David Rosenboom (born 1947 in Fairfield, Iowa) [1] is a composer, performer, interdisciplinary artist, author, and educator known for his work in American experimental music.
Rosenboom has explored various forms of music, languages for improvisation, new techniques in scoring for ensembles, multi-disciplinary composition and performance, cross-cultural collaborations, performance art and literature, interactive multi-media, new instrument technologies, generative algorithmic systems, art-science research and philosophy, and extended musical interface with the human nervous system. He is a pioneer in the use of neurofeedback and compositional algorithms.
An active teacher, he was Faculty at The Herb Alpert School of Music at California Institute of the Arts from 1990 to 2023, and before that taught at other institutions such as Mills College, York University, and the Center for Creative and Performing Arts at the State University of New York in Buffalo. His students include Jin Hi Kim and Gino Robair.
As a young student, he studied (never finishing an undergraduate degree) composition, performance, and electronic music at the University of Illinois at Urbana-Champaign with Salvatore Martirano, Lejaren Hiller, Kenneth Gaburo, Gordon Binkerd, Bernard Goodman, Paul Rolland, Jack McKenzie, Soulima Stravinsky, John Garvey, and others. Working with Don Buchla, he was one of the first composers to use a digital synthesizer. [2] He has performed at CalArts with Trichy Sankaran.
Rosenboom was married to performance artist and vocalist Jacqueline Humbert until 2012. [3] He has three children from the union — Daniel, Dorothea, and Lindsay.
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Christian G. Wolff is an American composer of experimental classical music and classicist.
James Tenney was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception.
Mark Dresser is an American double bass player and composer.
Ishmael Wadada Leo Smith is an American trumpeter and composer, working primarily in the field of creative music. He was one of three finalists for the 2013 Pulitzer Prize for Music for Ten Freedom Summers, released on May 22, 2012.
Richard Lowe Teitelbaum was an American composer, keyboardist, and improvisor. A student of Allen Forte, Mel Powell, and Luigi Nono, he was known for his live electronic music and synthesizer performances. He was a pioneer of brain-wave music. He was also involved with world music and used Japanese, Indian, and western classical instruments and notation in both composition and improvisational settings.
George Emanuel Lewis is an American composer, performer, and scholar of experimental music. He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of computer music, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a MacArthur Fellowship and a Guggenheim Fellowship, and his book A Power Stronger Than Itself: The AACM and American Experimental Music received the American Book Award. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at Columbia University.
Chaim Moshe Tzadik Palestine, known professionally as Charlemagne Palestine, is an American visual artist and musician. He has been described as being one of the founders of New York school of minimalist music, first initiated by La Monte Young, Terry Riley, Philip Glass, Steve Reich, and Phil Niblock, although he prefers to call himself a maximalist.
Garrett List was an American trombonist, vocalist, and composer.
Mark Helias is an American double bass player and composer born in New Brunswick, New Jersey.
Gerry Hemingway is an American drummer and composer.
J. D. Parran is an American multi-woodwind player, educator, and composer specializing in jazz and free improvisation. He plays the soprano, alto, tenor, baritone, and bass saxophone, as well as the E-flat clarinet, alto clarinet, bass clarinet, contra-alto clarinet, piccolo, alto flute, bamboo flute, Native American flute, bamboo saxophone, and nagaswaram.
Discography for jazz saxophonist Anthony Braxton.
Anthony Coleman is an American composer and avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
Kevin Norton is an American percussionist and composer active in the New York City jazz and contemporary music scenes. He has performed and recorded with a diverse group of musicians, including Anthony Braxton, Paul Dunmall, Milt Hinton, Fred Frith, David Krakauer, Joëlle Léandre, Frode Gjerstad, Wilber Morris, James Emery, Bern Nix, and many others. In 1999, he founded Barking Hoop Recordings, a record label dedicated to releasing new and original music. Kevin Norton has also spent summers at camp Encore/Coda in Maine teaching music theory classes and private percussion classes. The label has released 11 CDs to date, which feature Norton's own groups as well as artists such as Anthony Braxton, Kevin O'Neil, Billy Stein, and the String Trio of New York.
John Lindberg is an American jazz double-bassist.
Mark Trayle, born Mark Evan Garrabrant was a California-based musician and sound artist working in a variety of media including live electronic music, improvisation, installations, and compositions for chamber ensembles. His work has been noted for its use of re-engineered consumer products and cultural artifacts as interfaces for electronic music performances and networked media installations.
The Aesthetic Research Centre (A.R.C.) was a Canadian publisher of academic books, scientific journals, LP recordings and graphic scores in the field of sound sculpture, Avant-garde music and process music, as well as neurofeedback in the arts.
Libby Van Cleve is an American oboist and Director of Yale University's Oral History of American Music.
Jacqueline Humbert is an American recording, performance and visual artist, as well as a designer for film, television and live performing arts. Under the name J. Jasmine, she recorded a song cycle, J Jasmine: My New Music which dealt progressively with topics such as androgyny and female sexual agency. The cycle was presented at the Ann Arbor Film Festival in 1978. Her artistic persona on this release has been described as "a Linda Ronstadt for the avant garde". She would collaborate again with Rosenboom in 1979–80 on the song cycle Daytime Viewing, which uses the framework of soap operas to deal with themes of commercialism, family, fashion, and abuse.