Strike Me Pink | |
---|---|
Directed by | Norman Taurog |
Written by | Clarence Budington Kelland Walter DeLeon Francis Martin Frank Butler Philip Rapp |
Produced by | Samuel Goldwyn |
Starring | |
Cinematography | Merritt B. Gerstad |
Edited by | Sherman Todd |
Music by | Harold Arlen Alfred Newman |
Production company | |
Distributed by | United Artists |
Release date |
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Running time | 100 minutes |
Country | United States |
Language | English |
Box office | $1.7 million [1] [2] |
Strike Me Pink is a 1936 American musical comedy film directed by Norman Taurog, starring Eddie Cantor and Ethel Merman, and produced by Samuel Goldwyn.
Cantor plays a nebbishy employee of an amusement park, forced to assert himself against a gang of slot-machine racketeers. The climax involves a wild chase over a roller coaster and in a hot-air balloon, filmed at The Pike in Long Beach, California. The film's sets were designed by the art director Richard Day.
The film was Eddie Cantor's sixth of six films for Goldwyn, all produced and released within seven years. The story derives from the novel Dreamland by the once-popular writer Clarence Budington Kelland, reworked as a 1933 stage musical comedy by Ray Henderson for Jimmy Durante.
Writing for The Spectator in 1936, Graham Greene gave the film a good review, pointing out that in addition to the comedic value, the actorly qualities of Eddie Cantor made the film a true success. Although Greene suggests that Cantor is not perhaps quite at the level of Charlie Chaplin, he describes the scene between Pink and the gunman is "superb", and suggests that "one will have to wait a very long time for any film funnier than this one". [3]
Ethel Merman was an American actress and singer. Known for her distinctive, powerful voice, and her leading roles in musical theater, she has been called "the undisputed First Lady of the musical comedy stage." She performed on Broadway in Anything Goes, Annie Get Your Gun, Gypsy, and Hello, Dolly!
Eddie Cantor was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Cantor was one of the prominent entertainers of his era.
Whoopee! is a 1928 musical comedy play with a book based on Owen Davis's play, The Nervous Wreck. The musical libretto was written by William Anthony McGuire, with music by Walter Donaldson and lyrics by Gus Kahn. The musical premiered on Broadway in 1928, starring Eddie Cantor, and introduced the hit song "Love Me or Leave Me", sung by Ruth Etting. A film version opened in 1930.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
Roman Scandals is a 1933 American black-and-white pre-Code musical film starring Eddie Cantor, Ruth Etting, Gloria Stuart, Edward Arnold and David Manners. It was directed by Frank Tuttle. The film features a number of intricate production numbers choreographed by Busby Berkeley. The song "Keep Young and Beautiful" is from this film. In addition to the starring actors in the picture, the elaborate dance numbers are performed by the "Goldwyn Girls". The title of the film is a pun on Roman sandals.
The Big Show was an American radio variety program featuring 90 minutes of comic, stage, screen and music talent. It was aimed at keeping American radio in its classic era and making it robust against the rapidly growing television tide. For its year-and-a-half run, the show's quality made Their ambitions seem plausible.
Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and Buddy DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film Du Barry Was a Lady, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his orchestra.
Roger Edens was a Hollywood composer, arranger and associate producer, and is considered one of the major creative figures in Arthur Freed's musical film production unit at Metro-Goldwyn-Mayer during the "golden era of Hollywood".
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Arthur Sheekman was an American theater and movie critic, columnist, playwright, and editor—but best known for his writing for the screen. His specialty was light comedy. Groucho Marx called him "The Fastest Wit in the West."
Harry Einstein, known professionally as Harry Parke and other pseudonyms, most commonly Parkyakarkus, was an American comedian, writer, and character actor. A specialist in Greek dialect comedy, he became famous as the Greek chef Nick Parkyakarkus on the Eddie Cantor and Al Jolson radio programs, and later on a program of his own. He appeared in eleven films from 1936 to 1945. He was also the father of comedians and actors Albert Brooks and Bob Einstein.
Kid Millions is a 1934 American musical film directed by Roy Del Ruth, produced by Samuel Goldwyn Productions, and starring Eddie Cantor. Its elaborate "Ice Cream Fantasy Finale" production number was filmed in three-strip Technicolor, one of the earliest uses of that process in a feature-length film.
The Milky Way is a 1936 American comedy film starring Harold Lloyd. Directed by comedy veteran Leo McCarey, the film was written by Grover Jones, Frank Butler and Richard Connell based on a play of the same name by Lynn Root and Harry Clork that was presented on Broadway in 1934.
The Goldwyn Girls were a musical stock company of female dancers employed by Samuel Goldwyn. Famous actresses, dancers, and models whose career included a stint in the Goldwyn Girls include Lucille Ball, Virginia Bruce, Claire Dodd, Paulette Goddard, Betty Grable, Virginia Grey, June Kirby, Joi Lansing, Barbara Pepper, Marjorie Reynolds, Pat Sheehan, Gail Sheridan, Ann Sothern, Larri Thomas, Tyra Vaughn, Toby Wing, Vonne Lester, and Jane Wyman.
Palmy Days is a 1931 American Pre-Code musical comedy film written by Eddie Cantor, Morrie Ryskind, and David Freedman, directed by A. Edward Sutherland, and choreographed by Busby Berkeley. The film stars Eddie Cantor. The famed Goldwyn Girls make appearances during elaborate production numbers set in a gymnasium and a bakery. Betty Grable, Paulette Goddard, Virginia Grey, and Toby Wing are among the bevy of chorines. George Raft had an early role.
Whoopee! is a 1930 American pre-Code comedy musical Western film photographed in two-color Technicolor. It was directed by Thornton Freeland and stars Eddie Cantor, Ethel Shutta and Eleanor Hunt. The film's plot closely follows that of the 1928 stage show produced by Florenz Ziegfeld.
Anything Goes is a 1936 American musical film directed by Lewis Milestone and starring Bing Crosby, Ethel Merman, Charles Ruggles and Ida Lupino. It is based on the 1934 stage musical Anything Goes by Guy Bolton and P. G. Wodehouse, which included songs by Cole Porter.
"Mandy" is a popular song by Irving Berlin, published in 1919.
Come Out of the Pantry is a 1935 British musical film directed by Jack Raymond and starring Jack Buchanan, Fay Wray, James Carew and Fred Emney. It is based on a 1916 novel of the same name by Alice Duer Miller, and features musical numbers by Al Hoffman, Al Goodhart and Maurice Sigler.
The Kid from Spain is a 1932 American pre-Code black-and-white musical comedy film directed by Leo McCarey. Harry Ruby and Bert Kalmar composed the songs, and Busby Berkeley is credited with creating and directing the film's musical scenes. It was Jane Wyman's film debut.