In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works. [2]
This alphabetical list includes everything listed as a comedy in the First Folio of 1623, in addition to the two quarto plays (The Two Noble Kinsmen and Pericles, Prince of Tyre) which are not included in the Folio but generally recognised to be Shakespeare's own. Plays marked with an asterisk (*) are now commonly referred to as the romances . Plays marked with two asterisks (**) are sometimes referred to as the problem plays .
Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
William Shakespeare was an English playwright, poet, and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.
The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising Pericles, Prince of Tyre; Cymbeline; The Winter's Tale; and The Tempest. The Two Noble Kinsmen, of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's Shakspere (1877). Later writers have generally been content to adopt Dowden's term.
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
George Wilkins was an English dramatist and pamphleteer best known for his probable collaboration with William Shakespeare on the play Pericles, Prince of Tyre. By profession he was an inn-keeper, but he was also apparently involved in criminal activities.
Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. It was published in 1609 as a quarto, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's Confessio Amantis. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's Cambridge edition of the play, but modern editors generally agree that Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of Pericles, were written by a collaborator, who may well have been the victualler, panderer, dramatist and pamphleteer George Wilkins. Wilkins published The Painful Adventures of Pericles Prince of Tyre which is the prose version of the story, and drew from Lawrence Twines' The Pattern of Painful Adventures. Pericles was one of the seventeen plays that were in print during Shakespeare's life, and was reprinted 5 times between 1609 and 1635.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.
Edward Blount (1562–1632) was a London publisher of the Elizabethan, Jacobean, and Caroline eras, noted for his publication, in conjunction with William and Isaac Jaggard, of the First Folio of Shakespeare's plays in 1623.
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare. Some editions include several works that were not completely of Shakespeare's authorship, such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were likely written by George Wilkins; or Edward III, whose authorship is disputed.
Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
Like most playwrights of his period, William Shakespeare did not always write alone. A number of his surviving plays are collaborative, or were revised by others after their original composition, although the exact number is open to debate. Some of the following attributions, such as The Two Noble Kinsmen, have well-attested contemporary documentation; others, such as Titus Andronicus, are dependent on linguistic analysis by modern scholars; recent work on computer analysis of textual style has given reason to believe that parts of some of the plays ascribed to Shakespeare are actually by other writers.
A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.
False Folio is the term that Shakespeare scholars and bibliographers have applied to William Jaggard's printing of ten Shakespearean and pseudo-Shakespearean plays together in 1619, the first attempt to collect Shakespeare's work in a single volume. Publisher and bookseller Thomas Pavier is also implicated with 'printed for T.P.' appearing on the title pages.
Philip Chetwinde was a seventeenth-century London bookseller and publisher, noted for his publication of the Third Folio of Shakespeare's plays.
The Oxford Shakespeare is the range of editions of William Shakespeare's works produced by Oxford University Press. The Oxford Shakespeare is produced under the general editorship of Stanley Wells and Gary Taylor.
The York Shakespeare Project (YSP) was set up in 2001 to perform all of Shakespeare's plays within a twenty-year period in the city of York. The project is a registered charity, with a stated aim of providing "a long-term cultural, educational and community resource for the people of York and beyond by involving the wider York community in the production of the whole cycle of Shakespearean drama."
Shakespeare attribution studies is the scholarly attempt to determine the authorial boundaries of the William Shakespeare canon, the extent of his possible collaborative works, and the identity of his collaborators. The studies, which began in the late 17th century, are based on the axiom that every writer has a unique, measurable style that can be discriminated from that of other writers using techniques of textual criticism originally developed for biblical and classical studies. The studies include the assessment of different types of evidence, generally classified as internal, external, and stylistic, of which all are further categorised as traditional and non-traditional.
The following outline is provided as an overview of and topical guide to the life and legacy of William Shakespeare, an English poet, playwright, and actor who lived during the 17th century. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon".
| Topics | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Film |
| ||||||||||
| Theatre |
| ||||||||||
| Media | |||||||||||
| Subgenres | |||||||||||
| Authority control databases: National |
|---|
