Kogonada | |
---|---|
Born | |
Occupation(s) | Video essayist, filmmaker |
Years active | 2012–present |
Notable work | |
Children | 2 |
Website | kogonada |
Kogonada (sometimes styled :: kogonada [1] ) is a South Korean-born American filmmaker. [2]
Kogonada is known for his video essays that analyze the content, form, and structure of various films and television series. The essays frequently use narration and editing as lenses, and often highlight a director's aesthetic. Kogonada is a regular contributor to Sight & Sound and is frequently commissioned by The Criterion Collection to create supplemental videos for its home-video releases. He has also written, directed and edited the feature films Columbus (2017) and After Yang (2021). He also directed two episodes of the Star Wars Disney+ series The Acolyte (2024).
This section needs expansion. You can help by adding to it. (September 2024) |
Kogonada emigrated from South Korea as a child to the US. He was raised in Indiana and Chicago. [3]
Kogonada took his pseudonym from Kogo Noda, a frequent screenwriter of Yasujirō Ozu's films. [4] He explained to Filmmaker :
I like Chris Marker's idea about your work being your work. I’ve also never identified much with my American name, which always feels a little strange to see or hear ... And I'm quite fond of heteronyms. [5]
In a 2018 interview with the Financial Times , Kogonada stated:
If I'm honest, the pseudonym was about being an Asian-American too. There is something about being an immigrant in America and having the power to name yourself. [6]
Kogonada made his first video essay, Breaking Bad // POV, in January 2012. [7] Using clips from the American television series Breaking Bad , the video displays the series' use of numerous point-of-view shots from unusual angles and objects. Kogonada was inspired to create the video essay while he watched the series, noticing a recurring visual aesthetic used throughout the series. [8] [9]
Kogonada's first commissioned work was for Sight & Sound in February 2013, titled The World According to Kore-eda Hirokazu , which highlights director Kore-eda's regular focus on everyday life in his films. [9] [10] Since then, most of his video essays are commissions for companies which include the British Film Institute (publisher of Sight & Sound), [11] The Criterion Collection, [12] Samsung, [13] and the Lincoln Motor Company. [14]
Kogonada's works are part of a growing movement of video essays as a visual form of film analysis, appreciation, and criticism on the Internet; [15] [16] other video essayists include Nelson Carvajal and Tony Zhou, [17] [18] as well as film critics Kevin B. Lee and Matt Zoller Seitz. [19] [20] [21]
Kogonada's video essay Hands of Bresson was chosen by filmmaker Robert Greene for Sight & Sound as one of the best documentaries of 2014, with Greene stating that works like his "make clear that the line between nonfiction film and video essay is at best blurry and the best work should simply be celebrated as cinema." [22]
In March 2016, Kogonada was part of the official jury for the 16th LPA Film Festival at the Canary Islands, Spain, where he taught a master class and had screenings for 14 of his video essays at the "Bande à part" section. [2] [23] [24]
Among Kogonada's video essays on influential film directors are: [25]
Kogonada's video essays typically showcase a particular theme or aesthetic regularly used by a filmmaker either throughout a filmography or within a single work. [9] Some examples are his three video essays on the aesthetics of American director Wes Anderson, who is known for using unusually symmetrical framing in his films. [30] [31] [32]
His video essays are formed through the juxtaposition of images, conveying thoughts through a particular arrangement of clips. [5] In an interview for Nashville Scene in March 2015, Kogonada likened creating video essays with preparing sushi: "With sushi, every cut matters. And so do the ingredients. Those two ongoing choices are the difference. What you select, and how you cut it." In comparing written essays with visual essays, Kogonada noted how words form precise observations of ideas, while visuals could convey a particular idea without providing a definite explanation. He explained that "[i]f you want to delve deep into theory, texts are the perfect medium .... However, when I'm making visual essays, I treat words as supplementary." [9]
Film
Year | Title | Director | Writer | Notes |
---|---|---|---|---|
2017 | Columbus | Yes | Yes | Also editor |
2021 | After Yang | Yes | Yes | |
2025 | A Big Bold Beautiful Journey | Yes | No | Also executive producer |
Television
Year | Title | Director | Executive producer | Notes |
---|---|---|---|---|
2022 | Pachinko | Yes | Yes | 4 episodes |
2024 | The Acolyte | Yes | No | 2 episodes |
Year | Award | Category | Title | Result | Ref. |
---|---|---|---|---|---|
2022 | Peabody Awards | Entertainment | Pachinko | Won | [33] |
Seven Samurai is a 1954 Japanese epic samurai action film directed by Akira Kurosawa from a screenplay co-written with Shinobu Hashimoto and Hideo Oguni. Taking place in 1586 in the Sengoku period of Japanese history, it follows the story of a village of desperate farmers who seek to hire samurai to combat bandits who will return after the harvest to steal their crops.
Dont [sic] Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.
Robert Bresson was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.
Late Spring is a 1949 Japanese drama film directed by Yasujirō Ozu and written by Ozu and Kogo Noda, based on the short novel Father and Daughter by the 20th-century novelist and critic Kazuo Hirotsu. The film was written and shot during the Allied Powers' Occupation of Japan and was subject to the Occupation's official censorship requirements. Starring Chishū Ryū, who was featured in almost all of the director's films, and Setsuko Hara, marking her first of six appearances in Ozu's work, it is the first installment of Ozu’s so-called "Noriko trilogy", succeeded by Early Summer and Tokyo Story ; in each of which Hara portrays a young woman named Noriko, though the three Norikos are distinct, unrelated characters, linked primarily by their status as single women in postwar Japan.
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children.
Floating Weeds is a 1959 Japanese drama directed by Yasujirō Ozu, starring Nakamura Ganjirō II and Machiko Kyō. Considered one of the greatest films ever made, it is a remake of Ozu's own black-and-white silent film A Story of Floating Weeds (1934).
The Criterion Collection, Inc. is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films". A de facto subsidiary of arthouse film distributor Janus Films, Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and documentary content about the films and filmmakers. Criterion most notably pioneered the use of commentary tracks. Criterion has produced and distributed more than one thousand special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via The Criterion Channel, an online streaming service that the company operates.
Gates of Heaven is a 1978 American independent documentary film produced, directed, and edited by Errol Morris about the pet cemetery business. It was made when Morris was unknown and did much to launch his career.
Ugetsu is a 1953 Japanese period fantasy film directed by Kenji Mizoguchi starring Masayuki Mori and Machiko Kyō. It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from Ueda Akinari's 1776 book Ugetsu Monogatari, combining elements of the jidaigeki genre with a ghost story.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
Sans Soleil is a 1983 French documentary film directed by Chris Marker. It is a meditation on the nature of human memory, showing the inability to recall the context and nuances of memory, and how, as a result, the perception of personal and global histories is affected. The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky, a brief fragment of which features in the film. Sans Soleil is composed of stock footage, clips from Japanese movies and shows, excerpts from other films as well as documentary footage shot by Marker.
Masters of Cinema is a line of DVD and Blu-ray releases published through Eureka Entertainment. Because of the uniformly branded and spine-numbered packaging and the standard inclusion of booklets and analysis by recurring film historians, the line is often perceived as the UK equivalent of The Criterion Collection.
Cinephilia is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile, cinemaphile, filmophile, or, informally, a film buff. To a cinephile, a film is often not just a source of entertainment as they see films from a more critical point of view.
Pale Flower is a 1964 Japanese film noir directed by Masahiro Shinoda. The film is about Muraki a Yakuza hitman just released from prison. At an illegal gambling parlor, he finds himself drawn to a mysterious young woman named Saeko. Though Saeko loses large sums of money, she asks Muraki to find games with larger and larger stakes. The two become involved in an intense mutually destructive relationship. Film critic Roger Ebert gave Pale Flower four stars and placed it on his list of Great Movies.
Matt Zoller Seitz is an American film and television critic, author and filmmaker.
A video essay is an essay presented in the format of a video recording or short film rather than a conventional piece of writing; the form often overlaps with other forms of video entertainment on online platforms such as YouTube. A video essay allows an author to directly quote from film, video games, music, or other digital media, which is impossible with traditional writing. While many video essays are intended for entertainment, they can also have an academic or political purpose. This type of content is often described as educational entertainment.
Every Frame a Painting is a series of video essays about film form, editing, and cinematography created by Taylor Ramos and Tony Zhou between 2014 and 2016, published on YouTube and Vimeo. The series is considered a pioneer of film criticism on YouTube, and has been praised by several filmmakers. The series was revived in a limited series in 2024, alongside a short film by Ramos and Zhou.
A still image film, also called a picture movie, is a film that consists primarily or entirely of still images rather than consecutive still images in succession, forgoing the illusion of motion either for aesthetic or practical reasons. These films usually include a standard soundtrack, similar to what is found in typical sound films, complete with music, sound effects, dialogue or narration. They may also use various editing techniques found in traditional films, such as dissolves, zooms, and panning.
Minimalist cinema is related to the art and philosophy of minimalism.
Stephen Broomer is a Canadian experimental filmmaker, film scholar and video essayist.
While writing a Ph.D. dissertation on Yasujirō Ozu, Kogonada—the nom de guerre of the Korean-born director, inspired by Ozu's screenwriter, Kogo Noda—came across an article about a little-known town called Columbus, Indiana.
... there are more practicing video essayists and regularly producing sites than can fit into a cohesive network or community .... As with just about everything related to the Internet, too much is the new normal in the world of video essays.
Recent years have seen the increased popularity of short online videos that explore films or the œuvre of a director by reworking and commenting on shots and scenes to reveal new insights.