Editor | Mike Williams |
---|---|
Categories | Film |
Frequency | Monthly |
Publisher | British Film Institute |
Founded | 1932 |
Country | United Kingdom |
Based in | London |
Language | English |
Website | www |
ISSN | 0037-4806 (print) 2515-5164 (web) |
Sight and Sound (formerly written Sight & Sound) is a monthly film magazine published by the British Film Institute (BFI). Since 1952, it has conducted the well-known decennial Sight and Sound Poll of the Greatest Films of All Time.
Sight and Sound was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934, management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. [1] [ better source needed ]Sight and Sound was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the Monthly Film Bulletin , and started to appear monthly.
In 1949, Gavin Lambert, co-founder of film journal Sequence , was hired as the editor, and also brought with him Sequence editor Penelope Houston as assistant editor as well as co-founders and future film directors Lindsay Anderson and Karel Reisz. [2] Lambert edited the journal until 1956, with Houston taking over as editor until 1990. [3] Philip Dodd became the editor following the merging of Monthly Film Bulletin with Nick James taking over in 1997. James was editor until August 2019. [2] It is currently edited by Mike Williams. The magazine reviews all film releases each month, including those with a limited (art house) release, as opposed to most film magazines which concentrate on those films with a general release.
Sight and Sound has in the past been the subject of criticism, notably from Raymond Durgnat, who often accused it of elitism, puritanism and snobbery, although he did write for it in the 1950s, and again in the 1990s. [4] [5] Until 2020, the magazine's American counterpart was Film Comment , a magazine that was published by the Film Society of Lincoln Center in New York City. [6]
Since 1952, Sight and Sound has conducted a decennial poll to determine the greatest films of all time. Until 1992, the votes of the invited critics and directors were compiled in one list; since 1992, directors have been invited to participate in a separate poll.
The Sight and Sound poll has come to be regarded as the most important of the "greatest ever film" lists. The critic Roger Ebert described it as "by far the most respected of the countless polls of great movies—the only one most serious movie people take seriously." [7]
Sight and Sound first ran the poll in 1952 following publication earlier in the year of a list of the Top Ten Films, headed by Battleship Potemkin , based on a poll of mostly directors conducted by the committee of the Festival Mondial du Film et des Beaux-Arts de Belgique. [8] Following publication of that poll, Sight and Sound decided to poll film critics for their choices and announced the results in their next issue. [9] 85 critics from Britain, France, the United States, Italy, Germany, Denmark, Sweden, Belgium, Czechoslovakia and Yugoslavia were asked but only 63 responded including Lindsay Anderson, Lotte H. Eisner, Curtis Harrington, Henri Langlois, Friedrich Luft, Claude Mauriac, Dilys Powell, Jean Queval, Terry Ramsaye, Karel Reisz, G. W. Stonier (under the name William Whitebait) and Archer Winsten. Most critics found the question unfair. The first poll was topped by Bicycle Thieves with 25 out of 63 votes and contained six silent films. [9] [10] The five subsequent polls (1962–2002) were won by Citizen Kane (which finished 13th in 1952). [11]
For the 2012 poll, Sight and Sound listened to decades of criticism about the lack of diversity of its poll participants and made a huge effort to invite a much wider variety of critics and filmmakers from around the world to participate, taking into account gender, ethnicity, race, geographical region, socioeconomic status, and other kinds of underrepresentation. [12] The list of people polled for the critics' poll expanded significantly from 145 to 846 and also included programmers, curators, archivists, film historians and other academics for the first time. Following the change, Citizen Kane only received the second highest number of votes, with Vertigo receiving the most. The directors' poll also expanded from 108 to 358 directors and Tokyo Story received the most votes with Citizen Kane receiving the joint second-most together with 2001: A Space Odyssey .
In 2022, the number of people polled for the critics' poll increased even further from 846 to 1,639 and Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles received the most votes, the first film to be directed by a woman to top the list. [13] Vertigo received the second most and Citizen Kane third. Nearly 4,000 different films received at least one mention. 2001: A Space Odyssey topped the directors' poll for the first time in 2022 with Citizen Kane in second place and Tokyo Story in joint fourth together with Jeanne Dielman. Among the directors that participated were Julie Dash, Barry Jenkins, Lynne Ramsay, Martin Scorsese and Apichatpong Weerasethakul.
La Règle du Jeu (The Rules of the Game) appeared in the first seven of the magazine's decennial polls; Citizen Kane has appeared in the last seven.
Closest runners-up: Citizen Kane , La Grande Illusion , and The Grapes of Wrath . (9 mentions apiece) [14]
Closest runners-up: Hiroshima mon amour , Pather Panchali and Zero for Conduct . (11 mentions apiece)
The number of silent films on the list dropped from six to two. [10] [15] Films directed by Sergei Eisenstein received the most votes with 46, followed by Charles Chaplin with 43 and Jean Renoir with 35. [10]
Closest runners-up: The Gold Rush, Hiroshima mon amour, Ikiru , Ivan the Terrible, Pierrot le Fou , and Vertigo . (8 mentions apiece) [16]
Films directed by Orson Welles received the most votes with 46 votes followed by Jean Renoir with 41 and Ingmar Bergman with 37. [17]
Closest runners-up: 2001: A Space Odyssey and Andrei Rublev . (10 mentions apiece) [18]
Closest runners-up: Bicycle Thieves and Singin' in the Rain. (10 mentions apiece) [20]
Closest runners-up: Seven Samurai and The Searchers. (15 mentions apiece) [21]
A new rule was imposed for this ballot: related films that are considered part of a larger whole (e.g. The Godfather and The Godfather Part II, Krzysztof Kieślowski's Three Colors trilogy and Dekalog , or Satyajit Ray's The Apu Trilogy ) were to be treated as separate films for voting purposes. [12]
Closest runner-up: Battleship Potemkin. (63 mentions) [22]
The participants in this poll nearly doubled to 1,639. Chantal Akerman became the first woman director to top the poll with her 1975 film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles . The poll reflected greater diversity than previously, with films by black filmmakers increasing from one in 2012 to seven in 2022, and from two to eleven, by female filmmakers. [13]
Stanley Kubrick's 2001: A Space Odyssey topped the directors' poll, in which 480 directors took part. [13]
Closest runner-up: Sunrise: A Song of Two Humans
This list was put together by assembling the directors of the individual films that the critics and the directors polled voted for. 2002 was the only year Sight & Sound compiled the list.
In 2010, Sight and Sound conducted a poll to find the greatest book written on film.
The Godfather Part II is a 1974 American epic crime film produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone, the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the other covers the journey of his father, Vito Corleone, from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Marianna Hill and Lee Strasberg.
Vertigo is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts by Boileau-Narcejac, with a screenplay by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as a former San Francisco police detective who has retired after an incident in the line of duty caused him to develop an extreme fear of heights accompanied by vertigo. He is hired as a private investigator to report on the strange behavior of an acquaintance's wife.
Battleship Potemkin, sometimes rendered as Battleship Potyomkin, is a 1925 Soviet silent epic film produced by Mosfilm. Directed and co-written by Sergei Eisenstein, it presents a dramatization of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers.
Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.
8½ is a 1963 comedy drama film co-written and directed by Federico Fellini. The metafictional narrative centers on Guido Anselmi, a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film was shot in black and white by cinematographer Gianni Di Venanzo and features a score by Nino Rota, with costume and set designs by Piero Gherardi.
The Apu Trilogy comprises three Indian Bengali-language drama films directed by Satyajit Ray: Pather Panchali (1955), Aparajito (1956) and The World of Apu (1959). The original music for the films was composed by Ravi Shankar.
Bicycle Thieves, also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children.
David Thomson is a British film critic and historian based in the United States, and the author of more than 20 books.
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles is a 1975 film written and directed by Belgian filmmaker Chantal Akerman. It was filmed over five weeks on location in Brussels, and financed through a $120,000 grant awarded by the Belgian government. Distinguished by its restrained pace, long takes, and static camerawork, the film is a slice-of-life depiction of a widowed housewife over three days.
Godfrey Cheshire III is an American film critic, film writer and director.
Faouzi Bensaïdi is a Moroccan film director, actor, screenwriter and artist. His film A Thousand Months was screened in the Un Certain Regard section at the 2003 Cannes Film Festival.
Nigel Andrews FRSA is a British film critic best known for being the long-time chief film critic of the Financial Times.
The Sight & Sound Greatest Films of All Time 2012 was a worldwide opinion poll conducted by Sight & Sound and published in the magazine's September 2012 issue. Sight & Sound, published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952.
Geoff Andrew is a British writer, lecturer, teacher, film programmer and occasional broadcaster.
Richard Brody is an American film critic who has written for The New Yorker since 1999.
Modernist film is related to the art and philosophy of modernism.
The "Top 100 Greatest Films of All Time" is a list published every ten years by Sight and Sound according to worldwide opinion polls they conduct. They published the critics' list, based on 1,639 participating critics, programmers, curators, archivists and academics, and the directors' list, based on 480 directors and filmmakers. Sight and Sound, published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952.
Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. Citizen Kane is frequently cited as the greatest film ever made.