Gregg Araki

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Gregg Araki
Gregg Araki Deauville 2014.jpg
Araki in 2014
Born (1959-12-17) December 17, 1959 (age 64)
Education University of California, Santa Barbara (B.A.)
University of Southern California (M.F.A.)
Occupation(s)Film director, screenwriter, producer
Years active1987–present
Style New Queer Cinema

Gregg Araki (born December 17, 1959) is an American filmmaker. He is noted for his heavy involvement with the New Queer Cinema movement. His film Kaboom (2010) was the first winner of the Cannes Film Festival Queer Palm.

Contents

Early life and education

Araki was born in Los Angeles on December 17, 1959, to Japanese American parents. [1] [2] He grew up in nearby Santa Barbara, California, and enrolled in college at the University of California, Santa Barbara. [3] He graduated with a B.A. from UCSB in 1982. [2] [4] He later attended the University of Southern California's School of Cinematic Arts, where he graduated with a Master of Fine Arts in 1985. [2] [3] [5]

Career

Low-budget beginnings

Araki made his directorial debut in 1987 with Three Bewildered People in the Night . With a budget of only $5,000 and using a stationary camera, he told the story of a romance between a video artist, her sweetheart, and her gay friend. [3] [6] Two years later, Araki followed up with The Long Weekend (O' Despair) , another film with a $5,000 budget. [3] [6] His third film, The Living End (1992), saw an increase to $20,000. [6] He often had to shoot his early movies spontaneously and without proper permits. [2]

Despite the financial constraints, Araki's films received critical acclaim. He received awards from the Locarno International Film Festival and the Los Angeles Film Critics Association, with an additional nomination for a Sundance Film Festival award. [2] [7]

Around 1992 director Jon Jost lent him a 16mm camera and gave him some film. [8] [ non-primary source needed ]

Teenage Apocalypse trilogy

Araki's next three movies— Totally F***ed Up (1993), The Doom Generation (1995), and Nowhere (1997)—were collectively dubbed the Teenage Apocalypse trilogy. [3] The trio has been characterized as "... teen alienation, hazy sexuality and aggression." [9] A former student of his at UC Santa Barbara, Andrea Sperling, co-produced the films with him. [10]

The trilogy saw Araki work increasingly with more notable actors and actresses including Rose McGowan, Margaret Cho, Parker Posey, Guillermo Díaz, Ryan Phillippe, Heather Graham, and Mena Suvari among others.

The trilogy received varying degrees of reviews, from a thumbs down and "zero stars" by Roger Ebert to "Literally the Best Thing Ever" by Rookie , and was eventually heralded as cult classics. [11] [12] [13]

Araki at the Deauville American Film Festival in September 2010 Gregg Araki.jpg
Araki at the Deauville American Film Festival in September 2010

Subsequent efforts

Araki's following film, Splendor (1999), was both an homage to screwball comedies of the 1940s and 1950s and a response to the controversy surrounding his ongoing relationship (despite Araki self-identifying as gay) with actress Kathleen Robertson. [2] [3] Hailed as the director's most optimistic film to date,[ citation needed ] it made its premiere at the 1999 Sundance Film Festival. [14]

Araki's next project was the ill-fated MTV production This Is How the World Ends, originally planned with a budget of $1.5 million. [15] He viewed it as a chance to reach the masses through MTV's viewership and signed on to do the project despite the budget being cut to $700,000. [2] [15] Araki wrote, directed, and shot the pilot episode, but ultimately MTV decided against the project and the effort never aired. [2] [15]

Following a short hiatus, Araki returned in 2004 with the critically acclaimed Mysterious Skin , based on the 1995 Scott Heim novel of the same name. [2] This marked Araki's first work with someone else's source material. [15] [16]

Araki's next feature was the stoner comedy Smiley Face (2007), featuring Anna Faris, Adam Brody, and John Krasinski, written by Dylan Haggerty. It marked a stark change from the dark, heavy drama of Mysterious Skin, a change purposely planned by Araki. [15] [16] It received very favorable reviews, with some describing it as another of Araki's potential cult classics. [15] [17] [18]

Kaboom marked Araki's tenth film and made its premiere at the 2010 Cannes Film Festival. It was awarded the first ever Queer Palm for its contribution to lesbian, gay, bisexual, and transgender issues. [19]

Araki followed that film with White Bird in a Blizzard (2014), which was given limited release to mixed reviews. Araki returned to television with the 2019 series Now Apocalypse , co-executive produced by Gregory Jacobs and Steven Soderbergh on Starz.

Araki's next film, the comedy/thriller I Want Your Sex, will star Olivia Wilde, Cooper Hoffman, and Charli XCX. Production is scheduled to begin in October 2024 in Los Angeles. The screenplay was written by Araki and Karley Sciortino. [20]

Style

One notable feature of Araki's work is the frequent presence of shoegaze music. This was first seen in the soundtrack of Totally Fucked Up, and was also substantially featured in the films Nowhere and Mysterious Skin. [1] [21] Both The Living End and Nowhere owe their titles to this shoegaze influence: The Living End after The Jesus and Mary Chain song of the same name, and Nowhere after Ride's album Nowhere . [22]

Awards and honors

In 2010, Kaboom was named the first-ever winner of the Cannes Film Festival Queer Palm. [19] Araki has also been honored with the 2006 Filmmaker on the Edge Award at the Provincetown International Film Festival. [23] In 2013, Araki was recognized by the Museum of Arts and Design in New York City with the retrospective God Help Me: Gregg Araki. [24] [25] [26]

Personal life

Araki has previously self-identified as "a gay Asian American". [27] However, he had a relationship with actress Kathleen Robertson from 1997 to 1999. [28] [29] [30] In a 2014 interview, at which time he was in a relationship with a male partner, Araki said: "I don't really identify as anything", adding "I'd probably identify as gay at this point, but I have been with women." [31]

Filmography

Film

YearTitleNotes
1987 Three Bewildered People in the Night
1989 The Long Weekend (O' Despair)
1992 The Living End
1993 Totally Fucked Up Part 1 of Teen Apocalypse trilogy
1995 The Doom Generation Part 2 of Teen Apocalypse trilogy
1997 Nowhere Part 3 of Teen Apocalypse trilogy
1999 Splendor
2004 Mysterious Skin
2007 Smiley Face
2010 Kaboom
2014 White Bird in a Blizzard
TBA I Want Your Sex Post-production

Television

YearTitleNotes
2000This Is How the World EndsUnaired pilot for MTV
2016 American Crime Episode: "Season Two: Episode Three"
Greenleaf Episode: "Men Like Trees Walking"
Red Oaks 2 episodes
2017–2018 13 Reasons Why 4 episodes
2018 Riverdale Episode: "Chapter Twenty-Four: The Wrestler"
Heathers 2 episodes
2019 Now Apocalypse Creator, director, writer, executive producer
2022 Dahmer – Monster: The Jeffrey Dahmer Story Episode: "Lionel"
American Gigolo Episode: "Nothing Is the Real but the Girl"

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The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

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