The Godfather Part II

Last updated

The Godfather Part II
Godfather part ii.jpg
Theatrical release poster
Directed by Francis Ford Coppola
Produced byFrancis Ford Coppola
Screenplay by
Based on The Godfather
by Mario Puzo
Starring
Music by Nino Rota
Cinematography Gordon Willis
Edited by
Production
companies
Distributed byParamount Pictures
Release date
  • December 12, 1974 (1974-12-12)(New York City)
  • December 20, 1974 (1974-12-20)(United States)
Running time
200 minutes [1]
CountryUnited States
Language
  • English
  • Sicilian
Budget$13 million [2] [3]
Box office$47.5–57.3 million (North America) [2] [3]

The Godfather Part II is a 1974 American crime film produced and directed by Francis Ford Coppola from a screenplay co-written with Mario Puzo, starring Al Pacino and Robert De Niro. Partially based on Puzo's 1969 novel The Godfather , the film is both sequel and prequel to The Godfather , presenting parallel dramas: one picks up the 1958 story of Michael Corleone (Pacino), the new Don of the Corleone crime family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone (De Niro), from his Sicilian childhood to the founding of his family enterprise in New York City.

Crime films, in the broadest sense, are a cinematic genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.

Francis Ford Coppola American film director and producer

Francis Ford Coppola is an American film director, producer, screenwriter, film composer, and vintner. He was a central figure in the New Hollywood filmmaking movement of the 1960s and 1970s.He is widely considered to be one of the greatest filmmakers of all time.

Mario Puzo American writer

Mario Gianluigi Puzo was an American author, screenwriter and journalist. He is known for his crime novels about the Italian-American mafia, most notably The Godfather (1969), which he later co-adapted into a three-part film saga directed by Francis Ford Coppola. He received the Academy Award for Best Adapted Screenplay for the first film in 1972 and Part II in 1974. Puzo also wrote the original screenplay for the 1978 Superman film. His final novel, The Family, was released posthumously in 2001.

Contents

Following the success of the first film, Paramount Pictures began developing a follow up to the film, with much of the same cast and crew returning. Coppola, who was given more control on the film, had wanted to make both a sequel and a prequel to the film to tell the story of the rise of Vito and the fall of Michael. Principal photography began in October 1973 and wrapped up in June 1974. It was the last major American motion picture to have release prints made with Technicolor's dye imbibition process until the late 1990s.

Paramount Pictures Major film studio in America, specializing in film and television production, and distribution.

Paramount Pictures Corporation is an American film studio based in Hollywood, California, that has been a subsidiary of the American media conglomerate Viacom since 1994. Paramount is the fifth oldest surviving film studio in the world, the second oldest in the United States, and the sole member of the "Big Five" film studios still located in the Los Angeles neighborhood of Hollywood.

Technicolor Color motion picture process

Technicolor is a series of color motion picture processes, the first version dating to 1916, and followed by improved versions over several decades.

Imbibition is a special type of diffusion when water is absorbed by solids-colloids causing an enormous increase in volume. Examples include the absorption of water by seeds and dry wood. If it were not for the pressure due to imbibition, seedlings would not have been able to emerge out of soil into the open; they probably would not have been able to establish.

The Godfather Part II opened on December 20, 1974, to divided reviews from critics but its reputation, however, improved rapidly and it soon became the subject of critical re-evaluation. It grossed $47.5 million in North America on a $13 million budget. The film was nominated for eleven Academy Awards at the 47th Academy Awards and became the first sequel to win for Best Picture. Its six Oscar wins also included Best Director for Coppola, Best Supporting Actor for De Niro and Best Adapted Screenplay for Coppola and Puzo. Pacino won the BAFTA Award for Best Actor and was nominated for the Academy Award for Best Actor.

Academy Awards American awards given annually for excellence in cinematic achievements

The Academy Awards, also officially and popularly known as the Oscars, are awards for artistic and technical merit in the film industry. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette, officially called the "Academy Award of Merit", although more commonly referred to by its nickname "Oscar". The statuette depicts a knight rendered in Art Deco style.

47th Academy Awards

The 47th Academy Awards were presented Tuesday, April 8, 1975, at the Dorothy Chandler Pavilion in Los Angeles, California. The ceremonies were presided over by Bob Hope, Shirley MacLaine, Sammy Davis Jr., and Frank Sinatra. This was the last year NBC aired the ceremonies before ABC secured broadcasting rights, which they still hold to this day.

The Academy Award for Best Picture is one of the Academy Awards (Oscars) presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. Best Picture is the final award of the night and is considered the most prestigious honor of the ceremony.

Both The Godfather Part II and its predecessor remain highly influential films, especially in the gangster genre, and the former has been reevaluated. In 1997, the American Film Institute ranked it as the 32nd-greatest film in American film history and it retained this position 10 years later. [4] Some have deemed it superior to the 1972 original. [5] It was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1993, being deemed "culturally, historically, or aesthetically significant". [6] The final film in the trilogy, The Godfather Part III , was released in 1990.

Gangster film Film genre

A gangster film or gangster movie is a film belonging to a genre that focuses on gangs and organized crime. It is a subgenre of crime film, that may involve large criminal organizations, or small gangs formed to perform a certain illegal act. The genre is differentiated from Westerns and the gangs of that genre.

Genre is any form or type of communication in any mode with socially-agreed-upon conventions developed over time. Genre is most popularly known as a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.

American Film Institute Nonprofit educational arts organization devoted to film

The American Film Institute (AFI) is an American film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees.

Plot

In 1901, the family of nine-year-old Vito Andolini is killed in Corleone, Sicily, after his father insults local Mafia chieftain Don Ciccio. Vito escapes to New York City and is registered as "Vito Corleone" on Ellis Island.

In 1958, during his son's First Communion party at Lake Tahoe, Michael Corleone has a series of meetings in his role as the Don of his crime family. Corleone caporegime Frank Pentangeli is dismayed that Michael refuses to help defend his Brooklyn territory against the Rosato brothers, who work for Michael's business partner Hyman Roth. That night, Michael leaves Nevada after surviving an assassination attempt at his home.

First Communion Christian Eucharistic sacrament, typically occurs between the ages of seven and thirteen

First Communion is a ceremony in some Christian traditions during which a person first receives the Eucharist. It is most common in the Latin Church tradition of the Catholic Church, as well as in many parts of the Lutheran Church and Anglican Communion. In churches that celebrate First Communion, it typically occurs between the ages of seven and thirteen, often acting as a rite of passage.

Lake Tahoe lake in California and Nevada, United States

Lake Tahoe is a large freshwater lake in the Sierra Nevada of the United States. Lying at 6,225 ft (1,897 m), it straddles the state line between California and Nevada, west of Carson City. Lake Tahoe is the largest alpine lake in North America, and at 122,160,280 acre⋅ft (150.7 km3) trails only the five Great Lakes as the largest by volume in the United States. Its depth is 1,645 ft (501 m), making it the second deepest in the United States after Crater Lake in Oregon.

Michael Corleone Fictional character from The Godfather series

Michael Corleone is the main protagonist of Mario Puzo's novel, The Godfather. In the three Godfather films, directed by Francis Ford Coppola, Michael was portrayed by Al Pacino, for which he was twice-nominated for Academy Awards. Michael is the youngest son of Vito Corleone, a Sicilian immigrant who builds a Mafia empire. Upon his father’s death, Michael succeeds him as the don of the Corleone crime family.

In 1917, Vito Corleone lives in New York with his wife Carmela and son Sonny. He loses his job due to Don Fanucci insisting that his nephew work there; Peter Clemenza invites Vito to unwittingly take part in a burglary.

Michael suspects Roth planned the assassination, but meets him in Miami and feigns ignorance. In New York, Pentangeli attempts to maintain Michael's façade by making peace with the Rosato family but they attempt to kill him. Roth, Michael, and several of their partners travel to Havana to discuss their future Cuban business prospects under the cooperative government of Fulgencio Batista; Michael becomes reluctant after reconsidering the viability of the ongoing Cuban Revolution. On New Year's Eve, he attempts to have Roth and Roth's right-hand man, Johnny Ola, killed, but Roth survives when Michael's bodyguard is discovered and shot by police. Michael discovers that his brother, Fredo, betrayed him after Fredo inadvertently reveals that he knows Ola after claiming they had never met. Batista abruptly abdicates due to rebel advances; during the ensuing chaos, Michael, Fredo, and Roth separately escape to the United States. Back home, Michael learns that his wife Kay has miscarried.

Havana Capital city of Cuba

Havana is the capital city, largest city, province, major port, and leading commercial center of Cuba. The city has a population of 2.1 million inhabitants, and it spans a total of 781.58 km2 (301.77 sq mi) – making it the largest city by area, the most populous city, and the fourth largest metropolitan area in the Caribbean region.

Fulgencio Batista military leader of Cuba

Fulgencio Batista y Zaldívar was a Cuban military officer and politician who served as the elected President of Cuba from 1940 to 1944, and as its U.S.-backed military dictator from 1952 to 1959, before being overthrown during the Cuban Revolution. Batista initially rose to power as part of the 1933 Revolt of the Sergeants, which overthrew the provisional government of Carlos Manuel de Céspedes y Quesada. He then appointed himself chief of the armed forces, with the rank of colonel, and effectively controlled the five-member "pentarchy" that functioned as the collective head of state. He maintained this control through a string of puppet presidents until 1940, when he was himself elected President of Cuba on a populist platform. He then instated the 1940 Constitution of Cuba and served until 1944. After finishing his term he lived in Florida, returning to Cuba to run for president in 1952. Facing certain electoral defeat, he led a military coup against President Carlos Prío Socarrás that preempted the election.

Cuban Revolution Revolution in Cuba between 1953 and 1959

The Cuban Revolution was an armed revolt conducted by Fidel Castro's revolutionary 26th of July Movement and its allies against the military dictatorship of Cuban President Fulgencio Batista. The revolution began in July 1953, and continued sporadically until the rebels finally ousted Batista on 31 December 1958, replacing his government with a revolutionary socialist state. 26 July 1953 is celebrated in Cuba as the Day of the Revolution. The 26th of July Movement later reformed along communist lines, becoming the Communist Party in October 1965.

By 1920, Vito and Carmela have had two more sons, Fredo and Michael. Vito's criminal conduct attracts the attention of Fanucci, who extorts him. His partners, Clemenza and Salvatore Tessio, wish to avoid trouble by paying in full, but Vito insists that he can convince Fanucci to accept a smaller payment by making him "an offer he won't refuse". During a neighborhood festa, he stalks Fanucci to his apartment and shoots him dead.

In Washington, D.C., a Senate committee on organized crime is investigating the Corleone family. Having survived the earlier attempt on his life, Pentangeli agrees to testify against Michael, who he believes had double-crossed him, and is placed under witness protection.

Now a respected figure in his community, Vito is approached for help by a widow who is being evicted. After an unsuccessful negotiation with Vito, the widow's landlord asks around, learns of Vito's reputation, and hastily agrees to let the widow stay on terms very favorable to her. In the meantime, Vito and his partners are becoming more and more successful, with the establishment of their business, "Genco Pura Olive Oil Company".

On returning to Nevada, Fredo privately explains himself to Michael; feeling resentful at being disregarded, he had helped Roth in expectation of something in return—unaware, he claims, of the plot on Michael's life. He also informs Michael that the Senate lawyer, Questadt, is working under Roth's payroll. Michael responds by disowning Fredo, and tells his capo that nothing is to happen to Fredo while their mother is alive. Michael is unable to reach the heavily-guarded Pentangeli, so sends for Pentangeli's brother from Sicily, resulting in Pentangeli renouncing his previous statement; the hearing dissolves in uproar.

Kay reveals to Michael that she actually had an abortion, not a miscarriage, and that she intends to remove their children from Michael's criminal life. Outraged, Michael strikes Kay, banishes her from the family, and takes custody of the children.

In 1923, Vito, along with his family, visits Sicily for the first time since emigrating. He and business partner Tommasino are admitted to Don Ciccio's compound, ostensibly to ask for Ciccio's blessing on their olive oil business. Vito exacts his childhood vengeance by killing Ciccio after revealing his former identity, but as they escape, Tommasino is shot in the leg and suffers a permanent disability.

Carmela Corleone dies. At the funeral, Michael appears to forgive Fredo.

Roth is refused asylum and denied entry to Israel. He is forced to return to the United States. Over the dissent of consigliere Tom Hagen, Michael sends caporegime Rocco Lampone to intercept and shoot Roth on arrival. Rocco is shot dead by federal agents after completing his mission. At the witness protection compound, Hagen reminds Pentangeli that failed plotters against the Roman Emperor often committed suicide and assures him that his family will be cared for. Pentangeli later slits his wrists in his bathtub. Al Neri, acting on Michael's orders, assassinates Fredo out on the lake.

On December 7, 1941, the Corleone family gathers in their dining room to surprise Vito for his birthday. Michael announces that, in response to the attack on Pearl Harbor, he has left college and enlisted in the United States Marine Corps, leaving Sonny furious, Tom incredulous, and Fredo the only brother supportive. Vito is heard at the door and all but Michael leave the room to greet him.

Michael sits alone by the lake at the family compound.

Cast

1958 sequences
Flashback sequences

Production

Development

Coppola's idea for the sequel would be to "juxtapose the ascension of the family under Vito Corleone with the decline of the family under his son Michael...I had always wanted to write a screenplay that told the story of a father and a son at the same age. They were both in their thirties and I would integrate the two stories...In order not to merely make Godfather I over again, I gave Godfather II this double structure by extending the story in both the past and in the present." [7]

Casting

Original screenplay in the National Museum of the Cinema in Turin The Godfather Screenplay.JPG
Original screenplay in the National Museum of the Cinema in Turin

Coppola offered James Cagney a part in the film, but he refused. [8] James Caan agreed to reprise the role of Sonny in the birthday flashback sequence, demanding he be paid the same amount he received for the entire previous film for the single scene in Part II, which he received.[ citation needed ]

Several actors from the first film did not return for the sequel. Marlon Brando initially agreed to return for the birthday flashback sequence, but the actor, feeling mistreated by the board at Paramount, failed to show up for the single day's shooting.[ citation needed ] Coppola then rewrote the scene that same day.[ citation needed ] Richard S. Castellano, who portrayed Peter Clemenza in the first film, also declined to return, as he and the producers could not reach an agreement on his demands that he be allowed to write the character's dialogue in the film.[ citation needed ] The part in the plot originally intended for the latter-day Clemenza was then filled by the character of Frank Pentangeli, played by Michael V. Gazzo. [9]

Troy Donahue, in a small role as Connie's boyfriend, plays a character named Merle Johnson, which was his birth name.[ citation needed ]

Two actors who appear in the film played different character roles in other Godfather films: Carmine Caridi, who plays Carmine Rosato, also went on to play crime boss Albert Volpe in The Godfather Part III ; Frank Sivero, who plays a young Genco Abbandando, appears as a bystander in The Godfather scene in which Sonny beats up Carlo for abusing Connie.[ citation needed ]

Among the actors depicting Senators in the hearing committee are film producer/director Roger Corman, writer/producer William Bowers, producer Phil Feldman, and science-fiction writer Richard Matheson.[ citation needed ]

Filming

The Godfather Part II was shot between October 1, 1973 and June 19, 1974, and was the last major American motion picture to have release prints made with Technicolor's dye imbibition process until the late 1990s. The scenes that took place in Cuba were shot in Santo Domingo, Dominican Republic. [10] Charles Bluhdorn, whose Gulf+Western conglomerate owned Paramount, felt strongly about developing the Dominican Republic as a movie-making site.

Unlike with the first film, Coppola was given near-complete control over production. In his commentary, he said this resulted in a shoot that ran very smoothly despite multiple locations and two narratives running parallel within one film. [11]

Production nearly ended before it began when Pacino's lawyers told Coppola that he had grave misgivings with the script and was not coming. Coppola spent an entire night rewriting it before giving it to Pacino for his review. Pacino approved and the production went forward. [11]

Coppola discusses his decision to make this the first major motion picture to use "Part II" in its title in the director's commentary on the DVD edition of the film released in 2002. Paramount was initially opposed because they believed the audience would not be interested in an addition to a story they had already seen. But the director prevailed, and the film's success began the common practice of numbered sequels.

Only three weeks prior to the release, film critics and journalists pronounced Part II a disaster. The cross-cutting between Vito and Michael's parallel stories were judged too frequent, not allowing enough time to leave a lasting impression on the audience. Coppola and the editors returned to the cutting room to change the film's narrative structure, but could not complete the work in time, leaving the final scenes poorly timed at the opening. [12]

Reception

Initial critical reception of The Godfather Part II was divided, [13] with some dismissing the work and others declaring it superior to the first film. [14] [15] While its cinematography and acting were immediately acclaimed, many criticized it as overly slow-paced and convoluted. [16] Vincent Canby viewed the film as "stitched together from leftover parts. It talks. It moves in fits and starts but it has no mind of its own. [...] The plot defies any rational synopsis." [9] Stanley Kauffmann of The New Republic accused the story of featuring "gaps and distentions [ sic ]." [17] A mildly positive Roger Ebert awarded three stars out of four [18] and wrote that the flashbacks "give Coppola the greatest difficulty in maintaining his pace and narrative force. The story of Michael, told chronologically and without the other material, would have had really substantial impact, but Coppola prevents our complete involvement by breaking the tension." Though praising Pacino's performance and lauding Coppola as "a master of mood, atmosphere, and period", Ebert considered the chronological shifts of its narrative "a structural weakness from which the film never recovers". [16] Gene Siskel gave the film three-and-a-half stars out of four, writing that it was at times "as beautiful, as harrowing, and as exciting as the original. In fact, 'The Godfather, Part II' may be the second best gangster movie ever made. But it's not the same. Sequels can never be the same. It's like being forced to go to a funeral the second time—the tears just don't flow as easily." [19]

The film quickly became the subject of a critical reevaluation. [20] Whether considered separately or with its predecessor as one work, The Godfather Part II is now widely regarded as one of the greatest films in world cinema. Many critics compare it favorably with the original although it is rarely ranked higher on lists of "greatest" films. Roger Ebert retrospectively awarded it a full four stars in a second review and inducted the film into his Great Movies section, praising the work as "grippingly written, directed with confidence and artistry, photographed by Gordon Willis [...] in rich, warm tones." [21] Michael Sragow's conclusion in his 2002 essay, selected for the National Film Registry web site, is that "[a]lthough "The Godfather" and "The Godfather Part II" depict an American family's moral defeat, as a mammoth, pioneering work of art it remains a national creative triumph." [22]

The Godfather Part II was featured on Sight & Sound 's Director's list of the ten greatest films of all time in 1992 and 2002. It ranked #7 on Entertainment Weekly 's list of the "100 Greatest Movies of All Time", and #1 on TV Guide 's 1998 list of the "50 Greatest Movies of All Time on TV and Video". [23] On Rotten Tomatoes, it holds a 97% approval rating based on 73 critical reviews, with an average rating of 9.62/10. The consensus reads, "Drawing on strong performances by Al Pacino and Robert De Niro, Francis Ford Coppola's continuation of Mario Puzo's Mafia saga set new standards for sequels that have yet to be matched or broken." [24]

Many believe Pacino's performance in The Godfather Part II is his finest acting work, and the Academy of Motion Picture Arts and Sciences was criticized for awarding the Academy Award for Best Actor that year to Art Carney for his role in Harry and Tonto . It is now regarded as one of the greatest performances in film history. In 2006, Premiere issued its list of "The 100 Greatest Performances of all Time", putting Pacino's performance at #20. [25] Later in 2009, Total Film issued "The 150 Greatest Performances of All Time", ranking Pacino's performance fourth place. [26]

Box office

The Godfather Part II did not surpass the original film commercially, but in North America it grossed $47.5 million on a $13 million budget. [2] It was Paramount Pictures' highest-grossing film of 1974 and was the seventh-highest-grossing picture in North America that year.

Releases for television and video

Coppola created The Godfather Saga expressly for American television in a 1975 release that combined The Godfather and The Godfather Part II with unused footage from those two films in a chronological telling that toned down the violent, sexual, and profane material for its NBC debut on November 18, 1977. In 1981, Paramount released the Godfather Epic boxed set, which also told the story of the first two films in chronological order, again with additional scenes, but not redacted for broadcast sensibilities. Coppola returned to the film again in 1992 when he updated that release with footage from The Godfather Part III and more unreleased material. This home viewing release, under the title The Godfather Trilogy 1901–1980, had a total run time of 583 minutes (9 hours, 43 minutes), not including the set's bonus documentary by Jeff Werner on the making of the films, "The Godfather Family: A Look Inside".

The Godfather DVD Collection was released on October 9, 2001 in a package [27] that contained all three films—each with a commentary track by Coppola—and a bonus disc that featured a 73-minute documentary from 1991 entitled The Godfather Family: A Look Inside and other miscellany about the film: the additional scenes originally contained in The Godfather Saga; Francis Coppola's Notebook (a look inside a notebook the director kept with him at all times during the production of the film); rehearsal footage; a promotional featurette from 1971; and video segments on Gordon Willis's cinematography, Nino Rota's and Carmine Coppola's music, the director, the locations and Mario Puzo's screenplays. The DVD also held a Corleone family tree, a "Godfather" timeline, and footage of the Academy Award acceptance speeches. [28]

The restoration was confirmed by Francis Ford Coppola during a question-and-answer session for The Godfather Part III , when he said that he had just seen the new transfer and it was "terrific".

Restoration

After a careful restoration of the first two movies, The Godfather movies were released on DVD and Blu-ray Disc on September 23, 2008, under the title The Godfather: The Coppola Restoration. The work was done by Robert A. Harris of Film Preserve. The Blu-ray Disc box set (four discs) includes high-definition extra features on the restoration and film. They are included on Disc 5 of the DVD box set (five discs).

Other extras are ported over from Paramount's 2001 DVD release. There are slight differences between the repurposed extras on the DVD and Blu-ray Disc sets, with the HD box having more content. [29]

Accolades

This film was the first sequel to have won the Academy Award for Best Picture. [30] The Godfather and The Godfather Part II remain the only original/sequel combination both to win Best Picture. [31] Along with The Lord of the Rings , The Godfather Trilogy shares the distinction that all of its installments were nominated for Best Picture.

AwardCategoryNomineeResult
47th Academy Awards [30] Best Picture Francis Ford Coppola, Gray Frederickson, Fred Roos Won
Best Director Francis Ford CoppolaWon
Best Actor Al Pacino Nominated
Best Supporting Actor Robert De Niro Won
Michael V. Gazzo Nominated
Lee Strasberg Nominated
Best Supporting Actress Talia Shire Nominated
Best Adapted Screenplay Francis Ford Coppola, Mario Puzo Won
Best Art Direction Dean Tavoularis, Angelo P. Graham, George R. Nelson Won
Best Costume Design Theadora Van Runkle Nominated
Best Original Dramatic Score Nino Rota, Carmine Coppola Won
29th British Academy Film Awards Best Actor Al Pacino (Also for Dog Day Afternoon )Won
Most Promising Newcomer to Leading Film Roles Robert De NiroNominated
Best Film Music Nino RotaNominated
Best Film Editing Peter Zinner, Barry Malkin, and Richard Marks Nominated
27th Directors Guild of America Awards Outstanding Directorial Achievement in Motion Pictures Francis Ford CoppolaWon
32nd Golden Globe Awards Best Motion Picture – Drama Nominated
Best Director – Motion Picture Francis Ford CoppolaNominated
Best Motion Picture Actor – Drama Al PacinoNominated
Most Promising Newcomer – Male Lee StrasbergNominated
Best Screenplay – Motion Picture Francis Ford Coppola and Mario PuzoNominated
Best Original Score Nino RotaNominated
27th Writers Guild of America Awards Best Drama Adapted from Another Medium Francis Ford Coppola and Mario PuzoWon

American Film Institute recognition

Video game

The video game based on the film was released in April 2009 by Electronic Arts. [38]

Related Research Articles

<i>The Godfather</i> (novel) 1969 novel by Mario Puzo

The Godfather is a crime novel written by American author Mario Puzo. Originally published in 1969 by G. P. Putnam's Sons, the novel details the story of a fictional Mafia family based in New York City, headed by Vito Corleone. Puzo's dedication for The Godfather is "For Anthony Cleri". The epigraph for The Godfather is "Behind every great fortune there is a crime. - Balzac." The novel covers the years 1945 to 1955, and also provides the back story of Vito Corleone from early childhood to adulthood.

<i>The Godfather Part III</i> 1990 film directed by Francis Ford Coppola

The Godfather Part III is a 1990 American crime film written by Mario Puzo and Francis Ford Coppola, and directed by Coppola. A sequel to The Godfather (1972) and The Godfather Part II (1974), it completes the story of Michael Corleone, a Mafia kingpin who attempts to legitimize his criminal empire. The film also includes fictionalized accounts of two real-life events: the 1978 death of Pope John Paul I and the Papal banking scandal of 1981–82, both linked to Michael Corleone's business affairs. The film stars Al Pacino, Diane Keaton, Talia Shire, and Andy García.

Vito Corleone Fictional character from The Godfather series

Vito Andolini Corleone is a fictional character in Mario Puzo's novel The Godfather and in the first two of Francis Ford Coppola's film trilogy. He is portrayed by Marlon Brando in The Godfather and then, as a young man, by Robert De Niro in The Godfather Part II. He is an orphaned Sicilian immigrant who builds a Mafia empire. Upon his death, Michael, his youngest son, succeeds him as the don of the Corleone crime family.

Fredo Corleone Fictional character from The Godfather series

Frederico "Fredo" Corleone is a fictional character in Mario Puzo's novel The Godfather. Fredo is portrayed by American actor John Cazale in the Francis Ford Coppola film adaptation and in the sequel, The Godfather Part II.

Sonny Corleone Fictional character from The Godfather series

Santino "Sonny" Corleone is a fictional character in Mario Puzo's 1969 novel The Godfather and its 1972 film adaptation.

Vincent Corleone Fictional character from The Godfather series

Vincent Santino Corleone is a fictional character in the 1990 feature film The Godfather Part III, in which he is portrayed by Andy García, who was nominated for an Academy Award for his performance. Vincent is the illegitimate son of Sonny Corleone and his mistress Lucy Mancini. He eventually succeeds his uncle Michael as head of the Corleone family. Retroactive continuity ("retcon") was employed to create the character's existence for The Godfather Part III, as it is evident from Mario Puzo's original novel that Lucy did not conceive a child with Sonny.

The Corleone family is a fictional Sicilian-American organized crime family, and the focus of the novels and films of The Godfather series. The family was created by Mario Puzo and first appears in his 1969 novel The Godfather. The family is from Corleone, Sicily, Italy and is based in New York City.

The Godfather Saga is a TV miniseries that combines The Godfather and The Godfather Part II into one film. It originally aired on NBC over four consecutive nights in November 1977. The Godfather Saga is also known as The Godfather: The Complete Novel for Television, The Godfather: A Novel for Television, The Godfather Novella, The Godfather: 1901-1959 - The Complete Epic, and The Godfather Epic. The television version was the basis for a shorter, 1981 video release known as The Godfather 1902–1959: The Complete Epic. Following the release of The Godfather Part III in 1990, a third unified version was released to video in 1992 entitled The Godfather Trilogy: 1901–1980.

Tom Hagen Fictional character from The Godfather series

Thomas Hagen is a fictional character in Mario Puzo's novel The Godfather and Francis Ford Coppola's films The Godfather and The Godfather Part II. He is portrayed by Robert Duvall in the films. He also appears in the Mark Winegardner sequel novels, The Godfather Returns and The Godfather's Revenge, as well as Ed Falco's novel, The Family Corleone.

<i>The Godfather</i> 1972 film directed by Francis Ford Coppola

The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy, based on Mario Puzo's best-selling novel of the same name. It stars Marlon Brando and Al Pacino as the leaders of a fictional New York crime family. The story, spanning 1945 to 1955, chronicles the family under the patriarch Vito Corleone (Brando), focusing on the transformation of Michael Corleone (Pacino) from reluctant family outsider to ruthless mafia boss.

Peter Clemenza Fictional character from The Godfather series

Peter Clemenza is a fictional character appearing in Mario Puzo's novel The Godfather and two of the three films based on it. He is played by Academy Award-nominee Richard Castellano in Francis Ford Coppola's film adaptation of the novel, and by Bruno Kirby in The Godfather Part II.

Hyman Roth Fictional character in the film The Godfather Part II

Hyman Roth is a fictional character and the main antagonist in The Godfather Part II. He is also a minor character in the novel The Godfather Returns. Roth is a Jewish mobster and investor and a business partner of Vito Corleone, and later his son Michael Corleone. He is based on New York mobster Meyer Lansky and was played by Lee Strasberg in the movie. It was Al Pacino who suggested Strasberg for the role.

Carmela Corleone Fictional character from The Godfather series

Carmela Corleone (1897–1959) a fictional character in Mario Puzo's The Godfather, is the wife of Don Vito Corleone. Carmela is portrayed by Italian-American Morgana King in Francis Ford Coppola's film adaptation of the novel, and in The Godfather Part II.

Frank Pentangeli Fictional character from The Godfather series

Frank "Frankie Five Angels" Pentangeli is a fictional character from the film The Godfather Part II. In the film, he is portrayed by Michael V. Gazzo, who was nominated for a Best Supporting Actor Oscar for his performance, which he lost to Robert De Niro, his co-star from the same film. He gets his nickname from his last name, which is Greco-Italian for "five angels".

Don Fanucci Fictional character from The Godfather series

Don Fanucci is a fictional character appearing in the Mario Puzo's novel The Godfather and the film The Godfather Part II, a sequel to the film version of Puzo's novel. Fanucci is portrayed by Gastone Moschin and is based on the personality of Ignazio Lupo, a real-life mafioso.

Sandra Corleone Fictional character from The Godfather series

Sandrinella "Sandra" Corleone is a fictional character appearing in Mario Puzo's novel The Godfather, the Godfather film trilogy, and the Godfather video game. She was portrayed by Julie Gregg in the first film.

<i>The Godfather</i> (film series) 1972–1990 film series directed by Francis Ford Coppola

The Godfather is an American film series that consists of three crime drama films directed by Francis Ford Coppola inspired by the novel of the same name by Italian American author Mario Puzo. The films follow the trials of the Italian American mafia Corleone family whose patriarch, Vito Corleone, rises to be a major figure in American organized crime. His youngest son, Michael Corleone, becomes his successor. The films were distributed by Paramount Pictures and released in 1972, 1974 and 1990. The series achieved success at the box office, with the films earning over $429 million worldwide. The Godfather is seen by many as one of the greatest films of all time, while The Godfather Part II is viewed by many as the best sequel in cinematic history. The series is heavily awarded, winning 9 out of 28 total Academy Award nominations.

Constanzia "Connie" Corleone is a fictional character in The Godfather, a novel by Mario Puzo and the 1972 film The Godfather. In the film, Connie is portrayed by Talia Shire, the sister of the director Francis Ford Coppola. Shire was nominated for the Academy Award for Best Supporting Actress for her portrayal of Connie Corleone in The Godfather Part II.

References

  1. "The Godfather II". British Board of Film Classification . Retrieved December 20, 2014.
  2. 1 2 3 "The Godfather Part II (1974)". Box Office Mojo . Retrieved May 26, 2014.
  3. 1 2 "The Godfather: Part II (1974) – Financial Information". The Numbers . Retrieved December 20, 2014.
  4. "Citizen Kane Stands the Test of Time". American Film Institute.
  5. "The National Film Registry List – Library of Congress". loc.gov. Retrieved March 12, 2012.
  6. Phillips, Gene (2004). "Godfather: The Intimate Francis Ford Coppola". ISBN   978-0-8131-2304-2.
  7. Cagney, James (1976). "Cagney by Cagney". Doubleday. ISBN   978-0-671-80889-1.
  8. 1 2 Canby, Vincent (December 13, 1974). "'Godfather, Part II' Is Hard To Define: The Cast". The New York Times. Retrieved March 8, 2017.
  9. "Movie Set Hotel: The Godfather II", HotelChatter, May 12, 2006.
  10. 1 2 The Godfather Part II DVD commentary featuring Francis Ford Coppola, [2005]
  11. The Godfather Family: A look Inside
  12. Eagan, Daniel (2009). America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. Bloomsbury Publishing USA. p. 712. ISBN   1-4411-1647-8.
  13. Biskind, Peter (1991). The Godfather Companion. Wildside Press. ISBN   0-8095-9036-0.
  14. "The Godfather, Part II". Turner Classic Movies, Inc. Retrieved March 8, 2017.
  15. 1 2 "The 'Godfather Part II' Sequel Syndrome". Newsweek. December 25, 2016. Retrieved March 8, 2017. But when the movie arrived in theaters at the end of 1974, it was met with a critical reception that, compared with today's exuberant embrace, felt more like a slap in the face. [...] Most professional tastemakers, even those exasperated by what they felt was the movie's sometimes plodding-pace, recognized the creative crowning achievements of the film's direction, cinematography and acting.
  16. Berliner, Todd (2010). Hollywood Incoherent: Narration in Seventies Cinema. University of Texas Press. pp. 75–76. ISBN   0-292-72279-6.
  17. Ebert, Roger. "The Godfather, Part II". RogerEbert.com . Retrieved November 25, 2018.
  18. Siskel, Gene (December 20, 1974). "'The Godfather, Part II': Father knew best". Chicago Tribune . Section 3, p. 1.
  19. Garner, Joe (2013). Now Showing: Unforgettable Moments from the Movies. Andrews McMeel Publishing. ISBN   1-4494-5009-1.
  20. Ebert, Roger (October 2, 2008). "The Godfather, Part II Movie Review (1974)" . Retrieved March 8, 2017.
  21. Sragow, Michael (2002). "The Godfather and The Godfather Part II" (PDF). "The A List: The National Society of Film Critics' 100 Essential Films," 2002.
  22. "TV Guide's 50 Greatest Movies On TV/Video". thependragon.co.uk. Retrieved March 13, 2016.
  23. "The Godfather, Part II". Rotten Tomatoes . Fandango Media . Retrieved June 11, 2019.
  24. "The 100 Greatest Performances" filmsite.org
  25. "The 150 Greatest Performances Of All Time" TotalFilm. com
  26. "DVD review: 'The Godfather Collection'". DVD Spin Doctor. July 2007.
  27. The Godfather DVD Collection [2001]
  28. "Godfather: Coppola Restoration", September 23 on DVD Spin Doctor
  29. 1 2 "47th Academy Awards Winners: Best Picture". Academy of Motion Picture Arts and Sciences. Archived from the original on April 2, 2015. Retrieved April 20, 2015.
  30. McNamara, Mary (December 2, 2010). "Critic's Notebook: Can 'Harry Potter' ever capture Oscar magic?". Los Angeles Times . Retrieved December 3, 2013.
  31. "AFI's 100 Years...100 Movies" (PDF). American Film Institute . Retrieved November 14, 2014.
  32. "AFI's 100 Years...100 Heroes & Villains" (PDF). American Film Institute . Retrieved November 14, 2014.
  33. "AFI's 100 Years...100 Movie Quotes" (PDF). American Film Institute . Retrieved November 14, 2014.
  34. 1 2 "AFI's 100 Years...100 Movie Quotes Nominees" (PDF). American Film Institute . Retrieved November 14, 2014.
  35. "AFI's 100 Years...100 Movies (10th Anniversary Edition)" (PDF). American Film Institute . Retrieved November 14, 2014.
  36. "AFI's 10 Top 10: Top 10 Gangster". American Film Institute . Retrieved November 14, 2014.
  37. "EA Announces New Street Date for The Godfather II". EA.com. February 11, 2009. Retrieved February 12, 2009.