Categories | Film |
---|---|
Frequency | Quarterly |
Publisher | Gary Morris and Gregory Battle |
Founded | 1974 |
Final issue | 1995 (print) |
Country | United States |
Website | http://www.brightlightsfilm.com/ |
ISSN | 0147-4049 |
Bright Lights Film Journal is an online popular-academic film magazine, based in Oakland, California, United States. It is edited and published by Gary Morris.
Originally a print publication established in 1974, it was discontinued in 1980 to be restarted and re-discontinued in 1993, and 1995 respectively. The magazine moved to online publishing exclusively in 1996 and has continued publication ever since. It is indexed in academic research databases such as MLA (Modern Language Association) ProQuest [ citation needed ] and the Film & Television Literature Index. [1]
In 2009, select interviews from the journal were compiled in a print anthology, Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran, published by Anthem Press as part of its "New Perspectives on World Cinema" series. [2]
Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Stephen Lighthill.
Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies.
The Arts and Humanities Citation Index (AHCI), also known as Arts and Humanities Search, is a citation index, with abstracting and indexing for more than 1,700 arts and humanities academic journals, and coverage of disciplines that includes social and natural science journals. Part of this database is derived from Current Contents records. Furthermore, the print counterpart is Current Contents.
Wheeler Winston Dixon is an American filmmaker and scholar. He is an expert on film history, theory and criticism. His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films. He has written extensively on numerous aspects of film, including his books A Short History of Film and A History of Horror. From 1999 through the end of 2014, he was co-editor, along with Gwendolyn Audrey Foster, of the Quarterly Review of Film and Video. He is regarded as a top reviewer of films. In addition, he is notable as an experimental American filmmaker with films made over several decades, and the Museum of Modern Art exhibited his works in 2003. He taught at Rutgers University, The New School in New York, the University of Amsterdam in the Netherlands, and as of May 2020, is the James E. Ryan professor emeritus of film studies at the University of Nebraska in Lincoln.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
The Online Film Critics Society (OFCS) is an international professional association of online film journalists, historians and scholars who publish their work on the World Wide Web. The organization was founded in January 1997 by Harvey S. Karten, an early online critic who discovered that membership in the New York Film Critics Circle was open only to journalists working for newspapers and magazines. Online critics have generally found it difficult to gain acceptance for their work, and one role of the OFCS is to provide professional recognition to the most prolific and successful online critics.
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
CineAction is a Canada-based film magazine, published three times a year, edited by an editorial collective that originally included critic Robin Wood. It was founded in 1985 by members of the film department at Toronto's York University. The magazine has a Marxist-orientation. The first 98 issues of the magazine were published in print from 1985-2016. CineAction introduced its inaugural online issue in October 2018.
Film Comment is the official publication of Film at Lincoln Center. It features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world. Founded in 1962 and originally released as a quarterly, Film Comment began publishing on a bi-monthly basis with the Nov/Dec issue of 1972. The magazine's editorial team also hosts the annual Film Comment Selects at the Film at Lincoln Center. Due to the COVID-19 pandemic, publication of the magazine was suspended in May 2020, and its website was updated on March 10, 2021, with news of the relaunch of the Film Comment podcast and a weekly letter.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: journalistic criticism that appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre or in the whole of film history.
Anupama Chopra is an Indian author, journalist, film critic and director of the MAMI Mumbai Film Festival. She is also the founder and editor of the digital platform Film Companion, which offers a curated look at cinema. She has written several books on Indian cinema and has been a film critic for NDTV, India Today, as well as the Hindustan Times. She also hosted a weekly film review show The Front Row With Anupama Chopra, on Star World. She won the 2000 National Film Award for Best Book on Cinema for her first book Sholay: The Making of a Classic. She presently critiques movies and interviews celebrities for Film Companion.
John Carter Tibbetts is an American film critic, historian, author, painter, and pianist. He is currently a film professor at the University of Kansas.
Variety is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added Daily Variety, based in Los Angeles, to cover the motion-picture industry. Variety.com features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905.
Thomas Elsaesser was a German film historian and professor of Film and Television Studies at the University of Amsterdam. He was also the writer and director of The Sun Island, a documentary essay film about his grandfather, the architect Martin Elsaesser. He was married to scholar Silvia Vega-Llona.
Stephen Burgess Evans is an American investigative journalist, author, communications professional and film historian. A Poynter Institute for Media Studies Fellow, Evans has received first place awards for feature writing from the Virginia Press Association and Tennessee Press Association. He has also received numerous awards from the Council for Advancement and Support of Education (CASE) for excellence in academic writing and publishing in higher education. His writing and photography have appeared in more than 50 print publications, including The Wall Street Journal, the Los Angeles Times,The Richmond Times-Dispatch, the Miami Herald and The Washington Post, as well as scores of online publications. Evans' film commentary appears on DVDVerdict.com, RottenTomatoes.com, CinemaUprising.blogspot.com, IMDb.com, and has been featured on The Criterion Collection homepage, among many other online sites devoted to film appreciation and cinema history.
Negar Mottahedeh is a cultural critic and film theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film Studies.
Kirsten Moana Thompson is an interdisciplinary scholar of American and New Zealand/Pacific cinema and visual culture. Thompson's work in American film has focused on classical American cel animation and the introduction of three strip Technicolor, on contemporary crime films and blockbuster and special effects cinema. Her work on Pacific cinema situates film production by American and Pacific filmmakers in broader cultural and visual contexts. She has also published on American horror film and German cinema.
Tim Palmer, born in Nottingham, England, is a British film historian currently based at the University of North Carolina at Wilmington in the film studies department. He holds a bachelor's degree in film and literature from the University of Warwick, a master's degree in film and television studies from the University of Warwick, and a PhD in communication arts from the University of Wisconsin–Madison.
Kiva Reardon is a Canadian film programmer, writer, editor, and commentator.