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Motto | Limes regiones rerum [1] |
---|---|
Motto in English | Reality ends here [2] |
Type | Private film school |
Established | 1929 |
Parent institution | University of Southern California |
Dean | Elizabeth M. Daley (1991–present) |
Academic staff | 96 full time 219 part time [3] |
Administrative staff | 144 full time 499 student workers [3] |
Undergraduates | 876 [3] |
Postgraduates | 715 [3] |
Location | , , |
Website | cinema |
The University of Southern California School of Cinematic Arts (SCA) houses eight academic divisions: Film & Television Production; Cinema & Media Studies; John C. Hench Division of Animation + Digital Arts; John Wells Division of Writing for Screen & Television; Interactive Media & Games; Media Arts + Practice; Peter Stark Producing Program and the Expanded Animation Research + Practice Program.
The USC School of Cinematic Arts is led by dean Elizabeth Monk Daley, who holds the Steven J. Ross/Time Warner Chair and is the longest-serving dean at the University of Southern California, having led the cinema school since 1991.
When Douglas Fairbanks became the first president of the nascent Academy of Motion Picture Arts and Sciences in 1927, one of his recommendations was that the academy should have a “training school”. As Fairbanks and his enablers reasoned that training in the cinematic arts should be seen as a legitimate academic discipline at major universities, given the same degree considerations as fields like medicine and law. Although cinema studies programs are now widely entrenched in academia, back then it was a novel idea and many universities turned Fairbanks down. But he found tepid acceptance at the University of Southern California that agreed to allow one class, called “Introduction to Photoplay” that debuted in 1929, the same year as the Academy Awards. Determined to make it a success, Fairbanks brought in the biggest industry names of the era to lecture, including Douglas Fairbanks, Mary Pickford, D. W. Griffith, Charlie Chaplin, William C. DeMille, Ernst Lubitsch, Irving Thalberg, and Darryl Zanuck. [4] From that one class grew a Department of Cinematography (1932) in the College of Letters, Arts and Sciences, renamed the Department of Cinema (1940), which led to the establishment of the USC School of Cinema-Television (1983), which was renamed the USC School of Cinematic Arts (2006). [5] .
On September 19, 2006, USC announced that alumnus George Lucas had donated US$175 million to expand the film school with a new 137,000-square-foot (12,700 m2) facility. This represented the largest single donation to USC and the largest to any film school in the world. [6] His previous donations resulted in the naming of two buildings in the school's previous complex, opened in 1984, after him and his then-wife Marcia, though Lucas was not fond of the Spanish Colonial Revival architecture used in those buildings. An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. The project also received another $50 million in contributions from Warner Bros., 20th Century Fox and The Walt Disney Company. [1]
In fall 2006, the school, together with the Royal Film Commission of Jordan, created the Red Sea Institute of Cinematic Arts (RSICA) in Aqaba, Jordan. [7] The first classes were held in 2008, and the first graduating class for the university was in 2010.
The USC School of Cinematic Arts announced it would remove an exhibit devoted to actor and former USC student John Wayne, after months of insistence from a small number of students denouncing the Hollywood star’s views and the portrayal of indigenous Americans in his films. The exhibit has been relocated to the Cinematic Arts library which has many collections for the study of figures whose lives and works are part of society's shared history. These materials are preserved for posterity and made accessible for research and scholarship as will the materials in the Wayne Collection. [8]
The current Chair is Gail Katz, holder of the Mary Pickford Endowed Chair; Vice-Chair is Susan Arnold.
The Division of Cinema & Media Studies (CaMS) is the central hub for film theory at the USC School of Cinematic Arts. The current Chair is Priya Jaikumar. Notable faculty members of the Cinema and Media Studies department include Todd Boyd and Drew Casper. Prior to his 2019 retirement, Casper was the 3rd-highest paid professor in the University of Southern California's history.
The John C. Hench Division of Animation + Digital Arts teaches courses in animation and digital arts. These include classic character animation, 2-D and 3-D storytelling, performance capture, visual effects, motion graphics. The current Chair is Teresa Cheng, who holds the John C. Hench Endowed Division Chair.
The Interactive Media & Games Division focus is on video games. USC has been a pioneer in teaching the foundations of games and interactive media while also moving the field forward with innovative research concepts. Since the start of its rating system in 2009, The Princeton Review has consistently ranked USC as the top school for game design in North America. The Chair at the moment is Danny Bilson.
The Media Arts + Practice Division (MA+P) creates and analyzes media for fields as diverse as business, medicine, education, architecture, law, urban planning, filmmaking. The current co-chairs are Holly Willis and Elizabeth Ramsey.
The USC School of Cinematic Arts offers Bachelor of Fine Arts and Master of Fine Arts degrees in Writing for Screen and Television for students who seek professional preparation for a career in screen and television writing. The programs emphasizes small, workshop-style classes. Students attend a variety of guest speaker presentations, take industry internships, are provided with mentors and are taught by professors who are actively working in the entertainment industry. Each fall, 30 undergraduate and 32 graduate writing students are selected to begin the program. The current Chair is David Isaacs.
The Peter Stark Producing Program is a two-year (four semester) full-time graduate program. 24 Peter Stark Program students are enrolled each fall. The curriculum is designed to prepare a select group of students for careers as producers and executives of film, television, and new media. The current Chair is Edward Saxon and Associate Chair is Nina Yang Bongiovi. [9]
The Expanded Animation Research + Practice (XA) MFA program emphasizes creative expression across all platforms. Areas of study include 2D / 3D / real-time animation, motion capture, VR/AR, VFX, cinematic installation, analog techniques, documentary animation, experimental animation, stop motion, writing & story art, science visualization, sound design, and AI & virtual production. XA offers an ever-expanding, flexible and self-directed curriculum, cutting-edge facilities, new technologies, and inspiring guest artists that encourage artistic freedom and experimentation within the animation art form. The current Director is Sheila M. Sofian.
The School of Cinematic Arts also has an active Board of Councilors who help guide the future direction of the School and work with the Dean to ensure the School is properly resourced.
Donations from film and game industry companies, friends, and alumni have enabled the school to build the following facilities: [10]
At the center of the new television complex is a statue of founder Douglas Fairbanks. He is seen holding a fencing foil in one hand and a script in the other to reflect his strong ties with the USC Fencing Club.
See also List of University of Southern California people
SCA has more than 17,000 alumni. [3] [24] Among the most notable are:
The University of Southern California is a private research university in Los Angeles, California, United States. Founded in 1880 by Robert Maclay Widney, it is the oldest private research university in California, and has an enrollment of more than 49,000 students.
Raymond Otto Stark was an American film producer and talent agent. Stark's background as a literary and theatrical agent prepared him to produce some of the most profitable films of the 1960s, 1970s, 1980s, and 1990s, such as The World of Suzie Wong (1960), West Side Story (1961), The Misfits (1961), Lolita (1962), The Night of the Iguana (1964), Reflections in a Golden Eye (1967), Funny Girl (1968), The Owl and the Pussycat (1970), The Goodbye Girl (1977), The Toy (1982), Annie (1982), and Steel Magnolias (1989).
Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies.
The University of Southern California's School of Cinematic Arts's Interactive Media & Games Division first accepted M.F.A. students in 2002. The division currently offers both undergraduate (B.F.A.) and graduate programs in interactive media and game design, as well as B.F.A. programs in game art and themed entertainment and an M.A. in media, games and health. The programs include courses in game design, game development, production, audio, animation, and user research as well as experimental work in gestural and immersive interfaces, transmedia design, and interactive cinema.
The UCLA School of Theater, Film and Television, is one of the 12 schools within the University of California, Los Angeles (UCLA) located in Los Angeles, California. Its creation was groundbreaking in that it was the first time a leading university had combined the study of theater, filmmaking and television production into a single administration.
Mariano "Mar" Elepaño is a Filipino American independent filmmaker, teacher, and has been the production supervisor of the John C. Hench Division of Animation and Digital Arts, USC School of Cinematic Arts since 1993.
Edward Bradley Saxon is an American film producer and endowed Chair of the Peter Stark Producing Program at the USC School of Cinematic Arts. Saxon is arguably best known for producing the film The Silence of the Lambs, which won the Academy Award for Best Picture, and is, to date, the third and last film to sweep the five main categories of Academy Award for Best Actor, Best Actress, Best Adapted Screenplay, Best Director, and Best Picture.
Slavoljub "Slavko" Vorkapić, known in English as Slavko Vorkapich, was a Serbian-born Hollywood montagist, an independent cinematic artist, chair of USC School of Cinematic Arts, chair of the Belgrade Film and Theatre Academy, painter, and illustrator. He was a prominent figure of modern cinematography and motion picture film art during the early and mid-20th century and was a cinema theorist and lecturer.
Barnet Kellman is an American theatre, television and film director, television producer and film actor, and educator, best known for the premiere productions of new American plays, and for the pilots of long-running television series such as Murphy Brown and Mad About You. He is the recipient of two Emmy Awards and a Directors Guild of America Award. He is the co-founder and director of USC Comedy at the School of Cinematic Arts, and holds the school's Robin Williams Endowed Chair in Comedy.
David Alan Isaacs is an American screenwriter and producer. He has written episodes of M*A*S*H, Cheers, its spin-off Frasier, and The Simpsons with Ken Levine.
Tracy Fullerton is an American game designer, educator and writer, best known for Walden, a game (2017). She is a Professor in the USC Interactive Media & Games Division of the USC School of Cinematic Arts and Director of the Game Innovation Lab at USC.
Anne Friedberg was an American author, historian and theorist of modern media culture, chair of the Critical Studies Division in the School of Cinematic Arts at the University of Southern California and President-elect of the Society for Cinema and Media Studies.
Jack Epps Jr. is an American screenwriter, author, and educator, known chiefly for such popular 1980s films as Top Gun, Legal Eagles, and The Secret of My Success, which he wrote with longtime partner Jim Cash. Epps Jr. graduated from the College of Arts and Letters at Michigan State University, and he has since gone on to teach at the University of Southern California.
The academics of the University of Southern California center on The College of Letters, Arts, and Sciences, the Graduate School, and its 17 professional schools.
Kathy Smith is an Australian independent animator, painter, new media artist, and Professor with the USC School of Cinematic Arts. Smith chaired the John C. Hench Division of Animation & Digital Arts from 2004 - 2009 & 2010 - 2014.
Theodore Braun is an American filmmaker best known for his feature documentaries Darfur Now (2007), Betting on Zero (2017), and ¡Viva Maestro! (2022). He works in non-fiction across documentary and scripted forms with a focus on global conflict. He has won the International Documentary Association's Emerging Filmmaker Award, an NAACP Image Award for Best Feature Documentary and been nominated twice for the WGA Award for Best Feature Documentary Screenplay.
Douglas Elton Fairbanks Sr. was an American actor and filmmaker, best known for his swashbuckling roles in silent films. One of the biggest stars of the silent era, Fairbanks was referred to as "The King of Hollywood". He was also a founding member of United Artists as well as the Motion Picture Academy and hosted the 1st Academy Awards in 1929.
Howard A. Rodman is a screenwriter, author and professor. He is the former President of the Writers Guild of America, West, professor and former chair of the writing division at the USC School of Cinematic Arts, alumnus of Telluride Association Summer Program and an artistic director of the Sundance Institute Screenwriting Labs.
Nina Yang Bongiovi is an American film producer and Associate Chair of the Peter Stark Producing Program at the USC School of Cinematic Arts. In 2010, she partnered with actor Forest Whitaker to create Significant Productions; together, they have produced Fruitvale Station (2013) by Ryan Coogler, Dope (2015) by Rick Famuyiwa, Songs My Brothers Taught Me (2015) by Chloe Zhao, Roxanne Roxanne (2017) by Michael Larnell, Sorry to Bother You (2018) by Boots Riley, and Passing (2021) by Rebecca Hall. She is married to Anthony Bongiovi, the younger brother of musician Jon Bon Jovi.