Deadpan, dry humour, or dry-wit humour [1] is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdity of the subject matter. The delivery is meant to be blunt, ironic, laconic, or apparently unintentional.
The term deadpan first emerged early in the 20th century, as a compound word (sometimes spelled as two words) combining "dead" and "pan" (a slang term for the face). It appeared in print as early as 1915, in an article about a former baseball player named Gene Woodburn written by his former manager Roger Bresnahan. Bresnahan described how Woodburn used his skill as a ventriloquist to make his manager and others think they were being heckled from the stands. Woodburn, wrote Bresnahan, "had a trick of what the actors call 'the dead pan.' He never cracked a smile and would be the last man you would suspect was working a trick." [2] [3]
George M. Cohan, in a 1908 interview, had alluded to dead pans without using the actual term "deadpan". Cohan, after returning from a trip to London, told an interviewer that "the time is ripe for a manager to take over about a dozen American chorus girls and wake up the musical comedy game. The English chorus girls are dead–their pans are cold.” [4]
The Oxford English Dictionary cites a 1928 New York Times article as having the first appearance of the term in print. [5] That article, a collection of film slang compiled by writer and theatrical agent Frank J. Wilstach, defines "dead pan" as "playing a role with expressionless face, as, for instance, the work of Buster Keaton." [6] There were several other uses of the term, in theater and in sports, between the 1915 Bresnahan article and the 1928 article in the Times. [3]
The usage of deadpan as a verb ("to speak, act, or utter in a deadpan manner; to maintain a dead pan") is recorded at least as far back as 1942. [5]
The English music hall comedian T. W. Barrett, working in the 1880s and 1890s, is credited with being the first to perform in a deadpan manner, standing completely still and without a smile. [7]
Early in his vaudeville days, Buster Keaton developed his deadpan expression. Keaton realised that audiences responded better to his stony expression than when he smiled, and he carried this style into his silent film career. [8] The 1928 Vitaphone short film The Beau Brummels, with vaudeville comics Al Shaw and Sam Lee, was performed entirely in deadpan. [9] The 1980 film Airplane! was performed almost entirely in deadpan; [10] it helped relaunch the career of one of its supporting actors, Leslie Nielsen, who transformed into a prolific deadpan comic after the film. [11] Actor and comedian Bill Murray is known for his deadpan delivery. [12]
Many popular American sitcoms use deadpan expressions to deliver dry humour, including Curb Your Enthusiasm , Arrested Development , and My Name Is Earl . More recent examples are Andre Braugher as Captain Raymond Holt from the TV show Brooklyn Nine-Nine , Matthew Perry as Chandler Bing in Friends , Nick Offerman as Ron Swanson and Aubrey Plaza as April Ludgate in Parks and Recreation , Jennette McCurdy as Sam Puckett in iCarly , and Louis C.K. in Louie . Another example is the comedy of Steven Wright. [13]
Deadpan delivery runs throughout British humour. [14] In television sitcoms, John Cleese as Basil Fawlty in Fawlty Towers and Rowan Atkinson as Edmund Blackadder in Blackadder are both frustrated figures who display little facial expression in their put-downs. [15] Atkinson also plays authority figures (especially priests) while speaking absurd lines with a deadpan delivery. Monty Python include it in their work, such as "The Ministry of Silly Walks" sketch. [16] For his deadpan delivery Peter Sellers received a BAFTA for Best Actor for I'm All Right Jack (1959). A leading figure of the British satire boom of the 1960s, Peter Cook delivered deadpan monologues in his double act with Dudley Moore. [17] In his various roles Ricky Gervais often draws humour from an exasperated sigh. [18] While in his various guises such as Ali G and Borat, the comedian Sacha Baron Cohen interacts with unsuspecting subjects not realising they have been set up for self-revealing ridicule; on this The Observer states, "his career has been built on winding people up, while keeping a deadpan face." [19]
Dry humour is often confused with highbrow or egghead humour, because the humour in dry humour does not exist in the words or delivery. Instead, the listener must look for humour in the contradiction between words, delivery and context. Failure to include the context or to identify the contradiction results in the listener finding the dry humour unfunny. However, the term "deadpan" itself actually refers only to the method of delivery.
Fawlty Towers is a British television sitcom written by John Cleese and Connie Booth, originally broadcast on BBC Two in 1975 and 1979. Two series of six episodes each were made. The series is set in Fawlty Towers, a dysfunctional fictional hotel in the English seaside town of Torquay in Devon. The plots centre on the tense, rude and put-upon owner Basil Fawlty (Cleese), his bossy wife Sybil, the sensible chambermaid Polly (Booth), and the hapless and English-challenged Spanish waiter Manuel. They show their attempts to run the hotel amidst farcical situations and an array of demanding and eccentric guests and tradespeople.
John Marwood Cleese is an English actor, comedian, screenwriter, producer, and presenter. Emerging from the Cambridge Footlights in the 1960s, he first achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report. In the late 1960s, he cofounded Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus. Along with his Python costars Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, and Graham Chapman, Cleese starred in Monty Python films, which include Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983).
Joseph Frank "Buster" Keaton was an American actor, comedian and film director. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".
Sherlock Jr. is a 1924 American silent comedy film starring and directed by Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.
Steamboat Bill, Jr. is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers.
Edwin Fitzgerald, known professionally as Eddie Foy and Eddie Foy Sr., was an American actor, comedian, dancer and vaudevillian.
British humour carries a strong element of satire aimed at the absurdity of everyday life. Common themes include sarcasm, tongue-in-cheek, banter, insults, self-deprecation, taboo subjects, puns, innuendo, wit, and the British class system. These are often accompanied by a deadpan delivery which is present throughout the British sense of humour. It may be used to bury emotions in a way that seems unkind in the eyes of other cultures. Jokes are told about everything and almost no subject is off-limits, though a lack of subtlety when discussing controversial issues is sometimes considered insensitive. Many British comedy series have become successful internationally, serving as a representation of British culture to overseas audiences.
A double act is a form of comedy originating in the British music hall tradition, and American vaudeville, in which two comedians perform together as a single act, often highlighting differences in their characters' personalities. Pairings are typically long-term, in some cases for the artists' entire careers. Double acts perform on the stage, television and film.
Silent comedy is a style of film, related to but distinct from mime, invented to bring comedy into the medium of film in the silent film era (1900s–1920s) before a synchronized soundtrack which could include talking was technologically available for the majority of films. Silent comedy is still practiced, albeit much less frequently, and it has influenced comedy in modern media as well.
The Cameraman is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day.
Edward Sedgwick was an American film director, writer, actor and producer.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Joseph Hallie Keaton was an American vaudeville performer, eccentric dancer and silent film actor. He was the father of actor Buster Keaton and appeared with his son in several films.
Grand Slam Opera is a 1936 American short comedy film starring Buster Keaton and produced by Educational Pictures.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
Rowan Sebastian Atkinson is an English actor, comedian and writer. He played the title roles in the sitcoms Blackadder (1983–1989) and Mr. Bean (1990–1995), and in the film series Johnny English (2003–2018). Atkinson first came to prominence on the BBC sketch comedy show Not the Nine O'Clock News (1979–1982), receiving the 1981 British Academy Television Award for Best Entertainment Performance.
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
Australian comedy refers to the comedy and humour performed in or about Australia or by the people of Australia. Australian humour can be traced to various origins, and today is manifested in a diversity of cultural practices and pursuits. Writers like Henry Lawson and Banjo Paterson helped to establish a tradition of laconic, ironic and irreverent wit in Australian literature, while Australian politicians and cultural stereotypes have each proved rich sources of comedy for artists from poet C. J. Dennis to satirist Barry Humphries to iconic film maker Paul Hogan, each of whom have given wide circulation to Australian slang.
Thomas Roy Barnes was a British-American actor.