Terry Riley

Last updated
Terry Riley
Terry Riley, Tokyo 8 Nov 2017 (cropped).jpg
Riley in 2017
Background information
Birth nameTerrence Mitchell Riley
Born (1935-06-24) June 24, 1935 (age 88)
Colfax, California, US
Genres Minimalism, avant-garde, tape, electronic, microtonal, classical
Instruments Electric organ, tape machine, saxophone, keyboards, synthesizer, piano, tambura
Years active1950s–present
Formerly of Theatre of Eternal Music
Website terryriley.net OOjs UI icon edit-ltr-progressive.svg

Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician [1] best known as a pioneer of the minimalist school of composition. [2] Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. [2] His best known works are the 1964 composition In C and the 1969 album A Rainbow in Curved Air , both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. [2] Subsequent works such as Shri Camel (1980) explored just intonation. [2]

Contents

Raised in Redding, California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with both the San Francisco Tape Music Center and Young's New York collective, the Theatre of Eternal Music. A three-record deal with CBS in the late 1960s brought his work to wider audiences. In 1970, he began intensive studies under Hindustani singer Pandit Pran Nath, whom he often accompanied in performance. He has collaborated frequently throughout his career, most extensively with chamber ensemble the Kronos Quartet and his son, guitarist Gyan Riley. [2]

Life

Riley was born in Colfax, California on June 24, 1935, [2] and grew up in Redding, California. [3] In the 1950s, he began performing as a solo pianist and studied composition at San Francisco State University, the San Francisco Conservatory, and University of California, Berkeley, studying with Seymour Shifrin and Robert Erickson. He befriended composer La Monte Young, whose earliest minimalist compositions using sustained tones were an influence; together, Young and Riley performed Riley's improvisatory composition Concert for Two Pianists and Tape Recorders in 1959–60. [4] Riley later became involved in the experimental San Francisco Tape Music Center, working with Morton Subotnick, Steve Reich, Pauline Oliveros, and Ramon Sender. Throughout the 1960s he also traveled frequently in Europe, taking in musical influences and supporting himself by playing in piano bars. He also performed briefly with the Theatre of Eternal Music in New York in 1965-1966.

His most influential teacher was Pandit Pran Nath (1918–1996), a master of Indian classical voice who also taught La Monte Young, Marian Zazeela, and Michael Harrison. Riley made numerous trips to India over the course of their association to study and accompany him on tabla, tambura, and voice. In 1971 he joined the Mills College faculty to teach Indian classical music. Riley also cites John Cage and "the really great chamber music groups of John Coltrane and Miles Davis, Charles Mingus, Bill Evans, and Gil Evans" as influences on his work. [5] He was awarded an Honorary Doctorate Degree in Music at Chapman University in 2007.

Riley began his long-lasting association with the Kronos Quartet when he met their founder David Harrington while at Mills. Over the course of his career, Riley composed 13 string quartets for the ensemble, in addition to other works. He wrote his first orchestral piece, Jade Palace, in 1991, and has continued to pursue that avenue, with several commissioned orchestral compositions following. He is also currently performing and teaching both as an Indian raga vocalist and as a solo pianist.

Riley continues to perform live, and was part of the All Tomorrow's Parties festival in May 2011. [6]

Riley at the Great American Music Hall, San Francisco, 1985 Terry Riley 85.jpg
Riley at the Great American Music Hall, San Francisco, 1985

Techniques

Riley's music is usually based on improvising through a series of modal figures of different lengths. Works such as In C (1964) and the Keyboard Studies (1964–1966) demonstrate this technique. The first performance of In C was given by Steve Reich, Jon Gibson, Pauline Oliveros and Morton Subotnick. Its form was an innovation: The piece consists of 53 separate modules of roughly one measure apiece, each containing a different musical pattern but each, as the title implies, in the key of C. [7] One performer beats a steady pulse of Cs on the piano to keep tempo. The others, in any number and on any instrument, perform these musical modules following a few loose guidelines, with the different musical modules interlocking in various ways as time goes on.

In the 1950s Riley was already working with tape loops, a technology still in its infancy at the time; he would later, with the help of a sound engineer, create what he called a "time-lag accumulator". [8] He has continued manipulating tapes to musical effect, in the studio and in live performances throughout his career. An early tape loop piece titled Music for the Gift (1963) featured the trumpet playing of Chet Baker. It was during Riley's time in Paris, while composing this piece, that he conceived of and created the time-lag accumulator technique. [8] Premiered in 1968 in the Magic Theatre Exhibition at the Nelson Atkins Gallery in Kansas City, [9] a new version of the installation was commissioned three decades later by Lille 2004-European Capital of Culture and purchased by the Museum of Contemporary Art of Lyon. A third version was built and presented by the Schauspielhaus in Bochum in 2019. He has composed using just intonation as well as microtones. [10] In New York City in the mid-1960s he played with his longtime friend La Monte Young, as well as with John Cale and tabla player Angus MacLise, who were founding members of The Velvet Underground. Riley is credited as inspiring Cale's keyboard part on Lou Reed's composition "All Tomorrow's Parties", which was sung by German actress Nico and included on the album The Velvet Underground and Nico , recorded in 1966.

Riley's famous overdubbed electronic album A Rainbow in Curved Air (recorded 1968, released 1969) inspired many later developments in electronic music. These include Pete Townshend's organ parts on The Who's "Won't Get Fooled Again" and "Baba O'Riley", the latter named in tribute to Riley as well as to Meher Baba. [11] Charles Hazlewood, in his BBC documentary on Minimalism (Part 1) suggests that the album 'Tubular Bells' by Mike Oldfield was also inspired by Riley's example. [12] The English progressive rock group Curved Air, formed in 1970, took its name from the album.

Riley performing in 2018 La musica minimalista se aduena del Templete del Retiro 04.jpg
Riley performing in 2018

Riley's collaborators have included the Rova Saxophone Quartet, Pauline Oliveros, the ARTE Quartett, and, as mentioned, the Kronos Quartet. His 1995 Lisbon Concert recording features him in a solo piano format, improvising on his own works. In the liner notes Riley cites Art Tatum, Bud Powell and Bill Evans as his piano "heroes", illustrating the importance of jazz to his conceptions.

Personal life

He has three children: one daughter, Colleen, [13] and two sons, Gyan, who is a guitarist, and Shahn. [14] He was married to Ann Riley until her death in 2015. [15]

Discography

Filmography

Related Research Articles

<span class="mw-page-title-main">Steve Reich</span> American composer (born 1936)

Stephen Michael Reich is an American composer who is known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.

<span class="mw-page-title-main">Chamber music</span> Form of classical music composed for a small group of instruments

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.

<span class="mw-page-title-main">La Monte Young</span> American avant-garde composer

La Monte Thornton Young is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition Trio for Strings. His compositions have called into question the nature and definition of music, most prominently in the text scores of his Compositions 1960. While few of his recordings remain in print, his work has inspired prominent musicians across various genres, including avant-garde, rock, and ambient music.

<span class="mw-page-title-main">Keith Jarrett</span> American jazz/classical pianist and composer (born 1945)

Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.

Benjamin Burwell Johnston Jr. was an American contemporary music composer, known for his use of just intonation. He was called "one of the foremost composers of microtonal music" by Philip Bush and "one of the best non-famous composers this country has to offer" by John Rockwell.

<span class="mw-page-title-main">Meredith Monk</span> American composer, director, filmmaker, and choreographer

Meredith Jane Monk is an American composer, performer, director, vocalist, filmmaker, and choreographer. From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records. In 1991, Monk composed Atlas, an opera, commissioned and produced by the Houston Opera and the American Music Theater Festival. Her music has been used in films by the Coen Brothers and Jean-Luc Godard. Trip hop musician DJ Shadow sampled Monk's "Dolmen Music" on the song "Midnight in a Perfect World". In 2015, she was awarded the National Medal of Arts by Barack Obama.

<span class="mw-page-title-main">Evan Ziporyn</span> American composer

Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.

<span class="mw-page-title-main">Ingram Marshall</span> American composer (1942–2022)

Ingram Douglass Marshall was an American composer and a onetime student of Vladimir Ussachevsky and Morton Subotnick.

Chanting the Light of Foresight is a 1987 composition by Terry Riley written for and commissioned by the Rova Saxophone Quartet, though during the course of the composition it was decided that Rova would compose "The Chord of War" and "The Pipes of Medb/Medb's Blues" contains improvisation.

<span class="mw-page-title-main">Charlemagne Palestine</span> American visual artist and musician (born 1947)

Chaim Moshe Tzadik Palestine, known professionally as Charlemagne Palestine, is an American visual artist and musician. He has been described as being one of the founders of New York school of minimalist music, first initiated by La Monte Young, Terry Riley, Philip Glass, Steve Reich, Robert Moran, and Phil Niblock, although he prefers to call himself a maximalist.

Chris Brown is an American composer, pianist and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improviser and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Saxophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.

<i>Church of Anthrax</i> 1971 studio album by John Cale and Terry Riley

Church of Anthrax is a collaborative studio album by musicians John Cale and Terry Riley. It was released in February 1971 by record label CBS, nearly a year after the material was recorded. It followed Riley's success with 1969's A Rainbow in Curved Air and Cale's influential work with the Velvet Underground.

<i>A Rainbow in Curved Air</i> 1969 studio album by Terry Riley

A Rainbow in Curved Air is the third album by American composer Terry Riley, released in 1969 on CBS Records. The title track consists of Riley's overdubbed improvisations on several keyboard and percussion instruments, including electric organ, electric harpsichord, dumbec, and tambourine. The B-side "Poppy Nogood and the Phantom Band" is a saxophone-based drone piece featuring tape loops and edits, drawing on Riley's all-night improvisatory performances in the 1960s.

Scott Richard Johnson was an American composer known for his pioneering use of recorded speech as musical melody, and his distinctive crossing of American vernacular and art music traditions, making extensive use of electric guitar in concert works, and adapting popular music structures for art music genres such as the string quartet. He was the recipient of a 2006 Guggenheim fellowship, and a 2015 American Academy of Arts and Letters Award.

Raymond Wilding-White ; was an American composer of contemporary classical music and electronic music, and a photographer/digital artist.

Persian Surgery Dervishes is a recording of two live solo electric organ concerts, the first held in Los Angeles on 18 April 1971 and the second in Paris on 24 May 1972, by the avant-garde minimalist composer Terry Riley, following his A Rainbow in Curved Air and In C. The two very different performances of the same composition are meant to show the importance of improvisation in Riley's music. Riley plays a modified Yamaha electric organ tuned in just intonation.

Terry Jennings was a Fluxus-related California-born American minimalist composer and woodwind performer.

<i>Terry Riley: Requiem for Adam</i> 2001 studio album by Kronos Quartet

Terry Riley: Requiem for Adam is a studio album by the Kronos Quartet. The music was composed by Terry Riley, commissioned by the quartet; the album is a requiem for Adam Harrington, the son of Kronos co-founder David Harrington.

<i>Terry Riley: Cadenza on the Night Plain</i> 1985 studio album by Kronos Quartet

Terry Riley: Cadenza on the Night Plain is a studio album by the Kronos Quartet, the first album-length recording of a collaboration between the quartet and American composer Terry Riley.

<span class="mw-page-title-main">Stefano Scodanibbio</span> Italian composer

Stefano Scodanibbio was an Italian musician who reached international prominence as a double bassist and composer.

References

  1. Hooper, Greg (June–July 2006). "Hear and now: Terry Riley in Australia". RealTime (73). Australia: 33.
  2. 1 2 3 4 5 6 Ankeny, Jason. "Biography". AllMusic . Retrieved 16 October 2017.
  3. Christman, Laura (June 19, 2013). "Back to his roots: Music pioneer Terry Riley returns for Redding concert". Redding Record Searchlight . Archived from the original on September 3, 2023. Retrieved September 4, 2023.
  4. Young, La Monte. "Notes on The Theatre of Eternal Music and The Tortoise, His Dreams and Journeys" (PDF). MELA Foundation. Retrieved 28 July 2020.
  5. "Like a Rainbow in Curved Air: Terry Riley". Bluefat.com.
  6. "The 10 Best Moments Of All Tomorrow's Parties". Spin. 16 May 2011.
  7. Honigmann, David. "In C, Barbican, London – review". Financial Times . Retrieved 28 August 2016.
  8. 1 2 Meigh-Andrews, Chris (2006). A History of Video Art. New York, NY and Oxford, UK: Berg (Oxford International Publishers). pp.  94–95. ISBN   978-1-84520-219-4.
  9. Smith, Geoff; Walker-Smith, Nicola; Ward, Phil (March 1993). "20th Century Americans - Terry Riley (MT Mar 1993)". Music Technology (Mar 1993): 78–84.
  10. Holmes, Thomas B. Electronic and Experimental Music, Taylor & Francis (2008). pp. 132, 362. ISBN   978-0-415-95781-6.
  11. This album also produced the name of psychedelic band Curved Air. The Who (2002). The Who: The Ultimate Collection (Media notes). MCA Records. p. 12.
  12. Hazlewood, Charles. "Tones, Drones and Arpeggios: The Magic of Minimalism". BBC Website. Retrieved 13 March 2018.
  13. Collins, Dan (November 19, 2009). "Terry Riley: Droning Dark Darkness". L.A. Record.
  14. "Terry And Gyan Riley: Together IN C". Npr.org.
  15. Hersh, Howard (10 January 1993). "A Composer on the Edge : Minimalist Terry Riley, on a journey of spiritual and artistic discovery, is deeply moved by the concept of artist-as-madman" via LA Times.
  16. O'Neal, Sean (12 August 2015). "Terry Riley turns an R&B ditty into 20 minutes of madness". Avclub.com. Retrieved 26 April 2017.
  17. "Terry Riley Discography". AllMusic. Retrieved 26 April 2017.
  18. "Shri Camel – Terry Riley | Songs, Reviews, Credits". AllMusic.
  19. "Terry Riley: Cadenza on the Night Plain – Kronos Quartet, Terry Riley | Songs, Reviews, Credits". AllMusic.
  20. "The Harp of New Albion – Terry Riley | Songs, Reviews, Credits". AllMusic.
  21. "Terry Riley: Chanting the Light of Foresight – Rova Saxophone Quartet | Songs, Reviews, Credits". AllMusic.
  22. "Salome Dances for Peace – Kronos Quartet | Songs, Reviews, Credits". AllMusic.
  23. "Stefano Scodanibbio – Discography".
  24. "Piano Music of John Adams & Terry Riley – Gloria Cheng | Songs, Reviews, Credits". AllMusic.
  25. "Atlantis Nath – Terry Riley | Songs, Reviews, Credits". AllMusic.
  26. "The Cusp of Magic – Kronos Quartet | Songs, Reviews, Credits". AllMusic.
  27. "Banana Humberto – Terry Riley | Songs, Reviews, Credits". AllMusic.
  28. "Terry Riley: The Last Camel in Paris – Terry Riley | Songs, Reviews, Credits". AllMusic.

Further reading