Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. [1] Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances.
Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film.
The term farce is derived from the French word for "stuffing", in reference to improvisations applied by actors to medieval religious dramas. Later forms of this drama were performed as comical interludes during the 15th and 16th centuries. [2] The oldest surviving farce may be Le Garçon et l'aveugle (The Boy and the Blind Man) from after 1266, although the earliest farces that can be dated come from between 1450 and 1550. The best known farce is La Farce de maître Pathelin (The Farce of Master Pathelin) from c. 1460. [3] Spoof films such as Spaceballs , a comedy based on the Star Wars movies, are farces. [4]
Sir George Grove opined that the "farce" began as a canticle in the common French tongue intermixed with Latin. It became a vehicle for satire and fun, and thus led to the modern Farsa or Farce, a piece in one act, the subject of which is extravagant and the action ludicrous. [5]
A comedy film is a category of film which emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and is derived from classical comedy in theatre. Some of the earliest silent films were comedies such as slapstick comedy which often relies on visual depictions, such as sight gags and pratfalls, so they can be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society.
A bedroom farce or sex farce is a type of light comedy focusing on the sexual pairings and recombinations of characters as they move through improbable plots and slamming doors. As seen in the play “ measure for measure “, written by William Shakespeare.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented.
British literature is literature from the United Kingdom of Great Britain and Northern Ireland, the Isle of Man, and the Channel Islands. This article covers British literature in the English language. Anglo-Saxon literature is included, and there is some discussion of Latin and Anglo-Norman literature, where literature in these languages relate to the early development of the English language and literature. There is also some brief discussion of major figures who wrote in Scots, but the main discussion is in the various Scottish literature articles.
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
A Singspiel is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil.
Humour is an integral part of the Canadian identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Though neither universally kind nor moderate, humorous Canadian literature has often been branded by author Dick Bourgeois-Doyle as "gentle satire," evoking the notion embedded in humorist Stephen Leacock's definition of humour as "the kindly contemplation of the incongruities of life and the artistic expression thereof."
Ancient Greek comedy was one of the final three principal dramatic forms in the theatre of classical Greece. Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes; Middle Comedy is largely lost, i.e. preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; and New Comedy is known primarily from the substantial papyrus fragments of Menander.
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century.
Slice of life is a depiction of mundane experiences in art and entertainment. In theater, slice of life refers to naturalism, while in literary parlance it is a narrative technique in which a seemingly arbitrary sequence of events in a character's life is presented, often lacking plot development, conflict and exposition, as well as often having an open ending.
Opéra bouffe is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name.
La Farce de maître Pathelin The earliest accounts of this play can be traced back to as early as 1457 to 1470, with the 1st printed edition dated to 1485; However the date is uncertain as there is no known playwright. It is sometimes attributed to Guillaume Alexis, and even to François Villon. According to the medievalist Bruno Roy, the most likely author is Triboulet, the jester and comedy playwright of René of Anjou.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the Divine Comedy.
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it, but a parody can also be about a real-life person, event, or movement. Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater.
Joseph Stirling Coyne (1803–1868) was a humorist and satirist in the tradition of Jonathan Swift and Alexander Pope. One of the most prolific British playwrights of the mid-nineteenth century, he wrote more than sixty plays; his twenty-seven farces are surpassed in number only by John Maddison Morton's ninety-one and T. J. Williams's thirty. Coyne brought to the stage accomplished comedic interchanges, puns, irony, exaggerated character traits, ludicrous plot situations, and surprising outcomes. His plays reveal a deft ear for dialogue and an ability to create characters suited to the talents of specific actors. As a journalist Coyne contributed humorous pieces to many widely circulated journals and newspapers.
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
A sotie is a short satirical play common in 15th- and 16th-century in France. The word comes from the sots, "fools", who appeared as characters in the play. In the plays, these fools would make observations and exchange thoughts on contemporary events and individuals. Shorter plays, sometimes referred to as parades, need not have any plot at all, but relied simply on a detached dialogue. The genre has its origin in the Feast of Fools and other Carnival-related festivities. The purpose of these events was to present a world turned upside-down, in this case with the fools as fonts of wisdom. The fools were dressed in grey robes, and wore a hood with donkey ears.
A play is a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than mere reading. The creator of a play is known as a playwright.
This article incorporates text from this source, which is in the public domain :Grove, Sir George (1908). Grove's Dictionary of Music and Musicians . New York, McMillan.
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