The Greeks Had a Word for Them

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The Greeks Had a Word for Them
The Greeks Had a Word for Them poster.png
Theatrical release poster
Directed by Lowell Sherman
Screenplay by Sidney Howard
Based onThe Greeks Had a Word for It
by Zoe Akins [1]
Produced by Samuel Goldwyn
Starring Ina Claire
Joan Blondell
Madge Evans
Lowell Sherman
David Manners
Cinematography George Barnes
Edited by Stuart Heisler
Music by Alfred Newman
Production
company
Distributed by United Artists
Release date
  • February 3, 1932 (1932-02-03)(United States)
Running time
79 minutes
CountryUnited States
LanguageEnglish
David Manners, Joan Blondell, Ina Claire, Madge Evans The Greeks Had a Word for Them.jpg
David Manners, Joan Blondell, Ina Claire, Madge Evans
David Manners, Madge Evans, Ina Claire David Manners, Madge Evans, Ina Claire.jpg
David Manners, Madge Evans, Ina Claire
David Manners, Madge Evans, Joan Blondell, Ina Claire David Manners, Madge Evans, Joan Blondell, Ina Claire.jpg
David Manners, Madge Evans, Joan Blondell, Ina Claire
The Greeks Had a Word for Them
The Greeks Had a Word for Them ad in The Film Daily, 1932 The Greeks Had a Word for Them ad in The Film Daily, Jan-Jun 1932 (page 243 crop).jpg
The Greeks Had a Word for Them ad in The Film Daily, 1932

The Greeks Had a Word for Them (also known as Three Broadway Girls) is a 1932 American pre-Code comedy film directed by Lowell Sherman, produced by Samuel Goldwyn, and released by United Artists. It stars Ina Claire, Joan Blondell, and Madge Evans and is based on the play The Greeks Had a Word for It by Zoe Akins. The studio originally wanted actress Jean Harlow for the lead after her success in Public Enemy (1931 [2] ), but she was under contract to Howard Hughes, and he refused to loan her out. The film served as inspiration for films such as Three Blind Mice (1938), Moon Over Miami (1941), and How to Marry a Millionaire (1953). [3] [4] Ladies in Love (1936) also has a similar pattern and was produced like "Three Blind Mice" by Darryl F. Zanuck.[ clarification needed ]

Contents

Plot

Jean, Polaire, and Schatzi are former showgirls who put their money together in order to rent a luxurious penthouse apartment. Jean is on her way back from France after a failed engagement which left her penniless. She manipulates a fellow male ship passenger into paying her dining bill, claiming that she can't find her checkbook. After she's home the girls scheme to get Jean engaged again, Jean suggests an old flame named Pops (whom the audience never sees), but she is surprised to find that Schatzi is now engaged to him. Polaire loans Jean her "bad dime" bracelet which has brought her good luck (the dime has a hole in it). Polaire phones Dey Emery to arrange a party for that night and asks him to set Jean up with a date for the evening. Later at a nightclub, Dey introduces Jean to pianist Boris Feldman, but she doesn't like him. Boris bets Jean that he can make her fall in love with him just by playing the piano for her, $5,000 if she doesn't fall in love with him, "everything" if she does.

Later that night the group go to Boris' apartment where Polaire plays piano and Boris falls in love with her, forgetting the arrangement he made with Jean. He proposes to make Polaire his protégé, and she agrees to come back to his apartment in ten minutes after she gets her things. Meanwhile, Jean has taken off her dress, put on her coat and hides upstairs until Polaire leaves. She schemes to make Boris her own by seducing him. Polaire returns after ten minutes but it is too late, Boris is too busy to answer the door. After leaving Boris' apartment, Polaire is involved in a bad car accident when her taxi driver collides with a milk truck, and she is hospitalized.

Some time passes, Boris is upset that Jean slept through his concert performance and she breaks it off with him, telling him she sleeps when she wants to. Later Schatzi runs into Jean at a salon, Dey and Jean have been seeing each other and he arrives to pick her up. Schatzi pulls Dey into another room and tells him about Polaire's car accident and he goes to her hospital room and they reunite.

Schatzi discovers that her fiancé, Pops, has died. Schatzi and Polaire go to Pops' will reading and discover that Jean is also there dressed head to toe in mourning clothes and feigns grief. The lawyer plays a recording of Pops' own voice recognizing Schatzi as his heiress and warning that Jean may be scheming for his assets.

Later, Schatzi and Polaire are living in a fancy hotel when Jean phones saying she will visit at 3 o'clock. Polaire hires the hotel waiter to be their butler for only a half hour at 3 o'clock. Jean doesn't fall for it. Dey phones Polaire to say he and his father are coming over to meet her, she asks Jean to leave but she refuses. Jean hides her gloves under a pillow but Polaire is wise to it and makes sure she leaves with all her things so she doesn't need to stop by while Dey and his father are there. Jean tries to give Polaire her pearls but she refuses to accept them, Jean puts them in Polaire's coat pocket anyway. Dey arrives to take Polaire to meet his father but Jean rushes to the Emery residence to scheme for a husband, and accuses Polaire of stealing her pearls. Dey's father insists that his son call off his wedding to Polaire, and the father gets engaged to Jean.

Schatzi and Polaire arrive at Jean's wedding and Jean finally returns the bad dime bracelet to Polaire. The two girls discover that Jean now has a million dollars, they get Jean drunk and convince her to run off with them to Paris instead of getting married. Dey follows the three girls and catches up with them before their ship sails, and he and Polaire are reunited. [5]

Cast

Production

This film was one of only three films that Coco Chanel designed costumes for, the other two were Palmy Days and Tonight or Never. Chanel designed thirty outfits for the film, including Ina Claire's beach pajamas. [6] [7]

See also

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The Greeks Had a Word for It is a 1930 play written by Zoe Akins. It is a three-act comedy that becomes farce only at the end. It has a medium-sized cast, multiple settings, and pacing that reviewers said showed "indecision" and "sluggishness". It is so episodic in nature that one critic called it three one-act plays joined together by leading characters. It depicts the relationships of three ex-chorus girls with one another and with would-be paramours. The author never reveals what word she had in mind.

References

  1. Roberts, Jerry (2003). The Great American Playwrights on the Screen: A Critical Guide to Film, Video, and DVD. Montclair, New Jersey, USA: Applause Theater & Cinema Publishing. p. 27. ISBN   9781557835123.
  2. Harlow in Hollywood. Mark A. Vieira and Darrell Rooney. Angel City Press, 2011.
  3. Roberts, Jerry (2003). The Great American Playwrights on the Screen: A Critical Guide to Film, Video, and DVD. Montclair, New Jersey, USA: Applause Theater & Cinema Publishing. p. 28. ISBN   9781557835123.
  4. Tucker, David C. (2010). Lost Laughs of '50s and '60s Television: Thirty Sitcoms That Faded Off Screen. Jefferson, North Carolina, USA: McFarland & Company. p. 61. ISBN   9780786455829.
  5. Kael, Pauline (2011). 5001 Nights at the Movies. New York, New York, USA: Henry Holt and Company. p. 305. ISBN   9781250033574.
  6. Walford, Jonathan (August 22, 2020). "That Time Chanel Went to Hollywood". Fashion History Museum. Fashion History Museum. Retrieved April 4, 2022. Chanel then went to work on creating thirty outfits for Ina Claire, Joan Blondell, and Madge Evans who were playing gold diggers in The Greeks Had A Word For Them (released February 13, 1932).
  7. Garelick, Rhonda K. (2015). Mademoiselle: Coco Chanel and the Pulse of History. New York, New York, USA: Random House Publishing. p. 228. ISBN   9780812981858.