In Shakespeare studies, the problem plays are plays written by William Shakespeare which are characterized by their complex and ambiguous tone, which shifts violently between more straightforward comic material and dark, psychological drama. Shakespeare's problem plays eschew the traditional trappings of both comedy and tragedy, and are sometimes cited as early predecessors to the tragicomedy.
The term was coined by critic F. S. Boas in Shakespeare and His Predecessors (1896). Boas' use of the phrase was derived from a type of drama that was popular at the time of his writing, most commonly associated with the Norwegian playwright Henrik Ibsen. [1] In these problem plays, the situation faced by the protagonist is put forward by the author as a representative instance of a contemporary social problem. The term can refer to the subject matter of the play, or to a classification "problem" with the plays themselves.
As Boas used it, the term "problem play" was originally used to refer exclusively to three plays that Shakespeare wrote between the late 1590s and the first years of the seventeenth century: All's Well That Ends Well , Measure for Measure , and Troilus and Cressida . Some critics include other plays that were not enumerated by Boas, most commonly The Winter's Tale , Timon of Athens , and The Merchant of Venice . [1] The term has been variously applied to other odd plays from different points in Shakespeare's career, as the notion of a problem play remains somewhat vaguely defined, and its use as a classification is still not accepted by all Shakespeare critics.
Boas himself lists the first three plays and adds that Hamlet links Shakespeare's problem-plays to his unambiguous tragedies. [2] For Boas, this modern form of drama provided a useful model with which to study works by Shakespeare that had previously seemed uneasily situated between the comic and the tragic; nominally two of the three plays identified by Boas are comedies, while the third, Troilus and Cressida , is found amongst the tragedies in the First Folio, although it is not listed in the Catalogue (table of contents) of the First Folio. According to Boas, Shakespeare's problem-plays set out to explore specific moral dilemmas and social problems through their central characters.
Boas contends that the plays allow the reader to analyze complex and neglected topics. Rather than arousing simple joy or pain, the plays induce engrossment and bewilderment. All's Well that Ends Well and Measure for Measure have resolutions, but Troilus and Cressida and Hamlet do not. Instead Shakespeare requires that the reader decipher the plays. [2] Per Boas, these plays, distinguished by their themes and treatment, require classification beyond comedy; adopting the popular classification of his time, he called them problem plays. [2]
Author Neil Rhodes argues that the defining characteristic of the Shakespearean problem-play is its controversial plot, and as such, the subgenre of problem-plays has become less distinct as scholars continue to debate the controversies in Shakespeare's straightforward tragedies and comedies. What differentiates plays like Measure for Measure from Shakespeare's explicitly comedic or tragic plays is that it presents both sides of a contentious issue without making a judgement for the audience. [3] Rhodes goes on to claim that this offering of the merits of both sides of the social dispute is a rhetorical device employed but not originated by Shakespeare. Rather, the rhetorical practice of submitting a thesis with a counter-contention that is just as persuasive began in Ancient Greece. [3] Per Rhodes, Shakespeare's problem-plays must address a social issue that can reasonably be debated, ranging from gender roles to institutional power frameworks. [3]
Another scholarly analysis of Shakespeare's problem-plays by A.G. Harmon argues that what the problem-plays have in common is how each consciously debates the relationship between law and nature. Many of the problem-plays address a disorder in nature, and the characters attempt to mitigate the disorder in varying manners. [4] In four of the plays that Harmon categorizes as problem-plays, The Merchant of Venice,All's Well That Ends Well,Measure for Measure, and Troilus and Cressida, the social order is restored when faulty contracts are properly amended. Harmon's conception of the problem-plays differs from others in that he argues that the problem-plays offer a resolution to their respective stories. Much like the characters in the plays must fulfill their contracts, he argues, Shakespeare fulfills his contract as a playwright by providing resolution. [4] Though Harmon's conception of the problem-plays does not align with the common understanding of Shakespeare's problem-plays, he does provide examples of the social dilemmas that Shakespeare addresses through these plays. The common social problem, per Harmon, is the tension between laws establishing order and the natural tendencies of humans. The problem-plays follow a formula: the established laws of society are challenged, chaos reigns over society, chaos is vanquished by the institution of a new order. [4]
From the perspective of scholar Ernest Schanzer, a Shakespearean problem-play is first defined independently of the idea of a Shakespearean play and only by what the phrase problem play itself necessitates. [5] Schanzer chooses to consider only ethical dilemmas in the definition of problem, excluding psychological, political, social, and metaphysical problems that may develop. [5] He concludes that problem plays are classified by a pivotal ethical dilemma that instigates multiple opposing but equally plausible opinions from the audience. [5] Using this theory, Schanzer distinguishes only Measure for Measure as a Shakespearean problem comedy, identifying both All's Well That Ends Well and Troilus and Cressida as lacking of a pivotal ethical dilemma that divides the audience. [5] Schanzer offers Julius Caesar and Antony and Cleopatra in the place of previously recognized problem plays. [5]
William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
All's Well That Ends Well is a play by William Shakespeare, published in the First Folio in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging from 1598 to 1608.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived. Scholars dispute whether it is a true lost work, possibly a sequel to Love's Labour's Lost, or an alternative title to a known Shakespeare play.
The problem play is a form of drama that emerged during the 19th century as part of the wider movement of realism in the arts, especially following the innovations of Henrik Ibsen. It deals with contentious social issues through debates between the characters on stage, who typically represent conflicting points of view within a realistic social context. Critic Chris Baldick writes that the genre emerged "from the ferment of the 1890s... for the most part inspired by the example of Ibsen's realistic stage representations of serious familial and social conflicts." He summarises it as follows:
Rejecting the frivolity of intricately plotted romantic intrigues in the nineteenth-century French tradition of the 'well-made play', it favoured instead the form of the 'problem play', which would bring to life some contemporary controversy of public importance—women's rights, unemployment, penal reform, class privilege—in a vivid but responsibly accurate presentation.
Troilus is a legendary character associated with the story of the Trojan War. The first surviving reference to him is in Homer's Iliad, composed in the late 8th century BCE.
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare. Some editions include several works that were not completely of Shakespeare's authorship, such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were likely written by George Wilkins; or Edward III, whose authorship is disputed.
David Martin Bevington was an American literary scholar. He was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the college at the University of Chicago, where he taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specialized in British drama of the Renaissance, and edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. After accomplishing this feat, Bevington was often cited as the only living scholar to have personally edited Shakespeare's complete corpus.
Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.
The Shakespearean fool is a recurring character type in the works of William Shakespeare.
Women in Shakespeare is a topic within the especially general discussion of Shakespeare's dramatic and poetic works. Main characters such as Dark Lady of the sonnets have elicited a substantial amount of criticism, which received added impetus during the second-wave feminism of the 1960s. A considerable number of book-length studies and academic articles investigate the topic, and several moons of Uranus are named after women in Shakespeare.
The York Shakespeare Project (YSP) was set up in 2001 to perform all of Shakespeare's plays within a twenty-year period in the city of York. The project is a registered charity, with a stated aim of providing "a long-term cultural, educational and community resource for the people of York and beyond by involving the wider York community in the production of the whole cycle of Shakespearean drama."
Georgia Shakespeare was a professional, not-for-profit theatre company located in Atlanta, Georgia, in the United States on the campus of Oglethorpe University from 1985-2014. Georgia Shakespeare produced three plays annually, primarily between June and November. Twelve educational programs were developed in the history of Georgia Shakespeare. These programs included "The High School Tour", a "High School Acting Competition", "Camp Shakespeare", a "High School Conservatory", a "No Fear Shakespeare" training program for educators, after school residencies, school tours, student matinees, classes for professionals, and in-school workshops. At its peak, it welcomed 60,000 patrons annually to its performances.
The following outline is provided as an overview of and topical guide to the life and legacy of William Shakespeare, an English poet, playwright, and actor who lived during the 17th century. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon".
Troilus and Cressida is a play by William Shakespeare, probably written in 1602.
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