La Monte Thornton Young is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition Trio for Strings. His compositions have called into question the nature and definition of music, most prominently in the text scores of his Compositions 1960. While few of his recordings remain in print, his work has inspired prominent musicians across various genres, including avant-garde, rock, and ambient music.
Samuel Conlon Nancarrow was an American-Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his Studies for Player Piano, being one of the first composers to use auto-playing musical instruments, realizing their potential to play far beyond human performance ability. He lived most of his life in relative isolation and did not become widely known until the 1980s.
Anthony Schmalz Conrad was an American video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer. Active in a variety of media since the early 1960s, he was a pioneer of both drone music and structural film. As a musician, he was an important figure in the New York minimalist scene of the early 1960s, during which time he performed as part of the Theatre of Eternal Music. He became recognized as a filmmaker for his 1966 film The Flicker. He performed and collaborated with a wide range of artists over the course of his career.
Alvin Augustus Lucier Jr. was an American experimental composer and sound artist. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which also included Robert Ashley, David Behrman, and Gordon Mumma. Much of Lucier's work explores psychoacoustic phenomena and the physical properties of sound.
Alvin Curran is an American composer, performer, improviser, sound artist, and writer. He was born in Providence, Rhode Island, and lives and works in Rome, Italy. He is the co-founder, with Frederic Rzewski and Richard Teitelbaum, of Musica Elettronica Viva, and a former student of Elliott Carter. Curran's music often makes use of electronics and environmental found sounds. He was a professor of music at Mills College in California until 2006 and now teaches privately in Rome and sporadically at various institutions.
Philip Lionel Corner is an American composer, trombonist, alphornist, vocalist, pianist, music theorist, music educator, and visual artist.
People Like Us is the stage name of London DJ multimedia artist Vicki Bennett. She has released a number of albums featuring collages of music and sound since 1992. In recent years, she has performed at a number of modern art galleries, festivals and universities.
Remko Jan Hendrik Scha was a professor of computational linguistics at the faculty of humanities and Institute for Logic, Language and Computation at the University of Amsterdam. He made important contributions to semantics, in particular the treatment of plurals, and to discourse analysis, and laid the foundations for what became an important research paradigm in computational linguistics, Data Oriented Parsing.
Musica Elettronica Viva (MEV) is a live acoustic/electronic improvisational group formed in Rome, Italy, in 1966. Defined as "something of an irregular institution, a band that has come together intermittently through the years", Musica Elettronica Viva's founding members were Allan Bryant, Alvin Curran, Jon Phetteplace and Frederic Rzewski, Richard Teitelbaum. and Carol Plantamura. Other members include Ivan Vandor and Steve Lacy. Garrett List and George E. Lewis subsequently joined the group.
Staalplaat is an independent record label that is located in Amsterdam with a separate store in Berlin. Founded in 1982, the company's mission was to create a sound forum for sound artists, who write and perform new and experimental music.
Maurizio Bianchi is an Italian pioneer of industrial music, originating from Milan.
Paul Badura-Skoda was an Austrian pianist.
Stephan Mathieu is a German mastering engineer and former musician. He currently lives in Bonn, Germany where he runs Schwebung Mastering, an independent studio for audio mastering and restoration.
Erdem Helvacioglu is an electronic musician from Turkey. He has collaborated with artists Mick Karn, Kevin Moore, John Wilson, Kazuya Ishigami, and Saadet Turkoz. He also composes music for theatre, film and multimedia productions, and produces for popular and rock music bands in Turkey. He has received numerous international awards including prizes from the Luigi Russolo and Insulae Electronicae Electroacoustic Music Competitions.
Paul Kim is a Korean-American classical pianist.
Juan Hidalgo Codorniu was a Spanish composer, poet, an action and visual artist.
Machinefabriek is the musical nom de plume of Dutch musician/sound artist and graphic designer Rutger Zuydervelt.
Plus-Minus, 2 × 7 pages for realisation, is a composition for one or several performers by Karlheinz Stockhausen, first written in 1963 and redrafted in 1974. It is Nr. 14 in the composer's catalogue of works, and has a variable performing length that depends on the version worked out from the given materials. The score is dedicated to Mary Bauermeister.
Adventures in Jazz is an album by the Stan Kenton Orchestra, recorded in late 1961 but not released until about a year later in November 1962. The album won a Grammy Award in the category for Best Jazz Performance – Large Group (Instrumental) category in 1963. This would be Kenton's second Grammy honor in as many years, the first being Kenton's West Side Story winning the Best Large Jazz Ensemble Album in 1962. Adventures In Jazz was also nominated for Best Engineered recording for the 1963 Grammys. The 1999 CD re-issue of Adventures In Jazz is augmented with two alternate takes from the original recording sessions and one track from Kenton's release Sophisticated Approach.
Aimee van de Wiele was a Belgian keyboardist and composer, born in Brussels. She began her music studies at the Brussels Conservatory, where she studied with E. Bosquet and won the Laure van Cutsem prize for piano, as well as prizes for harmony, counterpoint, composition, and music theory. Wiele then moved to France to study harpsichord at the Paris Conservatory with Wanda Landowska and musicology with Andre Pirro. After Landowska's death in 1959, Wiele began teaching at the Paris Conservatory, where she had several notable students, including Elisabeth Chojnacka and Marketta Valve.
