The San Francisco Tape Music Center, or SFTMC, was founded in the summer of 1962 [1] by composers Ramon Sender and Morton Subotnick as a collaborative, "non profit corporation developed and maintained" by local composers working with tape recorders and other novel compositional technologies, which functioned both as an electronic music studio and concert venue. [2] Composer Pauline Oliveros, [3] artist Tony Martin and technician William Maginnis eventually joined the SFTMC.
The SFTMC was an active and important hub for experimental music and interdisciplinary art in the Bay Area from 1962 to 1966.
Before the SFTMC was officially established, it began as a small music studio built in the attic of the San Francisco Conservatory of Music by Ramon Sender in October 1961. [4] The studio was minimally equipped and housed little else than the conservatory's two-channel Ampex tape recorder, but Sender and fellow Sonics composers creatively explored the limitations of the studio by using contact microphones to augment their recordings in an experimental manner. [5]
The concert series that also paved the way to the creation of the SFTMC, titled Sonics, was organized by Sender and Pauline Oliveros, a fellow composition student of Robert Erickson. The first Sonics concert of December 1961 consisted of original tape compositions by Oliveros, Sender, Terry Riley and Philip Winsor as well as a collaborative live improvisations. [6] [7] The sixth and last concert of the series took place on June 11, 1962. [8]
The premiere of Terry Riley's seminal minimalist composition In C was performed at (and organized by) the SFTMC on November 4 and 6, 1964. It was performed by Riley, Steve Reich, Jon Gibson, Pauline Oliveros, Stuart Dempster, Morton Subotnick, Warner Jepson and others, while Tony Martin operated the light show or "visual environment".
The SFTMC members, particularly Morton Subotnick, were instrumental in the creation of the Buchla analog modular synthesizer.
Over the course of four years, the SFTMC changed locations twice, first to 1537 Jones Street and then to 321 Divisadero Street, before the Rockefeller Foundation awarded a $200,000 grant to Mills College to bring the SFTMC to Mills and merge it with the Mills Performing Group, where it eventually became the Mills Tape Music Center. Pauline Oliveros, Tony Martin and William Maginnis collectively served as directors for the new center, which is now the Center for Contemporary Music (CCM). [9] [10]
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar.
Stephen Michael Reich is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener.
Terrence Mitchell "Terry" Riley is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition In C and the 1969 LP A Rainbow in Curved Air, both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music.
Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.
Joan Linda La Barbara is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics.
Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years.
Mills College at Northeastern University is a private college in Oakland, California and part of Northeastern University's global university system. Mills College was founded as the Young Ladies Seminary in 1852 in Benicia, California; it was relocated to Oakland in 1871 and became the first women's college west of the Rockies. In 2022, it merged with Northeastern University following several years of severe financial difficulties.
Ingram Douglass Marshall was an American composer and a onetime student of Vladimir Ussachevsky and Morton Subotnick.
Robert Erickson was an American composer.
Stuart Dempster is a trombonist, didjeridu player, improviser, and composer.
Chaim Moshe Tzadik Palestine, known professionally as Charlemagne Palestine, is an American visual artist and musician. He has been described as being one of the founders of New York school of minimalist music, first initiated by La Monte Young, Terry Riley, Philip Glass, Steve Reich and Phil Niblock, although he prefers to call himself a maximalist.
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.
Ramón Sender Barayón is a composer, visual artist and writer. He was the co-founder with Morton Subotnick of the San Francisco Tape Music Center in 1962. He is the son of Spanish writer Ramón J. Sender.
Sarah Cahill is an American pianist based in the Bay Area. She has also worked as a writer on music and as a radio show host.
Gerald M. Shapiro is an American composer of acoustic and electronic music.
Silver Apples of the Moon is the debut album by American composer and musician Morton Subotnick, released by Nonesuch Records in July 1967. It contains the titular composition which is divided into two parts. A showcase for the Buchla 100 synthesizer, an early analogue synthesizer that the composer helped develop, it was the first piece of electronic music commissioned by a record company.
Tony Martin was an American painter and new media artist known for his groundbreaking light art and viewer interactive sculptures and installations, and the paintings associated with those works. His six decade painting career includes expressionistic figural work and abstraction developed from his life and environs.
The Brooklyn College Center for Computer Music (BC-CCM) located at Brooklyn College of the City University of New York (CUNY) was one of the first computer music centers at a public university in the United States. The BC-CCM is a community of artists and researchers that began in the 1970s.
André Stordeur was a Belgian electronic music composer.
Betty Ann Wong is an American author, composer, and multi-media musician. She received the 1988 Hollywood Dramalogue Critics Award for Outstanding Achievement for Original Music Theater for her work on Eugene O'Neill's Marco Millions. She has also composed film scores for Academy Award-winning movie producers Allie Light and Irving Saraf.