Christopher Marlowe, also known as Kit Marlowe, was an English playwright, poet, and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play Tamburlaine, modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the preeminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his catering to the prurient tastes of his Elizabethan audiences for generous displays of extreme physical violence, cruelty, and bloodshed.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.
Thomas Kyd was an English playwright, the author of The Spanish Tragedy, and one of the most important figures in the development of Elizabethan drama.
The Raigne of King Edward the Third, commonly shortened to Edward III, is an Elizabethan play printed anonymously in 1596, and at least partly written by William Shakespeare. It began to be included in publications of the complete works of Shakespeare only in the late 1990s. Scholars who have supported this attribution include Jonathan Bate, Edward Capell, Eliot Slater, Eric Sams, Giorgio Melchiori and Brian Vickers. The play's co-author remains the subject of debate: suggestions have included Thomas Kyd, Christopher Marlowe, Michael Drayton, Thomas Nashe and George Peele.
Henry VI, Part 1, often referred to as 1 Henry VI, is a history play by William Shakespeare—possibly in collaboration with Thomas Nashe and others—believed to have been written in 1591. It is set during the lifetime of King Henry VI of England.
This article contains information about the literary events and publications of 1592.
In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones King John, Edward III and Henry VIII as well as a continuous sequence of eight plays. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, covers the Wars of the Roses saga and includes Henry VI, Parts I, II & III and Richard III. The second tetralogy, finished in 1599 and including Richard II, Henry IV, Parts I & II and Henry V, is frequently called the Henriad after its protagonist Prince Hal, the future Henry V.
The Shakespeare apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is not to be confused with the debate on Shakespearean authorship, which questions the authorship of the works traditionally attributed to Shakespeare.
Locrine is an Elizabethan play depicting the legendary Trojan founders of the nation of England and of Troynovant (London). The play presents a cluster of complex and unresolved problems for scholars of English Renaissance theatre.
A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608. The play was originally assigned to William Shakespeare, though the modern critical consensus rejects this attribution, favouring Thomas Middleton.
The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre: the revenge play or revenge tragedy. The play contains several violent murders and personifies Revenge as its own character. The Spanish Tragedy is often considered to be the first mature Elizabethan drama, a claim disputed with Christopher Marlowe's Tamburlaine, and was parodied by many Elizabethan and Jacobean playwrights, including Marlowe, William Shakespeare and Ben Jonson.
Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
Alice Arden (1516–1551) was an English murderer. She was the daughter of John Brigantine and Alice Squire, who conspired to have her husband, Thomas Arden of Faversham, murdered so she could carry on with a long-term affair with a tailor, Richard Moseby. The murder took place on 14 February 1551. She was tried, convicted, and burnt at the stake for her part in the murder.
The Earl of Pembroke's Men was an Elizabethan era playing company, or troupe of actors, in English Renaissance theatre. They functioned under the patronage of Henry Herbert, 2nd Earl of Pembroke. Early and equivocal mentions of a Pembroke's company reach as far back as 1575; but the company is known for certain to have been in existence in 1592. In that year, a share in the company was valued at £80.
Like most playwrights of his period, William Shakespeare did not always write alone. A number of his surviving plays are collaborative, or were revised by others after their original composition, although the exact number is open to debate. Some of the following attributions, such as The Two Noble Kinsmen, have well-attested contemporary documentation; others, such as Titus Andronicus, are dependent on linguistic analysis by modern scholars; recent work on computer analysis of textual style has given reason to believe that parts of some of the plays ascribed to Shakespeare are actually by other writers.
Fair Em, the Miller's Daughter of Manchester, is an Elizabethan-era stage play, a comedy written c. 1590. It was bound together with Mucedorus and The Merry Devil of Edmonton in a volume labelled "Shakespeare. Vol. I" in the library of Charles II. Though scholarly opinion generally does not accept the attribution to William Shakespeare, there are a few who believe they see Shakespeare's hand in this play.
Lust's Dominion, or The Lascivious Queen is an English Renaissance stage play, a tragedy written perhaps around 1600, probably by Thomas Dekker in collaboration with others and first published in 1657.
Arden Must Die is an opera by Alexander Goehr. It premiered on 5 March 1967 at the Hamburg State Opera, conducted by Charles Mackerras and directed by Egon Monk.
Thomas Arden (1508–1550) was Mayor of Faversham, Kent, England.
The complaint and lamentation of Mistress Arden of Feversham in Kent is a 17th-century English broadside ballad that details the murder of Thomas Arden by his wife Alice, her lover Mosby, and several others in 1551 in the town of Faversham, Kent. The ballad's full title is "The complaint and lamentation of Mistresse Arden of / Feversham in Kent, who for the loue of one Mosbie, hired certaine Ruffians / and Villaines most cruelly to murder her Husband; with the fatall end of her and her / Associats." It was entered into the Stationers' Register on July 8, 1663. The ballad is framed as the scaffold confession of Alice Arden, related in the moments before her execution by burning at the stake. The events in the ballad closely parallel both the source text for the event, Raphael Holinshed's Chronicles of England, Scotland, and Ireland, and the anonymous 16th-century English play Arden of Faversham. The British Library holds the only existing copy of the ballad in their Roxburghe collection.
