Suzy | |
---|---|
Directed by | George Fitzmaurice |
Screenplay by | Dorothy Parker Alan Campbell Horace Jackson Lenore J. Coffee |
Based on | Suzy 1934 novel by Herbert Gorman |
Produced by | Maurice Revnes |
Starring | Jean Harlow Franchot Tone Cary Grant |
Cinematography | Ray June |
Edited by | George Boemler |
Music by | William Axt |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Suzy is a 1936 American drama film directed by George Fitzmaurice and starring Jean Harlow, Franchot Tone and Cary Grant. The film was partially written by Dorothy Parker, based on a novel by Herbert Gorman. The Academy Award-nominated theme for Suzy, "Did I Remember?", was sung by Virginia Verrill (uncredited). [1]
In 1914, American showgirl Suzanne Trent (Jean Harlow) is in London, hoping to meet and marry a man with money. She tells her friend Maisie (Inez Courtney) she can charm any man she chooses into marrying her, and then learn to love him.
She sets her sights on Terry Moore (Franchot Tone), an Irishman she sees in a borrowed Rolls-Royce. She soon learns he is not wealthy, but he has a respectable job and good prospects, being an engineer, inventor, and pilot. They quickly fall in love and marry. But then they stumble on a German plot, and her husband is shot by a mysterious woman (Benita Hume), who leaves immediately. The landlady arrives moments later and hysterically calls for police, accusing Suzy of murder. Suzy also flees the scene, and therefore does not learn that Terry is expected to survive.
Maisie has moved to Paris, and Suzy now follows her, taking a job at the same cabaret just before World War I begins.
Thinking she is a widow, Suzy is heartbroken, until she meets the famed French flying ace Andre Charville (Cary Grant) at the cabaret. They quickly fall in love and get married. Andre's aristocratic father, Baron Edward Charville (Lewis Stone), welcomes Suzy into the family home, but is concerned about the whirlwind romance and marriage because Andre has had many short-lived relationships with women. After Andre is recalled to the front, Suzy bonds with the old man, even inventing letters from Andre that she pretends to read to him.
The Baron's concern was justified: when Andre returns briefly to Paris, he is more interested in socializing with his fellow pilots—and their girlfriends—than taking the opportunity to see the wife he has not even told them about. The Baron covers for him, but makes sure Andre and Suzy do meet for a few minutes as he returns to the front.
Andre is wounded in action, and Suzy goes to comfort him. There she is shocked to meet Terry, who is delivering to Andre's squadron new British fighters he helped design. She explains to Terry what happened, but tells him she now loves Andre. Terry is incensed at her for not telling Andre she was already married to him, and for having run away. He assumes she never loved him.
Suzy goes to Andre to tell him the truth—and has another shock, finding him in a compromising position with the woman who shot Terry. Unable to think clearly, she returns home to Paris, where she finds a magazine photo of Andre with the woman. Her name is Diane Eyrelle, and she has been "caring for" Andre during his recovery. Obviously, she is actually spying on him. Suzy returns to the air base and tells Terry what she has learned. He is dubious but agrees to take action. Suzy points out that as Andre is a public figure, for the sake of morale they should try to avoid damaging his reputation. They confront Andre first, but Diane overhears them, and as the four argue, her henchman comes in and shoots Andre.
Andre was about to return to active service and is scheduled to take off immediately on a dangerous mission. Terry says he can fetch a doctor or take over the flight, but has no time to do both. Andre says to fly the mission.
Terry takes his revenge, killing Diane and her henchman by strafing their car, then shooting down the German fighters meant to ambush Andre. He deliberately passes the airfield and crashes into a tree in front of the chateau, where Andre now lies dead. Suzy and Terry move his body so it will seem he died in the crash.
At the funeral that follows, a German flyer drops a bouquet in homage.
Terry is asked to escort the ace's widow back to Paris.
Dorothy Parker was notable as one of the screenwriting team, with much of the early scenes’ witty dialogue attributed to her. Harlow's cabaret song, Walter Donaldson and Harold Adamson's "Did I Remember (To Tell You I Adored You)" was dubbed by vocalist Virginia Verrill who also had dubbed for her in Reckless (1935). Grant, who replaced Clark Gable as the third lead, also sang a few bars of the song. [2] Other songs included: "When You Wore a Tulip and I Wore a Big Red Rose" and "Under the Bamboo Tree", uncredited but sung by Verrill. [1]
In order to film the aerial sequences, footage was leased from Howard Hughes and one scene was directly lifted from Hell's Angels (1930), which had been Harlow's break-through film. [3] A number of aircraft were prominently seen, including Andre's S.E.5 fighter, German Fokker D.VII and Thomas-Morse S-4 fighters as well as a rare Sikorsky S-29-A airliner filling in as a German Gotha bomber. [4]
Although Harlow dominates the film, it is not considered one of her finest, with a mundane plot and only the Grant and Tone roles being notable. [2] Critic Frank S. Nugent of The New York Times considered it hackneyed, as "...it plunges across the screen, creates some mild excitement and careens out again, leaving us with a few esthetic bruises and a feeling that a little fresh air would do no harm." [5]
Walter Donaldson (music) and Harold Adamson (lyrics) were nominated in the category, Best Music, Original Song for the song "Did I Remember" at the 1937 Academy Awards.
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
None but the Lonely Heart is a 1944 American drama romance film which tells the story of a young Cockney drifter who returns home with no ambitions but finds that his family needs him. Adapted by Clifford Odets from the 1943 novel of the same title by Richard Llewellyn and directed by Odets, the film stars Cary Grant, Ethel Barrymore, and Barry Fitzgerald.
Jean Harlow was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Harlow was in the film industry for only nine years, but she became one of Hollywood's biggest movie stars, whose image in the public eye has endured. In 1999, the American Film Institute ranked Harlow number 22 on its greatest female screen legends list.
An Affair to Remember is a 1957 American romance film directed by Leo McCarey and starring Cary Grant and Deborah Kerr. Filmed in CinemaScope, it was distributed by 20th Century Fox. It is considered among the most romantic films of all time according to the American Film Institute. The film was a remake of McCarey's 1939 film Love Affair, starring Irene Dunne and Charles Boyer.
Phantom Lady is a 1944 American film noir directed by Robert Siodmak and starring Franchot Tone, Ella Raines, and Alan Curtis. Based on the novel of the same name by Cornell Woolrich, it follows a young Manhattan secretary and her endeavors to prove that her boss did not murder his wife.
Pilot #5 is a 1943 black-and-white World War II propaganda film from Metro-Goldwyn-Mayer, produced by B. P. Fineman, directed by George Sidney, that stars Franchot Tone, Marsha Hunt, Gene Kelly, and Van Johnson. Pilot #5 marked Gene Kelly's dramatic film debut.
Love on the Run is a 1936 American romantic comedy film, directed by W.S. Van Dyke, produced by Joseph L. Mankiewicz, and starring Joan Crawford, Clark Gable, Franchot Tone and Reginald Owen in a story about rival newspaper correspondents assigned to cover the marriage of a socialite. The screenplay by John Lee Mahin, Manuel Seff and Gladys Hurlbut was based on a story by Alan Green and Julian Brodie. Love on the Run is the seventh of eight cinematic collaborations between Crawford and Gable. At the time of its release, Love on the Run was called "a lot of happy nonsense" by critics, but was a huge financial success, nonetheless.
Suzy may refer to:
Reckless is a 1935 American musical film directed by Victor Fleming and starring Jean Harlow, William Powell, Franchot Tone, and May Robson. David O. Selznick wrote the story, using the pseudonym Oliver Jeffries, basing it loosely on the scandal of the 1931 marriage between torch singer Libby Holman and tobacco heir Zachary Smith Reynolds, and his death by a gunshot wound to the head.
Quality Street is a 1937 American historical comedy film made by RKO Radio Pictures. It was directed by George Stevens and produced by Pandro S. Berman. Set in 19th-century England, the film stars Katharine Hepburn and Franchot Tone. Joan Fontaine makes one of her early (uncredited) film appearances. The screenplay was by Allan Scott, Mortimer Offner, and Jack Townley, based on the 1901 play Quality Street by J. M. Barrie.
Blonde Venus is a 1932 American pre-Code drama film starring Marlene Dietrich, Herbert Marshall and Cary Grant. It was produced, edited and directed by Josef von Sternberg from a screenplay by Jules Furthman and S. K. Lauren, adapted from a story by Furthman and von Sternberg. The original story "Mother Love" was written by Dietrich herself. The musical score was by W. Franke Harling, John Leipold, Paul Marquardt and Oscar Potoker, with cinematography by Bert Glennon.
Three Loves Has Nancy is a 1938 American romantic comedy film directed by Richard Thorpe and starring Janet Gaynor, Robert Montgomery and Franchot Tone. It is set in New York City.
The Bride Wore Red is a 1937 American romantic comedy drama film directed by Dorothy Arzner, and starring Joan Crawford, Franchot Tone, Robert Young and Billie Burke. It was based on the unproduced play The Bride from Trieste by Ferenc Molnár. In this "rags to riches" tale, Crawford plays a cabaret singer who poses as an aristocrat. This film is the last of the seven films that Crawford and co-star Franchot Tone, then her husband, made together.
The Girl from Missouri is a 1934 American romantic comedy-drama film starring Jean Harlow and Franchot Tone. The movie was written by Anita Loos and directed by Jack Conway.
Every Girl Should Be Married is a 1948 American romantic comedy film directed by Don Hartman and starring Cary Grant, Betsy Drake and Franchot Tone. Grant and Drake married a year after the film's release.
Benita Hume was an English theatre and film actress. She appeared in more than 40 films from 1925 to 1955.
Gentlemen Are Born is a 1934 American drama film directed by Alfred E. Green and starring Franchot Tone, Jean Muir and Margaret Lindsay. The film's pre-release title was Just Out of College. A news item in Daily Variety notes that Warner Bros. was sued for $250,000 by Ronald Wagoner and James F. Wickizer who contended that the film was based on their story "Yesterday's Heroes."
Maisie Foster is a fictional character from the British soap opera Emmerdale, played by Alice Coulthard. The character was introduced by series producer Anita Turner and first appeared in 2009. It was announced on 30 June 2010 that Alice Coulthard had quit the show and her character would be written out later in the year.
Ringside Maisie is a 1941 American sports comedy film directed by Edwin L. Marin and starring Ann Sothern, Robert Sterling and George Murphy. It is the fifth of ten pictures in the Maisie series. This was Sothern and future husband Sterling's only film together.
Jean Harlow was an American actress who made her uncredited debut in two 1928 films: Honor Bound for Fox Film; and Moran of the Marines for Paramount Pictures. While waiting for a friend at the studio in 1928, she was discovered by studio executives who gave her letters of introduction to casting agencies, where she was offered the two small roles that subsequently launched her film career. During the initial two years of her career, Harlow appeared uncredited in 16 films, including several Hal Roach productions developed for Laurel and Hardy. Her first speaking role was a bit part in the 1929 American pre-Code romantic comedy The Saturday Night Kid, starring Clara Bow and Jean Arthur. The film has since been preserved by the UCLA Film and Television Archive.