Vina Fay Wray was a Canadian-American actress best known for starring as Ann Darrow in the 1933 film King Kong. Through an acting career that spanned nearly six decades, Wray attained international recognition as an actress in horror films. She has been dubbed one of the early "scream queens".
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first performed on Saturday, 20 February 1892, at the St James's Theatre in London.
The Star is a 1952 American drama film directed by Stuart Heisler and starring Bette Davis, Sterling Hayden and Natalie Wood. The plot tells the story of an aging, washed-up actress who is desperate to restart her career. Even though the film was a critical and commercial failure, Bette Davis received an Academy Award nomination for Best Actress.
Dorothy Emma Arzner was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. With the exception of longtime silent film director Lois Weber, from 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. She was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Harriet Craig is a 1950 American drama film starring Joan Crawford. The screenplay by Anne Froelick and James Gunn was based upon the Pulitzer Prize-winning 1925 play Craig's Wife, by George Kelly. The film was directed by Vincent Sherman, produced by William Dozier, and distributed by Columbia Pictures. Harriet Craig is the second of three cinematic collaborations between Sherman and Crawford, the others being The Damned Don't Cry (1950) and Goodbye, My Fancy (1951).
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Robert Montgomery, Joan Crawford and Clark Gable. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead.
The Last of Mrs. Cheyney is a 1925 play by British playwright Frederick Lonsdale. A popular success in London, it was adapted four times as a film, three times in the United States from 1929 to 1951, and the last, in 1961, as a German production.
The Bride Wore Red is a 1937 American romantic comedy drama film directed by Dorothy Arzner, and starring Joan Crawford, Franchot Tone, Robert Young and Billie Burke. It was based on the unproduced play The Bride from Trieste by Ferenc Molnár. In this "rags to riches" tale, Crawford plays a cabaret singer who poses as an aristocrat. This film is the last of the seven films that Crawford and co-star Franchot Tone, then her husband, made together.
The Shining Hour is a 1938 American romantic drama film directed by Frank Borzage, based on the 1934 play The Shining Hour by Keith Winter, and starring Joan Crawford and Margaret Sullavan. The supporting cast of the MGM film features Robert Young, Melvyn Douglas, Fay Bainter and Hattie McDaniel.
Personal Property is a 1937 American romantic comedy film starring Jean Harlow and Robert Taylor and directed by W.S. Van Dyke. It is based on the play The Man in Possession by H. M. Harwood which had previously been made into a film The Man in Possession by MGM. It was the last fully completed film made by Harlow.
Our Betters is a 1933 American pre-Code satirical comedy film directed by George Cukor and starring Constance Bennett, Anita Louise and Gilbert Roland. The screenplay by Jane Murfin and Harry Wagstaff Gribble is based on the 1917 play of the same title by Somerset Maugham. Tommy Atkins worked as assistant director, while the sets were designed by the art director Van Nest Polglase.
The Last of Mrs. Cheyney is a 1929 American Pre-Code comedy-drama film directed by Sidney Franklin. The screenplay by Hanns Kräly is based on the 1925 play of the same name by Frederick Lonsdale which ran on Broadway for 385 performances. The film was remade twice, with the same title in 1937 and as The Law and the Lady in 1951.
The Law and the Lady is a 1951 American comedy film directed by Edwin H. Knopf and starring Greer Garson, Michael Wilding and Fernando Lamas. It is not related to the Wilkie Collins novel The Law and the Lady. Very loosely based on the 1925 play The Last of Mrs. Cheyney by Frederick Lonsdale, the action is transferred to the turn of the century, the names are all changed, and the first half of the film shows the history of the two thieves. Previous film versions of the story, made in 1929, starring Norma Shearer, and 1937, starring Joan Crawford, retained the play's contemporary setting, included a crew of confederates, and opened with Mrs. Cheyney as an established figure in society. This film also ends differently from the play, with the partners in crime ending as romantic partners but going back to England to face the music for their very first swindle. In the play and in the two other films, Charles leaves and Mrs. Cheyney accepts Lord Dilling, who kisses her and declares: “That's the Last of Mrs. Cheyney!”
Working Girls is a 1931 American pre-Code drama film directed by Dorothy Arzner and written by Zoë Akins, based on the play Blind Mice, written by Vera Caspary and Winifred Lenihan. The film stars Judith Wood, Charles "Buddy" Rogers, Paul Lukas, Stuart Erwin, and Frances Dee. The film was released on December 12, 1931, by Paramount Pictures.
Not Wanted is a 1949 American drama film directed by Elmer Clifton and an un-credited Ida Lupino and starring Sally Forrest, Keefe Brasselle and Leo Penn.
Fury in Petticoats is a 1962 television play broadcast by the Australian Broadcasting Corporation. It was directed by Christopher Muir. It was based on a play which had been filmed by British TV the year before.
The Last of Mrs. Cheyney is a 1961 comedy film directed by Franz Josef Wild and starring Lilli Palmer, Carlos Thompson and Martin Held. The film was made as a co-production between France, Switzerland and West Germany. It is based on the 1925 play of the same title by the British writer Frederick Lonsdale which has been adapted into films on several occasions.
