Husband Hunters | |
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Directed by | John G. Adolfi |
Written by | Douglas Bronston (story), Esther Shulkin |
Produced by | M.H. Hoffman |
Starring | Mae Busch Charles Delaney Jean Arthur Duane Thompson Mildred Harris |
Cinematography | Joseph Dubray |
Edited by | Harold Young |
Production company | Tiffany Pictures |
Distributed by | Tiffany Pictures |
Release date |
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Running time | 60 minutes |
Country | United States |
Languages | Silent English intertitles |
Husband Hunters is a 1927 American comedy-drama silent film released by Tiffany Productions, directed by John G. Adolfi, and starring Mae Busch, Charles Delaney and Jean Arthur. [1]
The film looks at the exploits of chorus girls Marie (Mae Busch) and Helen (Duane Thompson) who have dedicated themselves to finding and marrying millionaire husbands. The two ladies enlist the help of the innocent young Letty Crane (Jean Arthur) in their scheme. Letty is a girl from a small town who dreams of one day making it big on Broadway.
After being enlisted by the two, Letty is left heartbroken by a young man and regrets her involvement. However, by the film's end, she is the only one of the trio who finally finds true love. Another chorus girl, Cynthia Kane (Mildred Harris) follows the antics of the trio with both amusement and disapproval. [2]
Previously thought to be lost film. [3] The film is preserved at the BFI Film and Television, London. [4]
This is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths.
The Rockford Peaches were a women's professional baseball team who played from 1943 to 1954 in the All-American Girls Professional Baseball League. A founding member, the team represented Rockford, Illinois.
Ladies of the Chorus is a 1948 American musical romance film directed by Phil Karlson and starring Adele Jergens, Marilyn Monroe and Rand Brooks. The screenplay, written by Harry Sauber and Joseph Carole, was based on a story by Sauber.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Married Flirts is a 1924 American silent drama film directed by Robert Vignola and starring Pauline Frederick, Mae Busch, and Conrad Nagel. The screenplay, written by Julia Ivers, is based on Louis Joseph Vance's 1923 best seller Mrs. Paramor. The drama was considered quite daring at the time as the story centered on husbands being lured away from their wives. One scene has well known Hollywood stars playing themselves at a party.
Bread is a 1924 American drama film directed by Victor Schertzinger. Based on the best-selling novel of the same name by Charles G. Norris, the film stars Mae Busch.
Three Wise Girls is a 1932 American pre-Code romantic drama film directed by William Beaudine and featuring Jean Harlow in her first starring role. The supporting cast features a young Andy Devine. This film is preserved in the Library of Congress collection.
Sporting Life is a 1925 American silent comedy drama film directed by Maurice Tourneur and a remake of Tourneur's 1918 film of the same title based on Seymour Hicks's popular play. Universal Pictures produced and released the film.
Dangerous Traffic is a 1926 American dramatic, action silent film directed by Bennett Cohen and starring Francis X. Bushman Jr. and Mildred Harris.
A Man of Iron is a 1925 American silent drama film produced and directed by Whitman Bennett and distributed through Chadwick Pictures. The film starred Lionel Barrymore.
Maggie Pepper is a lost 1919 American silent comedy-drama film directed by Chester Withey and starring Ethel Clayton. This film is based on a hit 1911 play by Charles Klein which was a winning success for stage actress Rose Stahl at the Harris Theatre.
Her Own Money is a 1922 American silent comedy film directed by Joseph Henabery, starring Warner Baxter and Ethel Clayton. Based upon a play, it was originally filmed in 1914 and featured Baxter in a small part. It is unknown whether the 1922 film currently survives.
Wild, Wild Susan is a 1925 American silent comedy film directed by A. Edward Sutherland and starring popular Bebe Daniels. Famous Players–Lasky produced and Paramount Pictures distributed.
Melody of Love is a 1928 American sound romantic drama film produced and distributed by Universal Pictures, directed by Arch Heath, which starred Walter Pidgeon and Mildred Harris, each their first sound film.
The Best People is a 1925 American silent comedy film produced by Famous Players–Lasky and distributed by Paramount. It was directed by Sidney Olcott with Warner Baxter in the leading role.
The Lone Star Ranger is a lost 1923 American silent Western film directed by Lambert Hillyer and starring Tom Mix. It is based on the 1915 novel by Zane Grey. Fox produced and distributed by Fox Films and this film is a remake of their 1919 film with William Farnum.
The Gingham Girl is a 1927 American comedy film directed by David Kirkland and written by David Kirkland, Rex Taylor and Ewart Adamson. It is based on the 1922 play The Gingham Girl by Daniel Kusell. The film stars Lois Wilson, George K. Arthur, Charles Crockett, Hazel Keener, Myrta Bonillas and Jerry Miley. The film was released on July 16, 1927, by Film Booking Offices of America.
One Hour of Love is a 1927 American silent romantic drama film directed by Robert Florey and starring Jacqueline Logan, Robert Frazer and Montagu Love.
Flaming Love, also known as Frivolous Sal, is a 1925 American silent Western film directed by Victor Schertzinger for First National Pictures. The film involves a female saloon owner in the Old West, her weak-willed new actor husband, and his young son from a previous relationship.
College Days is a 1926 American silent romantic comedy film directed by Richard Thorpe and starring Marceline Day, Charles Delaney, and James Harrison. It was produced by the independent Tiffany Pictures. The film's sets were designed by the art director Edwin B. Willis.