The film takes place in Boston and the surrounding metro area, primarily in the South Boston neighborhood. Irish Mob boss Frank Costello (Nicholson) plants Colin Sullivan (Damon) as a spy within the Massachusetts State Police; simultaneously, the police assign undercover state trooper Billy Costigan (DiCaprio) to infiltrate Costello's mob crew. When both sides realize the situation, Sullivan and Costigan each attempt to discover the other's identity before they are found out.
In the 1980s in Boston, Irish Mob boss Frank Costello introduces himself to a young Colin Sullivan.
Many years later, Sullivan has been groomed as a spy inside the Massachusetts State Police (MSP) and joins the Special Investigation Unit (SIU). Another police academy recruit, Billy Costigan, is selected by Captain Queenan and Sergeant Dignam to go undercover as a criminal.
Costigan serves a term in prison to set up his cover and further commits a series of crimes while Sullivan begins dating Madolyn Madden, a psychiatrist. Costigan draws the attention of Costello, who later recruits Costigan into his organization. Over the next year, Costigan becomes increasingly involved in the organization. His mental state declines but Queenan and Dignam convince him to continue. Costigan begins having appointments with Madolyn.
The MSP and Costello realize there is a mole in their respective organizations and task Costigan and Sullivan to find them. Meanwhile, Costigan learns that Costello is a protected FBIinformant. Costigan shares his discovery with Queenan. Costigan and Madolyn have an affair.
One night, Costigan follows Costello into an adult theater and witnesses him giving Sullivan an envelope containing information of his crew. Costigan is instructed to get a visual ID of Sullivan but is unable to get a good look at Sullivan’s face. When Sullivan realizes he is being followed, he stabs a man he mistakes for his pursuer, then flees, similarly unable to ID Costigan for Costello.
Queenan advises Sullivan to follow Costello to find the MSP mole, but a spooked Costigan calls Queenan and sets up a meeting to end the undercover operation. Assuming having Queenan followed will lead him to the mole in Costello’s crew, Sullivan instructs other officers to follow Queenan, claiming he believes Queenan may be the spy. Once sure that Queenan is meeting his mole, Sullivan also calls in Costello's gang to the meeting location.
Queenan assures Costigan he will pull him out of the undercover operation, and when Costello's men arrive helps Costigan escape. Queenan is then thrown from the building to his death at the feet of a horrified Costigan and a firefight erupts between police and Costello's men. Angered by Queenan's murder and not believing Sullivan's account of the situation, Dignam attacks Sullivan and is suspended. Timothy Delahunt, one of Costello's henchmen who was wounded in the gunfight, appears to be about to tell Costigan that he knows he is the rat before succumbing to his wounds.
Sullivan looks through Queenan's belongings and learns that Costello is an FBI informant after reading Queenan's notebook. A news report then reveals that Delahunt was an undercover officer for the Boston Police Department, but Costello suspects the police department made up the claim so he would stop looking for the mole. Deciding to turn on Costello, Sullivan directs the MSP to tail Costello to a drug deal, and a gunfight erupts, killing most of Costello's crew. Sullivan confronts a wounded Costello, who admits to being an FBI informant. They exchange gunfire, and Sullivan kills him.
His assignment finished, Costigan goes to Sullivan to reveal his undercover status, still unaware of the other's true identity. After Sullivan goes to another room, Costigan notices the same envelope from the movie theater on his desk. Costigan realizes Sullivan was Costello's mole and escapes. Shortly after, Sullivan returns to find Costigan gone, and realizes that Costigan now knows Sullivan’s true identity. Sullivan deletes Costigan's records from police computers.
Costigan visits Madolyn, who has revealed that she's pregnant to Sullivan but not to Costigan knowing that Sullivan may not be the father. Costigan hands her an envelope, instructing her to open it if something happens to him. Sullivan receives an envelope in the mail from Costigan that Madolyn intercepts; inside is a CD of Costello's recorded conversations between him and Sullivan. Scared that Costigan has revealed their affair, Madolyn listens to the taped conversations and realizes he is not the man she believed him to be before leaving Sullivan.
Costigan arranges to meet Sullivan on the rooftop of the building where Queenan was killed, then arrests him. Costigan calls Trooper Brown, an acquaintance from the police academy, but Brown pulls a gun on Costigan when he arrives, unsure who is telling the truth. Costigan says that he has evidence tying Sullivan to Costello, and Brown lets him go down the elevator. Upon reaching the lobby, Costigan and Brown are killed by Trooper Barrigan, a friend of Sullivan's who reveals himself to be another spy working for Costello. Sullivan shoots Barrigan dead, allowing him to out Barrigan as the mole while removing suspicion from himself.
Sullivan and Madolyn attend Costigan's funeral. As Madolyn cries, Sullivan realizes she and Costigan were involved. He attempts to talk to her, but she ignores him. When Sullivan arrives home, Dignam is waiting for him inside and shoots Sullivan in the head before he leaves.
In March 2004, United Press International announced that Scorsese would be remaking Infernal Affairs and setting it in Boston, and that Leonardo DiCaprio and Brad Pitt were slated to star.[15] Pitt, tentatively scheduled to play Sullivan, later declined to play the role, saying a younger actor should play the part; he decided to produce the film instead.[14] Scorsese's associate Kenneth Lonergan suggested Matt Damon, who grew up in Boston, for the part of Sullivan, and Scorsese asked Jack Nicholson to play Costello.[7]Robert De Niro was approached to play Queenan, but De Niro declined in order to direct The Good Shepherd instead.[16] Scorsese would later say that De Niro turned down the role as he was not interested.[17]Ray Liotta was approached for a role in the film, but declined due to a commitment to another project.[18]
Nicholson wanted the film to have "something a little more" than the usual gangster film, and screenwriter Monahan came up with the idea of basing the Costello character on Irish-American gangster Whitey Bulger. This gave the screenplay an element of realism—and an element of dangerous uncertainty, because of the wide-ranging carte blanche the FBI gave Bulger in exchange for revealing information about fellow gangsters.[7] A technical consultant on the film was Tom Duffy, who had served three decades on the Boston Police Department, particularly as an undercover detective investigating the Irish mob.[19][20]
The Departed was officially greenlit by Warner Bros. in early 2005 and began shooting in the spring of 2005.[13] Some of the film was shot on location in Boston. For budgetary and logistical reasons many scenes, in particular interiors, were shot in locations and sets in New York City, which had tax incentives for filmmakers that Boston at the time did not.[7][21]
Themes and motifs
Film critic Stanley Kauffmann said that for The Departed, Scorsese "was apparently concerned with the idea of identity, one of the ancient themes of drama, and how it affects one's actions, emotions, self-knowledge, even dreams." Kauffmann, however, did not find the theme conveyed with particular effectiveness in the film.[22] Film critic Roger Ebert compared Costigan and Sullivan's seeking of approval from those they are deceiving to Stockholm syndrome.[23] Ebert also noted the themes of Catholic guilt.[23]
In the final scene, a rat is seen on Sullivan's window ledge. Scorsese acknowledges that while it is not meant to be taken literally, it somewhat symbolizes the "quest for the rat" in the film and the strong sense of distrust among the characters, much like post-9/11 U.S. The window view behind the rat is a nod to gangster films like Little Caesar (1931), Scarface (1932), and White Heat (1949).[24] The film's penultimate scene at Costigan's funeral, when Madolyn walks straight past Sullivan and out of camera without looking at him, is a visual quotation of the famous closing scene from The Third Man.
Throughout the film, Scorsese uses an "X" motif to foreshadow death in a manner similar to Howard Hawks' film Scarface (1932). Examples include shots of cross-beam supports in an airport walkway when Costigan is phoning Sgt. Dignam, the lighted "X" on the wall in Sullivan's office when he assures Costello over the phone that Costigan is not the rat, the taped windows of the building Queenan enters before being thrown to his death, behind Costigan's head in the elevator before he is shot, and the carpeted hallway floor when Sullivan returns to his apartment before being shot by Dignam at the film's end.[25]
Reception
Box office
The Departed grossed $132.4 million in the United States and Canada and $159 million in other territories for a total gross of $291.5 million, against a production budget of $90 million.[1]
The film grossed $26.9 million in its opening weekend, becoming the fourth Scorsese film to debut at number one.[26] In the following three weeks the film grossed $19 million, $13.5 million and $9.8 million, finishing second at the box office each time, before grossing $7.7 million and dropping to 5th in its fifth week.[27]
Critical response
As per the review aggregator website Rotten Tomatoes, 91% of critics have given the film a positive review based on 287 reviews, with an average rating of 8.30 out of 10. The site's critics consensus reads, "Featuring outstanding work from an excellent cast, The Departed is a thoroughly engrossing gangster drama with the gritty authenticity and soupy morality we have come to expect from Martin Scorsese."[28] On Metacritic, the film has a weighted average score of 85 out of 100, with 92% positive reviews based on 39 critics, indicating "universal acclaim".[29] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[30]
Entertainment Weekly ranked it on its end-of-the-decade "Best of" list, saying: "If they're lucky, directors make one classic film in their career. Martin Scorsese has one per decade (Taxi Driver in the '70s, Raging Bull in the '80s, Goodfellas in the '90s). His 2006 Irish Mafia masterpiece kept the streak alive."[31]
Roger Ebert gave the film four stars out of four, praising Scorsese for thematically differentiating his film from the original.[23] Online critic James Berardinelli awarded the film four stars out of four, praising it as "an American epic tragedy." He went on to claim that the film deserves to be ranked alongside Scorsese's past successes, including Taxi Driver, Raging Bull and Goodfellas.[32]
Andrew Lau, the co-director of Infernal Affairs, who was interviewed by Hong Kong newspaper Apple Daily, said: "Of course I think the version I made is better, but the Hollywood version is pretty good too. [Scorsese] made the Hollywood version more attuned to American culture."[33]Andy Lau,one of the main actors in Infernal Affairs, when asked how the movie compares to the original, said: "The Departed was too long and it felt as if Hollywood had combined all three Infernal Affairs movies together."[34] Although Lau said the script of the remake had some "golden quotes", he also felt it had a bit too much profanity. He ultimately rated The Departed eight out of ten and said that the Hollywood remake is worth a view, though according to Lau's spokeswoman Alice Tam, he felt that the combination of the two female characters into one in The Departed was not as good as the original storyline.[35]
A few critics were disappointed in the film, including J. Hoberman of the Village Voice, who wrote: "Infernal Affairs was surprisingly cool and effectively restrained for HK action, but Scorsese raises the temperature with every ultraviolent interaction. The surplus of belligerence and slur reach near-Tarantinian levels—appropriate as he's staking a claim to QT's turf."[36]
The film marked the first time Scorsese won an Oscar after five previous losses.[42] Many felt that he deserved it years earlier for prior efforts. Some felt he deserved it for his prior nominations and the win was described as a "Lifetime Achievement Award for a lesser film".[43] Scorsese himself joked that he won because: "This is the first movie I've done with a plot."[44]
The Departed was released by Warner Home Video on DVD in 2007. The film is available in a single-disc full screen (1.33:1), single-disc widescreen (2.39:1) edition, and 2-disc special edition. The second disc contains deleted scenes; a feature about the influence of New York's Little Italy on Scorsese; a Turner Classic Movies profile; and a 21-minute documentary titled Stranger Than Fiction: The True Story of Whitey Bulger, Southie and The Departed[46] about the crimes that influenced Scorsese in creating the film, including the story of James "Whitey" Bulger, upon whom Jack Nicholson's character is based.[47] The film was released on Ultra HD Blu-ray on April 23, 2024.
Scorsese described the music as "a very dangerous and lethal tango" and cited the guitar-based score of Murder by Contract and the zither in The Third Man as inspiration.[50]
Canceled sequel
Although many of the key characters in the film are dead by the end, there was a script written for a sequel. This was ultimately shelved due to the expense and Scorsese's lack of interest in creating a sequel.[51]
Martin Charles Scorsese is an American filmmaker. He emerged as one of the major figures of the New Hollywood era. Scorsese has received many accolades, including an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, three Golden Globe Awards, and two Directors Guild of America Awards. He has been honored with the AFI Life Achievement Award in 1997, the Film Society of Lincoln Center tribute in 1998, the Kennedy Center Honor in 2007, the Cecil B. DeMille Award in 2010, and the BAFTA Fellowship in 2012. Four of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".
Leonardo Wilhelm DiCaprio is an American actor and film producer. Known for his work in biographical and period films, he is the recipient of numerous accolades, including an Academy Award, a British Academy Film Award, and three Golden Globe Awards. As of 2019, his films have grossed over $7.2 billion worldwide, and he has been placed eight times in annual rankings of the world's highest-paid actors.
Infernal Affairs is a 2002 Hong Kong action thriller film co-directed by Andrew Lau and Alan Mak. Jointly written by Mak and Felix Chong, it stars Andy Lau, Tony Leung, Anthony Wong, Eric Tsang, Sammi Cheng and Kelly Chen. The film follows an undercover Hong Kong Police Force officer who infiltrates a Triad, and another officer who is secretly a spy for the same Triad. It is the first in the Infernal Affairs series and is followed by Infernal Affairs II and Infernal Affairs III.
The Federal Reserve Bank Building is the sixth tallest building in Boston, Massachusetts. It is located at Dewey Square, on the convergence of Fort Point and the Financial District neighborhoods. In close proximity to the Boston Harbor, the Fort Point Channel and major intermodal South Station terminal, the building is marked by a distinctive opening near ground level which allows sea breezes to pass through.
William J. Monahan is an American screenwriter and novelist. His second produced screenplay was The Departed, a film that earned him a Writers Guild of America Award and Academy Award for Best Adapted Screenplay.
The 11th Florida Film Critics Circle Awards, given by the Florida Film Critics Circle on 22 December 2006, honored the best in film for 2006.
The 10th Online Film Critics Society Awards, honoring the best in film for 2006, were given on 8 January 2007.
The 19th Chicago Film Critics Association Awards, given by the CFCA on December 28, 2006 honored the best in film for 2006.
The 3rd St. Louis Gateway Film Critics Association Awards were given on January 7, 2007.
Mafia films—a version of gangster films—are a subgenre of crime films dealing with organized crime, often specifically with Mafia organizations. Especially in early mob films, there is considerable overlap with film noir. Popular regional variations of the genre include Italian Poliziotteschi, Chinese Triad films, Japanese Yakuza films, and Indian Mumbai underworld films.
Martin Scorsese and Robert De Niro are an American director-actor collaborative duo who have made ten feature films and one short film together since 1973. Many of them are often ranked among the greatest films of all time.
Appian Way Productions is a Los Angeles–based film and television production company founded in 2001 by actor and producer Leonardo DiCaprio. Jennifer Davisson serves as President of Production. Since its launch, Appian Way has released a diverse slate of films, including Academy Award–winning films The Aviator (2004) and The Revenant (2015), Academy Award–nominated films The Ides of March (2011) and The Wolf of Wall Street (2013), as well as the drama The Assassination of Richard Nixon (2004), the comedy-drama Gardener of Eden (2007), the biographical crime drama Public Enemies (2009), the psychological horror Orphan (2009), the psychological thriller Shutter Island (2010), the crime dramas Out of the Furnace (2013) and Live by Night (2016), and the biographical drama Richard Jewell (2019). The company has also produced the series Greensburg (2008–2010), Frontiersman, and The Right Stuff (2020) for Disney+.
Leonardo DiCaprio is an American actor who began his career performing as a child on television. He appeared on the shows The New Lassie (1989) and Santa Barbara (1990) and also had long running roles in the comedy-drama Parenthood (1990) and the sitcom Growing Pains (1991). DiCaprio played Tobias "Toby" Wolff opposite Robert De Niro in the biographical coming-of-age drama This Boy's Life in 1993. In the same year, he had a supporting role as a developmentally disabled boy Arnie Grape in What's Eating Gilbert Grape, which earned him nominations for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. In 1995, DiCaprio played the leading roles of an American author Jim Carroll in The Basketball Diaries and the French poet Arthur Rimbaud in Total Eclipse. The following year he played Romeo Montague in the Baz Luhrmann-directed film Romeo + Juliet (1996). DiCaprio starred with Kate Winslet in the James Cameron-directed film Titanic (1997). The film became the highest grossing at the worldwide box-office, and made him famous globally. For his performance as Jack Dawson, he received the MTV Movie Award for Best Male Performance and his first nomination for the Golden Globe Award for Best Actor – Motion Picture Drama.
The Wolf of Wall Street is a 2013 American epic biographical black comedy crime film co-produced and directed by Martin Scorsese and written by Terence Winter, based on Jordan Belfort's 2007 memoir of the same name. It recounts Belfort's career as a stockbroker in New York City and how his firm, Stratton Oakmont, engaged in rampant corruption and fraud on Wall Street, leading to his downfall. The film stars Leonardo DiCaprio as Belfort, Jonah Hill as his business partner and friend, Donnie Azoff, Margot Robbie as his second wife, Naomi Lapaglia, Matthew McConaughey as his mentor and former boss Mark Hanna, and Kyle Chandler as FBI agent Patrick Denham. It is DiCaprio's fifth collaboration with Scorsese.
Emma Tillinger Koskoff is an American film producer. She is best known for her collaborations with Martin Scorsese, including acting as a producer on his films The Wolf of Wall Street (2013), Silence (2016) and The Irishman (2019).
The Audition is a 2015 comedy short film directed by Martin Scorsese and written by Terence Winter. It stars Robert De Niro and Leonardo DiCaprio, playing fictionalized versions of themselves, who travel through Asia and compete against each other for a potential role in Scorsese's next film. Brad Pitt, also playing a fictionalized version of himself, makes a cameo appearance.
Martin Scorsese and Leonardo DiCaprio are frequent collaborators in cinema, with DiCaprio appearing in six feature films and one short film made by Scorsese since 2002. The films explore a variety of genres, including historical epic, crime, thriller, biopic, comedy and western. Several have been listed on many critics' year-end top ten and best-of-decade lists.
Killers of the Flower Moon is a 2023 American epic Western crime drama film co-written, produced, and directed by Martin Scorsese. Eric Roth and Scorsese based their screenplay on the 2017 non-fiction book by David Grann. Set in 1920s Oklahoma, it focuses on a series of murders of Osage members and relations in the Osage Nation after oil was discovered on tribal land. The tribal members had retained mineral rights on their reservation, but a corrupt local political boss sought to steal the wealth.
The following is a list of unproduced Martin Scorsese projects in roughly chronological order. During his long career, American film director Martin Scorsese has worked on a number of projects which never progressed beyond the pre-production stage under his direction. Some of these productions fell in development hell or were cancelled.
↑ BBFC. "The Departed". www.bbfc.co.uk. Retrieved January 4, 2022. THE DEPARTED is a US gangster thriller in which a cop goes undercover with the Irish Mafia in Boston, who in turn have a informant working inside the police department.
↑ "AFI's 10 Top 10 Nominees"(PDF). Archived from the original on July 16, 2011. Retrieved August 19, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
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