Sleuth | |
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![]() Promotional thriller film poster | |
Directed by | Kenneth Branagh |
Screenplay by | Harold Pinter |
Based on | Sleuth by Anthony Shaffer |
Produced by | Kenneth Branagh Simon Halfon Jude Law Simon Moseley Marion Pilowsky Tom Sternberg |
Starring | Michael Caine Jude Law |
Cinematography | Haris Zambarloukos |
Edited by | Neil Farrell |
Music by | Patrick Doyle |
Production companies | Castle Rock Entertainment Riff Raff Productions |
Distributed by | Sony Pictures Classics (United States, Canada, Latin America, France, Scandinavia, Finland, Spain and Italy) Paramount Pictures (United Kingdom, Australia, New Zealand and South Africa) [1] |
Release dates |
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Running time | 88 minutes [2] |
Countries | United Kingdom United States |
Language | English |
Box office | $4.8 million [1] |
Sleuth is a 2007 thriller film directed by Kenneth Branagh and starring Jude Law and Michael Caine. The screenplay by Harold Pinter is an adaptation of Anthony Shaffer's play, Sleuth . Caine had previously starred in a 1972 version, where he played Law's role against Laurence Olivier.
Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse.
The film's screenwriter, Harold Pinter, credited as "Man on TV", is seen on a television in the background interviewing another man, played by an uncredited Kenneth Branagh. The only other person seen in the film is an uncredited actress, Carmel O'Sullivan, in the role of Maggie.
Caine had starred as hairdresser Milo Tindle opposite Laurence Olivier's novelist Andrew Wyke in the 1972 film Sleuth , with each being nominated for an Academy Award for their performance. In the 2007 film, Caine took the role of Wyke, and Law took Caine's role of Tindle. [3]
This was the second time Law performed a film character originated by Caine, the first having been the title role of Alfie . Caine himself had previously starred in two different roles for two versions of Get Carter .
According to many accounts, this set out to be a remake of the 1972 version, but Pinter's screenplay-offered "a fresh take" on Shaffer's play and "a very different form" from the original film. [4]
In his review of the film's debut at the 2007 Venice Film Festival, Roderick Conway Morris observed: "The reworking of the play is not just an adept transformation of theatre to film ... but also casts a revealing light on social history, reflecting the enormous changes in English society, language and morals in the nearly 40 years since the play first appeared on the London stage." [5]
The screenwriter, actors and director insisted that this Sleuth was not a "remake." [6] Law called it "a completely reinvented Sleuth... It didn't feel like a remake. I always loved the idea at its heart of two men battling it out for a woman you never meet." [7] Law further felt that he "was creating a character (Tindle), I wasn't recreating one." [7] Caine said, "I never felt that I had gone back to Sleuth." He called the Pinter script "an entirely different thing. There isn't a single line in it that was in the other one, and Pinter had never seen the [1972] movie. Jude [Law] gave him the stage play and said, 'Write a screenplay for me' ... It was a completely different experience." [7] In a television interview conducted on RAI TV during the Venice International Film Festival, Caine stated: "If the script hadn't been by Harold Pinter, I wouldn't have done the movie."
Pinter said, "It's a totally new take...I had not either seen or read the play, and I hadn't seen the film adapted from the play either, so I knew nothing about it. So I simply read the play and I think it's totally transformed. I've kept one or two plot things because you have to but apart from that, I think I've made it my own." [8] [9]
Caine stated, "The first Sleuth I thought was great and the second Sleuth I thought was great until I read the reviews. I said to Pinter, 'What film did they show them?' I have a feeling that [the new] Sleuth will be rediscovered some day." [10]
Manohla Dargis of The New York Times wrote a review headlined "A Dance of Two Men, Twisting and Turning With a Gun That's More Than a Gun." In contrast to Sarah Lyall's New York Times preview, [11] Dargis wrote that she did not like watching the film, finding it too claustrophobic: "Mr. Branagh fiddles with the lights, tilts the camera and hustles his hard-working actors upstairs and down and back again and into an elevator as small as a coffin built for one. He embellishes the screenplay’s every obvious conceit and word, hammering the point until you feel as if you’re trapped inside the elevator with Milo and Andrew, going up and down and up and down, though nowhere in particular."
In his interview with Martin A. Grove, Branagh mentions that the danger of inducing claustrophobia in audience members is a risk that he took into account in filming Sleuth: "What Branagh didn't do that many Hollywood directors would have done is to open the film up by, for instance, having the two men drive to a nearby pub at some point in their conversation. 'Well, it's interesting you say that,' he told [Grove], 'There were discussions about that, but we said, 'If we believe in the power of the writing here and the power of the performances, but also, frankly, if we believe in the audience and believe that the audience can find this as fascinating as I do on the pages and if we can realize it to meet all of their expectations then the claustrophobia (won't be a problem).' "
Director Branagh found shooting in the house difficult yet interesting. "The minimalism I found was a great challenge. The elevator was Harold's idea, so that was there and was a central feature of what we are going to bring to it. And then everything else was drawn from contemporary British architecture, contemporary British artists. The wire figure is by Anthony Gormley, one of our most famous sculptors. Gary Hume did all the artwork on the walls." [12] Custom designed furniture from Ron Arad completes the look.
After premiering at the 64th Venice Film Festival on 30 August 2007, [5] Sleuth was screened at the Toronto Film Festival on 10 September 2007. [13] It was also screened at the Atlantic Film Festival, in Halifax, on 22 September 2007, [14] [15] the Aspen Filmfest on 26 September 2007, [16] [17] the Copenhagen International Film Festival, on 27 September 2007, [18] the Calgary International Film Festival, in Alberta, on 28 September 2007 [19] and the Haifa International Film Festival on 1 October 2007. [20]
On 3 and 4 October 2007, Sleuth was screened at Variety's 2007 Screening Series in New York, at the Chelsea West Cinemas, [21] and in Los Angeles, at the ArcLight Theatre. [22] Kenneth Branagh, Michael Caine and Jude Law made interviews on the television programs The Today Show , RAI TV, Late Show with David Letterman , The Charlie Rose Show , and Reel Talk with Jeffrey Lyons. [23]
On Rotten Tomatoes, the film has an approval rating of 36% based on 122 reviews with an average rating of 5.13/10. The critical consensus states that "Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version." [24] [25] On Metacritic the film has a score of 49% based on reviews from 30 critics, indicating "mixed or average reviews". [26]
Time film reviewer Richard Corliss indicated he was not pleased with the outcome, concluding, "if you consider what the exalted quartet of Branagh, Pinter, Caine and Law might have done with the project, and what they did to it, Sleuth has to be the worst prestige movie of the year."[ citation needed ]
Claudia Puig of USA Today was more appreciative, writing, "Caine and Law are in fine form bantering cleverly in this entertaining cat-and-mouse game, thanks to the inspired dialogue of Harold Pinter. They parry, using witticisms instead of swords. Then they do a dance of deception, a veritable tango. There's thievery, peril and plenty of double-crossing. (...) As directed by Kenneth Branagh, this new version is darker and more claustrophobic. In the original the house where all the action took place was Gothic and laden with gewgaws. The new domicile is stark and minimalist, and much more threatening. Branagh's version has more incipient horror and less camp." [27]
Roger Ebert of the Chicago Sun-Times wrote, "It's no mystery that 'Sleuth' is fascinating," observing that Pinter "has written a new country house mystery, which is not really a mystery at all in terms of its plot, and eerily impenetrable in its human relationship" and that "in 'Sleuth' what [Kenneth Branagh] celebrates is perplexing, ominous, insinuating material in the hands of two skilled actors." [28] J.R. Jones of The Chicago Reader wrote, "Director Kenneth Branagh has mercifully pared the action down to 88 minutes (the first movie dragged on for 138), but the final act, with its obscure homosexual flirtation, still seems to go on forever." [29]
Carina Chocano, writing in the Los Angeles Times , stated: "The verbal sparring is so sharp [that] it's a wonder nobody loses an eye. [...] and it's an unmitigated pleasure to observe Caine and Law attack it with such ferocity. Sleuth is nasty fun." [30] Terry Lawson of the Detroit Free Press , criticised the performances by the lead actors, saying, "We're left with two suitably hammy performances by Caine and Law, who do not forget they are actors playing actors"[ citation needed ]
Leonard Maltin, who rated the original film 4 out of 4 stars, gave this version a "BOMB" rating (0 out of 4), the lowest rating he has ever given a Branagh film, stating that the new version "has every ounce of entertainment drained from it" and called the film "unbelievably bad". [31]
Sleuth | |
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Soundtrack album by | |
Released | 9 October 2007 |
Recorded | Air Lyndhurst Studios, London |
Genre | Film soundtrack |
Label | Varèse Sarabande |
Producer | Maggie Rodford, Robert Townson |
Patrick Doyle is the composer and the music is performed by the London Symphony Orchestra. The soundtrack is produced by Varèse Sarabande and was released in October 2007. [32]
Sir Michael Caine is an English retired actor. Known for his distinct Cockney accent, he has appeared in more than 160 films over a career that spanned eight decades and is considered a British cultural icon. He has received numerous awards including two Academy Awards, a BAFTA Award, three Golden Globe Awards, and a Screen Actors Guild Award. As of 2017, the films in which Caine has appeared have grossed over $7.8 billion worldwide. Caine is one of only five male actors to be nominated for an Academy Award for acting in five different decades. In 2000, he received a BAFTA Fellowship and was knighted by Her late Majesty Queen Elizabeth II.
Harold Pinter was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993) and Sleuth (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works.
Hamlet is a 1996 British epic historical drama film serving as an adaptation of William Shakespeare's play The Tragedy of Hamlet, Prince of Denmark, adapted and directed by Kenneth Branagh, who also stars as Prince Hamlet. The film also features Derek Jacobi as King Claudius, Julie Christie as Queen Gertrude, Kate Winslet as Ophelia, Michael Maloney as Laertes, Richard Briers as Polonius, and Nicholas Farrell as Horatio. Other cast members include Robin Williams, Gérard Depardieu, Jack Lemmon, Billy Crystal, Rufus Sewell, Charlton Heston, Richard Attenborough, Judi Dench, John Gielgud and Ken Dodd.
Sir Kenneth Charles Branagh is a British actor and filmmaker. Born in Belfast and raised primarily in Reading, Berkshire, Branagh trained at RADA in London and served as its president from 2015 to 2024. His accolades include an Academy Award, four BAFTAs, two Emmy Awards, a Golden Globe Award, and an Olivier Award. He was appointed a Knight Bachelor in 2012, and was given Freedom of the City in his native Belfast in 2018. In 2020, he was ranked in 20th place on The Irish Times's list of Ireland's greatest film actors.
Twickenham Film Studios is a film studio in St Margarets, in the London Borough of Richmond upon Thames, that is used by various motion picture and television companies. It was established in 1913 by Ralph Jupp on the site of a former ice rink. At the time of its original construction, it was the largest film studio in the United Kingdom.
Sleuth is a 1972 mystery thriller film directed by Joseph L. Mankiewicz and starring Laurence Olivier and Michael Caine. The screenplay by playwright Anthony Shaffer was based on his 1970 Tony Award-winning play. Both Olivier and Caine were nominated for Academy Awards for their performances. This was Mankiewicz's final film. Critics gave the film overwhelmingly positive reviews.
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David Jude Heyworth Law is an English actor. He began his career in theatre before landing small roles in various British television productions and feature films. Law gained recognition for his role in Anthony Minghella's The Talented Mr. Ripley (1999), for which he won the BAFTA Award for Best Actor in a Supporting Role and was nominated for an Academy Award for Best Supporting Actor.
Greta Scacchi, OMRI is an actress known for her roles in the films White Mischief (1987), Presumed Innocent (1990), The Player (1992), Emma (1996) and Looking for Alibrandi (2000).
Patrick Doyle is a Scottish composer and occasional actor best known for his film scores. During his 50-year career in film, television and theatre, he has composed the scores for over 60 feature films. A longtime collaborator of actor-director Kenneth Branagh, Doyle is known for his work on films such as Henry V, Sense and Sensibility, Hamlet, Carlito's Way, Quest for Camelot, and Gosford Park, as well as Harry Potter and the Goblet of Fire, Rise of the Planet of the Apes, Thor, Brave, Cinderella,Murder on the Orient Express and Death on the Nile.
Sleuth may refer to:
Sleuth is a 1970 play written by Anthony Shaffer. The Broadway production received the Tony Award for Best Play, and Anthony Quayle and Keith Baxter received the Drama Desk Award for Outstanding Performance. The play was adapted for feature films in 1972, 2007 and 2014.
Simon Halfon is a graphic designer and film producer most noted for his work with the Jam, the Style Council, and Paul Weller. Halfon has also worked with Oasis, Nick Heyward and George Michael, among others. Halfon's most visible work has focused on solid inspiration from the design of the 1960s. He has, however, displayed examples of a more current and sleek style as well. His work on the Style Council's house music efforts was noticed by Michael, who had Halfon apply a similar approach to his Listen Without Prejudice Vol. 1 album in 1990.
Rob Ashford is an American stage director and choreographer. He is a Tony Award, Olivier Award, Emmy Award, Drama Desk Award, and Outer Critics Circle Award winner.
Giles Stannus Cooper, OBE was an Anglo-Irish playwright and prolific radio dramatist, writing over sixty scripts for BBC Radio and television. He was awarded the OBE in 1960 for "Services to Broadcasting". A dozen years after his death at only 48 the Giles Cooper Awards for Radio Drama were instituted in his honour, jointly by the BBC and the publishers Eyre Methuen.
Sean Foley is a British director, writer, comedian and actor. Following early success as part of the comedy double act The Right Size and their long-running stage show The Play What I Wrote, Foley has more recently become a director, including of several West End comedy productions. From 2019 to 2024, he was appointed as Artistic Director of the Birmingham Repertory Theatre.
Wallander is a British television series broadcast from 2008 to 2016. It was adapted from a Swedish series based on the Swedish novelist Henning Mankell's Kurt Wallander novels and starring Kenneth Branagh as the eponymous police inspector. It was the first time the Wallander novels had been adapted into an English-language production. Yellow Bird, a production company formed by Mankell, began negotiations with British companies to produce the adaptations in 2006. In 2007 Branagh met Mankell to discuss playing the role. Contracts were signed and work began on the films, adapted from the novels Sidetracked, Firewall and One Step Behind, in January 2008. Emmy-award-winning director Philip Martin was hired as lead director. Martin worked with cinematographer Anthony Dod Mantle to establish a visual style for the series.
Milo is a masculine given name and a surname. The name Milo is derived from multiple sources. In the Slavic languages, the root mil- means "dear" or "beloved," and the name may have come from a Latinized form of this root. However, it is also believed that the name may derive from the Latin word "miles," meaning "soldier". It is also believed that the word comes from the ancient Greek "milos," which means "of the yew-flower". The name also bears Germanic and Gothic origins, with the word "milo," meaning "the great merciful".
Belfast is a 2021 British coming-of-age drama film written and directed by Kenneth Branagh. The film stars Caitríona Balfe, Judi Dench, Jamie Dornan, Ciarán Hinds, Colin Morgan and Jude Hill. The film, which Branagh has described as his "most personal", follows a young boy's childhood in Belfast, Northern Ireland, at the beginning of The Troubles in 1969.
Jude Hill is a Northern Irish actor. He is known for his lead role in Kenneth Branagh's film Belfast (2021) based on Branagh's childhood, for which Hill won the Critics' Choice Award for Best Young Performer. He has since starred in Branagh's A Haunting in Venice (2023).