Lawful Larceny | |
---|---|
Directed by | Lowell Sherman [1] |
Screenplay by | Jane Murfin [2] |
Based on | Lawful Larceny by Samuel Shipman [3] |
Produced by | William LeBaron Henry Hobart (assoc.) [1] |
Starring | Bebe Daniels Kenneth Thomson Olive Tell Lowell Sherman |
Cinematography | Roy Hunt [2] |
Edited by | Marie Halvey [2] |
Production company | |
Distributed by | RKO Radio Pictures |
Release dates | |
Running time | 67 minutes [3] |
Country | United States |
Language | English |
Lawful Larceny is a 1930 American pre-Code melodramatic film, directed by Lowell Sherman from Jane Murfin's screenplay. The screenplay, a melodrama, was based on the play of the same name by Samuel Shipman, which originally was a comedy. It starred a staple of the early RKO stable, Bebe Daniels, along with Kenneth Thomson, Olive Tell and Lowell Sherman, who reprised the role he had created in the original Broadway play. This film was a remake of the 1923 silent film version of the same name, produced by Famous Players–Lasky Corporation
When Marion Corsey's husband, Andrew, is conned out of a small fortune by Vivian Hepburn, she dedicates herself to recovering the money. In order to do so, she hides her identity and insinuates herself into the social circle of Vivian, by becoming her secretary, and studies the tactics employed by the sexy con-artist. While employed by Vivian, Marion meets Guy Tarlow, Vivian's love interest. However, Guy seems to be interested Marion.
Taking advantage of Guy's interest, Marion turns the tables on the con-artists and, using Vivian's own strategy, she cons Guy out of all the funds which were taken from Andrew. When her reverse larceny is discovered, Vivian enlists the help of Judge Perry, who is romantically interested in Vivian, in an attempt to recover her ill-gotten gains. In the end, however, Marion is able to prove that Vivian's gambling club is not run honestly, and that Vivian herself is both a cheater and a thief. In light of the evidence, the Judge and Guy end their pursuit of Marion, and Vivian slinks away. Although their marriage is damaged, and may be over, Marion and Andrew decide to stay together as friends, and see how things work out.
(Cast list as per AFI Database) [3]
This film was a remake of a 1923 silent film of the same name, also based on Samuel Shipman's play, which starred Hope Hampton and Conrad Nagel, and was directed by Allan Dwan. Produced by the Famous Players–Lasky Corporation, it was distributed by Paramount Pictures. [4]
The play by Samuel Shipman, on which Jane Murfin's screenplay is based, was originally a comedy, and ran at the Theatre Republic (which is still in existence, now known as the New Victory Theater) in 1922. It was directed by Bertram Harrison, produced by A.H. Woods, and starred Margaret Lawrence, Alan Dinehart, and Lowell Sherman. [5]
Olive Tell, cast in the less than sympathetic role of the sexy con-artist, was the wife of associate producer Henry Hobart. [6]
In 1958, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. [7]
The Philadelphia Story is a 1940 American romantic comedy film starring Cary Grant, Katharine Hepburn, James Stewart, and Ruth Hussey. Directed by George Cukor, the film is based on the 1939 Broadway play of the same name by Philip Barry, about a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and a tabloid magazine journalist. The socialite, played by Hepburn in both productions, was inspired by Helen Hope Montgomery Scott (1904–1995), a Philadelphia heiress known for her hijinks, who married a friend of playwright Barry.
Becky Sharp is a 1935 American Technicolor historical drama film directed by Rouben Mamoulian and starring Miriam Hopkins who was nominated for the Best Actress Oscar. Other supporting cast were William Faversham, Frances Dee, Cedric Hardwicke, Billie Burke, Alison Skipworth, Nigel Bruce, and Alan Mowbray.
Corinne Anita Loos was an American actress, novelist, playwright and screenwriter. In 1912, she became the first female staff screenwriter in Hollywood, when D. W. Griffith put her on the payroll at Triangle Film Corporation. She is best known for her 1925 comic novel, Gentlemen Prefer Blondes, and her 1951 Broadway adaptation of Colette's novella Gigi.
Samuel Goldwyn, also known as Samuel Goldfish, was a Polish-born American film producer. He was best known for being the founding contributor and executive of several motion picture studios in Hollywood. He was awarded the 1973 Golden Globe Cecil B. DeMille Award, the Irving G. Thalberg Memorial Award (1947) and the Jean Hersholt Humanitarian Award (1958).
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell, and Ginger Rogers.
Sabrina is a 1954 American romantic comedy-drama film directed by Billy Wilder, from a screenplay he co-wrote with Samuel A. Taylor and Ernest Lehman, based on Taylor's 1953 play Sabrina Fair. The picture stars Humphrey Bogart, Audrey Hepburn, and William Holden. This was Wilder's last film released by Paramount Pictures, ending a 12-year business relationship between him and the company.
Ellen Greene is an American actress and singer. She has had a long and varied career as a singer, particularly in cabaret, as an actress and singer in numerous stage productions, particularly musical theatre, as well as having performed in many films and television series. Her best-known roles are as Audrey in the original stage play and movie adaptation of Little Shop of Horrors, and as Vivian Charles in the ABC series Pushing Daisies.
What Price Hollywood? is a 1932 American pre-Code drama film directed by George Cukor and starring Constance Bennett with Lowell Sherman. The screenplay by Gene Fowler, Rowland Brown, Jane Murfin and Ben Markson is based on a story by Adela Rogers St. Johns and Louis Stevens. The supporting cast features Neil Hamilton, Gregory Ratoff, Brooks Benedict, Louise Beavers and Eddie "Rochester" Anderson.
Mrs Henderson Presents is a 2005 biographical musical comedy-drama film directed by Stephen Frears and written by Martin Sherman. It stars Judi Dench, Bob Hoskins, Kelly Reilly, and Will Young. It tells the true story of Laura Henderson, an eccentric British socialite who opened the Windmill Theatre in London in 1931.
Lowell Sherman was an American actor and film director. In an unusual practice for the time, he served as both actor and director on several films in the early 1930s. He later turned exclusively to directing. Having scored huge successes directing the films She Done Him Wrong and Morning Glory, he was at the height of his career when he died after a brief illness.
Paulette Duval was a French dancer and actress of the silent film era and early sound motion pictures. She was born in Buenos Aires, Argentina in 1889 and raised in France. She was considered one of the most beautiful women in Paris in the early 20th century. Paulette was recruited by Florenz Ziegfeld for the Ziegfeld Follies, which opened at the New Amsterdam Theater in New York City on October 15, 1923. Before joining the Follies, the French beauty was engaged with the Scandals dance productions of George White.
Olive Tell was a stage and screen actress from New York City.
The Affairs of Anatol is a 1921 American silent comedy-drama film directed by Cecil B. DeMille, starring Wallace Reid and Gloria Swanson. The film is based on the 1893 play Anatol by Arthur Schnitzler.
Wait Until Dark is a 1967 American psychological thriller film directed by Terence Young and produced by Mel Ferrer, from a screenplay by Robert Carrington and Jane-Howard Carrington, based on the 1966 play of the same name by Frederick Knott. The film stars Audrey Hepburn as a blind woman, Alan Arkin as a violent criminal searching for drugs, and Richard Crenna as another criminal, supported by Jack Weston, Julie Herrod, and Efrem Zimbalist Jr.
Bachelor Apartment is a 1931 American pre-Code romance film directed by and starring Lowell Sherman as a bachelor/playboy, Wayne Carter, who falls in love with Irene Dunne's honest working girl, Helene Andrews. The credits for the film, and all sources from that time show that the film was based on a story by New York playwright John Howard Lawson, the screenplay was adapted by J. Walter Ruben. However, Lawson would later claim that the final screenplay had not been altered from what he had originally written. The cast features Mae Murray, Norman Kerry and Ivan Lebedeff.
The Pay-Off is a 1930 American pre-Code crime drama film directed by Lowell Sherman, who also starred in the film along with Marian Nixon and Hugh Trevor. The screenplay was adapted by Jane Murfin, along with Samuel Shipman and John B. Hymer, based on Shipman and Hymer's 1927 play, Crime.
The Crime Doctor is a 1934 American crime drama directed by John Robertson from a screenplay by Jane Murfin, adapted from the novel The Big Bow Mystery by Israel Zangwill. The film stars Otto Kruger, Karen Morley, and Nils Asther. RKO Radio Pictures produced and distributed the film which was released on April 27, 1934.
Don't Tell the Wife is a 1937 American comedy film directed by Christy Cabanne using a screenplay by Nat Perrin adapted from the play, Once Over Lightly, written by George Holland. The film stars Guy Kibbee, Una Merkel, and Lynne Overman, with Lucille Ball, William Demarest, and Academy Award winner Hattie McDaniel in supporting roles. Produced by RKO Radio Pictures, it premiered in New York City on February 18, 1937, and was released nationwide on March 5.
Charles Kenneth Thomson was an American character actor active on stage and on film during the silent and early sound film eras.
Lawful Larceny is a lost 1923 American silent drama film directed by Allan Dwan and written by John Lynch and Samuel Shipman. The film stars Hope Hampton, Conrad Nagel, Nita Naldi, Lew Cody, Russell Griffin, and Yvonne Hughes. The film was released on July 22, 1923, by Paramount Pictures.