Little Caesar (film)

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Little Caesar
Little Caesar (1931 film poster - Style A).jpg
Theatrical release poster
Directed by Mervyn LeRoy
Written by Francis Edward Faragoh
Robert N. Lee
Robert Lord (uncredited)
Darryl F. Zanuck (uncredited)
Based onLittle Caesar
by W. R. Burnett
Produced by Hal B. Wallis
Darryl F. Zanuck
Starring Edward G. Robinson
Douglas Fairbanks Jr.
Glenda Farrell
Cinematography Tony Gaudio
Edited byRay Curtiss
Music by Ernö Rapée
Production
company
Distributed by Warner Bros. Pictures
Release date
  • January 9, 1931 (1931-01-09)
Running time
79 minutes
CountryUnited States
LanguageEnglish
Budget$281,000 [1]
Box office$752,000 [1]
The film's trailer

Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. In 2000, Little Caesar was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. [2] [3] The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons. The storyline, based on real life Mafia boss Salvatore Maranzano, [4] was adapted from the novel of the same name by William R. Burnett. Little Caesar was Robinson's breakthrough role and immediately made him a major film star. The film is often listed as one of the first fully-fledged gangster films and continues to be well received by critics. The Library of Congress maintains a print. [5]

Contents

Plot

Small-time criminals Caesar Enrico "Rico" Bandello and his friend Joe Massara move to Chicago to seek their fortunes. Rico joins the gang of Sam Vettori, while Joe wants to be a dancer. Olga becomes his dance partner and girlfriend.

Joe tries to drift away from the gang and its activities, but Rico makes him participate in the robbery of the nightclub where he works. Despite orders from underworld overlord "Big Boy" to all his men to avoid bloodshed, Rico guns down crusading crime commissioner Alvin McClure during the robbery, with Joe as an aghast witness.

Rico accuses Sam of becoming soft and seizes control of his organization. Rival boss "Little Arnie" Lorch tries to have Rico killed, but Rico is only grazed. He and his gunmen pay Little Arnie a visit, after which Arnie hastily departs for Detroit. The Big Boy eventually gives Rico control of all of Chicago's Northside.

Rico becomes concerned that Joe knows too much about him. He warns Joe that he must forget about Olga and join him in a life of crime. Rico threatens to kill both Joe and Olga unless he accedes, but Joe refuses to give in. Olga calls Police Sergeant Flaherty and tells him Joe is ready to talk, just before Rico and his henchman Otero come calling. Rico finds, to his surprise, that he is unable to take his friend's life. When Otero tries to do the job himself, Rico wrestles the gun away from him, though not before Joe is wounded. Hearing the shot, Flaherty and another police officer give chase and shoot and kill Otero. With information provided by Olga, Flaherty proceeds to crush Rico's organization.

Desperate and alone, Rico "retreats to the gutter from which he sprang." While hiding in a flophouse, he becomes enraged when he learns that Flaherty has called him a coward in the newspaper. He foolishly telephones the police to announce he is coming for him. The call is traced, and he is gunned down by Flaherty behind a billboard – an advertisement featuring dancers Joe and Olga – and, dying, utters his final words, "Mother of mercy, is this the end of Rico?"

Cast

Douglas Fairbanks Jr. and Glenda Farrell as Joe and Olga Douglas Fairbanks Jr and Glenda Farrell.jpg
Douglas Fairbanks Jr. and Glenda Farrell as Joe and Olga

Production

Clark Gable was sought out for a role in the film, albeit with conflicting perspectives in memoirs; Jack L. Warner said that LeRoy wanted Gable for the lead role, while LeRoy stated that he wanted Gable for the second lead role, but at any rate Warner turned Gable down. [6] Robinson had already played a gangster in plays such as The Racket and The Widow from Chicago (1930), a First National Pictures production.

Release

A DVD version was released in 2005. [7]

Reception

Alternate theatrical release poster Little Caesar (1931 film poster - Style B).jpg
Alternate theatrical release poster

On review aggregator Rotten Tomatoes, Little Caesar holds an approval rating of 92%, based on 25 reviews, and an average rating of 7.4/10. The website's critics consensus reads: "Little Caesar achieves epic stature thanks to Edward G. Robinson's volcanic charisma, forging a template for the big-screen mobster archetype that's yet to be surpassed." [8]

Award and honors

Legacy

Together with The Public Enemy (1931) and Scarface (1932), Little Caesar proved to be influential in developing the gangster film genre, establishing many themes and conventions that have been used since then. [10]

The film's box office success also spawned the production of several successful gangster films, many of which were also made by Warner Brothers. [11] It is listed in the film reference book 1001 Movies You Must See Before You Die , which says "Mervyn LeRoy's Little Caesar helped to define the gangster movie while serving as an allegory of production circumstances because it was produced during the Great Depression— Leavening this theme alongside the demands of social conformity during the early 1930s means that LeRoy's screen classic is far more than the simple sum of its parts." [12]

The song "Tough Guys," by The Good Rats on their Ratcity in Blue album includes in the lyrics of the first verse, the final words of Rico in the film:

Eddie, I'll always remember
The way that you handled the good and the bad
Mother of mercy
Is this the end of Rico
Oh, no

See also

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References

  1. 1 2 Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 11 DOI: 10.1080/01439689508604551
  2. "Librarian of Congress Names 25 More Films to National Film Registry". Library of Congress. Retrieved November 23, 2020.
  3. "Complete National Film Registry Listing". Library of Congress. Retrieved November 23, 2020.
  4. Guillen, Matthew (2007). Reading America: Text as a Cultural Force. Academica Press. p. 312. ISBN   978-1-933146-29-4.
  5. Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.104 c.1978 by The American Film Institute
  6. "AFI|Catalog". catalog.afi.com. Retrieved December 18, 2023.
  7. Kipp, Jeremiah (February 7, 2005). "DVD Review: Mervyn LeRoy's Little Caesar on Warner Home Video". Slant Magazine. Retrieved December 18, 2023.
  8. "Little Caesar - Rotten Tomatoes". Rotten Tomatoes. Fandango Media. Retrieved November 5, 2022.
  9. "AFI's 10 Top 10". American Film Institute. June 17, 2008. Retrieved June 11, 2017.
  10. Agostinelli, Alessandro (2004). Una filosofia del cinema americano. Individualismo e noir[A Philosophy of American cinema. Individualism and noir] (in Italian). Edizioni ETS. p. 124. ISBN   9788846708113.
  11. Encyclopædia Britannica: Entry for "Little Caesar"
  12. Steven Jay Schneider (2013). 1001 Movies You Must See Before You Die. Barron's. p. 77. ISBN   978-0-7641-6613-6.