Thompson was born in London on 15 April 1959.[3][4] Her mother is Scottish actress Phyllida Law, while her English father, Eric Thompson, was an actor best known as the writer of the popular children's television series The Magic Roundabout.[5][6] Her godfather was the director and writer Ronald Eyre.[7][8] She has a younger sister, Sophie, who is also an actress.[5] The family lived in the West Hampstead district of London,[6] and Thompson was educated at Camden School for Girls.[9] She spent much time in Scotland during her childhood and often visited Ardentinny, where her grandparents and uncle lived.[10]
In her youth, Thompson was intrigued by language and literature, a trait she attributes to her father, who shared her love of words.[11] After successfully taking A levels in English, French and Latin,[12] and securing a scholarship,[13] she began studying for an English degree at Newnham College, Cambridge,[14] arriving in 1977. Thompson believes that it was inevitable she would become an actor, remarking that she was "surrounded by creative people and I don't think it would ever have gone any other way, really".[8] While there, she had a "seminal moment" that turned her to feminism and inspired her to take up performing. She explained in a 2007 interview how she discovered the book The Madwoman in the Attic, "which is about Victorian female writers and the disguises they took on in order to express what they wanted to express. That completely changed my life."[15] She became a self-professed "punk rocker",[16] with short red hair and a motorbike, and aspired to be a comedian like Lily Tomlin.[15]
At Cambridge, Thompson was invited into the Cambridge Footlights, the university's prestigious sketch comedy troupe, by its president, Martin Bergman,[17] becoming its first female member.[18] Also in the troupe were fellow actors Stephen Fry and Hugh Laurie, and she had a romantic relationship with the latter.[19] Fry recalled that "there was no doubt that Emma was going the distance. Our nickname for her was Emma Talented."[20] In 1980, Thompson served as the Vice President of Footlights,[21] and co-directed the troupe's first all-female revue, Woman's Hour.[17] The following year, she and her Footlights team won the Perrier Award at the Edinburgh Festival Fringe for their sketch show The Cellar Tapes.[22] She graduated with upper second-class honours.[23]
Thompson's father died in 1982, aged 52.[5] She has stated that this "tore [the family] to pieces",[24] and "I can't begin to tell you how much I regret his not being around".[25] She added, "At the same time, it's possible that were he still alive I might never have had the space or courage to do what I've done... I have a definite feeling of inheriting space. And power."[25]
Career
Early work and breakthrough (1980–1989)
During Thompson's years studying at Cambridge, she starred in a BBC Radio 4 comedy series called Injury Time.[26][27] This was recorded and broadcast from 1980 to 1982
Thompson had her first professional role in 1982, touring in a stage version of Not the Nine O'Clock News.[4] She then turned to television, where much of her early work came with her Footlights co-stars Hugh Laurie and Stephen Fry. The regional ITV comedy series There's Nothing to Worry About! (1982) was their first outing, followed by the one-off BBC show The Crystal Cube (1983).[28]There's Nothing to Worry About! later returned as the networked sketch showAlfresco (1983–84), which ran for two series with Thompson, Fry, Laurie, Ben Elton, and Robbie Coltrane.[4][28] She later collaborated again with Fry and Laurie on the acclaimed BBC Radio 4 series Saturday Night Fry (1988).
Early in her career, Thompson collaborated with her first husband, Kenneth Branagh (pictured in 2011).
In 1985, Thompson was cast in the West End revival of the musical Me and My Girl, co-starring Robert Lindsay. It provided a breakthrough in her career, as the production earned rave reviews.[4][29] She played the role of Sally Smith for 15 months, which exhausted her: she later remarked "I thought if I did the fucking "Lambeth Walk" one more time I was going to fucking throw up."[20] At the end of 1985, she wrote and starred in her own one-off special for Channel 4, Emma Thompson: Up for Grabs.[30]
Thompson's first cinema appearance came in the romantic comedy The Tall Guy (1989), the feature-film debut from screenwriter Richard Curtis.[29] It starred Jeff Goldblum as a West End actor, and Thompson played the nurse with whom he falls in love. The film was not widely seen,[34] but Thompson's performance was praised in The New York Times, where Caryn James called her "an exceptionally versatile comic actress".[35] She next turned to Shakespeare, appearing as Princess Katherine in Branagh's screen adaptation of Henry V (1989). The film was released to great critical acclaim.[36]
Howards End and worldwide recognition (1990–1993)
Thompson and Branagh are considered by American writer and critic James Monaco to have led the "British cinematic onslaught" in the 1990s.[37] She continued to experiment with Shakespeare in the new decade, appearing with Branagh in his stage productions of A Midsummer Night's Dream and King Lear.[29][33] Reviewing the latter, the Chicago Tribune praised her "extraordinary" performance of the "hobbling, stooped hunchback Fool".[38] Thompson returned to cinema in 1991, playing a "frivolous aristocrat"[4] in Impromptu with Judy Davis and Hugh Grant.[39] and Thompson was nominated for Best Supporting Female at the Independent Spirit Awards.[40] Her second release of 1991 was another pairing with Branagh, who also directed, in the Los Angeles-based noirDead Again. She played a woman who has forgotten her identity.[41] Early in 1992, Thompson had a guest role in an episode of Cheers as Frasier Crane's first wife.[42]
A turning point in Thompson's career[29] came when she was cast opposite Anthony Hopkins and Vanessa Redgrave in the Merchant Ivory period drama Howards End (1992), based on the novel by E. M. Forster. The film explored the social class system in Edwardian Britain, with Thompson playing an idealistic, intellectual, forward-looking woman who comes into association with a privileged and deeply conservative family. She actively pursued the role by writing to director James Ivory, who agreed to an audition and then gave her the part.[8] According to the critic Vincent Canby, the film allowed Thompson to "[come] into her own", away from Branagh.[43] Upon release, Roger Ebert wrote that she was "superb in the central role: quiet, ironic, observant, with steel inside".[44]Howards End was widely praised,[45] a "surprise hit",[46] and received nine Academy Award nominations.[47] Among its three wins was the Best Actress trophy for Thompson, who was also awarded a Golden Globe and BAFTA for her performance.[4] Reflecting on the role, The New York Times wrote that the actress "found herself an international success almost overnight".[4]
For her next two films, Thompson returned to working with Branagh. In Peter's Friends (1992), the pair starred with Stephen Fry, Hugh Laurie, Imelda Staunton, and Tony Slattery as a group of Cambridge alumni who are reunited ten years after graduating. The comedy was positively reviewed,[48] and Desson Howe of The Washington Post wrote that Thompson was its highlight: "Even as a rather one-dimensional character, she exudes grace and an adroit sense of comic tragedy."[49] She followed this with Branagh's screen version of Much Ado About Nothing (1993). The couple starred as Beatrice and Benedick, alongside a cast that also included Denzel Washington, Keanu Reeves, and Michael Keaton. Thompson was widely praised for the on-screen chemistry with Branagh and the natural ease with which she played the role,[50][51] marking another critical success for Thompson.[52] Her performance earned a nomination for Best Female Lead at the Independent Spirit Awards.[40]
Thompson reunited with Merchant–Ivory and Anthony Hopkins to film The Remains of the Day (1993), a film which has been described as a "classic" and the production team's definitive film.[53][54] Based on Kazuo Ishiguro's novel about a housekeeper and butler in interwar Britain, the story is acclaimed for its study of loneliness and repression, though Thompson was particularly interested in looking at "the deformity that servitude inflicts upon people", since her grandmother had worked as a servant and made many sacrifices.[8] She has named the film as one of the greatest experiences of her career, considering it to be a "masterpiece of withheld emotion".[55]The Remains of the Day was a critical and commercial success,[53] receiving eight Oscar nominations, including Best Picture and a second Best Actress nomination for Thompson.[56]
Sense and Sensibility and established actress (1994–1999)
In 1994, Thompson made her Hollywood debut playing a goofy doctor alongside Arnold Schwarzenegger and Danny DeVito in Junior. Although the male pregnancy storyline was poorly received by most critics and flopped at the box office,[60]Mick LaSalle of the San Francisco Chronicle praised the lead trio.[61] She returned to independent cinema for a lead role in Carrington, which studied the platonic relationship between artist Dora Carrington and writer Lytton Strachey (played by Jonathan Pryce). Roger Ebert remarked that Thompson had "developed a specialty in unrequited love",[62] and the TV Guide Film & Video Companion commented that her "neurasthenic mannerisms, which usually drive us batty, are appropriate here".[63]
Efford House in Holbeton which stood in for Barton Cottage in Sense and Sensibility (1995)
Thompson's Academy success continued with Sense and Sensibility (1995), generally considered to be the most popular and authentic of the numerous film adaptations of Jane Austen's novels made in the 1990s.[64][65][66] Thompson—a lifelong lover of Austen's work—was hired to write the film based on the period sketches in her series Thompson.[67] She spent five years developing the screenplay,[68] and took the role of the spinster sister Elinor Dashwood despite, aged 35, being 16 years older than the literary character.[69] Directed by Ang Lee and co-starring Kate Winslet, Sense and Sensibility received widespread critical acclaim and ranks among the highest-grossing films of Thompson's career.[70][71] Shelly Frome remarked that she displayed a "great affinity for Jane Austen's style and wit",[72] and Graham Fuller of Sight and Sound saw her as the film's auteur.[73] Thompson received a third nomination for Best Actress and won the award for Best Adapted Screenplay, making her the only person in history to win an Oscar for both acting and screenwriting.[74] She also earned a second BAFTA Award for Best Actress and a Golden Globe Award for Best Screenplay.[4]
For her second Hollywood role, Thompson starred with John Travolta in Mike Nichols's Primary Colors (1998), playing a couple based on Bill and Hillary Clinton.[77] Thompson's character, Susan, is described as that of an "ambitious, long-suffering wife" who has to deal with her husband's infidelity.[78] The film was critically well received but lost money at the box office.[79][80] According to Kevin O'Sullivan of the Daily Mirror, Americans were "blown away" by her performance and accent, and top Hollywood producers became increasingly interested in casting her.[81] Thompson rejected many of the offers, expressing concerns about living in Los Angeles behind walls with bodyguards, and stated "LA is lovely as long as you know you can leave". She also admitted to feeling tired and jaded with the industry at this point, which influenced her decision to leave film for a year.[82] Thompson followed Primary Colors by playing an FBI agent opposite Rickman in the poorly received thriller Judas Kiss (1998).[83]
Continued screen work and further acclaim (2000–2011)
When she became a mother in 1999, Thompson made a conscious decision to reduce her workload, and in the following years many of her appearances were supporting roles.[8][84] She was not seen on screen again until 2000, with only a small part in the British comedy Maybe Baby, which she appeared in as a favour to its director, her friend Ben Elton.[85]
For the HBO television film Wit (2001), however, Thompson happily took the lead role in what she felt was "one of the best scripts to have come out of America".[86] Adapted from Margaret Edson's Pulitzer Prize winning play, it focuses on a self-sufficient Harvard University professor who finds her values challenged when she is diagnosed with ovarian cancer. Thompson was instrumental in bringing Mike Nichols to direct the project, and the pair spent months in rehearsal to get the complex character right.[87] She was greatly drawn to the "daredevil" role,[88] for which she had no qualms about shaving her head.[89] Reviewing the performance, Roger Ebert was touched by "the way she struggles with every ounce of her humanity to keep her self-respect", and in 2008 he called it Thompson's finest work.[90] Caryn James of The New York Times also described it as "one of her most brilliant performances", adding "we seem to be peering into a soul as embattled as its body."[91] The film earned Thompson nominations at the Golden Globes, Emmys and Screen Actors Guild Awards.
Thompson's only credit of 2002 was a voice role in Disney's Treasure Planet, an adaptation of Treasure Island, where she voiced Captain Amelia. The animation earned far less than its large budget and was considered a "box office disaster".[92] This failure was countered the following year by one of Thompson's biggest commercial successes, Richard Curtis's romantic comedy Love Actually.[71] As part of an ensemble cast that included Liam Neeson, Keira Knightley, and Colin Firth, she played a middle-class wife who discovers her husband (played by Alan Rickman) has been unfaithful to her. The scene in which her stalwart character breaks down was described by one critic as "the best crying on screen ever",[8] and in 2013, Thompson mentioned that she gets commended for this role more than any other.[93] She explained, "I've had so much bloody practice at crying in a bedroom then having to go out and be cheerful, gathering up the pieces of my heart and putting them in a drawer."[94] Her performance received a BAFTA nomination for Best Supporting Actress.[95]
Thompson continued with supporting roles in the 2003 drama Imagining Argentina, where she played a dissident-journalist abducted by the country's 1970s dictatorial regime. Antonio Banderas played the husband who tries to find her, in a film that most critics disliked.[96] The film was booed and jeered at when it was screened at the Venice Film Festival and received a scathing article in The Guardian.[97] Thompson had greater success that year when she worked with HBO for a second time in the acclaimed miniseries Angels in America (2003).[29] The show, also starring Al Pacino and Meryl Streep, deals with the AIDS epidemic in Reagan-era America. Thompson played three roles– a nurse, a homeless woman, and the title role of The Angel of America– and was again nominated for an Emmy Award.[76] In 2004, she played the eccentric Divination teacher Sybill Trelawney in the third Harry Potter film, Prisoner of Azkaban, her character described as a "hippy chick professor who teaches fortune-telling".[98] She later reprised the role in Order of the Phoenix (2007) and Deathly Hallows– Part 2 (2011),[29] and has described her time working on the popular franchise as "great fun".[8]
"Nanny McPhee, it took nine years to make that movie, from the moment I picked up the book to the moment we walked into the movie theatre... the [films] were labours of great love and commitment."
The year 2005 saw the release of a project Thompson had been working on for nine years.[8] Loosely based on the Nurse Matilda stories that she read as a child, Thompson wrote the screenplay for the children's film Nanny McPhee– which centres on a mysterious, unsightly nanny who must discipline a group of children. She also took the lead role, alongside Colin Firth and Angela Lansbury, in what was a highly personal project.[8][99] The film was a success, taking number one at the UK box office and earning $122million worldwide.[100][101] Commenting on Thompson's screenplay, film critic Claudia Puig wrote that its "well-worn storybook features are woven effectively into an appealing tale of youthful empowerment".[102]
The following year, Thompson appeared in the surreal American comedy–drama Stranger than Fiction, playing a novelist whose latest character (played by Will Ferrell) is a real person who hears her narration in his head. Reviews for the film were generally favourable.[103] Following a brief, uncredited role in the post-apocalyptic blockbuster I Am Legend (2007),[104] Thompson played the devoutly Catholic Lady Marchmain in a 2008 film adaptation of Brideshead Revisited. Critics were unenthusiastic about the film,[105] but several picked Thompson out as its highlight.[106][107]Mark Kermode said "Emma Thompson is to some extent becoming the new Judi Dench, as the person who kind of comes in for 15 minutes and is brilliant... [but then] when she goes away, the rest of the movie has a real problem living up to the wattage of her presence".[108]
Thompson received further acclaim for her work in the London-based romance Last Chance Harvey (2008), where she and Dustin Hoffman played a lonely, middle-aged pair who cautiously begin a relationship. Critics praised the chemistry between the two leads, and both received Golden Globe nominations for their performances.[109][110] Thompson's two 2009 films were both set in 1960s United Kingdom, and in both she made cameo appearances: as a headmistress in the critically praised drama An Education[111] and as a "tippling mother" in Richard Curtis's The Boat That Rocked.[112]
Five years after the original, Thompson reprised the role of Nanny McPhee with 2010's Nanny McPhee and the Big Bang. Her screenplay transported the story to Britain during World War II. Building on the first film's success, it was another UK box office number one and the sequel was widely seen as an improvement.[113][114] The same year, Thompson reunited with Alan Rickman for the BBC television film The Song of Lunch, which focused on two unnamed characters meeting at a restaurant 15 years after ending their relationship.[115] Thompson's performance earned her a fourth Emmy Award nomination.[76]
Career expansion and blockbuster films (2012–present)
In 2012, Thompson made a rare appearance in a big-budget Hollywood film[8] when she played the head Agent in Men in Black 3– a continuation of the sci-fi comedy franchise starring Will Smith, Tommy Lee Jones, and Josh Brolin. With a worldwide gross of $624million, MIB3 ranks as Thompson's highest-grossing release outside of the Harry Potter films.[71] This mainstream success continued with the Pixar film Brave, in which Thompson voiced Elinor– the Scottish queen despairing at her daughter's defiance against tradition.[29] It was her second consecutive blockbuster release, and critics were generally kind to the film.[71][116] Also in 2012, Thompson played Queen Elizabeth II in an episode of Playhouse Presents, which dramatised an incident in 1982 when an intruder broke into the Queen's bedroom.[117] Her first film of 2013 was the fantasy romance Beautiful Creatures, in which she played an evil mother. The film aimed to capitalise on the success of The Twilight Saga, but was poorly reviewed and a box office disappointment.[118][119] Film critic Peter Travers was critical of Thompson's performance and "outrageously awful Southern accent", and feared "the damage this crock may do to [her] reputation".[120]
Saving Mr. Banks, which depicted the making of Mary Poppins, starred Thompson in a leading role as P. L. Travers, the curmudgeonly author of the source novel, alongside Tom Hanks as Walt Disney. Her performance, in contrast to her widely panned appearance in Beautiful Creatures, was received enthusiastically, with one journalist writing "Emma Thompson is back, firing on all cylinders."[121] She found it to be the best script she had read in years and was delighted to be offered the role. She considered it the most challenging of her career because she had "never really played anyone quite so contradictory or difficult before",[122] but found the inconsistent and complicated character "a blissful joy to embody".[8] The film was well-received, grossed $112million worldwide, and Thompson's performance garnered critical acclaim.[121][123] The review in The Independent expressed thanks that her "playing of Travers is so deft that we instantly warm to her, and forgive her her snobbery",[124] while Total Film's critic felt that Thompson brought depth to the "predictable" film with "her best performance in years".[125] Thompson was nominated for Best Actress at the BAFTAs, SAGs and Golden Globes, and was awarded the Lead Actress trophy from the National Board of Review. Meryl Streep, her co-star in Angels in America, admitted to being "shocked" at Thompson's failure to receive an Oscar nomination for Saving Mr. Banks.[126]
The romantic comedy The Love Punch (2013) gave Thompson her second consecutive leading role, where she played half of a divorced couple who reunite to steal the man's ex-boss's diamond.[127] In March 2014, she made her first stage appearance in 24 years– and her New York debut– in a Lincoln Center production of Sweeney Todd: The Demon Barber of Fleet Street. She appeared in the musical for five nights, and her "playful" performance of Mrs Lovett was highly praised; the critic Kayla Epstein wrote that she "not only held her own against more experienced vocalists, but wound up running off with the show".[128] She received her sixth Primetime Emmy Award nomination, specifically for Outstanding Lead Actress in a Limited Series or Movie for the televised performance.[129] In 2014, Thompson provided the narration for Jason Reitman's comedy-drama film, Men, Women & Children.[130]
The period drama Effie Gray, a project that she had been working on for many years, based on the true-life story of John Ruskin's disastrous marriage, was written by Thompson but became the subject of a copyright suit before being cleared for cinemas. The American playwright Gregory Murphy said that Thompson's screenplay was an infringement on his play and screenplay The Countess, which he claimed he had submitted to Thompson through a mutual friend in 2003 to consider the role of Elizabeth Eastlake in a proposed film of his play, and to Thompson's husband Greg Wise through a casting director to consider the role of John Ruskin in the play's 2005 West End production.[131] In 2008, Thompson announced that she and Wise "had written a script together about John Ruskin, the Victorian art critic, which we want to make into a film."[132] After meeting with Thompson and her producers, Potboiler Productions, Murphy was offered a screenwriting fee and co-screenwriting credit with Thompson in settlement of his claim.[132] This settlement offer was later abandoned by Thompson, Greg Wise and their partner Donald Rosenfeld, when their company Sovereign Films took over production of the film and instigated the suit, creating the independent entity Effie Film, LLC to litigate it.[133][134] In March 2013, District Court Judge Thomas P. Griesa, after allowing Thompson to submit a second revised screenplay into evidence from which Murphy claimed "some of the most troubling material" had been removed,[135] ruled that while there were similarities, the screenplays were "quite dissimilar in their two approaches to fictionalising the same historical events".[136][137] In response to Murphy's attorney's concerns that the completed film Effie Gray would not adhere to Thompson's second revised screenplay, Judge Griesa concluded his ruling by saying that Thompson's film would not infringe Murphy's play or screenplay "only to the extent that it does not substantially deviate from the November 29, 2011 screenplay," the date of Thompson's second revised screenplay.[137] In May 2013, Effie Gray's Cannes Film Festival premiere was cancelled. In October 2013, the film was withdrawn from the Mill Valley Film Festival in California due to "unforeseen circumstances" according to producer Rosenfeld.[138][139] In December 2013, Thompson said of the still unreleased Effie Gray that its "time has probably passed," comparing it to another project of hers that "didn't happen either".[140]Effie Gray was released in October 2014, to a modest reception.[141] Thompson plays Elizabeth Eastlake and Greg Wise plays John Ruskin. They both declined to promote the film.[142][143]Camilla Long, reviewing Effie Gray in The Sunday Times, wrote "nothing fits together" and "no one seems to know why they made this film. Where is Thompson's passion and commitment, or any hint of what she intended to achieve."[144]Manohla Dargis in her review in The New York Times called Effie Gray "The cinematic equivalent of a Brazilian wax, the movie omits much of the story's most interesting material to create something that's been smoothly denatured."[145]
Thompson's first film of 2015 was A Walk in the Woods, a comedy adapted from the book by Bill Bryson of which she co-starred with Robert Redford and Nick Nolte. She next starred in The Legend of Barney Thomson. Her role was a 77-year-old foul-mouthed, chain-smoking, Glaswegian former prostitute, the mother of the title character. Neither film was a critical success, although the latter received some positive reviews and Empire magazine wrote that Thomson was "unforgettable".[146][147][148] Later that year, she had a supporting role in the restaurant-based film Burnt. In 2016, she starred in the World War II-drama Alone in Berlin, based on the story of Otto and Elise Hampel. She also co-wrote the screenplay for Bridget Jones's Baby and appeared in the film as a doctor.
Thompson is regarded to be among the best actresses of her generation[178][179] and one of Britain's most recognisable actresses, held in high regard within Hollywood.[180][181] Early in her career she was closely associated with her first husband, Kenneth Branagh. The public warmed to her after the separation, and she became one of the key actresses of the 1990s.[181][182] Her status has continued to grow; in 2008, journalist Sarah Sands stated that Thompson has improved with age and experience,[179] and Mark Kermode said of her performances, "There is something about her which is— you just trust her. You just think 'I'm in proper hands here.'... She's up there with the great, I mean really great, British female performers".[108]
"I am an instinctive actress. I don't have technique because I never learnt any. I do the cerebral bit before I start. Then I just let it be. I allow whatever rises to rise naturally. You are tricking your subconscious. I work from the inside out."
Thompson is particularly known for playing reticent women,[183] and Sands describes her as "the best actress of our times on suffering borne with poignant dignity".[179] According to Kate Kellaway of The Guardian, she specialises in playing "a good woman in a frock".[9] She also plays many haughty characters, with a "bracing, nanny-like demeanour",[20] but she is noted for her ability to win the empathy of audiences.[117][183] Thompson belongs to a group of highly decorated British actresses including Judi Dench, Kate Winslet and Helena Bonham Carter who are known for appearing in "heritage films" and typically showing "restraint, rendering emotions through intellect rather than feelings, and a sense of irony, which demonstrates the heroine's superior understanding".[184][185] Projecting a typically "British image",[181] Thompson's often dogmatic and tight-jawed manner has also been compared to that of Maggie Smith.[186]
With a background in comedy, Thompson's performances are typically delivered with an ironic touch. Ang Lee, director of Sense and Sensibility, stated that Thompson's comedic approach may be her greatest asset as an actress, remarking, "Emma is an extremely funny lady. Like Austen, she's laughing at her own culture while she's a part of it."[186] Thompson has stated that the "most moving things are often also funny, in life and in art" which is present in her film work.[8] She often brings her real personality to her roles, and Kellaway believes that her lack of conventional beauty contributes to her likeability as an actress.[179][9]
Writing
In 2012, Thompson wrote The Further Tale of Peter Rabbit as an addition to the Peter Rabbit series by Beatrix Potter to commemorate the 110th anniversary of the publication of The Tale of Peter Rabbit.[187][188] She was approached by the publishers to write it, the first authorised Peter story since 1930 and the only one not written by Potter.[187] The book falls in the middle of the earlier series, rather than at the end, and takes Peter Rabbit outside of Mr. McGregor's garden and into Scotland. It was a New York Times Best Seller.[189] In 2013, Thompson wrote a second book in the series titled The Christmas Tale of Peter Rabbit.[189] A third book, The Spectacular Tale of Peter Rabbit, was released in 2014.[190] In 2018, Thompson said she would like to write about "what it's like being human now".[191]
Other work
A Boodles client, Thompson at the 2015 launch party for the luxury British jewellers' flagship store in Bond Street, London
In 2014, Thompson was among a group of influential British women, which included Annie Lennox and Rita Ora, to feature in the latest iteration of British retailer Marks & Spencer's 'Leading Ladies' marketing campaign.[192][193]
Thompson has stated that she feels Scottish, saying: "not only because I am half Scottish but also because I've spent half my life [in Scotland]".[10][194] She frequently returns to Scotland and visits Dunoon in Argyll and Bute. She owns a home nearby, on the shore of Loch Eck.[195]
Relationships
Thompson's first husband was actor and director Kenneth Branagh, whom she met in 1987 while filming the television series Fortunes of War.[196] They married in 1989 and appeared in several films together, with Branagh often casting her in his productions.[197] Dubbed a "golden couple" by the British press, their relationship received substantial media coverage.[196][6] The pair attempted to keep the relationship private, refusing to be interviewed or photographed together.[198] Thompson and Branagh announced their separation in September 1995. They cited their work schedules as the reason, but it later emerged that he was having an affair with actress Helena Bonham Carter.[94]
Thompson was living alone as her relationship with Branagh deteriorated and she became depressed.[24] While filming Sense and Sensibility in 1995, she began a relationship with her co-star Greg Wise. On how she was able to overcome her depression, she stated, "Work saved me and Greg saved me. He picked up the pieces and put them together again."[24] The couple have a daughter, Gaia, who was conceived via in vitro fertilisation when Thompson was 39.[6]
Thompson and Wise married in Dunoon in 2003.[199] The family's permanent residence is in West Hampstead, London, on the same road as her childhood home.[6] Also in 2003, Thompson and Wise informally adopted a Rwandan orphan and former child soldier named Tindyebwa Agaba. They met at a Refugee Council event when he was sixteen, and she invited him to spend Christmas at their home.[6] "Slowly," Thompson has commented, "he became a sort of permanent fixture, came on holiday to Scotland with us, became part of the family."[200] Agaba became a British citizen in 2009.[201]
On 28 February 2020, Thompson and Wise were sworn in as honorary citizens of Venice and became legal residents of Italy. The couple had previously purchased a house in the city and indicated their intention to relocate to Italy permanently.[202] They retain a home in West Hampstead.[203]
I'm an atheist [...] I regard religion with fear and suspicion. It's not enough to say that I don't believe in God. I actually regard the system as distressing: I am offended by some of the things said in the Bible and the Qur'an and I refute them.
Thompson has been a campaigner since her youth.[14] Since becoming a public figure she has regularly voiced her views and been involved in many issues, prompting criticism that she is overly outspoken.[14] She has justified her assertiveness by saying, "[W]hat I feel is that we all need to speak up and a woman who has got a louder voice needs to shout very loudly indeed."[14]
In 2010, Thompson criticised people who use "sloppy language". Speaking with the Radio Times, she said: "I went to give a talk at my old school and the girls were all doing their 'likes' and 'innits?' and 'it ain'ts', which drives me insane. I told them 'Just don't do it. Because it makes you sound stupid and you're not stupid. There is the necessity to have two languages – one that you use with your mates and the other that you need in any official capacity."[217][218]
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Laura Leggett Linney is an American actress. She is the recipient of several awards, including two Golden Globe Awards and four Primetime Emmy Awards, and has been nominated for three Academy Awards and five Tony Awards.
Frances Ann O'Connor is an Australian actress and director. She appears in roles in the films Mansfield Park, Bedazzled, A.I. Artificial Intelligence, The Importance of Being Earnest, and Timeline. O'Connor won an AACTA Award for her performance in Blessed, and also earned two Golden Globe Award nominations for her performances in Madame Bovary and The Missing. In 2022, her debut feature as writer and director, Emily, was released.
Judith Therese Evans, known professionally as Judy Greer, is an American actress. She is primarily known as a character actress who has appeared in a wide variety of films. She rose to prominence for her supporting roles in the films Jawbreaker (1999), What Women Want (2000), 13 Going on 30 (2004), Elizabethtown (2005), 27 Dresses (2008), and Love & Other Drugs (2010).
Nanny McPhee is a 2005 comedy drama fantasy film based on the Nurse Matilda character by Christianna Brand. It was directed by Kirk Jones, coproduced by StudioCanal, Metro-Goldwyn-Mayer Pictures, Working Title Films, Three Strange Angels, and Nanny McPhee Productions with music by Patrick Doyle, and produced by Lindsay Doran, Tim Bevan, and Eric Fellner. Set in Victorian England in the 1860s, the film stars Emma Thompson as Nanny McPhee, along with Colin Firth, Kelly Macdonald, Derek Jacobi, Celia Imrie, Patrick Barlow, Imelda Staunton, Thomas Sangster and Angela Lansbury.
Emily Jean "Emma" Stone is an American actress and producer. Her accolades include two Academy Awards, two British Academy Film Awards, and two Golden Globe Awards. In 2017, she was the world's highest-paid actress and named by Time magazine as one of the 100 most influential people in the world.
Carey Hannah Mulligan is an English actress. She has received various accolades, including a British Academy Film Award, in addition to nominations for three Academy Awards, four Golden Globe Awards, and a Tony Award.
Emma Rigby is an English actress and model. After rising to prominence for her role as Hannah Ashworth in Hollyoaks, she later played Gemma Roscoe in the BBC One drama series Prisoners' Wives and as the Red Queen in the American fantasy-drama Once Upon a Time in Wonderland. She also played the lead role of Angie in Movies 24's A Cinderella Christmas, directed by Tosca Musk.
Elizabeth Berrington is an English actress and graduate of the Webber Douglas Academy of Dramatic Art; she is best known for her roles as Ruby Fry in Waterloo Road, Paula Kosh in Stella, Mel Debrou in Moving Wallpaper, and Dawn Stevenson in The Syndicate. She has also featured in British television series such as The Bill, Doctor Who, The Office, Casualty, The Lakes, The Grimleys, and Rose and Maloney.
Nanny McPhee and the Big Bang is a 2010 period fantasy comedy film directed by Susanna White, produced by Tim Bevan, Eric Fellner and Lindsay Doran with music by James Newton Howard and co-produced by StudioCanal, Relativity Media, Working Title Films and Three Strange Angels. It is a sequel to the 2005 film Nanny McPhee. It was written by Emma Thompson, based on Christianna Brand's Nurse Matilda books. Thompson reprises her role as Nanny McPhee, and the film also stars Maggie Gyllenhaal, Ralph Fiennes, Rhys Ifans, Ewan McGregor, Asa Butterfield and Maggie Smith. The film was theatrically released on 20 August 2010 by Universal Pictures.
Taylor Jane Schilling is an American actress. She is best known for her role as Piper Chapman on the Netflix original comedy-drama series Orange Is the New Black (2013–2019), for which she received a nomination for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series and two Golden Globe Award nominations for Best Actress – Television Series Musical or Comedy and Best Actress – Television Series Drama. She made her film debut in the 2007 drama Dark Matter. She also starred as Nurse Veronica Flanagan Callahan in the short-lived NBC medical drama Mercy (2009–2010). Her other films include Atlas Shrugged: Part I (2011), the romantic drama The Lucky One (2012), the comedy Take Me (2017), and the science-fiction thriller The Titan (2018).
Lindsay Doran is an American film producer and studio executive who has worked on such films as This Is Spinal Tap, Ferris Bueller's Day Off, Sense and Sensibility, Stranger Than Fiction, and Nanny McPhee.
Effie Gray is a 2014 British biographical film written by Emma Thompson and directed by Richard Laxton, starring Dakota Fanning, Emma Thompson, Julie Walters, David Suchet, Derek Jacobi, James Fox, Claudia Cardinale, Greg Wise, Tom Sturridge, and Robbie Coltrane, in his final film appearance before his death in 2022. It is based on the true story of John Ruskin's marriage to Euphemia Gray and the subsequent annulment of their marriage.
British actress Dame Emma Thompson has appeared in many films, television programmes and stage productions. She has won and been nominated for many awards during her career, including five Academy Award nominations, nine Golden Globe Award nominations, seven BAFTA Award nominations, and six Emmy Award nominations.
The Countess is a play written by the American playwright and novelist Gregory Murphy. It recounts the break-up of the marriage of John Ruskin and Effie Gray, one of the greatest scandals of the Victorian era in Britain.
1 2 Hill, Logan (25 October 2007). "Influences: Emma Thompson". Los Angeles Times. Archived from the original on 25 October 2013. Retrieved 14 September 2013.
↑ "Two in One Acting". awardsdatabase.oscars.org. Academy of Motion Picture Arts and Sciences. Archived from the original on 10 March 2009. Retrieved 14 February 2013.
↑ Kroll, Jack (17 December 1995). "Jane Austen does lunch". The Daily Beast. Archived from the original on 16 August 2011. Retrieved 30 January 2014.
↑ Thompson, Emma (1995). "The Diaries". In Doran, Lindsay; Thompson, Emma (eds.). Sense and Sensibility: The Screenplay and Diaries. Bloomsbury. p.208. ISBN1-55704-782-0.
↑ "Primary Colors". Rotten Tomatoes. Archived from the original on 4 February 2014. Retrieved 31 January 2014.
↑ "Primary Colors". Box Office Mojo. Archived from the original on 31 January 2014. Retrieved 31 January 2014.
↑ O'Sullivan, Kevin (30 October 1998). "Film: First Lady Steps Down for A Year; Emma Thompson Is in Demand Following Her 'Hillary Clinton' Role in Primary Colors, but She's Taking a Year off Instead". Daily Mirror.
↑ Schwarzbaum, Lisa (25 June 1993). "Kenneth Branagh Emma Thompson". Entertainment Weekly. Archived from the original on 8 August 2015. Retrieved 21 September 2013.
↑ Gössling, Stefan (19 October 2019). "Celebrities, air travel, and social norms". Annals of Tourism Research. 79: 102775. doi:10.1016/j.annals.2019.102775. S2CID211419517. Archived from the original on 8 May 2021. Retrieved 1 January 2021. This also became an issue when actor Emma Thompson flew from Los Angeles to London to join a protest of the Extinction Rebellion movement (Mirror 2019).
↑ "Ambassadors". Galapagos Conservation Trust. Archived from the original on 24 February 2019. Retrieved 23 December 2014.
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