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Nana | |
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Directed by | Dorothy Arzner George Fitzmaurice |
Produced by | Samuel Goldwyn |
Starring | Anna Sten Lionel Atwill Richard Bennett Mae Clarke |
Cinematography | Gregg Toland |
Edited by | Frank Lawrence |
Production company | |
Distributed by | United Artists |
Release date |
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Running time | 90 minutes |
Country | United States |
Language | English |
Nana is a 1934 American pre-Code film, produced by Samuel Goldwyn, released through United Artists, starring Anna Sten. and directed by Dorothy Arzner and George Fitzmaurice.
This version of Émile Zola's 1880 novel and heroine was to be the vehicle for Sten's triumph as Samuel Goldwyn's trained, groomed and heavily promoted answer to Greta Garbo. Despite a record-breaking opening week at Radio City Music Hall, Sten was received as beautiful but disappointing.[ citation needed ]
Goldwyn's tutoring of Sten is mentioned in Cole Porter's 1934 song "Anything Goes" from the musical of the same name: "If Sam Goldwyn can with great conviction / Instruct Anna Sten in diction / Then Anna shows / Anything goes."
A Parisian streetwalker is discovered by a theatrical impresario and becomes a stage success. At her height of popularity, she falls in love with a soldier, and draws both ire and fascination from his protective older brother.
The film was a box office disappointment. [1] [2] This was the 1st of the 3 movie Anna Sten made with Samuel Goldwyn before releasing her from his contract.
The Pride of the Yankees is a 1942 American sports drama film produced by Samuel Goldwyn, directed by Sam Wood, and starring Gary Cooper, Teresa Wright, and Walter Brennan. It is a tribute to the legendary New York Yankees first baseman Lou Gehrig, who died a year before its release, at age 37, from amyotrophic lateral sclerosis, which later became known to the lay public as "Lou Gehrig's disease".
My Foolish Heart is a 1949 American romantic drama film directed by Mark Robson, starring Dana Andrews and Susan Hayward. It relates the story of a woman's reflections on the bad turns her life has taken.
Babes in Toyland is a Laurel and Hardy musical Christmas film released on November 30, 1934. The film is also known by the alternative titles Laurel and Hardy in Toyland, Revenge Is Sweet, and March of the Wooden Soldiers, a 73-minute abridged version.
Samuel Goldwyn, also known as Samuel Goldfish, was a Polish-born American film producer. He was best known for being the founding contributor and executive of several motion picture studios in Hollywood. He was awarded the 1973 Golden Globe Cecil B. DeMille Award, the Irving G. Thalberg Memorial Award (1947) and the Jean Hersholt Humanitarian Award (1958).
A Walk on the Moon is a 1999 drama film starring Diane Lane, Viggo Mortensen, Liev Schreiber and Anna Paquin. The film, which was set against the backdrop of the Woodstock festival of 1969 and the United States's Moon landing of that year, was distributed by Miramax Films. Directed by Tony Goldwyn in his directorial debut, the fim was acclaimed on release. Diane Lane earned an Independent Spirit Award nomination for Best Female Lead for her performance.
Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series.
The Goldwyn Follies is a 1938 Technicolor film written by Ben Hecht, Sid Kuller, Sam Perrin and Arthur Phillips, with music by George Gershwin, Vernon Duke, and Ray Golden, and lyrics by Ira Gershwin and Sid Kuller. The Goldwyn Follies was the first Technicolor film produced by Samuel Goldwyn.
He Who Gets Slapped is a 1924 American silent psychological thriller film starring Lon Chaney, Norma Shearer, and John Gilbert, and directed by Victor Sjöström. The film was written by Victor Seastrom and Carey Wilson, based on the Russian play He Who Gets Slapped by playwright Leonid Andreyev, which was completed by Andreyev in August 1915, two months before its world premiere at the Moscow Art Theatre on October 27, 1915. A critically successful Broadway production, using an English language translation of the original Russian by Gregory Zilboorg, was staged in 1922, premiering at the Garrick Theatre on January 9, 1922, with Richard Bennett (actor) playing the "HE" role on stage. The Russian original was made into a Russian movie in 1916.
The Bowery is a 1933 American pre-Code Epic historical drama film set in the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft. The supporting cast features Jackie Cooper, Fay Wray, and Pert Kelton.
Kid Millions is a 1934 American musical film directed by Roy Del Ruth, produced by Samuel Goldwyn Productions, and starring Eddie Cantor. Its elaborate "Ice Cream Fantasy Finale" production number was filmed in three-strip Technicolor, one of the earliest uses of that process in a feature-length film.
Lassie is a 2005 adventure comedy-drama film based on Eric Knight's 1940 novel Lassie Come-Home about the profound bond between Joe Carraclough and his rough collie, Lassie. The film was directed, written, and co-produced by Charles Sturridge and is a production of Samuel Goldwyn Films. The film stars Jonathan Mason and was distributed by Roadside Attractions and released in the UK on 16 December 2005. Filming took place in Scotland, Ireland and the Isle of Man. The supporting cast features Peter O'Toole, Samantha Morton, Peter Dinklage, Edward Fox, and John Lynch. The film was generally reviewed positively by critics, but performed poorly at the box office.
Phillips Raymond Holmes was an American actor. For his contributions to the film industry, he was posthumously given a star on the Hollywood Walk of Fame in 1960.
The Adventures of Marco Polo is a 1938 American historical adventure film directed by Archie Mayo and starring Gary Cooper, Sigrid Gurie, and Basil Rathbone. It was one of the most elaborate and costly of Samuel Goldwyn's productions.
Anna Sten was a Ukrainian-born American actress. She began her career in stage plays and films in the Soviet Union, then traveled to Germany, where she starred in several films. Her performances were noticed by film producer Samuel Goldwyn, who brought her to the United States with the aim of creating a screen personality to rival Greta Garbo. After a few unsuccessful films, Goldwyn released her from her contract. She continued to act occasionally until her final film appearance in 1962.
Rumba is a 1935 American musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
"Anything Goes" is a song written by Cole Porter for his 1934 musical of the same name. Many of the lyrics include humorous references to figures of scandal and gossip from Depression-era high society.
Vince Barnett was an American film actor. He appeared on stage originally before appearing in more than 230 films between 1930 and 1975.
We Live Again is a 1934 American film directed by Rouben Mamoulian and starring Anna Sten and Fredric March. The film is an adaptation of Leo Tolstoy's 1899 novel Resurrection (Voskraeseniye). The screenplay was written by Maxwell Anderson with contributions from a number of writers, including Preston Sturges and Thornton Wilder.
The Wedding Night is a 1935 American romantic drama film directed by King Vidor and starring Gary Cooper and Anna Sten. Written by Edith Fitzgerald and based on a story by Edwin H. Knopf, the film is about a financially strapped novelist who returns to his country home in Connecticut looking for inspiration for his next novel and becomes involved with a beautiful young Polish woman and her family. The film was produced by Samuel Goldwyn and filmed at Samuel Goldwyn Studios from early November to early December 1934. It was released in the United States on March 8, 1935.
Nana is a French-Italian film by Christian-Jaque starring Martine Carol and Charles Boyer. An adaptation of the 1880 novel Nana by Émile Zola, it tells the story of two French aristocrats who are fatally ruined by their obsession for Nana, a mediocre actress and prostitute. Using the ancient theme of a worthless woman beguiling powerful men, the film portrays the moral corruption of the nominally Catholic court and nobility under the Second Empire.