Gary Rydstrom

Last updated
Gary Rydstrom
Born
Gary Roger Rydstrom

(1959-06-29) June 29, 1959 (age 65)
Occupation(s)Sound designer
Re-recording mixer
Supervising sound editor
Film director
Years active1984–present

Gary Roger Rydstrom (born June 29, 1959) is an American sound designer and film director. He has been nominated for 20 Academy Awards for his work in sound for movies, and has won 7.

Contents

Life and career

Rydstrom was born in Chicago. He graduated from the University of Southern California School of Cinematic Arts in 1981. [1] He began his career at Skywalker Sound, Northern California in 1983. Offered the job by a college professor, he received the opportunity to work with his mentor, Star Wars sound designer Ben Burtt.

After gaining invaluable experience as a sound technician in Indiana Jones and the Temple of Doom , Rydstrom went on to do sound design for the comedy Spaceballs . The sound design for Backdraft , prepared from scratch, would become the precursor for his sound for Terminator 2: Judgment Day . The original sound effects from Backdraft are constantly referenced and have been used for numerous other films including The Lord of the Rings film trilogy and Shrek .[ citation needed ]

He won an Academy Award for his work on Terminator 2: Judgment Day, for which he pioneered techniques still used today for creating realistic sound effects. Rydstrom also worked with Terminator 2 director James Cameron on a new 5.1 surround sound mix for the original Terminator.

His sound work on Jurassic Park led to further innovations, as he and his team set out to create dinosaur sounds by mixing together numerous different animal vocalizations [2] to make the audience feel as though giant bellowing prehistoric beasts surrounded them. The Oscar-winning film was the first motion picture to be presented in DTS. [3] The T.RexrRoar created by Gary was later re-used for Dim in A Bug's Life , Thanator in Avatar and the Hydra in Percy Jackson and the Lightning Thief .

He subsequently went on to work on sound for numerous films including Titanic , Saving Private Ryan , Minority Report and Finding Nemo . He won an MPSE lifetime achievement award, and regularly speaks at various sound design forums sharing his extensive knowledge and enthusiasm with aspiring sound design artists.

He made his directorial debut with the Pixar short Lifted, for which he received his fourteenth Academy Award nomination. It was included in the Animation Show of Shows in 2006. His debut feature film for the studio, Newt, which was supposed to be about the adventure of two blue-footed newts, and their struggles to work together, was announced in 2008. It supposedly reached the early stages of production, until it was cancelled by Pixar in early 2011 due to story issues. He has also directed the Pixar short Hawaiian Vacation and the Lucasfilm animated feature Strange Magic . [4] [5]

Rydstrom has also served as English language director on Tales From Earthsea , Arrietty , From Up on Poppy Hill , and The Wind Rises , all of which were produced by the Japanese animation company Studio Ghibli.

Awards and nominations

Gary Rydstrom has been nominated for 20 Academy Awards (7 wins), 12 Golden Reel Awards (5 wins), 5 C.A.S Awards (2 wins), 5 BAFTA Awards (2 wins), and 1 Grammy (1 win).

Academy Awards
Motion Picture Sound Editors - Golden Reel Award
  • 2005: - Career Achievement Award
  • 2004: Finding Nemo (Best Sound Editing in Feature Film - Animated - Sound) - Nominated
  • 2003: Minority Report (Best Sound Editing in Domestic Features - Dialogue & ADR) - Nominated
  • 2003: Minority Report (Best Sound Editing in Domestic Features - Sound Effects & Foley) - Nominated
  • 2002: Atlantis: The Lost Empire (Best Sound Editing - Animated Feature Film, Domestic and Foreign) - Won
  • 2002: Monsters, Inc. (Best Sound Editing - Animated Feature Film, Domestic and Foreign) - Nominated
  • 2002: Artificial Intelligence: AI (Best Sound Editing - Dialogue & ADR, Domestic Feature Film) - Nominated
  • 2002: Artificial Intelligence: AI (Best Sound Editing - Effects & Foley, Domestic Feature Film) - Nominated
  • 2001: 'Into the Arms of Strangers: Stories of the Kindertransport' (Best Sound Editing - Dialogue & ADR, Domestic Feature Film) - Nominated
  • 1999: A Bug's Life (Best Sound Editing - Animated Feature) - Won
  • 1999: Saving Private Ryan (Best Sound Editing - Dialogue & ADR) - Won
  • 1999: Saving Private Ryan (Best Sound Editing - Sound Effects & Foley) - Won
  • 1998: Hercules (Best Sound Editing - Animated Feature) - Won
Cinema Audio Society - C.A.S Award
  • 2004: - Career Achievement Award
  • 2000: Star Wars: Episode I - The Phantom Menace (Outstanding Achievement in Sound Mixing for a Feature Film) - Nominated
  • 1999: Saving Private Ryan (Outstanding Achievement in Sound Mixing for a Feature Film) - Won
  • 1998: Titanic (Outstanding Achievement in Sound Mixing for a Feature Film) - Won
  • 1994: Jurassic Park (Outstanding Achievement in Sound Mixing for a Feature Film) - Nominated
BAFTA Award
  • 2000: Star Wars: Episode I - The Phantom Menace (Best Sound) - Nominated
  • 1999: Saving Private Ryan (Best Sound) - Won
  • 1998: Titanic (Best Sound) - Nominated
  • 1994: Jurassic Park (Best Sound) - Nominated
  • 1992: Terminator 2: Judgment Day (Best Sound) - Won
Grammy Award

Filmography

Related Research Articles

The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories.

<i>Lifted</i> (2006 film) 2006 American film

Lifted is a 2006 American animated science fiction short film written and directed by Gary Rydstrom and produced by Pixar Animation Studios. This is the directorial debut of Rydstrom, a Academy Award-winning sound designer, editor and mixer, and the first produced by Katherine Sarafian, who went on to produce Pixar's Brave released in 2012.

<span class="mw-page-title-main">Skip Lievsay</span>

Skip Lievsay is an American supervising sound editor, re-recording mixer and sound designer for film and television, Lievsay has worked with filmmakers and directors including the Coen brothers, Martin Scorsese, Spike Lee, Jonathan Demme and Robert Altman.

Scott Alexander Millan is an American sound re-recording mixer, a member of the board of governors of the Academy of Motion Picture Arts and Sciences, and Sound Director for Technicolor at Paramount Studios. He is known for his collaborations with Sam Mendes, Tate Taylor, Oliver Stone, Frank Marshall, as well as his early work with Judd Apatow and the Farrelly brothers. Millan has won four Academy Awards for his work in sound for motion picture.

Gary Summers is an American sound re-recording mixer.

David Randall Thom is an American sound designer and the current director of sound design at Skywalker Sound.

Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.

Gregg Landaker is a retired American re-recording mixer. He won four Academy Awards for Best Sound and has been nominated for five more in the same category. He worked on 207 films from 1979 until his retirement in 2017, when he decided that the film Dunkirk would be the final film he would work on.

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Andy Nelson is a British re-recording mixer and sound engineer working in Los Angeles, California, United States. He has won two Academy Awards for Best Sound and has been nominated 24 times. He has worked on over 150 films since 1980. In addition to the Academy Awards, Nelson has won five BAFTA Award for Best Sound and has been nominated for eight more in the same category. He was awarded the Australian Centenary Medal in the Queen's 2001 New Year Honours List for his services to Australia society and Australian film production.

Gregg Rudloff was an American re-recording mixer. He won three Academy Awards for Best Sound and was nominated for four more in the same category. He worked on 150 films from 1983 onwards. His father, Tex Rudloff, was a sound engineer who was nominated for an Academy Award in 1978. On January 6, 2019, Rudloff died aged 63 from a reported suicide.

Ron Judkins is an American production sound mixer and writer-director. He has won two Academy Awards for Best Sound and has been nominated for another three in the same category. He is also the winner of the BAFTA Award for Best Sound for Schindler's List in 1996. Judkins directed his first feature film, The Hi-Line in 1998, and the project premiered in the Dramatic Competition at the 1999 Sundance Film Festival.

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Dennis Leonard is a sound editor. He was nominated at the 77th Academy Awards for the film The Polar Express in the category of Best Sound Editing. His nomination was shared with Randy Thom.

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<span class="mw-page-title-main">David Acord</span> American sound editor and voice actor

David Acord is an American sound editor and voice actor best known for his contribution as a supervising sound editor of the 2015 film Star Wars: The Force Awakens. Acord received a nomination for the Academy Award for Best Sound Editing and British Academy Film Award for Best Sound for his work on The Force Awakens, with fellow sound editor Matthew Wood. He also provided the voice of several characters in the film, including the stormtrooper FN-2199. Though the voice role is minimal, the character gained considerable attention on the Internet following the film's release. Acord also had minor voice roles as an Imperial Male PA and two stormtroopers on episodes of Star Wars Rebels. Acord also voiced Grogu for the Disney Plus series The Mandalorian. In 2015, Acord was one of the sound designers for Disney Infinity video game. In 2020, he received his second Academy Award nomination for Best Sound Editing for 2019 film Star Wars: The Rise of Skywalker, shared with Matthew Wood.

References

  1. Notable Alumni Archived February 24, 2008, at the Wayback Machine , USC School of Cinematic Arts, Accessed August 10, 2008.
  2. Buchanan, Kyle (2015-06-09). "You'll Never Guess How the Dinosaur Sounds in Jurassic Park Were Made". vulture.com. Retrieved 2021-08-25.
  3. "When dinosaurs ruled the cinema: remembering "Jurassic Park" on its 25th anniversary". thedigitalbits.com. Retrieved 2019-04-19.
  4. Desowitz, Bill (2015-01-23). "Immersed in Movies: Gary Rydstrom Talks 'Strange Magic' as Animated Rock Opera". IndieWire. Retrieved 2019-09-28.
  5. Freer, Ian (2016-07-29). "Before Finding Dory there was Newt: the Pixar movie that got away". The Telegraph. ISSN   0307-1235 . Retrieved 2019-09-28.
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  15. Wolff, Rob; Volotta, Tom (1991-07-01). "MARS NAVIGATOR: An interactive, multimedia exploration of the red planet". ACM SIGGRAPH Computer Graphics. 25 (3): 145–146. doi: 10.1145/126640.126643 . ISSN   0097-8930. S2CID   17197378.
  16. Graser, Marc (November 11, 2014). "Disney Dates Lucasfilm's Animated 'Strange Magic' for January 2015". Variety . Retrieved November 11, 2014.