Shakespearean tragedy

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Sarah Siddons as the Tragic Muse, Joshua Reynolds (1784). Sarah Siddons (1755-1831) was an esteemed performer of Shakespearean tragedy. Reynolds, Sir Joshua - Mrs Siddons as the Tragic Muse - Google Art Project.jpg
Sarah Siddons as the Tragic Muse , Joshua Reynolds (1784). Sarah Siddons (1755–1831) was an esteemed performer of Shakespearean tragedy.

Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies— Julius Caesar , Antony and Cleopatra and Coriolanus —are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances (tragicomic plays) were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. [1] [2] Scholars continue to disagree on how to categorize some Shakespearean plays.

Contents

Chronology

Edwin Austin Abbey (1852-1911) King Lear, Cordelia's Farewell Edwin Austin Abbey King Lear, Act I, Scene I The Metropolitan Museum of Art.jpg
Edwin Austin Abbey (1852–1911) King Lear , Cordelia's Farewell

Below is the list of Shakespeare's plays listed as tragedies in the First Folio, along with the date range in which each play is believed to have been written. [1] [3]

Play Terminus
post quemante quem
Titus Andronicus 15911593
Romeo and Juliet 15941595
Julius Caesar 15991600
Hamlet 16001601
Troilus and Cressida [a] 16011602
Othello 16041605
King Lear 16051606
Macbeth 16051606
Timon of Athens 16051608
Antony and Cleopatra 16061607
Coriolanus 16071608

Influences and sources

The Tragical History of the Life and Death of Doctor Faustus by Christopher Marlowe, in the Huntington Library, San Marino, California Faustus Manuscript in the Huntingdon Library.jpg
The Tragical History of the Life and Death of Doctor Faustus by Christopher Marlowe, in the Huntington Library, San Marino, California

The English Renaissance, when Shakespeare was writing, was fueled by a renewed interest in Roman and Greek classics and neighboring renaissance literature written years earlier in Italy, France, and Spain. [1] Shakespeare wrote the majority of his tragedies under the rule of James I, and their darker contents may reflect the general mood of the country following the death of Elizabeth I, as well as James's theatrical preferences. [1] Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his contemporaries' plays did not necessary fit into a single genre. [4] In Elizabethan England there was no copyright law or protections against plagiarism, so characters, plots, and even whole phrases of poetry were considered common property. [5] The majority of Shakespeare's tragedies are based on historical figures, with the exception of Measure for Measure and Othello , which are based on narrative fictions by Giovanni Battista Giraldi. [1] The historical basis for Shakespeare's Roman plays comes from The Lives of Noble Grecians and Romans by Plutarch, [6] whereas the source of Shakespeare's Britain-based plays and Hamlet (based on the Danish Prince Amleth) [7] derive from Holinshed's Chronicles . [1] Furthermore, the French author François de Belleforest published The Hystorie of Hamblet, Prince of Denmarke in 1582, which includes specifics from how the prince pretended madness, to how the prince stabbed and killed the King's counsellor who was eavesdropping on Hamlet and his mother behind the arras in the Queen's chamber. [7] The story of Lear appears in Geoffrey of Monmouth's Historia regium Britanniaec.1135, and then in John Higgins' poem The Mirror for Magistrates in 1574, as well as appearing in Holinshed's Chronicles in 1587. [8] Some events that happen in Shakespeare's King Lear were inspired by various episodes of Philip Sidney's Arcadia from 1590, while the nonsensical musings of Edgar's "poor Tom" heavily reference Samuel Harsnett's 1603 book, A Declaration of Egregious Popish Impostures. [8]

Contemporary tragedy

Hamlet and his Father's Ghost, William Blake (1806) Hamlet and his Father's Ghost, William Blake, 1806.jpg
Hamlet and his Father's Ghost, William Blake (1806)

Tragedies from these eras traced their philosophical essence back to the Senecan tragedy, [1] grounded in nobles who have a tragic flaw or commit a grave error ( hamartia ) which leads to their reversal of fortune ( peripeteia ). (However, some critics have argued that the "pseudo-Aristotelian" concept of the tragic flaw does not apply to Shakespeare's tragic figures. [9] ) Revenge tragedy was another increasingly popular genre in this age; Shakespeare's Hamlet is one example of this. [2] [3] Plays of this age were also decidedly secular, [1] in contrast to the religious morality plays which, by this time, were outlawed by Elizabeth I. One marked difference between English renaissance tragedies and the classics that inspired them was the use and popularity of violence and murder on stage. [1]

Select exemplary (non-Shakespearean) Elizabethan and Jacobean tragedies: [7]

Notes and references

Notes

  1. Troilus and Cressida was listed as a comedy in the First Folio, but is now classified as a tragedy.

Related Research Articles

<span class="mw-page-title-main">William Shakespeare</span> English playwright and poet (1564–1616)

William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.

<span class="mw-page-title-main">Shakespeare's late romances</span> Category of Shakespeares plays

The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising Pericles, Prince of Tyre; Cymbeline; The Winter's Tale; and The Tempest. The Two Noble Kinsmen, of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's Shakspere (1877). Later writers have generally been content to adopt Dowden's term.

Thomas Kyd was an English playwright, the author of The Spanish Tragedy, and one of the most important figures in the development of Elizabethan drama.

<i>King Lear</i> Play by William Shakespeare

The Tragedy of King Lear, often shortened to King Lear, is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning love. The King's third daughter, Cordelia, is offered a third of his kingdom also, but refuses to be insincere in her praise and affection. She instead offers the respect of a daughter and is disowned by Lear who seeks flattery. Regan and Goneril subsequently break promises to host Lear and his entourage, so he opts to become homeless and destitute, and goes insane. The French King married to Cordelia then invades Britain to restore order and Lear's rule. In a subplot, Edmund, the illegitimate son of Gloucester, betrays his brother and father. Tragically, Lear, Cordelia and several other main characters die.

<span class="mw-page-title-main">Tragedy</span> Genre of drama based on human suffering

Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

<i>Richard III</i> (play) Shakespearean history play

The Tragedy of Richard the Third, often shortened to Richard III, is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England.

<span class="mw-page-title-main">Shakespearean history</span> Shakespeares history plays

In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones King John, Edward III and Henry VIII as well as a continuous sequence of eight plays. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, covers the Wars of the Roses saga and includes Henry VI, Parts I, II & III and Richard III. The second tetralogy, finished in 1599 and including Richard II, Henry IV, Parts I & II and Henry V, is frequently called the Henriad after its protagonist Prince Hal, the future Henry V.

<span class="mw-page-title-main">Chronology of Shakespeare's plays</span> Possible order of composition of Shakespeares plays

This article presents a possible chronological listing of the composition of the plays of William Shakespeare.

In Shakespeare studies, the problem plays are plays written by William Shakespeare which are characterized by their complex and ambiguous tone, which shifts violently between more straightforward comic material and dark, psychological drama. Shakespeare's problem plays eschew the traditional trappings of both comedy and tragedy, and are sometimes cited as early predecessors to the tragicomedy.

Revenge tragedy is a theatrical genre, in which the principal theme is revenge and revenge's fatal consequences. Formally established by American educator Ashley H. Thorndike in his 1902 article "The Relations of Hamlet to Contemporary Revenge Plays," a revenge tragedy documents the progress of the protagonist's revenge plot and often leads to the demise of both the murderers and the avenger himself.

Stephen Booth was a professor of English literature at the University of California, Berkeley. He was a leading Shakespearean scholar.

<span class="mw-page-title-main">Elizabethan literature</span> Written work produced during the reign of Queen Elizabeth I (1558-1603)

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney and Thomas Kyd.

<span class="mw-page-title-main">Henriad</span> Term for some Shakespearean history plays

In Shakespearean scholarship, the Henriad refers to a group of William Shakespeare's history plays depicting the rise of the English kings. It is sometimes used to refer to a group of four plays, but some sources and scholars use the term to refer to eight plays. In the 19th century, Algernon Charles Swinburne used the term to refer to three plays, but that use is not current.

<span class="mw-page-title-main">Shakespeare's plays</span>

Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.

<span class="mw-page-title-main">Bad quarto</span> Poorly transcribed works of Shakespeare

A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.

<span class="mw-page-title-main">Shakespeare's writing style</span> Overview of a writing style of a poet

William Shakespeare's style of writing was borrowed from the conventions of the day and adapted to his needs.

<span class="mw-page-title-main">Shakespeare in performance</span> Performances of William Shakespeares plays

Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.

<span class="mw-page-title-main">Drama</span> Artwork intended for performance, formal type of literature

Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.

Andrea is the Spanish nobleman and lover of Bel-imperia whose ghost returns to look upon the events of The Spanish Tragedy, by Thomas Kyd.

References

  1. 1 2 3 4 5 6 7 8 9 Dunton-Downer & Riding 2004.
  2. 1 2 Boas 1910, pp. 344–408.
  3. 1 2 Brockett & Hildy 2007, p. 109.
  4. Hodge, Rachael. Before Genre : Tragedy in Patches in the Early English Playhouses , University of Oxford (United Kingdom), England, 2022.
  5. Bryson 2007, p. 99.
  6. Mowat & Werstine 2013.
  7. 1 2 3 Hoy 1992.
  8. 1 2 Foakes 1997.
  9. "Shakespeare and the Tragic Virtue". www.jsu.edu. Archived from the original on 21 May 2018. Retrieved 3 May 2018.

Sources

Further reading