1996–1997 season, and directed by Titus Muizelaar, who reprised his production, in Dutch with English surtitles, as part of a double bill with Buff, by Gerardjan Rijnders, at the Riverside Studios, Hammersmith, from 23 through 27 June 1998. Its English première by the Royal Court Theatre opened after the Dutch première, at the Ambassadors Theatre, in London, on 12 September 1996.
Bibliography for Harold Pinter is a list of selected published primary works, productions, secondary sources, and other resources related to English playwright Harold Pinter (1930–2008), the 2005 Nobel Laureate in Literature, who was also a screenwriter, actor, director, poet, author, and political activist. It lists works by and works about him, and it serves as the Bibliography for the main article on Harold Pinter and for several articles relating to him and his works.
"Art, Truth and Politics" is the Nobel Lecture delivered on video by the 2005 Nobel Laureate in Literature Harold Pinter (1930–2008), who was at the time hospitalised and unable to travel to Stockholm to deliver it in person.
Comedy of menace is the body of plays written by David Campton, Nigel Dennis, N. F. Simpson, and Harold Pinter. The term was coined by drama critic Irving Wardle, who borrowed it from the subtitle of Campton's play The Lunatic View: A Comedy of Menace, in reviewing Pinter's and Campton's plays in Encore in 1958.
The Basement is a television play by Harold Pinter. It was written first as a screenplay for a film, then revised for television and broadcast on 20 February 1967.
The Dreaming Child is a screenplay by Harold Pinter (1930–2008), the 2005 Nobel Laureate in Literature, which he completed in 1997 and published in volume 3 of his Collected Screenplays (2000). It has not yet been filmed but was produced as a radio play by Feelgood Films for BBC Radio Four's Unmade Movies series in 2015. It is an adaptation of the short story "The Dreaming Child" by Danish author Karen Blixen. Pinter's manuscripts for this work are housed in The Harold Pinter Archive in the British Library.