Tiffany Pictures, which also became Tiffany-Stahl Productions for a time, was a Hollywood motion picture studio in operation from 1921until 1932. It is considered a Poverty Row studio, whose films had lower budgets, lesser-known stars, and overall lower production values than major studios.
Tiffany Productions was a movie-making venture founded in 1921 by star Mae Murray, her then-husband, director Robert Z. Leonard, and Maurice H. Hoffman, who made eight films, all released through Metro-Goldwyn-Mayer. Murray and Leonard divorced in 1925.
Starting in 1925 with Souls for Sables, co-starring Claire Windsor and Eugene O'Brien, Tiffany released 70 features, both silent and sound, 20 of which were Westerns.At one point, Tiffany was booking its films into nearly 2,500 theatres.
To produce their films, Tiffany acquired the former Reliance-Majestic Studios lot at 4516 Sunset Boulevard, Los Angeles in 1927.
From 1927 to 1930, John M. Stahl was the director of Tiffany and renamed the company Tiffany-Stahl Productions. Head of Tiffany was Phil Goldstone with his vice president Maurice H. Hoffman,who later was president of Liberty Films that merged into Republic Pictures. Leonard A. Young who simultaneously ran the L. A. Young Spring and Wire Company bought into Tiffany from Hoffman in 1929.
Tiffany lacked a profitable distribution network.The company filed for bankruptcy in 1932.
Copyrights on most (if not all) of Tiffany's films were not renewed, and are now in the public domain.
The studio complex was later bought by Columbia Pictures and given to Sam Katzman and Irving Briskin as base of operations for their film units.Metro-Goldwyn-Mayer purchased Tiffany's nitrate original film negative library and burned the collection during the burning of Atlanta sequence in Gone with the Wind .
In January 2012, the Vitaphone Project announced that the US premiere of a restored print of Mamba will be in March 2012 at Cinefest in Syracuse, New York.
Some of Tiffany's later movies, such as The Death Kiss (1932), were released by Sono Art-World Wide Pictures. Among the films produced by Tiffany were:
They were sued by Tiffany & Co. for trademark infringement, as they used slogans such as "Another Gem from Tiffany".[ citation needed ]
The Jazz Singer is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with not only a synchronized recorded music score but also lip-synchronous singing and speech in several isolated sequences. Its release heralded the commercial ascendance of sound films and ended the silent film era, although there were still a few silent films after its release. It was produced by Warner Bros. with its Vitaphone sound-on-disc system. The film features six songs performed by Al Jolson. It is based on the 1925 play of the same name by Samson Raphaelson, which itself was adapted from one of his short stories titled "The Day of Atonement".
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures were made commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923.
Rex Lloyd Lease was an American actor. He appeared in over 300 films, mainly in Poverty Row westerns.
Kenneth Olin Maynard was an American actor and producer. He was mostly active from the 1920s to the 1940s and considered one of the biggest Western stars in Hollywood.
Alan Crosland was an American stage actor and film director. He is noted for having directed the first film using spoken dialogue, The Jazz Singer (1927).
John Malcolm Stahl was an American film director and producer.
Poverty Row was a slang term used in Hollywood from the 1920s through the 1950s to refer to a variety of small B movie studios. Although many of them were on today's Gower Street in Hollywood, the term did not necessarily refer to any specific physical location, but was rather a figurative catch-all for low-budget films produced by these lower-tier studios.
Robert Zigler Leonard was an American film director, actor, producer, and screenwriter.
Film Booking Offices of America (FBO), also known as FBO Pictures Corporation, was an American film studio of the silent era, a producer and distributor of mostly low-budget films. It was founded in 1920 as Robertson–Cole (U.S.), the American division of a British import–export company formed by the English-born Harry F. Robertson. Robertson-Cole bought the Hallmark Exchanges from Frank G. Hall in 1920. Exhibitors-Mutual/Hallmark had distributed Robertson-Cole product, and acquiring the exchanges gave them the right to distribute their own films plus Hall's product, with the exception of Charlie Chaplin reissues which he had the rights to.
Dorothy Revier was an American actress.
Lawrence Gray was an American actor of the 1920s and 1930s.
Vitaphone Varieties was a series title for all of Warner Brothers' earliest short film "talkies" of the 1920s, initially done with the Vitaphone disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as far back as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
John McCormick was an American film producer associated with the Hollywood studio First National Pictures. Between 1923 and 1930, he was married to Colleen Moore, one of the highest-paid and most popular stars of the silent era. McCormick initially was unconvinced by the development of sound films and vetoed Moore's appearing in them. He changed his mind in 1929 and placed Moore in her first talkie, Smiling Irish Eyes, which was not a great success. Their marriage was under increasing strain, and in 1930, the couple divorced.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
Tremlet C. Carr was an American film producer, closely associated with the low-budget filmmaking of Poverty Row. In 1931 he co-founded Monogram Pictures, which developed into one of the leading specialist producers of B pictures in Hollywood.
Rayart Pictures was one of the early film production and distribution companies operating independently of the major Hollywood studios in the United States during the later silent film era from the mid-to-late 1920s and into the early "talkies" era of early films with sound in the late 1920s and early 1930s. It established its own distribution network, specialising in westerns. It was begun by W. Ray Johnston in 1924, after whom the company was named. It was originally created as a low budget release agent, and like the other so-called Poverty Row studios, was based in a small plot off Sunset Strip, by Gower Street. An early Poverty Row studio, it was a forerunner of Monogram Pictures, whom was also founded by W. Ray Johnston.
Samuel Zierler (1895–1964) was an American film producer of the silent and early sound era. As well as working for various studios, in the late 1920s he controlled his own production company, Excellent Pictures. His final film work was for RKO Pictures in 1933.
Harry Fischbeck (1879–1968) was a German-born cinematographer who emigrated to the United States where he worked in the American film industry. He was employed by a variety of different studios during his career including Universal, United Artists and Warner Brothers, but primarily for Paramount Pictures. One of his first credits was for the historical The Lincoln Cycle films directed by John M. Stahl.
Jackson Rose (1886–1956) was an American cinematographer. He shot more than a hundred and fifty short and feature films during his career. He began his career at the Chicago-based Essanay Pictures, then worked for Universal Pictures for much of the 1920s. He also shot films for a variety other studios including Tiffany Pictures, MGM, Columbia Pictures and Warner Brothers
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