In 2009, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".
A sequel, The Miniver Story (1950) was made with Greer Garson and Walter Pidgeon reprising their roles.[4]
Plot
Kay Miniver lives a comfortable life in Belham, a fictional village outside London. Her devoted husband, Clem, is an architect. They have three children: the youngsters, Toby and Judy, and an older son, Vin, a student at Oxford University.
As World War II looms, Vin returns from university and meets Carol Beldon, granddaughter of Lady Beldon from nearby Beldon Hall. Despite initial disagreements, they fall in love. As the war comes closer to home, Vin enlists in the Royal Air Force, qualifying as a fighter pilot. He is posted to a base near his parents' home and can signal his safe return from operations to his parents by "blipping" his engine briefly as he flies over the house. Vin proposes to Carol in front of his family at home.
Together with other boat owners, Clem volunteers to take his motorboat, the Starling, to assist in the Dunkirk evacuation. Early one morning, Kay wanders down to the landing stage and discovers a wounded German pilot hiding in her garden. He takes her to the house at gunpoint, where she feeds him, calmly disarms him when he collapses, and calls the police. Soon after, Clem returns home, exhausted, from Dunkirk.
Lady Beldon visits Kay to try to convince her to talk Vin out of marrying Carol on account of her granddaughter's comparative youth at age eighteen and short engagement. Kay reminds her that she, too, had been young when she married her late husband. Lady Beldon concedes defeat. Carol marries Vin, becoming another Mrs. Miniver even though she fears Vin is likely to be killed in action. During an air raid, Kay and her family take refuge in their Anderson shelter in the garden and attempt to keep their minds off the bombing by reading Alice's Adventures in Wonderland. They narrowly survive as a bomb destroys part of the house. Vin and Carol return from their honeymoon in Scotland and see the damage to the house, but Kay has arranged Vin's room for them.
At the annual village flower show, Lady Beldon disregards the judges' decision that her rose is the winner. Instead, she announces the rose entered by the local stationmaster, Mr. Ballard, named the "Mrs. Miniver" as the winner, with her own Beldon Rose taking second prize. As air raid sirens sound and the villagers take refuge in the cellars of Beldon Hall, Kay and Carol drive Vin to join his squadron. On their journey home, they see a German ME-110 lose a dogfight and crash. Immediately afterwards, two fighters duel at treetop level. Realizing Carol has been wounded by machine-gun fire from the planes, Kay takes her back to Starlings, where she dies.
The villagers assemble at the bomb-damaged church where their vicar affirms their determination in a sermon:
We in this quiet corner of England have suffered the loss of friends very dear to us, some close to this church. George West, choirboy. James Ballard, stationmaster and bellringer, and the proud winner only an hour before his death of the Beldon Cup for his beautiful Miniver Rose. And our hearts go out in sympathy to the two families who share the cruel loss of a young girl who was married at this altar only two weeks ago. The homes of many of us have been destroyed, and the lives of young and old have been taken. There's scarcely a household that hasn't been struck to the heart. And why? Surely, you must have asked yourselves this question? Why, in all conscience, should these be the ones to suffer? Children, old people, a young girl at the height of her loveliness? Why these? Are these our soldiers? Are these our fighters? Why should they be sacrificed?
I shall tell you why. Because this is not only a war of soldiers in uniform. It is the war of the people, of all the people. And it must be fought not only on the battlefield, but in the cities and in the villages, in the factories and on the farms, in the home and in the heart of every man, woman, and child who loves freedom. Well, we have buried our dead, but we shall not forget them. Instead, they will inspire us with an unbreakable determination to free ourselves, and those who come after us, from the tyranny and terror that threaten to strike us down. This is the People's War. It is our war. We are the fighters. Fight it, then! Fight it with all that is in us! And may God defend the right.
Lady Beldon stands alone in her family's church pew. Vin moves to stand alongside her, united in grief, as the members of the congregation sing "Onward, Christian Soldiers". Meanwhile, visible through the holes in the roof, RAF fighters in "V for Victory" formations depart to face the enemy.
The film entered pre-production in the autumn of 1940, when the United States was still a neutral country. Over the several months the screenplay was written, the U.S. moved closer to war. As a result, scenes were rewritten to reflect Americans' more realistic view of the war. For example, the scene where Mrs. Miniver confronts a downed German pilot in her garden was made more confrontational in each revision.
Following the Japanese attack on Pearl Harbor that brought the U.S. into the war, the garden scene was re-filmed to reflect the tough, new spirit of a nation at war. The key difference was that in the new version of the scene, filmed in February 1942, Mrs. Miniver was allowed to slap the pilot across the face. The film was released four months later.[9]
Wilcoxon and director William Wyler "wrote and re-wrote" the key sermon scene the night before it was shot.[10] The speech "made such an impact that it was used in essence by President Roosevelt as a morale builder and part of it was the basis for leaflets printed in various languages and dropped over enemy and occupied territory".[10] Roosevelt ordered the film rushed to the theaters for propaganda purposes.[11] The sermon dialogue was reprinted in Time and Look magazines.[12]
Reception
Alternate theatrical release poster
Critical response
Mrs. Miniver had a profound impact on British audiences. Historian Tony Judt wrote that it was "a very English tale of domestic fortitude and endurance, of middle-class reticence and perseverance, set symptomatically around the disaster at Dunkirk where all these qualities were taken to be most on display—[it] was a pure product of Hollywood. Yet for the English generation that first saw it the film would long remain the truest representation of national memory and self-image."[13]
On Rotten Tomatoes, the film holds an approval rating of 93% based on 69 reviews, with an average rating of 7.8/10. The website's critical consensus reads: "An excessively sentimental piece of propaganda, Mrs. Miniver nonetheless succeeds, due largely to Greer Garson's powerful performance."[14]
This remarkably touching wartime melodrama pictorials the classic British stiff upper lip and the courage of a middle-class English family (headed by Greer Garson and Walter Pidgeon) amid the chaos of air raids and family loss. The film's iconic tribute to the sacrifices on the home front, as movingly directed by William Wyler, did much to rally America's support for its British allies.[15]
Mrs. Miniver is about an English family which is prissy and fake like all screen families. The five Minivers are all very pretty and behave according to Will Hays and whoever wrote Little Lord Fauntleroy. Greer Garson makes motherhood seem the profession of impeccable taste and Walter Pidgeon acts the wise father by smoking a pipe, nodding his head knowingly and saying nothing…The older son is a mother’s delight from Oxford, and the two little Minivers make those irritating and unchildlike smart cracks because it’s the one device known these days for comedy relief in family pictures…the difference between these people and their originals in Jan Struther’s novel is the difference between marshmallows and human beings.[16]
Of the 592 critics polled by American magazine Film Daily, 555 named it the best film of 1942.[17]
[Mrs. Miniver] shows the destiny of a family during the current war, and its refined powerful propagandistic tendency has up to now only been dreamed of. There is not a single angry word spoken against Germany; nevertheless the anti-German tendency is perfectly accomplished.[18][12]
Presently (in the 21st century) the film is somewhat forgotten. However, it has been argued that this modest melodrama is the film that served humanity the most. Winston Churchill once said that this film had done more for the war effort than a flotilla of destroyers.[19]
In its quiet yet actionful way, is, probably entirely unintentionally, one of the strongest pieces of propaganda against complacency to come out of the war. Not that it shows anything like the result of lack of planning by governments or individuals, but in that it brings so close to home the effects of total war.[20]
Box office
Mrs. Miniver exceeded all expectations, grossing $5,358,000 in the US and Canada and $3,520,000 abroad. In the United Kingdom, it was named the top box office attraction of 1942. The initial theatrical release earned a profit of $4,831,000, making it MGM's most successful film to that time.[2][21]
In 1943, the film was adapted into an episode of the Lux Radio Theatre. That episode in turn was popular enough to inspire a 5-day a week serial, starring radio veteran Trudy Warner on CBS.[24]
In 1950, a film sequel, The Miniver Story, was made with Garson and Pidgeon reprising their roles.
In 1960, a 90-minute television adaptation directed by Marc Daniels was broadcast on CBS, with Maureen O'Hara as Mrs. Miniver and Leo Genn as Clem Miniver.
In 2015, a musical adaptation was written and presented at a community theater in Little Rock, Arkansas.
Jackson & Perkins introduced medium-red hybrid tea rose "Mrs. Miniver" in 1944, named after Mr. Ballard's rose. In 2015, one remaining plant was located in Germany. It was successfully propagated by St Bridget's Nurseries in Exeter in 2016 and returned to commerce in 2017.[25]
Downton Abbey, "Best Bloom Title": Violet Crawley gives her award away at a flower show, à la Lady Beldon.
A Raisin in the Sun: Brother, Ruth, and Beneatha give Lena a gift with the note "To our own Mrs. Miniver".
Related Research Articles
Mrs. Miniver is a fictional British housewife created by Jan Struther in 1937 for a series of newspaper columns for The Times. The Mrs. Miniver story was later adapted into a film of the same name and starred Greer Garson in the titular role for which she won the Academy Award for Best Actress.
William Wyler was a German-born American film director and producer. Known for his work in numerous genres over five decades, he received numerous awards and accolades, including three Academy Awards. He holds the record of twelve nominations for the Academy Award for Best Director. For his oeuvre of work, Wyler was awarded the Irving G. Thalberg Memorial Award, the Directors Guild of America Lifetime Achievement Award, and the American Film Institute Life Achievement Award.
Eileen Evelyn Greer Garson was a British-American actress and singer. She was a major star at Metro-Goldwyn-Mayer who became popular during the Second World War for her portrayal of strong women on the homefront; listed by the Motion Picture Herald as one of America's top-10 box office draws from 1942 to 1946.
Blossoms in the Dust is a 1941 American biographical drama film directed by Mervyn LeRoy and starring Greer Garson, Walter Pidgeon, Felix Bressart, Marsha Hunt, Fay Holden and Samuel S. Hinds. It tells the story of Edna Gladney, who helped orphaned children find homes and began a campaign to remove the word "illegitimate" from Texas birth certificates, despite the opposition of "good" citizens. The screenplay was by Anita Loos, with a story by Ralph Wheelwright. Some of the important aspects of her life fictionalized in the film are the fact that it was Edna herself who was born out of wedlock; she and Sam eloped on the eve of her marriage to someone else, and they had much more time together before his death than given them in the film.
Random Harvest is a 1942 American romantic drama film based on the 1941 James Hilton novel of the same title, directed by Mervyn LeRoy. Claudine West, George Froeschel, and Arthur Wimperis adapted the novel for the screen, and received an Academy Award nomination. The novel keeps the true identity of Paula/Margaret a secret until the very end, something that would have been impossible in a film, where characters’ faces must be seen. This meant that the movie had to take a very different approach to the story. The film stars Ronald Colman as a shellshocked, amnesiac World War I veteran, and Greer Garson as his love interest.
Walter Davis Pidgeon was a Canadian-American actor. A major leading man during the Golden Age of Hollywood, known for his "portrayals of men who prove both sturdy and wise," Pidgeon earned two Academy Award nominations for Best Actor, for his roles in Mrs. Miniver (1942) and Madame Curie (1943).
Henry Wilcoxon was a British-American actor and film producer, born in the British West Indies. He was known as an actor in many of director Cecil B. DeMille's films, also serving as DeMille's associate producer on his later films.
The year of 1942 in film involved some significant events, in particular the release of a film consistently rated as one of the greatest of all time, Casablanca.
Mrs. Parkington is a 1944 drama film. It tells the story of a woman's life, told via flashbacks, from boarding house maid to society matron. The movie was adapted by Polly James and Robert Thoeren from the novel by Louis Bromfield. It was directed by Tay Garnett and starred Greer Garson and Walter Pidgeon appearing together as husband and wife for the fourth time.
Dame Mary Louise Webster,, known professionally as May Whitty and later, for her charity work, Dame May Whitty, was an English stage and film actress. She was one of the first two women entertainers to become a Dame. The British actors' union Equity was established in her home in 1930.
The 15th Academy Awards was held in the Cocoanut Grove at The Ambassador Hotel in Los Angeles on March 4, 1943, honoring the films of 1942. The ceremony is most famous for the speech by Greer Garson; accepting the award for Best Actress, Garson spoke for nearly six minutes, considered to be the longest Oscars acceptance speech. A portion of the ceremony was broadcast by CBS Radio.
The Miniver Story is a 1950 American drama film that is the sequel to the 1942 film Mrs. Miniver. Like its predecessor, the picture, made by MGM, stars Greer Garson and Walter Pidgeon, but it was filmed on-location in England. The film was directed by H.C. Potter and produced by Sidney Franklin, from a screenplay by George Froeschel and Ronald Millar based on characters created by Jan Struther. The music score was by Miklós Rózsa and Herbert Stothart, with additional uncredited music by Daniele Amfitheatrof, and the cinematography by Joseph Ruttenberg.
Ilka Grüning was an Austrian-Hungarian actress. Born in Vienna in the old Austrian-Hungarian Empire, she was one of many Jewish actors and actresses that were forced to flee Europe when the Nazis came to power in 1933. A respected and famous actress of her time in the German-language area, she was forced to play bit parts in Hollywood.
Julia Misbehaves is a 1948 American romantic comedy film starring Greer Garson and Walter Pidgeon as a married couple who are separated by the man's snobbish family. They meet again many years later, when the daughter whom the man has raised, played by Elizabeth Taylor, invites her mother to her wedding. The film also features Peter Lawford and Cesar Romero.
Leonard Carey was an English character actor who very often played butlers in Hollywood films of the 1930s, 1940s and 1950s. He was also active in television during the 1950s. He is perhaps best known for his role as the beach hermit, Ben, in Alfred Hitchcock's Rebecca (1940).
Scandal at Scourie is a 1953 American drama Technicolor film directed by Jean Negulesco, starring Greer Garson, Walter Pidgeon "above the title", and co-starring Donna Corcoran. Garson and Pidgeon were together for the 8th and last time in this movie, which was filmed on location in Canada.
Margaret "Talli" Tallichet was an American actress and longtime wife of movie director William Wyler. Her best-known leading role was with Peter Lorre in the film noir Stranger on the Third Floor (1940).
Harry Allen was an Australian-born American character actor of the silent and sound film eras. He was born in Melbourne, Victoria, Australia. Allen's World War One registration card gives his date of birth as 10 July, 1876 and confirms his place of birth as Melbourne, although at least one obituary gives the later birth year of 1883.
Florence Wix was an English-born American character actress who worked from the 1920s in silent films through sound films of the 1950s.
Ted Billings was an American character actor of the silent and sound film eras. Born in London, England on April 7, 1880, Billings made his film debut in the role of the Witch, in 1917's The Babes in the Woods, which starred Francis Carpenter and Virginia Lee Corbin as Hansel and Gretel. Over the course of his career he would appear in over 100 films, mostly in unnamed, un-credited roles.
↑ "The 15th Academy Awards | 1943". Oscars.org | Academy of Motion Picture Arts and Sciences. October 4, 2014. Archived from the original on May 2, 2019. Retrieved February 17, 2020.
↑ Gardner, W. J. R., ed. (2000). The Evacuation from Dunkirk, 'Operation Dynamo', 26 May–4 June 1940. London: Frank Cass. ISBN0-7146-5120-6.
↑ Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood "British" Film, 1939-45. Manchester: Manchester University Press. pp.147–148. ISBN978-0719048531.
↑ Soon after playing Garson's son in the film, Richard Ney married Garson, who was 11 years his senior.
↑ Sub-Lieut. Robert Owen Wilcoxon, RNVR, only brother of Henry Wilcoxon, assisted in the Dunkirk evacuation on 29 May 1940 – a year before work started on filming Mrs. Miniver – and was fatally injured by a bomb dropped from a German aircraft.[8]
↑ Garson's Oscar acceptance speech was the longest of all time, taking five-and-a-half minutes to finish. A 45-second time limit was imposed on acceptance speeches shortly thereafter.
Further reading
Christensen, Jerome. "Studio Identity and Studio Art: MGM, Mrs. Miniver, and Planning the Postwar Era." ELH (2000) 67#1 pp: 257–292. online
Glancy, Mark. When Hollywood Loved Britain: The Hollywood 'British' Film (1999).
Grayzel, Susan R. "“Fighting for the idea of home life”: Mrs Miniver and Anglo-American representations of domestic morale." in Gender, Labour, War and Empire (Palgrave Macmillan, London, 2009) pp. 139-156.
Herman, Jan. A Talent for Trouble: The Life of Hollywood's Most Acclaimed Director (1995).
Koppes, Clayton R., and Gregory D. Black. Hollywood Goes to War: Patriotism, Movies, and the Second World War from Ninotchka to Mrs. Miniver (Tauris Parke Paperbacks, 2000)
Short, K. R. M. "'The White Cliffs of Dover': promoting the Anglo-American Alliance in World War II." Historical Journal of Film, Radio and Television (1982) 2#1 pp: 3-25.
Summerfield, Penny. "Dunkirk and the Popular Memory of Britain at War, 1940—58." Journal of contemporary history 45.4 (2010): 788–811.
Troyan, Michael. A Rose for Mrs. Miniver: The Life of Greer Garson (2010)
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