The Doom Generation

Last updated
The Doom Generation
Doom generation.jpg
Theatrical release poster
Directed by Gregg Araki
Written byGregg Araki
Produced by
Starring
CinematographyJim Fealy
Edited by
  • Gregg Araki
  • Kate McGowan
Music by Dan Gatto
Production
companies
  • UGC
  • The Teen Angst Movie Company
Distributed by
Release dates
  • January 26, 1995 (1995-01-26)(Sundance Film Festival)
  • October 27, 1995 (1995-10-27)(United States)
  • November 15, 1995 (1995-11-15)(France)
Running time
83 minutes [1]
Countries
  • United States
  • France
LanguageEnglish
Budget$800,000
Box office$284,785 [2]

The Doom Generation is a 1995 independent black comedy thriller film co-produced, co-edited, written and directed by Gregg Araki, and starring Rose McGowan, James Duval and Jonathan Schaech. The plot follows two troubled teenage lovers who pick up an adolescent drifter and embark on a journey full of sex, violence, and convenience stores.

Contents

Billed as "A Heterosexual Movie by Gregg Araki", The Doom Generation is the second installment in the director's trilogy known as the Teenage Apocalypse film trilogy, preceded by Totally Fucked Up (1993) and followed by Nowhere (1997). The characters of Amy Blue and Jordan White are based on the Mark Beyer comic strip "Amy and Jordan".

Araki's major film debut, shooting primarily took place at night during January 1994 in Los Angeles on a budget of $800,000. The crew avoided well known landmarks and shot in undeveloped areas of urban sprawl to give an apocalyptic feel. The budget allowed Araki to hire professional crew, making it the first of his films not shot by himself.

The film premiered at the Sundance Film Festival on January 26, 1995. [3] It received mixed reviews from critics. During the press screening, many critics left. However, at the San Francisco International Film Festival (SFIFF), it received critical acclaim, most proclaiming it as Araki's breakthrough. Distributed by Trimark Pictures, it was released in the United States on October 27, 1995. While not a financial success, earning only $284,785 at the box office, McGowan was nominated for Best Debut Performance at the 11th Independent Spirit Awards.

Plot

Teenage lovers Jordan White and Amy Blue pick up a handsome drifter named Xavier Red while driving home from a club. Jordan gives Xavier the nickname "X". A late-night stop at a convenience store leaves the three on the run when X accidentally kills the store's owner, forcing the trio to hide in a motel to avoid arrest. Jordan and Amy have sex in the bathtub, while X watches from an outside window. X then learns from the local television news program that the store owner's wife disemboweled her children with a machete before committing suicide. This leads X to believe that the trio won't be considered suspects or be found by police.

Later that evening, Amy has sex with X, despite their mutual dislike of each other. Eventually Jordan finds out, and things become tense as the two men develop a lingering sexual attraction for one another. As the trio journeys around the city of Los Angeles, they continue to get into violent (almost comedic; every item the trio buys always comes out to $6.66) situations due to people either claiming to be Amy's previous lovers or mistaking her for such. These incidents get the attention of the FBI, and their goal is to find Amy and kill her (exactly the same sentiment is voiced by several other parties in the film). She is mistakenly identified by a fast food window clerk as "Sunshine" and later by a character played by Parker Posey as "Kitten".

Jordan, Amy and X spend the night in an abandoned warehouse, where they engage in a threesome. While Amy goes to urinate, Jordan and X are attacked by a trio of neo-Nazis, one of whom had previously mistaken Amy for his ex-girlfriend "Bambi". The gang first severely beats up X, then holds Jordan down as the aforementioned neo-Nazi ties up and rapes Amy on top of an American flag. The group finally cuts off Jordan's penis with pruning shears and forces the severed penis into his mouth. After Amy breaks free, she kills the neo-Nazis with the shears and escapes with X, leaving Jordan for dead. The film ends with Amy and X driving in her car. X offers Amy a Dorito, to no reply. Aimless on an empty road, the credits roll.

Cast

Release

Home media

The film was initially acquired by The Samuel Goldwyn Company, but was dropped due to content objections, before being picked up by Trimark Pictures. Its home video release had many cuts and differed greatly from the original version seen at Sundance. [4] In March 2012, the UK company Second Sight Films released a DVD with anamorphic widescreen and director/cast commentary. [5] Previous releases up until this point lacked the commentary, with many lacking the widescreen format.

Director's cut

Duval and Araki answering audience questions after an April 2023 screening of The Doom Generation restoration at the New Mission Theater, San Francisco The Doom Generation Q&A (James Duval & Gregg Araki).jpg
Duval and Araki answering audience questions after an April 2023 screening of The Doom Generation restoration at the New Mission Theater, San Francisco

The first cut as shown at Sundance featured several scenes removed from future releases. It was shown at the 2023 Sundance Film Festival, restored in 4K with 5.1 surround sound, with the restoration supervised by Araki. [6] This version will be released in cinemas around the US, starting April 6, 2023, at the Brooklyn Academy of Music as part of Newfest's series "Queering the Canon: Totally Radical". [7]

According to Araki, the new 4K restoration of The Doom Generation is the only one that he wants audiences to watch from here on out: "I hope that this new version of it wipes those old copies out entirely, because they're so inferior. There was an R-rated cut of Doom Generation that was made without my approval, and it's terrible. It's literally been butchered beyond recognition, and I'd prefer that people don't watch it at all than watch that copy of it." [3]

This version of the film will be released on Blu-ray from Strand Releasing on September 26, 2023.

Reception

The Doom Generation received mixed reviews, with critics often comparing the film both favorably and unfavorably to Oliver Stone's Natural Born Killers . Film review aggregation website Rotten Tomatoes, gives the film a score of 55% based on 40 reviews. [8]

Giving the film its very first review, in Variety , Emanuel Levy noted: "Stylishly yet personally expressive, 'The Doom Generation' marks an innovative turning point in Araki's career." [9] Roger Ebert famously rated the film "zero stars" and objected to what he perceived as its cynicism, ironic detachment, and depictions of blase violence, writing: "Note carefully that I do not object to the content of his movie, but to the attitude. ... Araki may not have been thinking of Leopold and Loeb when he made his movie, but I was when I watched it." [10] Ricky da Conceição of Sound on Sight named the film the best of Araki's "Teenage Apocalypse Trilogy" and said it "represented a major artistic leap forward" for Araki, who "creates a twisted pastiche of science fiction, nihilistic road movie and teen angst filtered with dead pan comedy and his own unique commentary on the depravity of modern America." He praised the set design, lighting, score and actress Rose McGowan, who "steals the show as the foul mouthed, morally aimless femme fatale on crystal meth and Diet Coke." [11]

Related Research Articles

<i>Chasing Amy</i> 1997 film by Kevin Smith

Chasing Amy is a 1997 American romantic comedy-drama film written and directed by Kevin Smith and starring Ben Affleck, Joey Lauren Adams, and Jason Lee. The third film in Smith's View Askewniverse series, the film is about a male comic artist (Affleck) who falls in love with a lesbian (Adams), to the displeasure of his best friend (Lee).

<i>Clerks</i> (film) 1994 film by Kevin Smith

Clerks is a 1994 American black-and-white comedy film written and directed by Kevin Smith in his feature directorial debut.

<span class="mw-page-title-main">Gregg Araki</span> American film director

Gregg Araki is an American filmmaker. He is noted for his heavy involvement with the New Queer Cinema movement. His film Kaboom (2010) was the first winner of the Cannes Film Festival Queer Palm.

<i>Bad Boys</i> (1995 film) 1995 action film directed by Michael Bay

Bad Boys is a 1995 American buddy cop action comedy film directed by Michael Bay in his feature directorial debut, produced by Don Simpson and Jerry Bruckheimer, and starring Martin Lawrence and Will Smith as two Miami narcotics detectives Marcus Burnett and Mike Lowrey. The film received mixed reviews from critics, but was commercially successful and spawned two sequels: Bad Boys II (2003), Bad Boys for Life (2020). A fourth film titled Bad Boys: Ride or Die is set to release in 2024.

<i>Menace II Society</i> 1993 film by the Hughes Brothers

Menace II Society is a 1993 American teen drama film directed by the Hughes Brothers in their directorial debut. The film is set in Watts and Crenshaw neighborhoods of Los Angeles, and follows the life of Caine Lawson and his close friends. It gained notoriety for its scenes of violence, profanity, and drug-related content, and also received critical acclaim for the performances of Turner, Jada Pinkett, and Larenz Tate, the direction, and its realistic portrayal of urban violence and powerful underlying messages.

<i>Nowhere</i> (1997 film) 1997 film by Gregg Araki

Nowhere is a 1997 American black comedy drama film written and directed by Gregg Araki. Described by Araki as "Beverly Hills 90210 on acid", the film follows a day in the lives of a group of Los Angeles college students and the strange lives that they lead. It stars an ensemble cast led by James Duval and Rachel True.

Mark Beyer is a self-taught American artist and former cartoonist. His comics were known for their bleak story lines, often featuring death, disfigurement, depression, and humiliation, which contrasted with his self-taught, geometric drawing style. Most of his stories were about the adventures of a codependent yet resentful couple named Amy and Jordan. Beyer made one final comic strip for the summer 2012 issue of the British magazine ArtReview.

<i>Mysterious Skin</i> 2004 film by Gregg Araki

Mysterious Skin is a 2004 coming-of-age drama film written, produced, and directed by Gregg Araki, adapted from Scott Heim's 1995 novel of the same name. The film tells the story of two pre-adolescent boys who both experienced sexual abuse as children, and how it affects their lives in different ways into their young adulthood. One boy becomes a reckless, sexually adventurous sex worker, while the other retreats into a reclusive fantasy of alien abduction.

<span class="mw-page-title-main">Johnathon Schaech</span> American actor (born 1969)

Johnathon Schaech is an American actor and screenwriter. He has been working as an actor since the early 1990s.

<i>S.F.W.</i> 1994 American film

S.F.W. is a 1994 American black comedy film directed by Jefery Levy and written by Levy and Danny Rubin. Based on the 1991 novel of the same name by Andrew Wellman, it stars Stephen Dorff and Reese Witherspoon.

<span class="mw-page-title-main">James Duval</span> American actor

James Edward Duval is an American actor. He is known for his roles in Independence Day (1996), Go (1999), Donnie Darko (2001), May (2002), and the films of Gregg Araki.

<i>The Living End</i> (film) 1992 film by Gregg Araki

The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

Amy Blue is a British alternative rock band composed of Simon Chatterton (guitar), JP Rutter (guitar), Lex Sampson (drums) and Tom Parr (bass). The group's name was inspired by Rose McGowan's character in the 1995 Gregg Araki movie The Doom Generation.

<i>Totally F***ed Up</i> 1993 film by Gregg Araki

Totally F***ed Up is a 1993 American drama film written and directed by Gregg Araki. The first installment of Araki's Teenage Apocalypse film trilogy, it is considered a seminal entry in the New Queer Cinema genre.

<i>Death Proof</i> 2007 American film

Death Proof is a 2007 American action slasher film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.

Andrea Sperling is an independent film producer based in Los Angeles. The films she has produced include Totally Fucked Up, But I'm a Cheerleader, D.E.B.S. and Itty Bitty Titty Committee and the Sundance Top Prize-winning Like Crazy.

<i>Kaboom</i> (film) 2010 film by Gregg Araki

Kaboom is a 2010 science fiction sex comedy mystery film written and directed by Gregg Araki and starring Thomas Dekker, Juno Temple, Haley Bennett, and James Duval. The film centers on the sexual adventures of a group of college students and their investigation of a bizarre cult.

<i>Going All the Way</i> 1997 American film

Going All the Way is a 1997 American comedy-drama film directed by Mark Pellington, in his feature film directorial debut. The film was written by Dan Wakefield, based on his 1970 novel and stars Jeremy Davies, Ben Affleck, Rachel Weisz, Amy Locane and Rose McGowan. The film was shot on location in Indianapolis, Indiana, the setting of Wakefield's autobiographical novel. It was the film debut of Nick Offerman.

<i>Shirkers</i> 2018 documentary film by Sandi Tan

Shirkers is a 2018 British-American documentary film by Singapore-born filmmaker Sandi Tan about the making of an independent thriller featuring a teenage assassin set in Singapore. It premiered at the 2018 Sundance Film Festival in January and won the World Cinema Documentary Directing Award, making her the second Singapore-born filmmaker after Kirsten Tan to win an award at the festival. It was also nominated for the Gotham Independent Film Award for Best Documentary.

<i>Sequin in a Blue Room</i> 2019 Australian coming-of-age independent drama film

Sequin in a Blue Room is a 2019 Australian independent queer coming-of-age, mystery and drama film directed by Samuel Van Grinsven, in his feature film debut. It was written by Van Grinsven and Jory Anast. The film stars Conor Leach in his feature film debut, Simon Croker, Anthony Brandon Wong and Jeremy Lindsay Taylor. It had its world premiere on 14 June 2019 at the Sydney Film Festival, where it won an award for Best Narrative Feature, and was released in theatres in August 2020. The film received generally wide acclaim, and American review aggregator Rotten Tomatoes certified the film fresh with a score of 92%. It was filmed on location in Sydney.

References

  1. "The Doom Generation (18)". British Board of Film Classification . Retrieved 2013-03-18.
  2. "The Doom Generation (1995)". Box Office Mojo. Retrieved 2010-05-27.
  3. 1 2 Keogan, Natalia (2023-04-03). "'Sex and Sexuality Have Been Central to All of My Movies': Gregg Araki on Restoring The Doom Generation". Filmmaker Magazine. Retrieved 2023-04-12.
  4. Hemphill, Jim (31 March 2023). "'I Just Want Those Old Versions to Die Forever': Gregg Araki Restores 'Doom Generation' to His Original Vision". IndieWire . Retrieved 5 April 2023.
  5. "The Doom Generation". DVD & Blu-ray Movie Film Catalogue. Second Sight Films. Archived from the original on February 8, 2015.
  6. "From the Collection: "The Doom Generation" Cast and Creators Return to the Mountain After 25 Years | 2023 Sundance Film Festival". 2023-01-26. Retrieved 2023-02-04.
  7. Lattanzio, Ryan (2023-03-07). "Gregg Araki's Erotically Charged Gen X Portrait 'Doom Generation' Returns in 4K — Watch the Trailer". IndieWire. Retrieved 2023-03-19.
  8. "The Doom Generation". Rotten Tomatoes . 25 October 1995. Retrieved 2023-06-24.
  9. Levy, Emanuel (1995-02-01). "The Doom Generation". Variety. Retrieved 2022-06-26.
  10. Ebert, Roger (November 12, 1995). "The Doom Generation". Chicago Sun-Times . Retrieved October 20, 2009 via RogerEbert.com.
  11. da Conceição, Ricky (May 17, 2011). "'Doom Generation' represented a major artistic leap forward for Gregg Araki". Sound on Sight. Archived from the original on October 6, 2012. Retrieved March 9, 2014.