List of Shakespearean scenes

Last updated

The scene descriptions and line counts below are taken from the open content PlayShakespeare.com edition of Shakespeare's plays. [1]

Contents

All's Well That Ends Well

ActSceneLocationAppr. # linesSynopsis
I1Roussillon. A room in the Count's palace.214
I2Paris. The King's palace.86
I3Roussillon. A room in the Count's palace.249
II1Paris. The King's palace.223
II2Roussillon. The Count's palace.60
II3Paris. The King's palace.293
II4Another room in the King's palace.55
II5Another room in the King's palace.93
III1Florence. The Duke's palace.27
III2Rossillon. The Count's palace.128
III3Florence. Before the Duke's palace.14
III4Roussillon. The Count's palace.45
III5Without the walls of Florence.97
III6Camp before Florence.102
III7Florence. The Widow's house.54
IV1Without the Florentine camp.88
IV2Florence. The Widow's house.86
IV3The Florentine camp.294
IV4Florence. The Widow's house.40
IV5Roussillon. The Count's palace.92
V1Marseilles. A street.45
V2Roussillon. Before the Count's palace.46
V3Roussillon. The Count's palace.366
Ep.6

Antony and Cleopatra

ActSceneLocationAppr. # linesSynopsis
I1Alexandria. A room in Cleopatra's palace.71
I2Alexandria. Another room in Cleopatra's palace.198
I3Alexandria. Another room in Cleopatra's palace.125
I4Rome. Octavius Caesar's house.93
I5Alexandria. Cleopatra's palace.91
II1Messina. Pompey's house.61
II2Rome. The house of Lepidus.289
II3Rome. Octavius Caesar's house.47
II4Rome. A street.14
II5Alexandria. Cleopatra's palace.146
II6Near Misenum.156
II7On board Pompey's galley, off Misenum.151
III1A plain in Syria.41
III2Rome. An ante-chamber in Octavius Caesar's house.80
III3Alexandria. Cleopatra's palace.65
III4Athens. A room in Antony's house.41
III5Athens. Another room in Antony's house.25
III6Rome. Octavius Caesar's house.112
III7Near Actium. Mark Antony's camp.100
III8A plain near Actium.6
III9Another part of the plain near Actium.4
III10Another part of the plain near Actium.45
III11Alexandria. Cleopatra's palace.81
III12Egypt. Octavius Caesar's camp.43
III13Alexandria. Cleopatra's palace.236
IV1Before Alexandria. Octavius Caesar's camp.18
IV2Alexandria. Cleopatra's palace.56
IV3Alexandria. Before Cleopatra's palace.34
IV4Alexandria. Before Cleopatra's palace.48
IV5Alexandria. Mark Antony's camp.25
IV6Alexandria. Octavius Caesar's camp.43
IV7Field of battle between the camps.21
IV8Under the walls of Alexandria.44
IV9Alexandria. Octavius Caesar's camp.43
IV10The field of battle between the camps.10
IV11Another part of the field of battle between the camps.4
IV12Another part of the field of battle between the camps.53
IV13Alexandria. Cleopatra's palace.12
IV14Alexandria. Another room in Cleopatra's palace.170
IV15Alexandria. Another room in a monument in Cleopatra's palace.105
V1Alexandria. Octavius Caesar's camp.91
V2Alexandria. Another room in a monument in Cleopatra's palace.427

As You Like It

ActSceneLocationAppr. # linesSynopsis
I1An orchard of Oliver's house.145Orlando complains that he has not been given the money, education, or respect that he is due from being the younger son of his wealthy, deceased father. He complains to Adam, an elderly servant, that Oliver, the eldest son, refuses to follow the instructions in the will to leave Orlando money. Oliver appears and there is a brief scuffle between Orlando and Oliver. After Orlando and Adam exit, Oliver plots to kill Orlando by allowing him to be injured in a wrestling match.
I2A lawn before the Duke's palace.249
I3A room in the Duke's palace.136
II1The Forest of Arden.72
II2The Duke's palace.21
II3Before Oliver's house.77Adam praises Orlando for being virtuous, but says that Oliver plans to kill Orlando. Orlando decides to leave home immediately. Adam goes with him.
II4The Forest of Arden.95
II5Another part of the Forest of Arden.56
II6Another part of the Forest of Arden.15Orlando and Adam travel through the forest, exhausted and starving. Adam collapses, insisting he will now die. Orlando leaves Adam, promising to return with food.
II7Another part of the Forest of Arden.205
III1The Duke's palace.18
III2The Forest of Arden.378
III3Another part of the Forest of Arden.86Touchstone convinces Audrey, a young goat keeper, to marry him. A priest arrives to perform the ceremony immediately, but Jaques intervenes, persuading Touchstone to hold the ceremony in a real church.
III4Another part of the Forest of Arden.54
III5Another part of the Forest of Arden.143
IV1The Forest of Arden.188Jaques describes his personal type of melancholy to Rosalind (still pretending to be Ganymede) and Celia (still pretending to be Aliena). Orlando shows up for the schedules meeting and Jaques exits. "Ganymede" tries to counsel Orlando out of being in love. "Ganymede" pretends to be Rosalind and urges Orlando to woo her. They pretend to get married, with Celia acting as priest.
IV2Another part of the Forest of Arden.19
IV3Another part of the Forest of Arden.183
V1The Forest of Arden.56
V2Another part of the Forest of Arden.114
V3Another part of the Forest of Arden.37
V4Another part of the Forest of Arden.188
Ep.19

The Comedy of Errors

ActSceneLocationAppr. # linesSynopsis
I1A hall in Duke Solinus's Palace.158
I2The mart.105
II1The house of Antipholus of Ephesus.116
II2A public place.214
III1Before the house of Antipholus of Ephesus.131
III2Before the house of Antipholus of Ephesus.175
IV1A public place.113
IV2A room in the house of Antipholus of Ephesus.70
IV3A public place.89
IV4A street.155
V1A street before an abbey.430

Coriolanus

ActSceneLocationAppr. # linesSynopsis
I1Rome. A street.292
I2Corioli. The Senate-house.46
I3Rome. A room in Martius Coriolanus' house.106
I4Before Corioli.75
I5Corioli. A street.32
I6Near Cominius' camp.104
I7The gates of Corioli.8
I8A field of battle.19
I9The Roman camp.106
I10The Volscian camp.36
II1Rome. A public place.274
II2Rome. The capitol.182
II3Rome. The forum.271
III1Rome. A street.417
III2Rome. A room in Martius Coriolanus' house.172
III3Rome. The forum.170
IV1Rome. Before a gate of the city.65
IV2Rome. A street near the gate of the city.70
IV3A highway between Rome and Antium.45
IV4Antium. Before Aufidius' house.30
IV5Antium. A hall in Aufidius' house.227
IV6Rome. A public place.194
IV7A camp near Rome.59
V1Rome. A public place.86
V2Entrance of the Volscian camp before Rome.108
V3The tent of Coriolanus.228
V4Rome. A public place.64
V5Rome. A street near the city gate.8
V6Antium. A public place.181

Cymbeline

ActSceneLocationAppr. # linesSynopsis
I1Britain. The garden of Cymbeline's palace.218
I2Britain. A public place.32
I3Britain. A room in Cymbeline's palace.48
I4Rome. A room in Pilario's house.149
I5Britain. A room in Cymbeline's palace.99
I6Britain. Another room in Cymbeline's palace.240
II1Britain. Before Cymbeline's palace.60
II2Britain. Imogen's bedchamber in Cymbeline's palace.53
II3Britain. An antechamber adjoining Imogen's apartment in Cymbeline's palace.174
II4Rome. Philario's house.193
II5Rome. Another room in Philario's house.35
III1Britain. A hall in Cymbeline's palace.89
III2Britain. A room in Cymbeline's palace.86
III3Wales. A mountainous country with a cave.112
III4The country near Milford-Haven.216
III5Britain. A room in Cymbeline's palace.180
III6Wales. Before Belarius' cave.110
III7Rome. A public place.19
IV1Wales. The forest near Belarius' cave.22
IV2Before Belarius' cave.479
IV3Britain. A room in Cymbeline's palace.52
IV4Wales. The forest near Belarius' cave.65
V1Britain. The Roman camp.33
V2Field of battle between the British and Roman camps.20
V3Another part of the field of battle between the British and Roman camps.102
V4Britain. A prison.201
V5Cymbeline's tent.576

Double Falsehood

ActSceneLocationAppr. # linesSynopsis
I1The province of Andalusia in Spain. A royal palace.50
I2Prospect of a village at a distance.222
I3Outside an apartment.84
II1The prospect of a village.56
II2An apartment.48
II3Prospect of a village. Before Don Bernard's house.206
II4Another prospect of Don Bernard's house.40
III1The prospect of a village.48
III2Don Bernard's house.191
III3Prospect of a village at a distance.181
IV1A wide plain, with a prospect of mountains in the distance.267
IV2The prospect of the mountains.129
V1Another part of the prospect of the mountains.90
V2An apartment in the lodge.330

Edward III

ActSceneLocationAppr. # linesSynopsis
I1London. A room of state in the palace.169
I2Roxborough. Before the castle.165
II1Roxborough. The gardens of the castle.463
II2Roxborough. Another part of the castle.212
III1Flanders. The French camp.189
III2Picardy. The fields near Cressy.76
III3Picardy. The fields near Cressy.228
III4Picardy. The fields near Cressy.13
III5Picardy. The fields near Cressy.115
IV1Bretagne. The camp of the English.43
IV2Picardy. The English camp before Calais.85
IV3Poitou. Fields near Poitiers. The French camp; tent of the Duke of Normandy.85
IV4Poitou. Fields near Poitiers. The English camp.162
IV5Poitou. Fields near Poitiers. The French camp.128
IV6Poitou. Fields near Poitiers. A part of the field of battle.17
IV7Poitou. Fields near Poitiers. Another part of the field of battle.36
IV8Poitou. Fields near Poitiers. Another part of the field of battle.11
IV9Poitou. Fields near Poitiers. The English camp.64
V1Picardy. The English camp before Calais.243

Hamlet

ActSceneLocationAppr. # linesSynopsis
I1Elsinore. A platform before the castle.191
I2Elsinore. A room of state in the castle.277
I3Elsinore. A room in Polonius' house.142
I4Elsinore. A platform before Elsinore castle.101
I5Elsinore. Another part of the platform before Elsinore castle.209
II1Elsinore. A room in Polonius' house.131
II2Elsinore. A room in Elsinore castle.588
III1Elsinore. A room in Elsinore castle.197
III2Elsinore. A hall in Elsinore castle.373
III3Elsinore. A room in Elsinore castle.101
III4Elsinore. The Queen's room in Elsinore castle.234
IV1Elsinore. A room in Elsinore castle.46
IV2Elsinore. Another room in Elsinore castle.28
IV3Elsinore. Another room in Elsinore castle.71
IV4Near Elsinore. A plain in Denmark.68
IV5Elsinore. A room in Elsinore castle.230
IV6Elsinore. Another room in Elsinore castle.29
IV7Elsinore. Another room in Elsinore castle.211
V1Elsinore. A churchyard.289
V2Elsinore. A hall in Elsinore castle.417

Henry IV, Part 1

ActSceneLocationAppr. # linesSynopsis
I1London. The palace.108
I2London. An apartment of the Prince's.192
I3London. The palace.313
II1Rochester. An inn yard.85
II2A highway near Gadshill.100
II3Warkworth castle.118
II4Eastcheap. The Boar's Head Tavern.493
III1Wales. Glendower's castle.271
III2London. The palace.181
III3Eastcheap. The Boar's Head Tavern.186
IV1The rebel camp near Shrewsbury.143
IV2A public road near Coventry.73
IV3The rebel camp near Shrewsbury.121
IV4York. The Archbishop's palace.42
V1King Henry IV's camp near Shrewsbury.140
V2The rebel camp.102
V3The plain between the camps.59
V4Another part of the field.163
V5Another part of the field.45

Henry IV, Part 2

ActSceneLocationAppr. # linesSynopsis
IPr.40
I1Warkworth. Before Northumberland's castle.226
I2London. A street.220
I3York. A room in the Archbishop's palace.113
II1London. A street.164
II2London. Another street.151
II3Warkworth. Before Northumberland's castle.70
II4London. The Boar's Head Tavern in Eastcheap.341
III1Westminster. A palace room.111
III2Gloucestershire. Court before Shallow's house.292
IV1Yorkshire. Within the Forest of Gaultree.233
IV2Yorkshire. Another part of the Forest of Gaultree.129
IV3Yorkshire. Another part of the Forest of Gaultree.118
IV4Jerusalem Chamber in Westminster.137
IV5Westminster. The Jerusalem Chamber.244
V1Gloucestershire. Shallow's house.76
V2Westminster. A palace room.146
V3Gloucestershire. Shallow's orchard.128
V4London. A street.29
V5Westminster. Near the Abbey.102
Ep.17

Henry V

ActSceneLocationAppr. # linesSynopsis
IPr.34
I1London. Antechamber in the King's Palace.102
I2London. Presence Chamber in the King's Palace.315
IIPr.42
II1London. A street in Eastcheap.116
II2Southampton. A council-chamber.191
II3London. Before a tavern in Eastcheap.53
II4France. An apartment in the King's palace.151
IIIPr.35
III1France. Before Harfleur.34
III2France. Before Harfleur.125
III3France. Before the Harfleur Gates.58
III4Rouen. A room in the French King's palace.55
III5Rouen. Another room in the French King's palace.69
III6Picardy. The English camp.160
III7Agincourt. The French camp.134
IVPr.53
IV1Agincourt. The English camp.292
IV2The French camp.63
IV3Agincourt. The English camp.135
IV4The field of battle.69
IV5Another part of the battlefield.25
IV6Another part of the battlefield.39
IV7Another part of the battlefield.173
IV8Before King Henry's pavilion.119
VPr.45
V1France. The English Court of Guard.80
V2France. The French King's apartment in Troyes.345
Ep.14

Henry VI, Part 1

ActSceneLocationAppr. # linesSynopsis
I1Westminster Abbey.177
I2France. Before Orléans.151
I3London. Before the Tower.86
I4France. Before Orléans.111
I5France. Before Orléans.39
I6France. Before Orléans.31
II1France. Before Orléans.85
II2Orléans. Within the town.61
II3Auvergne. Court of the Countess's castle.85
II4London. The temple garden.135
II5London. A room in the Tower of London.129
III1London. The Parliament House.207
III2France. Before Rouen.138
III3France. The plains near Rouen.91
III4Paris. A room in the palace.45
IV1Paris. A hall of state.195
IV2France. Before Bourdeaux.56
IV3France. Plains in Gascony.53
IV4France. Other plains in Gascony.46
IV5English camp near Bourdeaux.55
IV6A field of battle.57
IV7Another part of the battlefield.96
V1London. A room in the palace.62
V2France. Plains in Anjou.21
V3France. Before Angiers.201
V4Anjou. Camp of the Duke of York.175
V5London. A room in the palace.108

Henry VI, Part 2

ActSceneLocationAppr. # linesSynopsis
I1London. A room of state in the palace.259
I2London. A room in Gloucester's house.107
I3London. A room in the palace.216
I4London. Gloucester's Garden.79
II1St. Albans.208
II2London. York's garden.83
II3A hall of justice.98
II4London. A street.111
III1The Abbey at Bury St. Edmund's.383
III2Bury St. Edmund's. A palace room of state.416
III3London. The Cardinal's bedchamber.33
IV1Coast of Kent. Seashore near Dover.150
IV2Blackheath.167
IV3Another part of Blackheath.17
IV4London. A room in the palace.59
IV5London. The Tower.12
IV6London. Cannon Street.13
IV7London. Smithfield.120
IV8Southwark.64
IV9Kenilworth Castle.49
IV10Kent. Iden's Garden.80
V1Fields Between Dartford and Blackheath.217
V2Battlefield at Saint Albans.91
V3Field nearby Saint Albans.34

Henry VI, Part 3

ActSceneLocationAppr. # linesSynopsis
I1London. The Parliament House.277
I2Yorkshire. A room in Sandal Castle.75
I3Field of battle between Sandal Castle and Wakefield.53
I4Another part of the field of battle between Sandal Castle and Wakefield.180
II1Hertfordshire. A plain near Mortimer's Cross.209
II2Before York.177
II3Yorkshire. A battlefield between Towton and Saxton.56
II4Yorkshire. Another part of the battlefield between Towton and Saxton.13
II5Yorkshire. Another part of the battlefield between Towton and Saxton.139
II6Yorkshire. Another part of the battlefield between Towton and Saxton.111
III1A forest in the North of England.101
III2London. A palace room.196
III3France. A room in King Lewis XI's palace.270
IV1London. A palace room.149
IV2A plain in Warwickshire.29
IV3Edward's camp near Warwick.65
IV4London. A palace room.35
IV5Yorkshire. A park near Middleham Castle.30
IV6London. The Tower.103
IV7Before York.86
IV8London. A palace room.65
V1Coventry.113
V2A battlefield near Barnet.50
V3Another part of the battlefield near Barnet.24
V4Plains near Tewksbury.82
V5Another part of the battlefield near Barnet.90
V6London. The Tower.93
V7London. A room in the palace.46

Henry VIII

ActSceneLocationAppr. # linesSynopsis
IPr.32
I1London. An ante-chamber in the palace.268
I2London. The council chamber.244
I3London. An ante-chamber in the palace.83
I4A hall in York Place.138
II1Westminster. A street.195
II2London. An ante-chamber in the palace.158
II3London. An ante-chamber in the Queen's apartment.128
II4A hall in Black-Friars.258
III1London. Queen Katherine's apartment.199
III2London. Antechamber to King Henry VIII's apartment.533
IV1Westminster. A street.141
IV2Kimbolton.194
V1London. A gallery in the palace.209
V2The lobby before the council chamber.250
V3The council chamber.87
V4The palace-yard.80
Ep.14

King John

ActSceneLocationAppr. # linesSynopsis
I1A room in King John's palace.278
II1France. Before the town of Angiers.609
III1The French King's tent.357
III2The plains near Angiers.11
III3The plains near Angiers.82
III4The plains near Angiers. King Philip's tent.185
IV1Northampton. A room in the castle.145
IV2A room in King John's castle.276
IV3Before King John's castle.167
V1King John's Palace.81
V2The French camp at St. Edmundsbury.183
V3The battlefield.17
V4Another part of the battlefield.62
V5The French camp.23
V6An open place in the neighborhood of Swinstead Abbey.48
V7The orchard at Swinstead Abbey.122

Julius Caesar

ActSceneLocationAppr. # linesSynopsis
I1Rome. A street.74
I2Rome. A public place.323
I3Rome. A street.170
II1Rome. Brutus's orchard.351
II2Rome. Caesar's house.137
II3Rome. A street near the capitol.13
II4Rome. A street before the house of Brutus.50
III1Rome. Before the capitol; the Senate sitting above.316
III2The Forum.277
III3Rome. A street.35
IV1A house in Rome.54
IV2A camp near Sardis. Before Brutus's tent.57
IV3Inside Brutus's tent.347
V1The plains of Philippi.136
V2The plains of Philippi. The battlefield.6
V3The plains of Philippi. Another part of the battlefield.118
V4The plains of Philippi. Another part of the battlefield.33
V5The plains of Philippi. Another part of the battlefield.87

King Lear

ActSceneLocationAppr. # linesSynopsis
I1King Lear's palace.325
I2The Earl of Gloucester's castle.169
I3The Duke of Albany's palace.27
I4A hall in the Duke of Albany's palace.335
I5Court before the palace.45
II1The Earl of Gloucester's castle.141
II2Before Gloucester's castle.174
II3A wood.21
II4Before Gloucester's castle.341
III1A heath.58
III2Another part of the heath.97
III3Gloucester's castle.22
III4The heath. Before a hovel.177
III5Gloucester's castle.22
III6A chamber in a farmhouse adjoining the castle.114
III7Gloucester's castle.119
IV1A heath.89
IV2Before the Duke of Albany's palace.111
IV3The French camp near Dover.61
IV4The French camp near Dover. A tent.32
IV5Gloucester's Castle.45
IV6Fields near Dover.304
IV7The French camp near Dover. A tent.108
V1The British camp near Dover.78
V2The battlefield between the two camps.13
V3The British camp near Dover.385

Love's Labour's Lost

ActSceneLocationAppr. # linesSynopsis
I1The King of Navarre's park.293
I2The King of Navarre's park.160
II1The King of Navarre's park.268
III1The King of Navarre's park.174
IV1The King of Navarre's park.149
IV2The King of Navarre's park.159
IV3The King of Navarre's park.395
V1The King of Navarre's park.130
V2The King of Navarre's park.947

Macbeth

ActSceneLocationAppr. # linesSynopsis
I1A desert place.13
I2A camp near Forres.76
I3A heath near Forres.169
I4Forres. A room in the palace.65
I5Inverness. Macbeth's castle.80
I6Before Macbeth's castle.37
I7A room in Macbeth's castle.92
II1The court of Macbeth's castle.72
II2The court of Macbeth's castle.87
II3The court of Macbeth's castle.167
II4Outside Macbeth's castle.52
III1Forres. The palace.156
III2Forres. The palace.61
III3Forres. A park near the palace.32
III4A room of state in the palace.168
III5A heath.37
III6Forres. The palace.53
IV1A cavern.172
IV2Fife. Macduff's castle.91
IV3England. Before the King's palace.278
V1Dunsinane. An anteroom in the castle.69
V2The country near Dunsinane.37
V3Dunsinane. A room in the castle.71
V4Country near Birnam wood.27
V5Dunsinane. Within the castle.58
V6Dunsinane. Before the castle.11
V7A part of the field.35
V8Another part of the field.39
V9Dunsinane. Within Macbeth's castle.47

Measure for Measure

ActSceneLocationAppr. # linesSynopsis
I1Vienna. An apartment in the Duke's palace.89
I2Vienna. A street.175
I3Vienna. A monastery.57
I4Vienna. A nunnery.99
II1A hall in Angelo's house.259
II2Another room in Angelo's house.218
II3A room in a prison.47
II4A room in Angelo's house.199
III1A room in the prison.268
III2The street before the prison.249
IV1The moated grange at St. Luke's.79
IV2A room in the prison.202
IV3Another room in the prison.172
IV4A room in Angelo's house.32
IV5Fields without the town.14
IV6A street near the city gate.17
V1At the city gate.578

The Merchant of Venice

ActSceneLocationAppr. # linesSynopsis
I1Venice. A street.188Bassanio, a young Venetian of noble rank, wishes to woo the beautiful and wealthy heiress Portia of Belmont. Having squandered his estate, he needs money to properly present himself as a suitor. Bassanio approaches his friend Antonio, a wealthy merchant of Venice, for a loan. Although Bassanio is already in debt to Antonio, Antonio agrees to loan the money to Bassanio. However, Antonio is cash poor – all of his money is invested in shipping enterprises – so Antonio gives Bassanio permission to borrow money on Antonio's credit.
I2Belmont. A room in Portia's house.114In Belmont, Portia is awash with suitors. Her father left a will stipulating each of her suitors must choose correctly from one of three caskets – one each of gold, silver and lead. If he picks the right casket, he gets Portia. Portia and her servant Nerissa discuss the various suitors, but Portia is not happy with any of them.
I3Venice. A public place.184
II1Belmont. A room in Portia's house.49The Prince of Morocco arrives to try to win Portia's hand.
II2Venice. A street.188
II3Venice. A room in Shylock's house.20
II4Venice. A street.42
II5Venice. Before Shylock's house.56
II6Venice. Before Shylock's house.70
II7Belmont. A room in Portia's house.80The Prince of Morocco chooses the gold casket. The casket contains a skull with a note of warning about being fooled by appearances. The prince leaves disappointed.
II8Venice. A street.55
II9Belmont. A room in Portia's house.103
III1Venice. A street.106
III2Belmont. A room in Portia's house.334
III3Venice. A street.39
III4Belmont. A room in Portia's house.87
III5Belmont. A garden at Portia's house.82
IV1Venice. A court of justice.471
IV2Venice. A street.21
V1Belmont. Outside Portia's house.325

The Merry Wives of Windsor

ActSceneLocationAppr. # linesSynopsis
I1Windsor. A street in front of Page's house.266
I2Windsor. A street in front of Page's house.11
I3A room in the Garter Inn.88
I4A room in Dr. Caius's house.140
II1Windsor. A street in front of Page's house.196
II2A room in the Garter Inn.265
II3A field near Windsor.82
III1A field near Frogmore.101
III2Windsor. A street.74
III3A room in Ford's house.193
III4A room in Page's house.104
III5A room in the Garter Inn.128
IV1Windsor. A street.70
IV2A room in Ford's house.186
IV3A room in the Garter Inn.11
IV4A room in Ford's house.91
IV5A room in the Garter Inn.104
IV6Another room in the Garter Inn.55
V1A room in the Garter Inn.26
V2Windsor Park.11
V3A street leading to the Windsor Park.22
V4Windsor Park.3
V5Another part of Windsor Park.221

A Midsummer Night's Dream

ActSceneLocationAppr. # linesSynopsis
I1Athens. A room in the palace of Theseus.255
I2Athens. A room in Quince's house.91
II1In the woods near Athens.273
II2Another part of the woods near Athens.156
III1In the woods.181
III2Another part of the woods.482
IV1Another part of the woods.200
IV2Athens. A room in Quince's house.36
V1Athens. A room in the palace of Theseus.423

Much Ado About Nothing

ActSceneLocationAppr. # linesSynopsis
I1Messina. Before Leonato's house.267
I2A room in Leonato's house.23
I3A hall in Leonato's house.58
II1A hall in Leonato's house.326
II2Another room in Leonato's house.46
II3Leonato's orchard.230
III1Leonato's garden.119
III2A room in Leonato's house.108
III3Messina. A street.153
III4Hero's apartment.80
III5Another room in Leonato's house.56
IV1Messina. Inside a church.333
IV2Messina. A prison.75
V1Before Leonato's house.319
V2Leonato's garden.83
V3Messina. Inside a church.33
V4A room in Leonato's house.128

Othello

ActSceneLocationAppr. # linesSynopsis
I1Venice. A street.194
I2Venice. Another street.116
I3Venice. A council chamber.419
II1A sea port in Cyprus.313
II2Cyprus. A street.10
II3Cyprus. A castle hall.379
III1Cyprus. Before the castle.59
III2Cyprus. A room in the castle.7
III3Cyprus. The garden of the castle.531
III4Cyprus. Before the castle.221
IV1Cyprus. Before the castle.305
IV2Cyprus. A room in the castle.262
IV3Cyprus. Another room in the castle.111
V1Cyprus. A street.143
V2A bedchamber in the castle.426

Pericles, Prince of Tyre

ActSceneLocationAppr. # linesSynopsis
IPr.42
I1Antioch (Syria). A room in the palace.174
I2Tyre. A room in the palace.129
I3Tyre. An antechamber in the palace.39
I4Tarsus. A room in the Governor's house.109
IIPr.40
II1Pentapolis. An open place by the seaside.151
II2Pentapolis. A public way, or platform leading to the lists. A pavilion by the side of it for the reception of the King, Princess, Lords, etc.60
II3Pentapolis. A hall of state and a banquet.123
II4Tyre. A room in the Governor's house.59
II5Pentapolis. A room in the palace.98
IIIPr.60
III1On a ship at sea.85
III2Ephesus. A room in Cerimon's house.127
III3Tarsus. A room in Cleon's house.48
III4Ephesus. A room in Cerimon's house.18
IVPr.52
IV1Tarsus. An open place near the seashore.111
IV2Mytilene. A room in a brothel.130
IV3Tarsus. A room in Cleon's house.57
IV4Tarsus. Before the tomb of Marina.51
IV5Mytilene. A street before the brothel.9
IV6Mytilene. A room in a brothel.182
VPr.24
V1On board Pericles's ship, off Mytilene.297
V2Ephesus. Before the temple of Diana.20
V3The temple of Diana at Ephesus.98
Ep.18

King Richard II

ActSceneLocationAppr. # linesSynopsis
I1London. King Richard's palace.207
I2The Duke of Lancaster's palace.74
I3The lists at Coventry.310
I4The court.65
II1Ely House.303
II2Windsor Castle.152
II3Wilds in Gloucestershire.172
II4A camp in Wales.24
III1Bristol. Before the castle.44
III2The coast of Wales. A castle in view.220
III3Wales. Before Flint Castle.214
III4Langley. The Duke of York's garden.111
IV1Westminster Hall.340
V1London. A street leading to the Tower.102
V2The Duke of York's palace.127
V3A royal palace.151
V4A royal palace.12
V5The dungeon of Pomfret Castle.120
V6Windsor Castle.52

Richard III

ActSceneLocationAppr. # linesSynopsis
I1London. A street.165
I2London. Another street.275
I3London. The palace.359
I4London. The Tower.272
II1London. The palace.142
II2London. The palace.155
II3London. A street.49
II4London. The palace.78
III1London. A street.201
III2Before Lord Hastings' house.124
III3Pomfret Castle.26
III4The Tower of London.107
III5The Tower-walls.109
III6London. A street.14
III7Baynard's castle.248
IV1Outside the Tower.105
IV2London. The palace.128
IV3London. The palace.60
IV4London. Before the palace.557
IV5Lord Stanley's house.21
V1Salisbury. An open place.29
V2The camp near Tamworth.24
V3Bosworth Field.361
V4Another part of Bosworth Field.13
V5Another part of Bosworth Field.41

Romeo and Juliet

ActSceneLocationAppr. # linesSynopsis
IPr.14
I1Verona. A public place.238
I2Verona. A street.102
I3Verona. A room in Capulet's house.109
I4Verona. A street.120
I5Verona. A hall in Capulet's house.153
IIPr.14
II1A lane by the wall of Capulet's orchard.45
II2Capulet's orchard.202
II3Friar Lawrence's cell.97
II4Verona. A street.194
II5Capulet's orchard.78
II6Friar Lawrence's cell.37
III1Verona. A street.198
III2Capulet's orchard.147
III3Friar Lawrence's cell.179
III4A room in Capulet's house.36
III5Capulet's orchard and Juliet's chamber.252
IV1Friar Lawrence's cell.127
IV2A hall in Capulet's house.49
IV3Juliet's chamber.59
IV4A hall in Capulet's house.32
IV5Juliet's chamber.140
V1Mantua. A street.89
V2Friar Lawrence's cell.30
V3A churchyard; before a tomb belonging to the Capulets.320

The Taming of the Shrew

ActSceneLocationAppr. # linesSynopsis
IPr.Before an alehouse on a heath.135
IPr.2A bedchamber in the Lord's house.140
I1Padua. A public square.253
I2Padua. Before Hortensio's house.280
II1Padua. A room in Baptista Minola's house.414
III1Padua. Baptista's house.83
III2Padua. Before Baptista's house.250
IV1Petruchio's country house.190
IV2Padua. Before Baptista's house.125
IV3A room in Petruchio's house.195
IV4Padua. Before Baptista's house.103
IV5A public road.80
V1Padua. Before Lucentio's house.127
V2Padua. Lucentio's house.201

The Tempest

Some of these synopses, in edited form, are from The Annotated Shakespeare for Colleges and Schools by Rev. David Bain, 1892.

ActSceneLocationAppr. # linesSynopsis
I1On a ship at sea.63The play opens on board a ship having as passengers a king and his courtiers. The resources of the crew are taxed to the utmost in trying to cope with a storm which, evidently arising suddenly, eventually drives the vessel on a lee shore, apparently wrecked with loss of all hands. Alonso speaks to the boatswain kindly, Antonio and Sebastian with scorn and abuse, and Lord Gonzalo' is cheerful and witty to the last.
I2The island. Before Prospero's cell.596Prospero and his daughter Miranda are standing in front of their home on an island. Miranda has just witnessed the shipwreck, and, overwhelmed with grief at the suffering of those on board, she pleadingly entreats her father, who by his art has raised the storm, to quell its ravages. In justification, the old man narrates his own history antecedent to this shipwreck. Twelve years ago Prospero was Duke of Milan. Passionately devoted to his studies, he neglected dukedom and placed its management in the hands of his jealous brother Antonio. The latter confederated with Alonso, the King of Naples, to hold Milan as the fief of his crown, obtaining in return the aid of a Neapolitan army. With the help thus furnished, Antonio made himself master of Milan and ruthlessly turned the lawful duke and his infant daughter adrift in an open and worthless boat. Fortunately, Gonzalo, who reluctantly carried out his master's orders, provided the castaways with the necessaries of life and a bundle of books from Prospero's library. They were cast upon this island — their home ever since. Miranda is soothed to sleep. Prospero's summons Ariel, his spirit servant. From a conversation between the two, we learn that Sycorax, a witch and mother of the monster Caliban, was in former days banished from Argiers, and turned loose upon this island. For a dozen years this witch imprisoned Ariel in the trunk of a tree. Prospero, on arriving on the island, freed Ariel. In gratitude, Ariel has served Propero since then, who has further promised Ariel complete freedom on the accomplishment of certain tasks. Ariel recounts his management of the storm, and how he had provided that nobody died. All, safely landed, were dispersed in groups throughout the island. Ferdinand, King Alonso's son, almost frantic in despair, was sitting alone in an out-of-the- way creek, imagining that he alone was saved. When Ariel has fully reported his exploits, Miranda awakens. Her father suggests a visit to Caliban, his slave. This monster had, on the death of his mother, become lord of the island, where he was found by Prospero. Prospero says he at first treated Caliban kindness, teaching him language and astronomy, but soon perceived that the monster was only fit for serfdom. Suddenly reappearing, Ariel leads Prince Ferdinand into the scene. The prince and Miranda fall in love at first sight. Prospero, however, treats the prince harshly, accusing him of being a spy. Miranda endeavors to mitigate her father's harshness.
II1Another part of the island.359On another part of the island are King Alonso, Antonio, Gonzalo, Sebastian, Adrian, Francisco, and others. Alonso grieves because he believes his only son, Ferdinand, is drowned. Gonzalo tries to comfort him with little success. Antonio, Sebastian, and Adrian discuss the recent marriage of Alonso's only daughter Claribel and the Prince of Tunis, from whose wedding they were traveling home. Ariel enters and magically puts to sleep everyone except Antonio and Sebastian. Antonio suggests that Sebastian should murder his brother, King Alonso, and thus himself become King of Naples. They almost do so when the others awake.
II2Another part of the island.170Caliban is at work on his daily chores when Trinculo, the court jester, arrives. Caliban thinks Trinculo is one of Prospero's spirits. Stephano, the King's drunken butler, arrives. Caliban takes the butler for a god and swears loyalty to him. The three decide to be sole owners of the island.
III1Before Prospero's cell.114Ferdinand is hauling logs, a chore assigned him by Prospero. Miranda arrives to cheer and comfort him in his task. She is overjoyed to find that her love is reciprocated.
III2Another part of the island.146Stephano, Trinculo, and Caliban plot to kill Prospero. Stephano is to marry Miranda and become sole monarch. Ariel enters, and entices the three to follow him. They yield to Ariel's charms, having first consented to delay the execution of the plot.
III3Another part of the island.126Alonso and his courtiers continue to search for Ferdinand. They are almost overcome by exhaustion, but Sebastian and Antonio are glad that another opportunity will soon be afforded them of carrying out their plot upon Alonso. Invisible to all, Prospero and Ariel enter. A sumptuous banquet is provided before the eyes of the starving courtiers, who are invited to eat, and as they are about to partake, the feast is snatched away by an unseen hand. Ariel now upbraids them for their former crimes, especially the 'three men of sin,' Alonso, Sebastian, and Antonio. Believing Ariel's voice to be their own evil conscience, they rush off in frantic despair. Gonzalo urges the other members of the company to follow in haste to prevent, if possible, any disaster.
IV1Before Prospero's cell.285Prospero agrees to the betrothal of Ferdinand and Miranda. Following some fatherly advice to Miranda, he furnishes, for their entertainment, a masque, enacted by Ariel and Ariel's fellows. Ariel enters to say that Stephano, Trinculo, and Caliban are now on their way, still intent on their murderous project. At Prospero's command, Ariel places upon a line some 'trumpery' taken from Prospero's wardrobe, to catch, as he says, these thieves. Having entered, the drunken three now load themselves with the trumpery. Prospero sends after them his servant sprites, disguised as hounds, eventually driving the thieves into a stagnant pool.
V1Before Prospero's cell.361Ariel brings Alonso and his followers to Prospero to hear the sentence which Prospero is about to pronounce. Prospero reveals himself to his brother and to Alonso. Alonso, smitten with remorse, offers to resign the dukedom of Milan and bewails the loss of his son. Prospero remarks that he, too, has lost a daughter, and then, withdrawing a curtain, Ferdinand and Miranda are disclosed, playing at chess. Ariel brings in the master and the boatswain, from whom we learn that the ship has been refitted, that the crew are all safe, and that nobody has died. The wandering plotters, Sebastian and Trinculo, are also brought before Prospero to receive sentence. It is a light one, merely to trim and arrange Prospero's cell for the company's reception. Caliban is and Ariel are discharged from servitude.
Ep.20Prospero asks the audience for permission to leave the island and return to Naples.

Sir Thomas More

ActSceneLocationAppr. # linesSynopsis
I1London. A street.131
I2London. The Sessions House.210
I3London. A state apartment.94
II1Cheapside.23
II2Saint Martin's-le-Grand.76
II3The Guildhall.50
II4St. Martin's Gate.248
II5Cheapside.177
III1Chelsea. A room in More's house.280
III2Chelsea. Antechamber in More's house.22
III3Chelsea. A room in More's house.342
IV1Whitehall. The council chamber.119
IV2Chelsea.96
IV3The Tower.29
IV4Chelsea. A room in More's house.190
V1The Tower Gate.69
V2More's house.57
V3The Tower.133
V4Tower Hill.124

Timon of Athens

ActSceneLocationAppr. # linesSynopsis
I1Athens. A hall in Timon's house.308
I2A banqueting-room in Timon's house.253
II1Athens. A room in a Senator's house.38
II2Athens. A hall in Timon's house.247
III1Athens. A room in Lucullus' house.57
III2Athens. A public place.83
III3Athens. A room in Sempronius's house.42
III4Athens. A hall in Timon's house.125
III5Athens. The Senate House.123
III6Athens. A banqueting-room in Timon's house.111
IV1Outside the walls of Athens.41
IV2Athens. A room in Timon's house.53
IV3Woods and cave near the seashore.560
V1The woods. Before Timon's cave.260
V2Before the walls of Athens.19
V3The woods. A rude tomb near Timon's cave.10
V4Before the walls of Athens.95

Titus Andronicus

ActSceneLocationAppr. # linesSynopsis
I1Rome. Before the Capitol.500
II1Rome. Before the Palace.142
II2A forest near Rome.29
II3A lonely part of the forest.306
II4Another part of the forest.57
III1Rome. A street.303
III2A room in Titus' house.85
IV1Rome. Titus' garden.130
IV2Rome. A room in the palace.184
IV3Rome. A public place.119
IV4Rome. Before the Palace.113
V1Plains near Rome.166
V2Rome. Before Titus' house.205
V3Court of Titus's house.200

Troilus and Cressida

ActSceneLocationAppr. # linesSynopsis
IPr.31
I1Troy. Before Priam's palace.114
I2Troy. A street.268
I3The Grecian camp. Before Agamemnon's tent.397
II1A part of the Grecian camp.117
II2Troy. A room in Priam's palace.219
II3The Grecian camp. Before Achilles' tent.257
III1Troy. Priam's palace.141
III2Troy. Pandarus' orchard.197
III3The Grecian camp. Before Achilles' tent.314
IV1Troy. A street.84
IV2Troy. A court before Pandarus's house.111
IV3Troy. A street before Pandarus's house.13
IV4Troy. Pandarus's House.154
IV5The Grecian camp.322
V1The Grecian camp. Before Achilles' tent.99
V2The Grecian camp. Before Calchas's tent.218
V3Troy. Before Priam's palace.122
V4The plains between Troy and the Grecian camp.34
V5Another part of the plains.50
V6Another part of the plains.34
V7Another part of the plains.21
V8Another part of the plains.22
V9Another part of the plains.10
V10Another part of the plains.57

Twelfth Night

ActSceneLocationAppr. # linesSynopsis
I1Illyria. A room in Duke Orsino's palace.43
I2The sea coast.66
I3A room in Olivia's house.121
I4A room in Duke Orsino's palace.45
I5A room in Olivia's house.285
II1The sea coast.41
II2Illyria. A street.38
II3A room in Olivia's house.169
II4A room in Duke Orsino's palace.131
II5Olivia's garden.178
III1Olivia's garden.160
III2A room in Olivia's house.73
III3Illyria. A street.53
III4Olivia's garden.363
IV1Illyria, A street adjoining Olivia's house.62
IV2A room in Olivia's house.119
IV3Olivia's garden.35
V1A street before Olivia's house.407

The Two Gentlemen of Verona

ActSceneLocationAppr. # linesSynopsis
I1Verona. An open place.143
I2Verona. The garden of Julia's house.147
I3Verona. A room in Antonio's house.92
II1Milan. A room in the Duke's palace.157
II2Verona. A room in Julia's house.22
II3Verona. A street.52
II4Milan. A room in the Duke's palace.214Valentine, Sylvia, Thurio (a competitor to Valentine for Sylvia's love), and Speed await Proteus' arrival in Milan. Valentine and Thurio exchange verbal barbs, with Sylvia keeping the peace. Sylvia's father, the Duke, enters, commends Valentine to give Proteus a hearty welcome, then exits. Proteus arrives and is warmly greeted by all. Thurio and Sylvia exit, leaving Proteus and Valentine to talk. Valentine explains that he and Sylvia have plans to elope. Proteus reveals in a soliloquy that he has fallen in love with Sylvia and plans to have her for his own.
II5Milan. A street.48
II6Milan. A room in the Duke's palace.43
II7Verona. A room in Julia's house.90
III1Milan. An anteroom in the Duke's palace.365
III2Milan. A room in the Duke's palace.97
IV1The frontiers of Mantua. A forest between Milan and Verona.76
IV2Milan. Outside the Duke's palace.139
IV3Milan. Outside the Duke's palace.51
IV4Milan. Outside the Duke's palace.201
V1Milan. An abbey.13
V2Milan. A room in the Duke's palace.59
V3The frontiers of Mantua. A forest between Milan and Verona.15
V4The frontiers of Mantua. Another part of the forest between Milan and Verona.179

The Two Noble Kinsmen

ActSceneLocationAppr. # linesSynopsis
IPr.32
I1Athens. Before a temple.267
I2Thebes. The palace.133
I3Before the gates of Athens.110
I4A field before Thebes.55
I5Another part of a field before Thebes.17
II1Athens. A garden, with a prison in the background.51
II2The prison.345
II3The country near Athens.99
II4Athens. A room in the prison.33
II5Athens. An open place.85
II6Athens. Before the prison.39
III1A forest near Athens.142
III2Another part of the forest near Athens.38
III3Another part of the forest near Athens.83
III4Another part of the forest near Athens.26
III5Another part of the forest near Athens.179
III6Another part of the forest near Athens.376
IV1Athens. A room in the prison.202
IV2A room in the palace.177
IV3A room in the prison.89
V1Before the Temples of Mars, Venus, and Diana.179
V2A darkened room in the prison.163
V3A place near the Lists.171
V4A place near the Lists. A block prepared.155
Ep.18

The Winter's Tale

ActSceneLocationAppr. # linesSynopsis
I1Sicilia. An antechamber in Leontes' palace.41
I2Sicilia. A room of state in Leontes' palace.536
II1Sicilia. A room in Leontes' palace.234
II2Sicilia. The outer room of a prison.80
II3Sicilia. A room in Leontes' palace.245
III1Sicilia. A sea port.27
III2Sicilia. A court of justice.264
III3Bohemia. A desert country near the sea.128
IV132
IV2Bohemia. A room in the palace of Polixenes.48
IV3Bohemia. A road near the shepherd's cottage.115
IV4Bohemia. A shepherd's cottage.895
V1Sicilia. A room in the palace of Leontes.281
V2Sicilia. Before Leontes' palace.155
V3A chapel in Paulina's house.184

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Shakespeare's Globe is a reconstruction of the Globe Theatre, an Elizabethan playhouse for which William Shakespeare wrote his plays, in the London Borough of Southwark, on the south bank of the River Thames. The original theatre was built in 1599, destroyed by the fire in 1613, rebuilt in 1614, and then demolished in 1644. The modern Globe Theatre is an academic approximation based on available evidence of the 1599 and 1614 buildings. It is considered quite realistic, though modern safety requirements mean that it accommodates only 1,400 spectators compared to the original theatre's 3,000.

Mark Rylance English actor, playwright and theatre director

Sir David Mark Rylance Waters is an English actor, playwright, and theatre director. He was the first artistic director of Shakespeare's Globe in London, between 1995 and 2005. After training at the Royal Academy of Dramatic Art in London, Rylance made his professional debut at the Citizens Theatre, Glasgow in 1980. He appeared in the West End productions of Much Ado About Nothing in 1994 and Jerusalem in 2010, winning the Olivier Award for Best Actor for both. He has also appeared on Broadway, winning three Tony Awards: two for Best Actor for Boeing Boeing in 2008 and Jerusalem in 2011, and one for Best Featured Actor for Twelfth Night in 2014. He received Best Actor nominations for Richard III in 2014 and Farinelli and the King in 2017. He is one of only eight actors to have twice won the Tony Award for Best Actor in a Play, while his nominations for Richard III and Twelfth Night in 2014 make him one of only six performers to be nominated in two acting categories in the same year.

Shakespeares plays Plays written by William Shakespeare

Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays—as well as their classifications as tragedy, history, or comedy—is a matter of scholarly debate. Shakespeare's plays are widely regarded as being among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.

Shakespeare Tavern

The Shakespeare Tavern is an Elizabethan playhouse located in downtown Atlanta, Georgia, United States. Starting productions at Manuel's Tavern in Atlanta in 1984, the Tavern moved to 499 Peachtree Street in 1990.

Shakespeares influence

Shakespeare's influence extends from theater and literatures to present-day movies, Western philosophy, and the English language itself. William Shakespeare is widely regarded as the greatest writer in the history of the English language, and the world's pre-eminent dramatist. He transformed European theatre by expanding expectations about what could be accomplished through innovation in characterization, plot, language and genre. Shakespeare's writings have also impacted many notable novelists and poets over the years, including Herman Melville, Charles Dickens, and Maya Angelou, and continue to influence new authors even today. Shakespeare is the most quoted writer in the history of the English-speaking world after the various writers of the Bible; many of his quotations and neologisms have passed into everyday usage in English and other languages. According to Guinness Book of World Records Shakespeare remains the world’s best-selling playwright, with sales of his plays and poetry believed to have achieved in excess of four billion copies in the almost 400 years since his death. He is also the third most translated author in history.

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