Critical reception
The music of Alfred Schnittke became very popular in the United States in the 1990s, and the Kronos Quartet were among many "influential international figures" who played his music. [3] They had recorded a Schnittke composition (String Quartet No.3) as early as 1988; all four of Schnittke's string quartets had been on the Kronos repertoire at least since 1991. [4] Critics responded quite positively to this recording of the quartets. Lawrence Johnson, writing for the New York Times , said, "As the new Schnittke survey attests, the Kronos can play like demons. . . . The Kronos Quartet has delivered a performance in which every phrase is filled, if not with grief, with profound and resonant meaning." [2] The album was nominated for Grammy Awards in two categories, "Best Classical Album" and "Best Chamber Music Performance." [5] [6]
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