Academy Award for Best Sound | |
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Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | 1930 |
Most recent winner | Tarn Willers and Johnnie Burn The Zone of Interest (2023) |
Website | oscars |
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly! . [1] It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories. [2]
For the second and third years of this category (i.e., the 4th Academy Awards and the 5th Academy Awards) only the names of the film companies were listed. Paramount Publix Studio Sound Department won in both years.
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† = includes special achievement awards
Finalists for Best Sound are selected by the Sound Branch. Sound Branch members shall vote in order of their preference for not more than ten pictures to be considered for the Sound award. The ten motion pictures receiving the highest number of votes shall advance to the next round of voting. [6]
Year | Finalists | Ref |
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2021 | Last Night in Soho , The Matrix Resurrections , A Quiet Place Part II , Spider-Man: No Way Home , Tick, Tick...Boom! | [7] |
2022 | Babylon , Black Panther: Wakanda Forever , Everything Everywhere All at Once , Guillermo del Toro's Pinocchio , Moonage Daydream | [8] |
2023 | Barbie , Ferrari , The Killer , Killers of the Flower Moon , Napoleon | [9] |
The Academy Award for Best Makeup and Hairstyling is the Academy Award given to the best achievement in makeup and hairstyling for film. Traditionally, three films have been nominated each year with exceptions in the early 1980s and 2002 when there were only two nominees; in 1999, when there were four nominees. Beginning with the 92nd Academy Awards, five films were nominated.
The Academy Award for Best Animated Feature is given each year for the best animated film. An animated feature is defined by the academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-by-frame technique, a significant number of the major characters are animated, and animation figures in no less than 75 percent of the running time. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001.
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design.
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced.
Tom Fleischman is an American sound engineer and re-recording mixer. He is the son of film editor Dede Allen, and documentary producer, director, and writer Stephen Fleischman. He has worked on over 170 films since 1978. He won an Academy Award in 2011 in the category Academy Award for Best Sound Mixing for Hugo and has received four other Oscar nominations for Reds (1982), The Silence of the Lambs (1992), Gangs of New York (2003), and The Aviator (2004).
Mark Taylor is a sound effects mixer and re-recording mixer.
Ron Bartlett is a sound mixer who was nominated at the 85th Academy Awards for the film Life of Pi. He was nominated in the category of Best Sound Mixing, he shared his nomination with Doug Hemphill and Drew Kunin. He was nominated again in the same category at the 90th Academy Awards for his work in Blade Runner 2049, along with Doug Hemphill and Mac Ruth.
Tom Ozanich is an American sound engineer. He was nominated for four Academy Awards in the category Best Sound for the films A Star Is Born, Joker, The Creator and Maestro.