The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Alexander Dubin was an American lyricist. He is best known for his collaborations with the composer Harry Warren.
Henry William George Lupino professionally Lupino Lane, was an English actor and theatre manager, and a member of the famous Lupino family, which eventually included his niece, the screenwriter/director/actress Ida Lupino. Lane started out as a child performer, known as 'Little Nipper', and went on to appear in a wide range of theatrical, music hall and film performances. Increasingly celebrated for his silent comedy short subjects, he is best known in the United Kingdom for playing Bill Snibson in the play and film Me and My Girl, which popularized the song and dance routine "The Lambeth Walk".
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film became the first all-talking, all-color feature-length film, and the second color film released by Warner Bros.; the first was the partly color musical The Desert Song (1929).
Sally is a 1929 American Pre-Code film. It is the fourth all-sound, all-color feature film made, and it was photographed in the Technicolor process. It was the sixth feature film to contain color that had been released by Warner Bros.; the first five were The Desert Song (1929), On with the Show! (1929), Gold Diggers of Broadway (1929), Paris (1929) and The Show of Shows (1929).. Although exhibited in a few theaters in December 1929, Sally entered general release on January 12, 1930.
Bright Lights, later retitled Adventures in Africa, is a 1930 American pre-Code musical comedy film produced and released by First National Pictures, a subsidiary of Warner Bros. It premiered in Los Angeles in July 1930 but was edited and rereleased in early 1931. Although it was photographed entirely in Technicolor, the only surviving print is in black and white. The film stars Dorothy Mackaill, Frank Fay, Noah Beery and Frank McHugh. It also features the screen debut of John Carradine, who appears in a small, uncredited role.
The Desert Song is a 1929 American pre-Code operetta film directed by Roy Del Ruth and starring John Boles, Carlotta King, Louise Fazenda, and Myrna Loy. It was photographed partly in two-color Technicolor, the first film released by Warner Bros. to include footage in color. The film included a 10-minute intermission during which music was played.
Showgirl in Hollywood is a 1930 American pre-Code all-talking musical film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl by J.P. McEvoy.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
General Crack is a 1929 American pre-Code sound all-talking historical costume melodrama with Technicolor sequences which was directed by Alan Crosland and produced and distributed by Warner Bros. It was filmed and premiered in 1929, and released early in 1930. It stars John Barrymore in his first full-length talking feature. The film would prove to be Crosland and Barrymore's last historical epic together. It was based on the 1928 novel General Crack by the British writer Marjorie Bowen, published under the name George Preedy, one of her several pen names.
"Singing in the Bathtub" is a song written in 1929 by Michael H. Cleary, with lyrics by Herb Magidson and Ned Washington for the film The Show of Shows. The Show of Shows was Warner Bros.' answer to MGM's The Hollywood Revue of 1929, and "Singing in the Bathtub" spoofs Hollywood Revue's song "Singin' in the Rain". In Show of Shows, the number features an enormous bathtub and is performed by Winnie Lightner and a chorus of male performers wearing antiquated bathing suits.
Lord Byron of Broadway (1930), also known as What Price Melody?, is an American Pre-Code musical drama film, directed by Harry Beaumont and William Nigh. It was based on a best selling book by Nell Martin, which "was widely praised by critics as an extremely true and amusing romance of stage life." It was filmed in black and white with two-color Technicolor sequences.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Natural color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additive color and subtractive color were that an additive color film required a special projector that could project two components of film at the same time, a green record and a red record. But additive color didn't required a special projector, the two pieces of film were chemically formed together and was projected in one strip of film.
Bubbles is a 1930 American Vitaphone Varieties short film released by Warner Bros. in Technicolor. It was filmed in December 1929 at the First National Pictures studio with Western Electric apparatus, an early sound-on-film system, Rel. No. 3898. Bubbles is one of the earliest surviving recordings of Judy Garland on film, at 8 years old.
