Portia | |
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The Merchant of Venice character | |
Created by | William Shakespeare |
Portia is a female protagonist in The Merchant of Venice by William Shakespeare. In creating her character, Shakespeare drew from the historical figure of Porcia [1] — the daughter of Cato the Younger — as well as several parts of the Bible. [2]
Portia is fond of proverbs, frequently quoting them, which was considered a sign of wisdom and intellect in the Elizabethan era. It has been suggested that the character of Portia was based on Queen Elizabeth, who was reigning at the time the play was written, and who also had a penchant for proverbs. [3]
In Shakespeare's play, Portia is a wealthy heiress in Belmont. She is bound by a lottery outlined in her father's will, which allows potential suitors to choose one of three caskets made of gold, silver, and lead, respectively. If they choose the correct casket containing Portia's portrait and a scroll, they win her hand in marriage. Portia is glad when two suitors, one driven by greed and another by vanity, fail to choose correctly. She favors Bassanio, a young but impoverished Venetian noble.
Later in the play, she disguises herself as a man and then assumes the role of a lawyer, Balthazar, whereby she saves the life of Bassanio's friend Antonio in court. In the court scene, Portia finds a technicality in the bond, as it does not allow for the removal of blood, thereby outwitting the Jewish moneylender Shylock and saving Antonio from giving the pound of flesh demanded when everyone else, including the Duke presiding as judge, fails. It is Portia who delivers one of the most famous speeches in The Merchant of Venice:
The quality of mercy is not strained.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives and him that takes.
In the end, Portia and Bassanio go on to live together along with the former's lady-in-waiting, Nerissa, and her husband, Gratiano.
In her book Shakespeare's Daughters, critic Sharon Hamilton categorizes Portia as one of Shakespeare's women who act instead of their (absent) father. Additionally, rather than being subdued by her society's restrictive feminine model, she is "confident, witty, and resourceful." [4] Susan Oldrieve notes that while Portia rebels against patriarchal control, she eventually relents, "partly out of trust and duty, and partly because she finds that it ultimately works to her advantage." [5]
Critics disagree about the extent of help Portia gives Bassanio in her test, the choosing of the caskets. In 1876, the critic J. Weiss was the first to assert that Portia assists Bassanio. More recent critics that take this view are S. F. Johnson, in "How Many Ways Portia Informs Bassanio's Choice," and Michael Zuckert in "The New Medea: On Portia's Comic Triumph in The Merchant of Venice," both in 1996. Opposing this view is Robert Hapgood in "Portia and The Merchant of Venice: The Gentle Bond" (1967) and Corinne S. Abate in "Nerissa Teaches Me What to Believe: Portia's Wifely Empowerment in The Merchant of Venice" (2002). [6]
Despite her lack of formal legal training, Portia wins her case by referring to the exact language of the law. The tactics she uses are, in modern terms, referred to as a "Philadelphia lawyer." These tactics help demonstrate her power in the court, contrasting with her earlier lack of choice in the marriage.
However, such tactics also lead to further discussions about the use and abuse of rhetoric. As a vital concept of civic life during the Elizabethan era, rhetoric often indicates an individual's wit (in a way, similar to the modern term "Intellect" [7] ), while at the same time intricately linked to moral issues as it possesses the potential to obfuscate distinctions between right and wrong. [8] For example, the abuse of rhetoric skills is brought to light by Portia – highlighting the idea that an unjust argument may win through eloquence, loopholes and technicalities, regardless of the moral question at hand – and thus provoking the audience to consider that issue.
Frances Abington, Sarah Siddons and Elizabeth Whitlock all played Portia in the 18th century when actresses first started appearing on stage in performances of the play. More recently, the role has been depicted in the cinema, on television, and in theatres by a number of notable actresses such as Maggie Smith, Claire Bloom, Sybil Thorndike, Joan Plowright, Caroline John, Lynn Collins, Lily Rabe, and Gemma Jones.
The character of Portia has had a considerable and long-lived cultural impact.
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(help)The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
Bianca is an inner satellite of Uranus. It was discovered from the images taken by Voyager 2 on January 23, 1986, and was given the temporary designation S/1986 U 9. It was named after the sister of Katherine in Shakespeare's play The Taming of the Shrew. It is also designated Uranus VIII.
Portia is an inner satellite of Uranus. It was discovered from the images taken by Voyager 2 on 3 January 1986, and was given the temporary designation S/1986 U 1. The moon is named after Portia, the heroine of William Shakespeare's play The Merchant of Venice. It is also designated Uranus XII.
Perdita is an inner satellite of Uranus. Perdita's discovery was very complicated, as the first photographs of Perdita were taken by the Voyager 2 spacecraft in 1986, but it was not recognized from the photographs for more than a decade. In 1999, the moon was noticed by Erich Karkoschka and reported. But because no further pictures could be taken to confirm its existence, it was officially demoted in 2001. However, in 2003, pictures taken by the Hubble Space Telescope managed to pick up an object where Perdita was supposed to be, finally confirming its existence.
Uranus, the seventh planet of the Solar System, has 28 confirmed moons. Most of them are named after characters that appear in, or are mentioned in, the works of William Shakespeare and Alexander Pope. Uranus's moons are divided into three groups: thirteen inner moons, five major moons, and ten irregular moons. The inner and major moons all have prograde orbits and are cumulatively classified as regular moons. In contrast, the orbits of the irregular moons are distant, highly inclined, and mostly retrograde.
The Merchant of Venice is a 2004 romantic drama film based on Shakespeare's play of the same name. It is the first full-length sound film in English of Shakespeare's play—other versions are videotaped productions which were made for television, including John Sichel's 1973 version and Jack Gold's 1980 BBC production.
Antonio is one of the central characters in William Shakespeare's play The Merchant of Venice. He is portrayed as a wealthy and respected merchant residing in Venice, known for his generosity and melancholic disposition. Antonio is a close friend of Bassanio, another important character in the play, and their bond serves as a crucial element of the story.
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The Merchant of Venice is a 1969 drama short film directed by Orson Welles based on William Shakespeare's play of the same name. While actually completed, it is frequently cited as an unfinished film, though better described as a partially lost film due to the loss of film elements.
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"The quality of mercy" is a speech given by Portia in William Shakespeare's The Merchant of Venice. In the speech, Portia, disguised as a lawyer, begs Shylock to show mercy to Antonio. The speech extols the power of mercy, "an attribute to God Himself".
The Merchant of Venice is a 1953 French-Italian drama film directed by Pierre Billon and starring Michel Simon, Andrée Debar and Massimo Serato. It is loosely based on William Shakespeare's Elizabethan play of the same name.
Shylock is a fictional character in William Shakespeare's play The Merchant of Venice. A Venetian Jewish moneylender, Shylock is the play's principal villain. His defeat and conversion to Christianity form the climax of the story.
The Merchant of Venice is an opera by André Tchaikowsky (1935–1982) to a libretto, based on the Shakespeare play, by John O'Brien. Written between 1968 and 1982, it was first performed in 2013 at the Bregenz Festival. The British premiere was presented by the Welsh National Opera in September 2016.
The Merchant of Venice is a 1961 Australian television adaptation of the play by William Shakespeare that aired on 13 September 1961 in Sydney, and on 25 October 1961 in Melbourne.
Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice. In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with Lorenzo and Shylock serve as a mirror and contrast to Portia's with Bassanio and with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith.
The Merchant is a 1976 play in two acts by the English dramatist Arnold Wesker. It is based on William Shakespeare's The Merchant of Venice, and focuses on the Jewish Shylock character, that play's principal antagonist.
Bassanio is a fictional character in Shakespeare's The Merchant of Venice.
The Shylock Suite, Op. 57 is a six-movement work by Gabriel Fauré, first performed in 1890. In addition to four purely orchestral movements it includes two serenades for solo tenor with orchestral accompaniment. The composer constructed the suite from incidental music he had written the previous year for Edmond Haraucourt's play Shylock, an adaptation of Shakespeare's The Merchant of Venice, presented at the Théâtre de l'Odéon in Paris. The theatre music had been written for a small orchestra, and Fauré greatly expanded the orchestration for the concert suite.