Stand-up comedy

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Stand-up comedy
Jesus is coming.. Look Busy (George Carlin).jpg
George Carlin performing in 2008

Stand-up comedy is a performance directed to a live audience, where the performer stands on a stage and delivers humorous and satirical monologues sometimes incorporating physical acts. These performances are typically composed of rehearsed scripts but often include varying degrees of live crowd interaction. Stand-up comedy consists of one-liners, stories, observations, or shticks that can employ props, music, impressions, magic tricks, or ventriloquism.

Contents

A performer in this genre can be known by the masculine and gender-neutral terms stand-up comedian and stand-up comic, or by the feminine term stand-up comedienne. Performances can take place in various venues, including comedy clubs, comedy festivals, bars, nightclubs, colleges, or theaters. [ citation needed ] [1]

History

Stand-up comedy originated in various traditions of popular entertainment in the late 19th century. These include vaudeville, the stump-speech monologues of minstrel shows, dime museums, concert saloons, freak shows, variety shows, medicine shows, American burlesque, English music halls, circus clown antics, Chautauqua, and humorist monologues, such as those delivered by Mark Twain in his 1866 touring show Our Fellow Savages of the Sandwich Islands. [2] [3]

Charles Farrar Browne (April 26, 1834 – March 6, 1867), better known by his nom de plume, Artemus Ward, is considered America's first stand-up comedian. His character, portrayed as an illiterate rube with "Yankee common sense," was portrayed publicly by Browne.

The first documented use of "stand-up" appeared in The Stage in 1911, describing Nellie Perrier delivering 'stand-up comic ditties in a chic and charming manner'. However, this referred to a performance of comedy songs rather than stand-up comedy in its modern form. [4]

The term appeared again in the “Stage Gossip” column of The Yorkshire Evening Post on November 10, 1917. The article discussed the career of a comedian Finlay Dunn, stating that Dunn was "what he calls a stand-up comedian'" during the latter part of the 19th century. However, the term may have been used retrospectively. [5]

Genres

Bill Bailey performing in 2007 Bill-Bailey.jpg
Bill Bailey performing in 2007

Stand-up has multiple genres and styles with their formats. Common ones include:

Stand up performances

Opener, feature, and headliner

Joan Rivers performing in 2009 Joan Rivers at Udderbelly 09 (cropped).jpg
Joan Rivers performing in 2009

In a typical stand-up show, the host, compere, or emcee "warms up" the audience and introduces the other performers. This is followed by the opener, the feature, and then the headliner. The host may also act as the opener for smaller shows. [11] Proven comics tend to earn regular bookings at clubs that are part of a chain and comedy venues. Jobbing stand-ups may perform sets at two or more venues on the same day.[ citation needed ]

Open mic

Clubs and small venues often run open mic events; these slots may be booked in advance or left for walk-ins. Comedians use open mics to work on material or to show off their skills to get an opener slot. [12] "Bringer shows" are shows that require amateur performers to bring a specified number of paying guests with them to receive stage time. [13]

Festivals

As well as being a mainstay of the comedy circuit, festivals often also showcase up-and-coming acts, with promoters and agents using the festivals to seek out new talent. [14]

TV specials and albums

Experienced comics with a following may produce a television special or a comedy album. It may be recorded on tour or at a show advertised and performed specifically for the purpose. A TV special originally released on television, video on demand, or in film theatre's may be re-released as an album on audio CD, LP record, or audio streaming. A "half-hour special" is typically between 20 and 35 minutes in runtime excluding commercial breaks and an "hour-long special" is typically between 40 and 65 minutes excluding commercial breaks. [15]

Comedy set

Tiffany Haddish performing in 2013 Tiffany Haddish at Incirlik (cropped).jpg
Tiffany Haddish performing in 2013

Routine

Stand-up comedians define their craft through the development of routines, which they construct and refine with jokes and interconnected "bits." These bits form an interwoven narrative, leading to the "closer," the final joke that ties the show's themes together for a satisfying conclusion.

Most jokes are the juxtaposition of two incongruous things and are made up of the premise, set-up, and punchline, often adding a twist, topper ,or tagline for an intensified or extra laugh. Delivery relies on the use of intonation, inflection, attitude, and timing as well as other stylistic devices, such as the rule of three, idioms, archetypes, or wordplay. [16] [17] Another popular joke structure is the paraprosdokian, a surprising punchline that changes the context or meaning of the setup. [18]

In order to falsely frame their stories as true or to free themselves of responsibility for breaking social conventions, comedians can use the jester's privilege, which is the right to discuss and mock anything freely without being punished. [19] [20] Social commentators have referred to the concepts of "punching up" and "punching down" in attempting to describe who should be the "butt of the joke". This carries the assumption that, relative to the comedian's own socio-political identity, comedy should "punch up" at the rich and powerful without "punching down" at those who are marginalized and less fortunate. [21] [22] Many comedians have criticized the cultural rhetoric concerning "punching up" and "punching down", including Colin Quinn, who described the terms as a product of activism and "not created by humorous people." [23]

Joke theft

Appropriation and plagiarism are considered "social crimes" by most stand-ups. There have been several high-profile accusations of joke theft, some ending in lawsuits for copyright infringement. Those accused will sometimes claim cryptomnesia or parallel thinking, [24] [25] but it is difficult to successfully sue for joke theft regardless due to the idea–expression distinction. [26]

Audiences

Damon Wayans performing in 2007 2007 Damon Wayans.jpg
Damon Wayans performing in 2007

According to Anna Spagnolli, stand-up comedy audiences "are both 'co-constructors of the situation' and 'co-responsible for it'". [27]

In stand-up comedy, an unspoken contract with the audience allows for the exploration of unexpected, controversial, or scandalous subjects. The reception of a joke, whether met with laughter or disapproval, hinges on the audience's understanding of the premise and appreciation of the punchline. A seasoned comic is able to instantly react to the audience's reaction and use it to further the narrative.

Stand-up comedy, distinct from traditional performing arts, features a lone comedian directly engaging the audience. Success hinges on creating spontaneity, fostering intimacy, and deterring heckling.

Part of the appeal of stand up is in appreciation of the skill of the performer, as studies have shown that many people find the idea of standing on stage daunting; research on the subject has consistently found that the fear of public speaking is more intense than the fear of dying. [28] [29]

The audience is integral to live comedy, both as a foil to the comedian and as a contributing factor to the overall experience. The use of canned laughter in television comedy reveals this, with shows often seeming "dry" or dull without it. Shows may be filmed in front of a live audience for the same reason. [30]

Terms

Bridget Christie performing in 2016 BridgetChristieHoxtonHallColinHuttonedit.jpg
Bridget Christie performing in 2016
Beat
A pause specifically to create comic timing.
Bit
A section within a comedy show or routine.
Bombing
Failing to get laughs.
Callback
A reference to a joke earlier in the set.
Chewing the scenery
Being overly theatrical or "trying too hard" to get a laugh, especially when failing.
Chi-chi room
The ritzy room of a nightclub or a comedy club with niche performances. [31]
Clapter
When the audience cheers or applauds an opinion that they agree with, but which is not funny enough for them to laugh at. Coined by Seth Meyers. [32]
Corpsing or breaking
When the comedian laughs unintentionally during a portion of the show in which they are supposed to keep a straight face.
Crowd work
Talking directly with audience members through prewritten bits, improvisation or both.
Hack
A clichéd or unskilled comic.
Killing and dying
When a stand-up does well, they are killing. If they are doing poorly, they are dying.
Mugging
Pulling silly faces to elicit a cheap laugh, often relying on exaggerated expressions and physical gestures. This comedic technique aims to generate amusement through visual absurdity and can be employed by performers to enhance the comedic impact of their delivery.
Punter
A member of the audience. Primarily a British term. [33]
The room
The space where the performance takes place. Stand-ups can "read the room" to interpret signs from the audience or "work the room" by interacting with the audience directly.
Smelling the road
Claiming that one can "smell the road" on a comedian suggests they have compromised their originality or pandered to get laughs while touring.
Tight five
A five-minute routine that is well-rehearsed and consists of a comedian's best material that reliably gets laughs. It is often used for auditions and is a stepping stone to getting a paid spot. [34]
Warm up
To warm up a "cold" audience during the opening act before the main show. Often used at the filming of television comedies in front of studio audiences.
Work out
The process in which brand new jokes are introduced and polished over time.

Records

Jessica Delfino holds the record for most comedy sets performed in one night by a female comedian. [35]

Phyllis Diller holds the Guinness World Record for most laughs per minute, with 12. [36]

Taylor Goodwin holds the Guinness World Record for most jokes told in an hour with 550. [37]

Lee Evans sold £7 million worth of tickets for his 2011 tour in a day, the biggest first-day sale of a British comedy tour. [38]

Ricky Gervais set a new Guinness World Record for the highest gross from a single stand-up performance with his tour "Armageddon." The performance at the Hollywood Bowl in Los Angeles, California, on May 6, 2023, garnered a notable sum of £1,410,000 ($1,790,206.50) [39]

Peter Kay

British comedian Peter Kay currently holds multiple records for his 2010-2011 show The Tour That Doesn't Tour Tour...Now On Tour on a 112 date UK & Ireland arena tour.

See also

Related Research Articles

<span class="mw-page-title-main">Comedy club</span> Venue where comedy is performed

A comedy club is a venue where a variety of comedic acts perform to a live audience. Although the term usually refers to establishments that feature stand-up comedians, it can also feature other forms of comedy such as improvisational comedians, impersonators, impressionists, magicians and ventriloquists.

<span class="mw-page-title-main">Comedian</span> Person who seeks to entertain an audience, primarily by making them laugh

A comedian or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolishly, or employing prop comedy. A comedian who addresses an audience directly is called a stand-up comedian.

Comic timing or comedic timing emerges from a performer's joke delivery: they interact with an audience—intonation, rhythm, cadence, tempo, and pausing—to guide the audience's laughter, which then guides the comedic narrative. The pacing of the delivery of a joke can have a strong impact on its comedic effect, even altering its meaning; the same can also be true of more physical comedy such as slapstick. Comic timing is also crucial for comedic video editing to maximize the impact of a joke, for example, through a smash cut.

<span class="mw-page-title-main">Mitch Hedberg</span> American stand-up comedian (1968–2005)

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<span class="mw-page-title-main">Heckler</span> Verbal harasser

A heckler is a person who harasses and tries to disconcert others with questions, challenges, or gibes. Hecklers are often known to shout discouraging comments at a performance or event, or to interrupt set-piece speeches, with the intent of disturbing performers or participants.

<span class="mw-page-title-main">Off-color humor</span> Americanism used to describe jokes of a vulgar nature

Off-color humor is humor that deals with topics that may be considered to be in poor taste or vulgar. Many comedic genres may incorporate "off-color" elements.

<span class="mw-page-title-main">Open mic</span> Live show at a variety of different clubs

An open mic or open mike is a live show at a venue such as a coffeehouse, nightclub, comedy club, strip club, or pub, often taking place at night, in which audience members may perform on stage whether they are amateurs or professionals, often for the first time or to promote an upcoming performance. As the name suggests, performers are usually provided with a microphone plugged into a PA system so that they can be heard by the audience.

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<span class="mw-page-title-main">Jeff Dunham</span> American ventriloquist and comedian (born 1962)

Jeffrey Douglas Dunham is an American ventriloquist, stand-up comedian and actor who has also appeared on numerous television shows, including Late Show with David Letterman, Comedy Central Presents, The Tonight Show, and Sonny with a Chance. He has seven specials that run on Comedy Central as well as two Netflix specials among others. He also starred in The Jeff Dunham Show, a series that ran in 2009. He has a star on the Hollywood Walk of Fame and holds the Guinness Book of World Records record for "Most tickets sold for a stand-up comedy tour" for his Spark of Insanity tour.

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