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High comedy or pure comedy is a type of comedy characterized by witty dialogue, satire, biting humor, wordplay, or criticism of life. [1] The term high comedy was coined in England in 1877 by George Meredith for his Essay on Comedy.
Comedy, according to Aristotle, originated from the Phallic Processions of the Dionysian festival during which men would celebrate by dressing up as Satyrs with large erect phalluses insulting each other and telling jokes at their expense. This presumably gave rise to Satyr plays wherein Satyrs were depicted getting drunk arguing with one another, insulting each other telling jokes and telling sexual and scatological jokes et cetera. A Satyr Play was performed in an effort to lighten the mood after three tragedies.
Aristophanes chose to use the venue they created to satirize political issues such as demagoguery and the Peloponnesian War. Aristophanes admitted that his plays presupposed a certain level of intelligence not generally expected of hoi polloi. Thus Aristophanes created what could best be described as High Comedy. The Comedies of Aristophanes parodied the tragedies of Aeschylus, Sophocles and Euripides and critiqued sophistry by lampooning the person of Socrates.
Since then some of the Comedies of William Shakespeare such as The Merchant of Venice addressed serious themes such as bigotry. Moliere the Hypochondriac depicts an eccentric protagonist who routinely requests enemas and drinks his own urine based on the advice doctors give him in exchange for his money in an effort to ridicule the businesslike operations of medical professionals. Thus it uses what would normally be Low Comedy to satirize an important social issue and thus the play is High Comedy.
Likewise Charlie Chaplin deliberately incorporated pathos into the character of The Tramp, a largely comic figure. Chaplin also made movies like Modern Times and The Great Dictator which despite their reliance on slapstick actually satirized issues relating to capitalism and fascism respectively. Monty Python's Flying Circus would routinely parody the classics and high culture as well as philosophy and political issues whilst the Dennis Moore Sketch ridiculed Communism through a Robin Hood parody.
Today, high comedy can be seen among sitcoms and talk shows targeted at cultured and articulate audiences. Examples of high comedy include Arrested Development , The Marx Brothers, Woody Allen, Seinfeld , The Larry Sanders Show and The Office .
Aristophanes was an Ancient Greek comic playwright from Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving plays belong to the genre of comic drama known as Old Comedy and are considered its most valuable examples. Aristophanes' plays were performed at the religious festivals of Athens, mostly the City Dionysia and the Lenaia, and several of them won the first prize in their respective competitions.
Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society.
Low comedy, or lowbrow humor, is a type of comedy that is a form of popular entertainment without any primary purpose other than to create laughter through boasting, boisterous jokes, drunkenness, scolding, fighting, buffoonery and other riotous activity. It is characterized by "horseplay", slapstick or farce. Examples include the throwing of a custard pie into someone's face. The definition has expanded to include obvious physical jokes, such as the wedgie.
A comedian or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolishly, or employing prop comedy. A comedian who addresses an audience directly is called a stand-up comedian.
The Frogs is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place.
Comic timing or comedic timing emerges from a performer's joke delivery: they interact with an audience—intonation, rhythm, cadence, tempo, and pausing—to guide the audience's laughter, which then guides the comedic narrative. The pacing of the delivery of a joke can have a strong impact on its comedic effect, even altering its meaning; the same can also be true of more physical comedy such as slapstick. Comic timing is also crucial for comedic video editing to maximize the impact of a joke, for example, through a smash cut.
Thesmophoriazusae, or Women at the Thesmophoria, is one of eleven surviving comedy plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as Lysistrata, another play with sexual themes.
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysiac ritual, but also generally accepted as the most appropriate and satisfying conclusion to the city’s most complex and prestigious cultural event of the year."
Off-color humor is humor that deals with topics that may be considered to be in poor taste or vulgar. Many comedic genres may incorporate "off-color" elements.
Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians. The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, de facto define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays.
Political satire is a type of satire that specializes in gaining entertainment from politics. Political satire can also act as a tool for advancing political arguments in conditions where political speech and dissent are banned.
Religious satire is a form of satire that refers to religious beliefs and can take the form of texts, plays, films, and parody. From the earliest times, at least since the plays of Aristophanes, religion has been one of the three primary topics of literary satire, along with politics and sex. Satire which targets the clergy is a type of political satire, while religious satire is that which targets religious beliefs. Religious satire is also sometimes called philosophical satire, and is thought to be the result of agnosticism or atheism. Notable works of religious satire surfaced during the Renaissance, with works by Geoffrey Chaucer, Erasmus and Albrecht Dürer.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the Divine Comedy.
Andromeda is a lost tragedy written by Euripides, based on the myth of Andromeda and first produced in 412 BC, in a trilogy that also included Euripides' Helen. Andromeda may have been the first depiction on stage of a young man falling in love with a woman. The play has been lost; however, a number of fragments are extant. In addition, a number of ancient sources refer to the play, including several references in plays by Aristophanes.
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it, but a parody can also be about a real-life person, event, or movement. Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming.
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
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