Todd Boekelheide | |
|---|---|
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| Born | June 27, 1954 |
| Occupation | Film Composer |
| Years active | 1985 – present |
| Family | Jay Boekelheide (brother) |
Todd Boekelheide (born June 27, 1954) is an American composer based in the San Francisco Bay Area, best known for his work scoring documentary films. He won an Academy Award for Best Sound ( Amadeus , 1984) [1] and was nominated for another in the same category ( Never Cry Wolf , 1983). [2]
Boekelheide's film career began in 1974 at American Zoetrope, Francis Ford Coppola’s San Francisco production company. Beginning as a projectionist, Boekelheide gradually acquired sound post-production skills, earning his first screen credit in 1976 as re-recording mixer on Glen Pearcy’s film Fighting For Our Lives. [3]
In 1976, Boekelheide accepted an invitation to be an apprentice film editor on a film in post-production in Marin County, California, which turned out to be Star Wars (1977). Soon promoted to assistant editor, he found himself overseeing a wide variety of optical effects, from laser beams and animal chess pieces to lightsabers and optical scene transitions. [4]
His next film was Carroll Ballard’s The Black Stallion (1979), where he started as an assistant film editor, then was promoted to associate film editor, working alongside Robert Dalva through the rough-cut stage of the film. From fine cut through to the end of the project he edited sound, and was responsible for fashioning temp music for the film for each public work-in-progress screening. [5]
The temp music work ignited an interest in film scoring. Boekelheide began to explore this idea by furthering his music education at Mills College in Oakland. The Mills music department was known for its eclectic roots and broad-minded approach. [6] Boekelheide studied harmony and counterpoint with Allaudin Matthieu, Indian raga singing with Terry Riley, conducting with David Rosenboom, and became a member of Lou Harrison’s Javanese gamelan.
After his time at Mills, Boekelheide was asked to score his first film, a short, End of Innocence: June 19, 1953, directed by Stephen Stept. [7] Carroll Ballard’s film Never Cry Wolf was next. Mark Isham was asked to score the film, and Boekelheide produced the score and mixed the film, which earned him an Oscar nomination in 1984. [8] The next year found him mixing the music on Amadeus (1984) which resulted in his winning an Oscar for Best Sound in 1985. [9] Boekelheide went on to mix a number of high-profile films, notably for Philip Kaufman, Peter Weir, Hector Babenco, Bob Rafelson, David Lynch, and David Fincher.
For a time, Boekelheide was both scoring films and mixing films. But as the scoring work increased, the mixing work gradually tapered off, and his last job as a re-recording mixer was for David Fincher on Panic Room in 2002.
As a film composer, Boekelheide came to be known for his scores for documentary films, and was awarded an Emmy for his score for Kids of Survival: The Life and Art of Tim Rollins and K.O.S. in 1999. [10] Emmy nominations followed in 2007 for Boffo! Tinseltown's Bombs and Blockbusters, [11] and again in 2010 for Blessed is the Match. [12] Another Emmy nomination was announced in July 2017, for Symphony of the Soil. [13] He received a Genie Award nomination for Best Original Score at the 14th Genie Awards in 1994, for his work on the 1993 Canadian film Digger . [14]
Boekelheide is a member of both the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts & Sciences, and since 2012 he has regularly served as an advisor for the Sundance Documentary Music and Sound Design Lab, currently held every year at Skywalker Sound in Lucas Valley, near Nicasio, California.
His scoring work continues, with recent credits including 3 1/2 Minutes, 10 Bullets for Marc Silver, and Saving Eden for Bill Couturié.
James Newton Howard is an American film composer, music producer and keyboardist. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Fugitive (1993), Space Jam (1996), Dinosaur (2000), Peter Pan (2003), King Kong (2005), Batman Begins (2005) and its sequel The Dark Knight (2008) which he composed with Hans Zimmer, The Hunger Games franchise (2012–2023), Fantastic Beasts trilogy (2016–2022), and Jungle Cruise (2021). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films since The Sixth Sense (1999) and all of Lawrence's films since I Am Legend (2007). He has also worked with such other directors as Edward Zwick, Michael Hoffman, P.J. Hogan, Andrew Davis, Lawrence Kasdan, Joe Johnston, Taylor Hackford, Ivan Reitman, Joel Schumacher, and David Yates.
The 69th Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS) took place on March 24, 1997, at the Shrine Auditorium in Los Angeles beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the ceremony, AMPAS presented the Academy Awards in 24 categories honoring films released in 1996. The ceremony, televised in the United States by ABC, was produced by Gil Cates, and directed by Louis J. Horvitz. Actor Billy Crystal hosted the show for the fifth time. He first presided over the 62nd ceremony held in 1990 and had last hosted the 65th ceremony held in 1993. Three weeks earlier, in a ceremony held at the Regent Beverly Wilshire Hotel in Beverly Hills, California, on March 1, the Academy Awards for Technical Achievement were presented by host Helen Hunt.
William Couturié is a film director and producer, best known for his work in the field of documentary film.
Carroll Ballard is a retired American film director. He has directed six feature films, including The Black Stallion (1979), Never Cry Wolf (1983), Fly Away Home (1996) and Duma (2005).
Bruce Harold Broughton is an American orchestral composer of television, film, and video game scores and concert works. He has composed several highly acclaimed soundtracks over his extensive career and has contributed many pieces to music archives, including the 1994 version of the 20th Century Fox fanfare with short versions for 20th Century Fox Television and Foxstar Productions and conducting the Cinergi Pictures logo composed by Jerry Goldsmith. He has won ten Emmy Awards and has been nominated for the Academy Award for Best Original Score. Broughton is currently a lecturer in composition at UCLA.
The 45th Academy Awards were presented Tuesday, March 27, 1973, at the Dorothy Chandler Pavilion in Los Angeles, California, honoring the best films of 1972. The ceremonies were presided over by Carol Burnett, Michael Caine, Charlton Heston, and Rock Hudson.
The 57th Academy Awards were presented March 25, 1985, at the Dorothy Chandler Pavilion, Los Angeles, and was hosted by Jack Lemmon.
Film Music (1985) is an album originally released on vinyl by the American trumpeter and synthesizer player, Mark Isham.
Never Cry Wolf is a 1983 American drama film directed by Carroll Ballard. The film is an adaptation of Farley Mowat's 1963 autobiography of the same name and stars Charles Martin Smith as a government biologist sent into the wilderness to study the caribou population, whose decline is believed to be caused by wolves, even though no one has seen a wolf kill a caribou. The film also features Brian Dennehy and Zachary Ittimangnaq. It was the first Disney film to be released by the studio under the renamed Walt Disney Pictures label. The film was released on October 7, 1983, for a limited distribution, and in the regular theaters on January 27, 1984.
David Schwartz is an American composer, known for his scoring of the music for several television series. He composed most of the songs for Arrested Development, and he returned as the series composer for the fourth season, which debuted on Netflix.
The 34th Academy Awards, honoring the best in film for 1961, were held on April 9, 1962, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California.
The 29th Academy Awards were held on March 27, 1957, to honor the films of 1956.
Charles Harold Bernstein is an American composer of film and television scores. He is a Daytime Emmy Award winner, and a two-time Primetime Emmy Award nominee. Since 1995, he has been a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences' Music Branch. He has also been a member of the Board of Directors for both the American Society of Composers, Authors and Publishers and the Society of Composers & Lyricists.
Laura Anne Karpman is an American composer, whose work has included music for film, television, video games, theater, and the concert hall. She has won five Emmy Awards for her work. Karpman was trained at The Juilliard School, where she played jazz by day and honed her skills scatting in bars at night.
Bruce Stambler is a sound editor. He won the Academy Award for Best Sound Editing for the drama thriller film The Ghost and the Darkness (1996). This marked both his first win and fifth consecutive nomination in the category, after being recognized for Under Siege (1992), The Fugitive (1993), Clear and Present Danger (1994) and Batman Forever (1995). His work on The Fugitive also earned him the BAFTA Award for Best Sound. In television, his work on the "Brother's Keeper" pilot episode of Miami Vice (1984–1989) earned him the Primetime Emmy Award for Outstanding Sound Editing for a One-Hour Series.
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Nicholas Britell is an American film and television composer. He has received numerous accolades including an Emmy Award and a Grammy Award. He has also received Academy Award nominations for Best Original Score for Barry Jenkins' Moonlight (2016), If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), Cruella (2021), and She Said (2022).
Jay Boekelheide is an American sound editor. He won an Academy Award in 1983 for The Right Stuff in the category of Best Sound Editing. His brother Todd Boekelheide is also an Oscar winner, who won for best sound.
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