His Captive Woman | |
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Directed by | George Fitzmaurice |
Written by | Carey Wilson (scenario) Paul Perez (dialogue, titles) |
Based on | Changeling, a short story by Donn Byrne from Changeling and Other Stories c.1923 |
Produced by | Richard A. Rowland |
Starring | Milton Sills Dorothy Mackaill |
Cinematography | Lee Garmes |
Edited by | Stuart Heisler |
Production company | |
Distributed by | Warner Bros. Pictures |
Release date |
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Running time | 80 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. [1] In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories (New York, 1923)." [2] It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker . [3] [4]
Prints of His Captive Woman are maintained in the Library of Congress and reportedly in the Gosfilmofond Archive. [3] [5] [6]
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
Bright Lights, later retitled Adventures in Africa, is a 1930 American pre-Code musical comedy film produced and released by First National Pictures, a subsidiary of Warner Bros. It premiered in Los Angeles in July 1930 but was edited and rereleased in early 1931. Although it was photographed entirely in Technicolor, the only surviving print is in black and white. The film stars Dorothy Mackaill, Frank Fay, Noah Beery and Frank McHugh. It also features the screen debut of John Carradine, who appears in a small, uncredited role.
The Jazz Age (1929) is a sound part-talkie film starring Douglas Fairbanks Jr., Marceline Day, and Joel McCrea in his first leading role. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film, directed by Lynn Shores and written by Randolph Bartlett, was released by RKO Radio Pictures soon after RKO was created from Film Booking Offices of America, RCA, and the Keith-Albee-Orpheum theater chain.
(For the 1929 talkie see The Isle of Lost Ships )
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The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
The Isle of Lost Ships is an all-talking 1929 sound film. The picture was produced by Richard A. Rowland and distributed by Warner Bros. Irvin Willat was the director with Jason Robards Sr., Virginia Valli and Noah Beery Sr. in the leads. It is based on the 1909 novel The Isle of Dead Ships by Crittenden Marriott, and is also a remake of Maurice Tourneur's now lost 1923 classic of the same name. A mute copy of this film is preserved at the Library of Congress. The Vitaphone discs which contain the soundtrack to the film are currently lost. An almost complete copy of the sound version of the film survives at the Eye Filmmuseum archive with an estimated running time of 55:58.
The River Woman is a 1928 American sound part-talkie drama film directed by Joseph Henabery. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using a sound-on-disc system. Made by an independent company, Gotham, the film starred Lionel Barrymore and Jacqueline Logan.
Love and the Devil is a 1929 American sound drama film directed by Alexander Korda and starring Milton Sills, María Corda and Ben Bard. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
The Reckless Hour is a 1931 American pre-Code drama film directed by John Francis Dillon and starring Dorothy Mackaill, Conrad Nagel, H.B. Warner and Joan Blondell. It was produced and distributed by First National Pictures, which was controlled by Warner Brothers. It was based on the play Ambush by Arthur Richman.
Party Husband is a 1931 American pre-Code comedy film produced by First National Pictures and released through their parent company Warner Bros. It was directed by Clarence G. Badger and stars Dorothy Mackaill. It is preserved at the Library of Congress.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
Classified is a 1925 American silent drama film directed by Alfred Santell and produced by and starring Corinne Griffith. It was based on a novel by Edna Ferber and distributed through First National Pictures.
Burning Daylight is a 1928 silent dramatic action adventure film directed by Charles Brabin and starring Milton Sills and Doris Kenyon, a real-life married couple. It was produced and distributed by First National Pictures and based on the 1910 novel of the same name by Jack London. It was previously filmed by Metro Pictures in 1920.
The Making of O'Malley is a 1925 American silent drama film directed by Lambert Hillyer and written by Eugene Clifford. The film stars Milton Sills, Dorothy Mackaill, Helen Rowland, Warner Richmond, Thomas Carrigan and Julia Hurley. The film was released on June 28, 1925, by First National Pictures. The Gerald Beaumont short story was also the basis of the 1937 Warner Bros. film The Great O'Malley, directed by William Dieterle and starring Pat O'Brien and Humphrey Bogart.
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