Lucky Boy | |
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![]() Lobby card using the working title The Ghetto | |
Directed by | Norman Taurog [1] Charles C. Wilson |
Screenplay by | Isadore Bernstein George Jessel Harry Braxton |
Based on | "The Schlemiel" by Viola Brothers Shore |
Produced by | John M. Stahl |
Starring | George Jessel |
Cinematography | Harry Jackson Frank Zucker [2] |
Edited by | Desmond O’Brien Russell Shields |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | Tiffany-Stahl Productions |
Release date |
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Running time | 10 reels (8900 ft.) [4] |
Country | United States |
Languages | Silent (English intertitles) Synchronized music, sound effects, and dialogue |
Budget | $90,000 |
Box office | ~$1,000,000 |
Lucky Boy is a 1929 American musical comedy-drama film directed by Norman Taurog and Charles C. Wilson and starring George Jessel. [5] The film was mainly a silent film with synchronized music and sound effects, as well as some talking sequences. [6] The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer , which had originally been intended to star Jessel (the star of The Jazz Singer stage production) before Al Jolson took over the role. [7]
A young Jewish man works in his father's jewelry business, but he does not like it at all—he wants to be an entertainer, something he knows that his father would never approve of. He comes up with a scheme to put on his own show in a theater and show his father that he can be a success, but things do not work out quite as well as he planned.
The film was originally developed with the title The Schlemiel based on a story by Viola Brothers Shore. [11] It was initially filmed without sound by director Norman Taurog under the working title of The Ghetto in April 1928, [12] reportedly in a "record time" of twelve days. [13] Based on his role in the original stage production of The Jazz Singer, Jessel was billed as "The Original Jazz Singer" in advertisements. [14] Jessel was credited with writing the spoken and intertitle dialogue. [15]
The film's theme song (featured four times) was "My Mother's Eyes", which (along with the titular song "Lucky Boy") was composed by Abel Baer with lyrics by L. Wolfe Gilbert. [3] The film also featured a score by Hugo Riesenfeld; [16] "You're My Real Sweetheart" and "In My Bouquet of Memories" by Sam M. Lewis, Joe Young, and William Axt; "Keep Sweeping the Cobwebs Off the Moon" by Sam M. Lewis, Joe Young, and Oscar Levant; and "My Blackbirds are Bluebirds Now" by Irving Caesar and Cliff Friend. [17]
Alongside Lucky Boy's theatrical release, "My Mother's Eyes" was released by RCA Victor as a single (Victor 21852), [18] backed with "When the Curtain Comes Down" written by Carl Hoefle, Al Lewis & Al Sherman. [19] As well as becoming Jessel's signature number, the song was re-recorded several times, including an instrumental version by Tab Smith (1952), Frankie Valli's debut 1953 single (which also featured in the 2005 jukebox musical Jersey Boys and its 2014 film adaptation), and the titular song from the Sonny Stitt album, My Mother's Eyes (1963). [20]
Considered to be lost for many years, Lucky Boy is still in existence with a copy of the film held in the UCLA Film and Television Archive. [21]
The Jazz Singer is a 1927 American musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music score as well as lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system and features six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Louis Wolfe Gilbert was a Russian Empire–born American songwriter of Tin Pan Alley. He is best remembered as the lyricist for "Ramona" (1928), the first movie theme song ever written.
Stuart Erwin was an American actor of stage, film, and television.
George Albert "Georgie" Jessel was an American actor, singer, songwriter, film producer, and illustrated song "model." He was famous in his lifetime as a multitalented comedic entertainer, achieving a level of recognition that transcended his limited roles in movies. He was widely known by his nickname, the "Toastmaster General of the United States," for his frequent role as the master of ceremonies at political and entertainment gatherings. Jessel originated the title role in the stage production of The Jazz Singer.
Norman Rae Taurog was an American film director and screenwriter. From 1920 to 1968, Taurog directed 180 films. At the age of 32, he received the Academy Award for Best Director for Skippy (1931). He is the second youngest person ever to win the award after Damien Chazelle, who won for La La Land in 2017. He was later nominated for Best Director for the film Boys Town (1938). He directed some of the best-known actors of the twentieth century, including his nephew Jackie Cooper, Spencer Tracy, Mickey Rooney, Judy Garland, Deanna Durbin, Fred Astaire, Gene Kelly, Deborah Kerr, Peter Lawford, Dean Martin, Jerry Lewis, and Elvis Presley. Taurog directed six Martin and Lewis films, and nine Elvis Presley films, more than any other director.
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John Miljan was an American actor. He appeared in more than 200 films between 1924 and 1958.
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John G. Blystone was an American film director. He directed 100 films between 1915 and 1938. He was born in Rice Lake, Wisconsin and died in Los Angeles, California from a heart attack. His grave is located at Valhalla Memorial Park Cemetery.
Al Jolson was a Lithuanian-American Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers."
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
Minna Stern, known professionally as Hermine Sterler, was a German-American actress whose career spanned both the silent and the talkie film eras on two continents.
Mary Doran was an American actress. She appeared in more than 80 films from 1927 to 1944.
Rosa Rosanova was a Russian-born stage and film actress. She appeared in numerous American films as a starring or supporting actress in the 1920s and 1930s