Categories | Film |
---|---|
Publisher | Wid's Films and Film Folk, Inc. |
First issue | 1913 (daily in 1918) |
Final issue | 1970 |
Country | United States |
Language | English |
The Film Daily was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. [1] It covered the latest trade news, film reviews, financial updates, information on court cases and union difficulties, and equipment breakthroughs.
The publication was originated by Wid Gunning in 1913 (though not as a daily) and was known as Wid's Film and Film Folk (1915–1916) and Wid's Independent Review of Feature Films (1916–1918). [2] Gunning was previously film editor at the New York Evening Mail . [3] He also published Wid's Weekly, [1] and Wid's Year Book. [4]
In 1918, Joseph ("Danny") Dannenberg and Jack Alicoate purchased an interest in Wid's Weekly. On March 8, 1918, they released a daily publication, Wid's Daily . In 1921, Dannenberg and Alicoate took control of Wid's Films & Film Folk Inc., with Dannenberg as president and editor, and the publication changed name, in 1922, [5] to The Film Daily. [6] [7]
During Dannenberg's time, the film yearbook (first published in 1918 as Wid's Year Book) expanded in size from 160 pages in 1918 to 860 pages in 1926. [6] Dannenburg died March 11, 1926, and was succeeded as president and editor by Jack Alicoate, who also became publisher. [7]
Chester B. Bahn became editor in 1937 but Alicoate remained as publisher until his death in 1960. Alicoate's brother Charles became executive publisher, and took over active management, a few years before Jack's death. [7]
Jack Alicoate added another publication, Radio Daily, in February 1937. [8] In September 1950, the publication was renamed Radio Daily-Television Daily. [9] The publication ceased in the late 1960s.
In 1969, Charles Alicoate sold Film Daily to DFI Communications who installed Hugh Fordin as editor-in-chief and associate publisher in December 1969. After publishing the June 1, 1970 issue, production was suspended with plans to redesign and further enliven the publication. [10]
The Film Daily Yearbook of Motion Pictures OCLC 38095889 was published [11] in 1929, [12] 1945, [13] ceased with 51st edition in 1969. [5]
Primary Source Microfilm republished the entire periodical on microfilm in 1990, in a 125 reel set. The Media History Digital Library has scans of the archive of Film Daily from 1918 to 1948 and Wid's Weekly from 1923 to 1925 available online and most years of the Film Daily Year Book (including two editions as Wid's Year Book) from 1918 to 1951.[ citation needed ]
The Internet Archive has The Film Daily, volume 5 (July 1918) to volume 70 (December 1936). [14]
Motion Picture World, Motion Picture World Magazine Company, New York City. [15] [16] [17] [18]
Film Daily was best known for its annual year-end critics' poll, in which hundreds of professional movie critics from around the country submitted their votes for the best films of the year, which the magazine then tallied and published as a top ten list. It was not uncommon for a film to win for a year that actually came after the year it first premiered, since the rollover date for each year's eligibility cycle was typically November 1 and the film was required to be in general release. [19] Gone with the Wind , for example, premiered in 1939 but didn't become eligible until 1941 when it switched from a roadshow format to a general release. [20] No winner was named in 1950 because for that year only, separate categories were polled for Drama of the Year and Musical of the Year (won by Sunset Boulevard and Annie Get Your Gun , respectively). [21]
via archive.org
Major Film Periodicals for Media Research: Series One:
One Night of Love is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story Don't Fall in Love, by Charles Beahan and Dorothy Speare.
Viva Villa! is a 1934 American pre-Code film directed by Jack Conway and starring Wallace Beery as Mexican revolutionary Pancho Villa. The screenplay was written by Ben Hecht, adapted from the 1933 book Viva Villa! by Edgecumb Pinchon and O. B. Stade. The film was shot on location in Mexico and produced by David O. Selznick. There was uncredited assistance with the script by Howard Hawks, James Kevin McGuinness, and Howard Emmett Rogers. Hawks and William A. Wellman were also uncredited directors on the film.
All This, and Heaven Too is a 1940 American drama film made by Warner Bros.-First National Pictures, produced and directed by Anatole Litvak with Hal B. Wallis as executive producer. The screenplay was adapted by Casey Robinson from the 1938 novel by Rachel Field. The music was by Max Steiner and the cinematography by Ernie Haller. The film stars Bette Davis and Charles Boyer with Barbara O'Neil, Jeffrey Lynn, Virginia Weidler, Helen Westley, Walter Hampden, Henry Daniell, Harry Davenport, George Coulouris, Montagu Love, Janet Beecher and June Lockhart.
The Long Voyage Home is a 1940 American drama film directed by John Ford. It stars John Wayne, Thomas Mitchell and Ian Hunter. It features Barry Fitzgerald, Wilfrid Lawson, John Qualen, Mildred Natwick, and Ward Bond, among others.
Blossoms in the Dust is a 1941 American biographical film directed by Mervyn LeRoy and starring Greer Garson, Walter Pidgeon, Felix Bressart, Marsha Hunt, Fay Holden and Samuel S. Hinds. It tells the story of Edna Gladney, who helped orphaned children find homes and began a campaign to remove the word "illegitimate" from Texas birth certificates, despite the opposition of "good" citizens. The screenplay was by Anita Loos, with a story by Ralph Wheelwright. Some of the important aspects of her life fictionalized in the film are the fact that it was Edna herself who was born out of wedlock; she and Sam eloped on the eve of her marriage to someone else, and they had much more time together before his death than given them in the film.
Wake Island is a 1942 American action drama war film directed by John Farrow, written by W. R. Burnett and Frank Butler, and starring Brian Donlevy, Robert Preston, Macdonald Carey, Albert Dekker, Barbara Britton, and William Bendix. The film tells the story of the United States military garrison on Wake Island and the onslaught by the Japanese following the attack on Pearl Harbor.
Julius Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist in the McCarthy era, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.
Sight and Sound is a monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade Sight and Sound Poll of the Greatest Films of All Time, ongoing since 1952.
Karl Erik Tore Johansson, better known by the stage name Tor Johnson, was a Swedish professional wrestler and actor. As an actor, Johnson appeared in many B-movies, including some famously directed by Ed Wood. In professional wrestling, Johnson was billed as Tor Johnson and Super Swedish Angel.
Rebecca is a 1940 American romantic psychological thriller film directed by Alfred Hitchcock. It was Hitchcock's first American project, and his first film under contract with producer David O. Selznick. The screenplay by Robert E. Sherwood and Joan Harrison, and adaptation by Philip MacDonald and Michael Hogan, were based on the 1938 novel of the same name by Daphne du Maurier.
Boom Town is a 1940 American Western film starring Clark Gable, Spencer Tracy, Claudette Colbert, and Hedy Lamarr, and directed by Jack Conway. The supporting cast features Frank Morgan, Lionel Atwill, and Chill Wills. A story written by James Edward Grant in Cosmopolitan magazine entitled "A Lady Comes to Burkburnett" provided the inspiration for the film. The film was produced and released by Metro-Goldwyn-Mayer.
Little Women is a 1933 American pre-Code drama film directed by George Cukor, and starring Katharine Hepburn, Joan Bennett, Frances Dee, and Jean Parker. The screenplay, written by Sarah Y. Mason and Victor Heerman, is based on the 1868-1869 two-volume novel of the same name by Louisa May Alcott.
Wuthering Heights is a 1939 American romantic period drama film directed by William Wyler, produced by Samuel Goldwyn, starring Merle Oberon, Laurence Olivier and David Niven, and based on the 1847 novel Wuthering Heights by Emily Brontë. The film depicts only 16 of the novel's 34 chapters, eliminating the second generation of characters. The novel was adapted for the screen by Charles MacArthur, Ben Hecht and John Huston (uncredited). The supporting cast features Flora Robson and Geraldine Fitzgerald.
The Grapes of Wrath is a 1940 American drama film directed by John Ford. It was based on John Steinbeck's 1939 Pulitzer Prize-winning novel of the same name. The screenplay was written by Nunnally Johnson and the executive producer was Darryl F. Zanuck.
The Top Ten Money Making Stars Poll were polls on determining the bankability of movie stars. They began quite early in the movie history. At first, they were popular polls and contests conducted in film magazines, where the readers would vote for their favorite stars, like the poll published in New York Morning Telegraph on 17 December 1911. Magazines appeared and disappeared often and among the most consistent in those early days were the polls in the Motion Picture Magazine.
The 1955 Sugar Bowl was an American college football bowl game played on January 1, 1955 at Tulane Stadium in New Orleans. The game featured the fifth-ranked Navy Midshipmen and the sixth-ranked Ole Miss Rebels.
Manuel Granada was an Argentine actor who appeared in American, Spanish, Argentine and Mexican films. For the first half of his career, he worked under the names Paul Ellis and Manuel Granado.
The Big Party is a 1930 American pre-Code comedy film directed by John G. Blystone and written by Harlan Thompson. The film stars Sue Carol, Dixie Lee, Walter Catlett, Frank Albertson, Richard Keene, and Douglas Gilmore. The film was released on February 23, 1930, by Fox Film Corporation. It is a lost film.
Edward Roberts, better known as Eddie Roberts, was an American Welterweight/Middleweight boxer, actor and a World War I, World War II and Korean War veteran who competed from 1922 to 1931. He held the title of Pacific Northwest Welterweight Champion and was a serious contender for the World Welterweight championship in 1926–1927.
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